Picturing the creation of the world: The cosmogenic illustrations of Buffon’s Natural History of the Earth (1749–1785)

2015 ◽  
Vol 2 (1) ◽  
pp. 75-91
Author(s):  
Lucile Roche
Author(s):  
Tim Murray ◽  
Christopher Evans

Any one of several organic analogies, particularly that of the Tree of Knowledge, might usefully serve as the leitmotif of this volume, and to help justify our choice of the plural in its title—‘Histories of Archaeology’, as opposed to the singular case prefaced with The or A. ‘Trees of Knowledge’ and/or ‘Development’ were widely used to portray nineteenth- and early twentieth-century knowledge systems, be they in architecture, languages, or race, and Pitt Rivers, for example, was especially fond of them. Trees can also symbolize the growth of disciplines. Archaeology had its roots in antiquarianism, history, philology, ethnology, geology, and natural history generally. From this grew the trunk that eventually branched out into various sub-disciplines (e.g. biblical, Roman, medieval, scientific, and ‘new’ archaeology). The great meta-narratives of the history of archaeology have followed this approach, with ‘archaeological thought’ or ‘archaeological ideas’ having a common inheritance or ancestry in nineteenth- century positivist European science. From this main rootstock, it eventually branched into subdivisions and out into the world at large, fostering offspring archaeologies differentiated by geography, tradition, subfield, or time period (Daniel 1975; Trigger 1989). Our aim in this volume, and that of much of recent archaeological historiography, is to challenge this meta-narrative and to demonstrate that there has been a great deal more variability of thought and practice in the Weld than has been acknowledged. In this context we think that Kroeber’s ‘Tree of Life/Culture’ (1948) is a more accurate visualization of the growth of archaeology. Instead of just branching ‘naturally’, Kroeber’s branches have the capacity to grow back on themselves and coalesce in the way that ‘thought’, ‘subjects’, and/or ‘institutions’/‘networks’ do. Yet Kroeber’s model still relies on a single main trunk. If applied to the history of archaeology it would not distinguish, for example, that antiquarianism did not conveniently die out with the advent of archaeology as a discipline, and that its history and development has always involved multiple strands—in essence the existence of other possibilities and practices. We intend this volume to stimulate the exploration of these other possible archaeologies, past, present, and future, and to help us acknowledge that the creation of world archaeologies, and the multiplication of interests and objectives among both the producers and consumers of archaeological knowledge, will drive the creation of still further variability.


2021 ◽  
Vol 15 (4) ◽  
pp. 327-347
Author(s):  
Jean Francesco A.L. Gomes

Abstract The aim of this article is to investigate how Abraham Kuyper and some late neo-Calvinists have addressed the doctrine of creation in light of the challenges posed by evolutionary scientific theory. I argue that most neo-Calvinists today, particularly scholars from the Vrije Universiteit Amsterdam (VU), continue Kuyper’s legacy by holding the core principles of a creationist worldview. Yet, they have taken a new direction by explaining the natural history of the earth in evolutionary terms. In my analysis, Kuyper’s heirs at the VU today offer judicious parameters to guide Christians in conversation with evolutionary science, precisely because of their high appreciation of good science and awareness of the nonnegotiable elements that make up the orthodox Christian narrative.


2021 ◽  
Vol 43 (1) ◽  
pp. 130-136
Author(s):  
Valeriy SNAKIN

Anatolij Nikiforovich Tyuryukanov (1931-2001), Dr.Sci (Biol.), professor was a remarkable Russian natural scientist, who made a signifi contribution to soil science and the theory of the biosphere. Investigation of Tyuryukanov’s works shows both evolution of the author’s scientifi interests and development of natural history in Russia in 20th century. He formulated the biosphere natural history principle founded on a new fundamental category of sciences foundation in 20th century. Th principle is based on genetic soil science, biogeocenology, landscape geochemistry and main branches of the Earth biosphere and vitasphere study. Interesting and sometimes unexpected assertions of A.N. Tyuryukanovs provide food for thought about both further studies of nature, development of biosphere study and refl on the human and biosphere relationships.


