Faithful Witnessing as Practice: Decolonial Readings ofShadows of Your Black MemoryandThe Brief Wondrous Life of Oscar Wao

Hypatia ◽  
2015 ◽  
Vol 30 (4) ◽  
pp. 641-656 ◽  
Author(s):  
Yomaira C. Figueroa

This article considers María Lugones's concept of faithful witnessing as a point of departure to think about the ethics and possibilities of faithful witnessing in literary contexts. For Lugones, faithful witnessing is an act of aligning oneself with oppressed peoples against the grain of power and recognizing their humanity, oppression, and resistance despite the lack of institutional endorsement. I engage the work of Linda Tuhiwai Smith, Denise Oliver, and other scholars who offer methodologies and discourses on recognition, witnessing, and resistance. I argue that the feminist philosophical concept of faithful witnessing is a critical element of reading decolonial imaginaries. The article undertakes close readings of two novels in the Afro‐Latinx and Afro‐Hispanic tradition: Donato Ndongo'sShadows of Your Black Memoryand Junot Díaz'sThe Brief Wondrous Life of Oscar Wao. In these readings, the concept of faithful witnessing enriches the analysis of religious colonization and the gender violence inherent to coloniality.

1997 ◽  
Vol 2 (2) ◽  
pp. 125-138 ◽  
Author(s):  
Jan Strelau

This paper presents Pavlov's contribution to the development of biological-oriented personality theories. Taking a short description of Pavlov's typology of central nervous system (CNS) properties as a point of departure, it shows how, and to what extent, this typology influenced further research in the former Soviet Union as well as in the West. Of special significance for the development of biologically oriented personality dimensions was the conditioned reflex paradigm introduced by Pavlov for studying individual differences in dogs. This paradigm was used by Russian psychologists in research on types of nervous systems conducted in different animal species as well as for assessing temperament in children and adults. Also, personality psychologists in the West, such as Eysenck, Spence, and Gray, incorporated the CR paradigm into their theories. Among the basic properties of excitation and inhibition on which Pavlov's typology was based, strength of excitation and the basic indicator of this property, protective inhibition, gained the highest popularity in arousaloriented personality theories. Many studies have been conducted in which the Pavlovian constructs of CNS properties have been related to different personality dimensions. In current research the behavioral expressions of the Pavlovian constructs of strength of excitation, strength of inhibition, and mobility of nervous processes as measured by the Pavlovian Temperament Survey (PTS) have been related to over a dozen of personality dimensions, mostly referring to temperament.


2010 ◽  
Author(s):  
Francisca Exposito ◽  
Miguel Moya ◽  
Inmaculada Valor-Segura
Keyword(s):  

2020 ◽  
Vol 17 (1) ◽  
pp. 37-46 ◽  
Author(s):  
Antonio Alejo

There is a pressing need to extend our thinking about diplomacy beyond state-centric perspectives, as in the name of sovereignty and national interests, people on move are confronting virtual, symbolic and/or material walls and frames of policies inhibiting their free movement. My point of departure is to explore migrant activism and global politics through the transformation of diplomacy in a globalised world. Developing an interdisciplinary dialogue between new diplomacy and sociology, I evidence the emergence of global sociopolitical formations created through civic bi-nationality organisations. Focusing on the agent in interaction with structures, I present a theoretical framework and strategy for analysing the practices of migrant diplomacies as an expression of contemporary politics. A case study from North America regarding returned families in Mexico City provides evidence of how these alternative diplomacies are operating.


