Ritual Theology in/and Biblical Theology

Author(s):  
Gerald Klingbeil

Ritual is an integral part of the human experience and represents also a significant element of biblical religion. This chapter explores the important link between ritual and biblical theology, highlighting its role as a vehicle for communicating complex concepts related to worship, community, and “knowing” God. Rituals are often triggered by emotions and also generate an emotive response. They can abbreviate, emphasize, expand, critique, and innovate. Ancient ritual activity is not only expressed in texts but also in images, challenging the reader and observer to “make sense” of the world and God’s role in this world. Finally, since ritual appears in texts and traditions of most religious communities (including also the three Abrahamic faiths), it can function as a link and an invitation to dialogue about “rival tellings.”

Author(s):  
Joyson K Cherian

Spiritual energy and power can be purposefully used to create structures and conditions that allow religious communities to co-exist. In the context of South Asia and particularly of India, can the very presence of Christians become a gift to the community? A useful pointer could be revisiting the concept of Jubilee Year as described in Leviticus, Isaiah and Luke that portrays the message of atonement, restoration, hospitality and renewal of the divine covenant - all of which are essential for inter-religious dialogue. The following paper seeks possible answers by addressing the concerns of the Christian layman and building up a framework for inter-religious dialogue, with a focus on being faithful to the Christian Gospel. The aim is to create conditions in which different accounts of the world of human experience can flourish together.


Author(s):  
Archie Chi-Chung Lee

It is commonly believed that there are some shared basic quests for the understanding of the human and the divine in religious writings. Most scriptures did not develop in isolation, nor were they interpreted without interaction with other scriptures in the historical sociopolitical processes. This reality is especially true in the world of religious plurality and close proximity of religious communities in the globalized world of today. But academic approaches in the field of comparative studies of Confucianism and Christianity usually tend to generalize and polarize these two traditions based on the different notions of the divine and the human: biblical religion is on the whole seen as theocratic and transcendental in nature, while Confucian tradition is basically anthropocentric and humanistic in its outlook. It is the intention of this article to scrutinize this characterization by the method of cross-textual reading of the Hebrew Wisdom and the Confucian Analects to recover often neglected aspects in the two respective scriptural traditions.


2018 ◽  
Vol 13 (4) ◽  
pp. 496-517
Author(s):  
Ned Hercock

This essay examines the objects in George Oppen's Discrete Series (1934). It considers their primary property to be their hardness – many of them have distinctively uniform and impenetrable surfaces. This hardness and uniformity is contrasted with 19th century organicism (Gerard Manley Hopkins and John Ruskin). Taking my cue from Kirsten Blythe Painter I show how in their work with hard objects these poems participate within a wider cultural and philosophical turn towards hardness in the early twentieth century (Marcel Duchamp, Adolf Loos, Ludwig Wittgenstein and others). I describe the thinking these poems do with regard to industrialization and to human experience of a resolutely object world – I argue that the presentation of these objects bears witness to the production history of the type of objects which in this era are becoming preponderant in parts of the world. Finally, I suggest that the objects’ impenetrability offers a kind of anti-aesthetic relief: perception without conception. If ‘philosophy recognizes the Concept in everything’ it is still possible, these poems show, to experience resistance to this imperious process of conceptualization. Within thinking objects (poems) these are objects which do not think.


2020 ◽  
Vol 53 (1) ◽  
pp. 98-104
Author(s):  
Halima Krausen

In our plural society, interfaith marriages and multicultural families have become a new normal and are either considered problematic for the religious communities or welcomed as a contribution to a secular and more peaceful world. In the course of my work with European Muslims, I could accompany such families through a few generations. In this article, I am going to outline some typical challenges and crises in such relationships and their effects on young people growing up in mixed families, adding my observations of how they can be dealt with. Ultimately, there is a chance that, through dialogue, it provides a meaningful learning environment that prepares young people for the diverse reality of the world today.


Author(s):  
Jerusha Tanner Lamptey

Using the analogy of the two Divine Words, this chapter begins by exploring pressing debates in contemporary Islamic feminist and Muslima theological engagement with the Qur’an, debates that arise out of the underlying problematic of the Word in the world. The chapter, then, explores Christian perspectives on Jesus Christ from Rosemary Radford Ruether, Jacquelyn Grant, Kwok Pui-lan, and Ada María Isasi-Díaz. These theologians discuss topics ranging from the language and symbols invoked to describe Jesus to the value assigned to particular human markings of Jesus (inclusive of but not limited to Jesus’s maleness) to the affiliations of Jesus with power and marginal groups. The chapter concludes by returning to Muslima theology and constructively proposing an approach to the Qur’an that embraces hybridity, human experience, and a preference for the marginalized.


