The Classical Inheritance
Keyword(s):
The question of Shakespeare’s relation to the Greek and Roman playwrights has, historically, possessed a kind of amplitude that his relation to other kinds of tradition has not. While recent scholarship challenges the old claim that Shakespeare had no direct access to Greek drama, Seneca’s status as his chief classical influence remains unchallenged. Moreover, Seneca’s plays self-consciously broadcast their embeddedness in tradition in a way that would allow Shakespeare to reverse engineer Greek drama, even without direct access. His use of central Senecan motifs—excessive revenge, the ghost, furor—demonstrates his awareness that they are also figures for literary tradition.