Author(s):  
Mauricio Onetto Pavez

The year 2020 marks the five hundredth anniversary of the “discovery” of the Strait of Magellan. The unveiling of this passage between 1519 and 1522 allowed the planet to be circumnavigated for the first time in the history of humanity. All maritime routes could now be connected, and the idea of the Earth, in its geographical, cosmographic, and philosophical dimensions, gained its definitive meaning. This discovery can be considered one of the founding events of the modern world and of the process of globalization that still continues today. This new connectivity awoke an immediate interest in Europe that led to the emergence of a political consciousness of possession, domination, and territorial occupation generalized on a global scale, and the American continent was the starting point for this. This consciousness also inspired a desire for knowledge about this new form of inhabiting the world. Various fields of knowledge were redefined thanks to the new spaces and measurements produced by the discovery of the southern part of the Americas, which was recorded in books on cosmography, natural history, cartography, and manuscripts, circulating mainly between the Americas and Europe. All these processes transformed the Strait of Magellan into a geopolitical space coveted by Europeans during the 16th century. As an interoceanic connector, it was used to imagine commercial routes to the Orient and political projects that could sustain these dynamics. It was also conceived as a space to speculate on the potential wealth in the extreme south of the continent. In addition, on the Spanish side, some agents of the Crown considered it a strategic place for imperial projections and the defense of the Americas.


2016 ◽  
Vol 12 (10) ◽  
pp. 71
Author(s):  
Jafar Aghazadeh ◽  
Hasan Mohammadi

<p>In the thoughts and beliefs of Iranians, kingdom has had a history of the creation of human beings on the earth. Accordingly, Iranians believe that the first creature and human being on the earth was the first king of Iran. Iranians connects the history of their mythical royal dynasties to the creation of humanity. For Iranians, the mythical kings of Iran are the creators of the royal institution and the functions and duties of the royal institution have been established, developed and transferred to next generations by the measures of these kings. The objective of the present study is to investigate the establishment of the royal institution and the development of royal institution in ancient Iran by a descriptive-analytical method. The findings indicate that Iranians had specific sacredness for their kings and called the first creature of Ahura Mazda as the King. In addition, they believed that kings should perform particular tasks whose formation was attributed to the mythical kings of Iran. Further, they believed that only those persons had the right of being a king who were from the race of kings and were approved by Ahura Mazda. to examine Lessing’s elucidation of authentic knowledge in <em>Shikasta</em>. The methodology appropriated in the paper entails depiction of visible world as an illusion of the Real pointed in Plato’s allegory of Cave and Nagarjuna’s Mundane Truth. We clarify emotion as the main motivator of such illusionary status stressed in both Plato and Nagarjuna’s thoughts. We argue that while the importance of reason and eradicating emotion cannot be ignored, what adjoins people to Truth is mindfulness and intuitive knowledge which is close to Nagarjuna’s non-dual patterns. By examining ordinary life as the illusion of Real, and emotion as the main obstacle to achieve the Truth emphasized in both Nagarjuna and Plato’s trends, we depart from other critics who undermine the eminence of essentialist trace in Lessing’s works and examine her approach towards Truth merely under postmodern lens. This departure is significant since we clarify while essentialism has been abandoned to a large extent and supporters of Plato have become scarce, amalgamation of his thoughts with spiritual trends opens a fresh way to earn authenticity in Lessing’s novel. </p><p> </p>


1994 ◽  
Vol 45 (1) ◽  
pp. 92-106
Author(s):  
Hans Henningsen

The View of Nature and History in Grundtvig and LøgstrupBy Hans HenningsenGrundtvig’s and K.E. Løgstrup’s thoughts move in two different dimensions, but with the same intention of demonstrating that it was not the capacity of man to create culture that first gave significance to the world. But where Grundtvig speaks about history, Løgstrup speaks about »phenomena«, »nature«, and »universe«.While Grundtvig was largely unaffected by Kant, the latter - with his concepts of the selfexistent subject and the idea of the faculty of cognition as productive - became a challenge to Løgstrup. Kant heralds an era whose relationship with the universe is characterized as a »marginal existence«. Our culture became an emancipatory culture which was all to the good, but the era lost its sense of the .pre-cultural. structures in which life is »encased«.The era has also emancipated itself from Grundtvig’s historical view. But a history on the premisses of relativism is no history. Or, in Løgstrup’s words, there is no other history than the history of what is essential in life. Therefore, in reality, Løgstrup’s phenomenological and philosophical endeavours become a defence of history. Grundtvig’s view of nature was determined by his radical prioritization of history. He prefers to view nature as part of the historical life of man, which again determines his use of nature images. In Grundtvig there is no religious interpretation of any experience or perception of nature in spite of the fact that everything in the Creation is to be understood as images of the eternal.In Løgstrup there is no such cautions attitude towards nature. Here nature and sense perception are liberating, but as is the case with Grundtvig, nature is seen as the foundation of man’s life, as immediate experience.Grundtvig’s radical prioritization of history colours his view of art. The Creation itself is the greatest work of art; part of it is the upbringing through which all history must be the object of the individual’s own experience. Among the art forms, poetry ranks highest, with the song above all other forms, while Grundtvig only uses disparaging words about painting and sculpture because these art forms are wordless and preclude changes. Løgstrup, however, attaches much greater importance to sense perception and self-recognition through art.These contrasts may be regarded as what Løgstrup calls uniting opposites; it must be remembered, however, that such disparities cannot be harmonized so as to disappear, but are uniting precisely by virtue of the tension that exists between them. The actual existence of the contrasts does not preclude the possibility that in a wider sense the two views may be contained within the same framework and express a common intention.