Numen ◽  
2016 ◽  
Vol 63 (2-3) ◽  
pp. 147-166
Author(s):  
Tuomo Lankila

This article is inspired by Peter Van Nuffelen’s comparison between post-Hellenistic philosophy and Neoplatonism. The article defends the thesis of a fundamental break between ancient religions and new universal religions which became prevalent at the end of late antiquity. This break concerns not only fundamental doctrines but also the principles of how religious communities were constituted. There was a shift from the world of practice-oriented and reciprocally recognizing cults to the world of exclusive theocracies whose mindset emphasizes doctrinal confession. Some seeds of such a “doxastic turn” are to be seen in the post-Hellenistic philosophy and especially in the dogmatic tendencies of Middle Platonism. Thus, there is an observable route from the post-Hellenistic thought towards late ancient universal religions.Neoplatonism’s role in this historical drama is not that of precursor but, rather, it represents a deviation from the main line.


Author(s):  
Donald Gilbert-Santamaria

This book posits the Aristotelian-Ciceronian notion of perfect male friendship as an independent poetic force within the development of Spanish literature in the sixteenth and early seventeenth centuries. Through a re-examination of Spanish critic Juan Bautista Avalle-Arce’s notion of the “tale of two friends” tradition, the book shows how the poetics of friendship evolves in relation to other key concepts from the period—most notably exemplarity and imitatio—in a series of carefully selected examples from several important genres including the pastoral novel, the picaresque, and the Spanish comedia. Particular attention is given to the trajectory whereby the highly formalized narrativization of the traditional Aristotelian paradigm for friendship gives way to representations of personal intimacy grounded in a recognition of the idiosyncratic particularity of human experience in the world beyond the text. This alternative modality for representing friendship, which encompasses a variety of relationships beyond the Aristotelian paradigm—between women, erstwhile lovers, and pícaros, to take just three examples—reaches its fullest expression in the depiction of the evolving intimacy that grows up between the two unlikely companions, Don Quixote and Sancho Panza, whose shared experiences provide the main focus for Cervantes’s most important work.


10.34690/125 ◽  
2021 ◽  
pp. 6-36
Author(s):  
Роман Александрович Насонов

Статья представляет собой исследование религиозной символики и интерпретацию духовного смысла «Военного реквиема» Бриттена. Воспользовавшись Реквиемом Верди как моделью жанра, композитор отдал ключевую роль в драматургии сочинения эпизодам, созданным на основе военных стихов Оуэна; в результате произведение воспринимается подобно циклу песен в обрамлении частей заупокойной мессы. Военная реальность предстает у Бриттена амбивалентно. Совершая надругательство над древней верой и разбивая чаяния современных людей, война дает шанс возрождению религиозных чувств и символов. Опыт веры, порожденный войной, переживается остро, но при всей своей подлинности зыбок и эфемерен. Церковная традиция хранит веру прочно, однако эта вера в значительной мере утрачивает чистоту и непосредственность, которыми она обладает в момент своего возникновения. Бриттен целенаправленно выстраивает диалог между двумя пластами человеческого опыта (церковным и военным), находит те точки, в которых между ними можно установить контакт. Но это не отменяет их глубокого противоречия. Вера, рождаемая войной, представляет собой в произведении Бриттена «отредактированный» вариант традиционной христианской религии: в ее центре находится не триумфальная победа Христа над злом, а пассивная, добровольно отказавшаяся защищать себя перед лицом зла жертва - не Бог Сын, а «Исаак». Смысл этой жертвы - не в преображении мира, а в защите гуманности человека от присущего ему же стремления к агрессивному самоутверждению. The study of religious symbolism and the interpretation of the spiritual meaning of “War Requiem” by Britten have presentation in this article. Using Verdi's Requiem as a model of the genre, the composer gave a key role in the drama to the episodes based on the war poems by Wilfred Owen; as a result, the work is perceived as a song cycle framed by parts of the funeral mass. The military reality appears ambivalent. While committing a blasphemy against the ancient belief and shattering the aspirations of modern people, the war offers a chance to revive religious feelings and symbols. This experience of war-born faith is felt keenly, but for all its authenticity, it is shaky and ephemeral. The church tradition keeps faith firmly, but this faith largely loses the original purity and immediacy. Britten purposefully builds a dialogue between the two layers of human experience (church and military), finds those points where contact can be established between them. But this does not change their profound antagonism. In Britten's work, faith born of war is an “edited” version of the traditional Christian religion: in its center is not the triumphant victory of Christ over evil, but a passive sacrifice that voluntarily refused to defend itself in the face of evil-not God the Son, but “Isaac.” The meaning of this sacrifice is not in transforming the world, but in protecting the humanity of a person from his inherent desire for aggressive self-assertion.


2015 ◽  
Vol 1 (1) ◽  
pp. 321
Author(s):  
PI Van Niekerk

<strong>God and poverty in the Karoo – A reflection on a theology of transformation</strong> <br /> The Karoo is an outstretched arid area characterised by poverty and underdevelopment. This article focuses on the poverty of the Karoo people and the effect of their faith in God on social development and transformation. The future of the Karoo is vested in its people and religious communities. Previous research indicated that believers’ image of God had an effect on their attitude towards social development and transformation. A small sample of women in a Karoo town experienced God as loving, but not as a God that inspired people towards transformation. The test for the church lies in her social involvement in the world as its salvation is God’s concern. In Christian humanism the integrity of creation in a world filled with injustice and poverty is emphasised. Churches in the Karoo are encouraged to utilise a theology of transformation that is developmentally driven and inspired by a transforming image of God.


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