2007 ◽  
pp. 27-37
Author(s):  
Dmytro V. Tsolin

Every reader of the Old Testament, both experienced researcher and newcomer, cannot fail to pay attention to one peculiarity in the presentation of the idea of ​​God: it is a harmonious (and, at times, amazing) combination of transcendence and immanence. The History of the Creation of the World (Genesis 1: 1 - 2: 3), which begins the first book of the Strictly Testament - Genesis - is an example of an exquisite prose genre with elements of epic poetry. In it, the Creator of the Universe appears to the Almighty, the Wise, and the All-Powerful, standing above the created world: Only one word of it evokes the material world from nothingness. This is emphasized by the repeated use of the formulas אלהים וימר / wa-yyo'mer 'ělohîm ("And Elohim said ...") and ויהי־כן / wa-yəhî khēn ("And so it became"). This use of two narrative constructs at the beginning and at the end of messages about the creative activities of God clearly emphasizes the idea of ​​reconciling the divine Word and being. God is shown here to be transcendental.


1794 ◽  
Vol 3 (2) ◽  
pp. 77-85 ◽  
Author(s):  
James Hutton

Since reading the paper upon the theory of the earth, I have been employed in examining many parts of this country, in order to enquire into the natural history of granite. In this undertaking, I have succeeded beyond my most flattering expectations; and I am now to communicate to this Society the result of my observations.In the paper just referred to, it was maintained, from many different arguments, that all the solid strata of the earth had been consolidated by means of subterraneous heat, softening the hard materials of those bodies; and that in many places, those consolidated strata had been broken and invaded by huge masses of fluid matter similar to lava, but, for the most part, perfectly distinguishable from it. Granite also was considered there as a body which had been certainly consolidated by heat; and which had, at least in some parts, been in the state of perfect fusion, and certain specimens were produced, from which I drew an argument in support of this conclusion.


2018 ◽  
pp. 187-232
Author(s):  
Alison E. Martin

This chapter is devoted to Humboldt’s last, great work Cosmos. This multi-volume ‘Sketch of a Physical Description of the World’ ranged encyclopaedically from the darkest corners of space to the smallest forms of terrestrial life, describing the larger systems at work in the natural world. But, as British reviewers were swift to query, where was God in Humboldt’s mapping of the universe? Appearing on the market in 1846, just a year after Robert Chambers’ controversial Vestiges of the Natural History of Creation, Humboldt’s Cosmos unavoidably underwent close scrutiny. Hitherto overlooked correspondence between Humboldt and Edward Sabine shows how the Sabines deliberately reoriented the second volume of the English translation for Longman/Murray explicitly to include references to the ‘Creator’ and thus restore Humboldt’s reputation. The fourth volume of the Longman edition on terrestrial magnetism – Edward Sabine’s specialism – included additions endorsed by Humboldt which made Sabine appear as co-writer alongside the great Prussian scientist, and Cosmos a more obviously ‘English’ product. Otté, who produced the rival translation for Bohn, was initially under pressure herself to generate ‘original’ work that differed from its rival, producing a version of a work that would remain central to scientific thought well up to the end of the nineteenth century.


2022 ◽  
pp. 930-944
Author(s):  
Anthony J. Gephardt ◽  
Elizabeth Baoying Wang

This chapter explores the world of autonomous vehicles. Starting from the beginning, it covers the history of the automobile dating back to 1769. It explains how the first production automobile came about in 1885. The chapter dives into the history of auto safety, ranging from seatbelts to full-on autonomous features. One of the main focuses is the creation and implementation of artificial intelligent (AI), neural networks, intelligent agents, and deep Learning Processes. Combining the hardware on the vehicle with the intelligence of AI creates what we know as autonomous vehicles today.


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