2018 ◽  
Vol 6 (1) ◽  
pp. 31-57
Author(s):  
Lolav M. Hassan Alhamid

This article explores the processes of finding a voice, learning to speak, and breaking silence around gender violence for a Kurdish woman endeavouring to resist oppression and destroy forced negative images and identities. It examines the ways in which she struggles to break imposed silences through resisting gender discrimination and telling stories of violence and exploitation, as represented in the Kurdish novelistic discourse in Bahdinan. Studying Sabri Silevani’s Mariama: Kiçe-Jinek ji Zemanek Di (Mariama: A Woman from Another Time, 2007), the article examines the various forms and layers of violence imposed on Kurdish women by the tribal and patriarchal norms and the social and political structures within the post-conflict Kurdish society in Iraqi Kurdistan. The three-fold typological model of violence developed by the political scientist Johan Galtung is adopted in the article to explore the ways in which the personal characteristics of individuals and the political, economic, and cultural structures of society are viewed as factors affecting the generation of gendered aggression. Most importantly, for the purpose of this article, is the significant utilisation of the association of Galtung’s typology with feminist studies of violence in the exploration of Kurdish women’s attempt to resist marginalisation and their struggle for recognition. Moreover, Rita Felski’s description and study of modern writing by women as a medium through which female political identities and collective consciousness are constructed and represented are adopted to discuss the structural and thematic properties of the text.ABSTRACT IN KURMANJITemsîla şideta cinsî ya piştî şerî di gotara edebî ya kurdên Iraqê de li herêma BehdînanEv meqale berê xwe dide merheleyên peydakirina dengî, fêrbûna axiftinê û daşikandina bêdengiya li dor şideta cinsî li cem jineke kurd a hewl dide li hember zextan ber xwe bide û wêne û huwiyetên menfî yên dasepandî ji nav bibe. Meqale lê hûr dibe ka çawa jin têdikoşe ku bi rêya berxwedana li hember cudakariya cinsî û bi gotina hikayêtên şidet û bikaranînê, wek ku di gotara romana kurdî ya li Behdînan tê temsîlkirin, bêdengiyên dasepandî bişikîne. Ev meqale li ser romana Sebrî Silêvanî ya bi navê Meryema: Kiçe Jinek Ji Zemanek Dî (2007) hûr dibe û dikeve dû destnîşankirina wan awa û tebeqeyên cihêreng ên şideta li ser jina kurd yên bi destê dab û nerîtên eşîrî û babsalarî û herwiha bi destê dezgehên civakî û siyasî yên di nav civaka kurd a li Kurdistana Iraqê ya piştî şerî têne dasepandin. Di meqelayê de modêla tîpolojîk û sê-tebeqeyî ya şidetê, ku Johan Galtungê zanyarê siyasetê dahînaye, hatiye bikaranîn ji bo veçirandina awayên ku taybetiyên şexsî yên ferdan û binyadên civakê yên siyasî, aborî û çandî wek fakterên kartêker ên peydabûna êrîşkariya cinsî têne dîtin. Ji bo armancên vê gotarê, ev tîpolojiya Galtung ligel xebatên fêmînîst ên li ser şidetê têne bikaranîn da ku hewla jinên kurd a berxwedana li hember perawêzxistinê û venasînê berçavtir bibe. Herwiha, pênase û lêkolîna Rita Felski ya li ser nivîsînên hevçerx ên jinan wek amrazek ji bo avakirin û temsîlkirina huwiyetên siyasî û şiûra cemawerî hatine bikaranîn ji bo vedîtina xasyetên metnê yên binyadî û têmayî.ABSTRACT IN SORANIWênekirdinî tundûtîjîy cenderî le gutarî novêlîstîkî kurdîy 'Êraq le BadînanEm meqaleye degerrêt be dway ew prosaney dozînewey deng, fêrbûnî peyivîn û şkandinî ew bêdengîye ke ballî be ser tundûtîjî cenderî da kêşawe, le xebatî ew jine kurde da ke deyewêt rûberrûwî stemkarî bibêtewe û wêne û şunase nerênîye be zor dasepênrawekan têk bişkênêt. Ew rêgayane be taqî dekatewe ke ew jine le xebatî da be kariyan dehênêt bo şkandinî bêdengiye be zor beserî da sepêndrawe le rêgay rûberrûbûnewey ciyakarî cenderî û gêrranewey dastangelî tundûtîjî û pawankirdin, herweku le gutarî novêlîstîkî da be kar hênrawin le nawçey Badînan. Le rêgay xwêndinewey "Meryeme Kiçejinek Ji Zemanek Dî" nûsraw le layen Sebrî Slêvanîyewe, em meqaleye ew şêwaz û rehendaney tundûtîjî be taqî dekatewe ke le rêga bawe hozgerayî û bawsalarîyekan û bunyade siyasiyekanî komellgay kurdî dway şerr le Kurdistanî 'Êraq da xirawnete ser jinanî kurdewe. Lem meqaleye da modêlî sê çînî taypolojîy tundûtîjî bekarhênrawe ke le layen zanay siyasî Johan Galtungewe dirust kirawe, be mebestî dozînewey ew rêgayaney ke pêyan karakterîstîke kesiyekanî takekan û bunyade siyasî û abûrî kelepurîyekanî komellga weku fakterî karîger nîşan drawin be ser qehrî cenderîyewe. Giringtirîn layenî mebestî em meqaleye nîşandanî ew sudbexşîye giringeye ke peywendîdarkrdinî taypolojî Galtung legell lêkollînewey fêmînîstî le gerran da be dway hewllî jinanî kurd bo rûberrûbenewe le hember perawêzxistin û xebatyan bo ewey ke danyan pêda binirêt. Herweha wesf û lêkollînewey Rîta Felski le nusînî hawçerxî jinan weku geyenerêk ke le rêgayiyewe şunasgelî siyasî û agayîy giştîy mê bunyad denirêt û nîşan dedirêt, be mebestî giftûgokirdin le ser layene bunyadî û tewerîyekanî deq, be kar hênrawe.


Anger is a basic human emotion that has a force for constructive or destructive ends. Its expression in any circumstance can be a trigger for a desire to change a prevailing situation. In all cases, anger is a fundamental component of art. This study examines the use of anger in Osborne’s Look Back in Anger and Osofisan’s The Chattering and the Song. Osborne and Osofisan are two writers who are very anxious to change their societies through their art. In spite of differences in their origin (Osborne was a Briton while Osofisan is a Nigerian), they wrote at a time of certain social and political upheavals in their countries. They also share similar concerns and attitudes towards art. My focus in this paper is on the early plays of Osborne and Osofisan where anger is strongest and where their artistic triumph is most poignant. Working within the formalist approach, the paper reveals that in Osborne and Osofisan, extreme anger is both material and style and is what marks their art out. The reification by the intellect provides a potent instrument for investigating society. Anger becomes the point of departure for their art, it is not mere hysterics but a cerebral one and it is the motivating force for their writings.


IIUC Studies ◽  
2020 ◽  
Vol 15 ◽  
pp. 33-46
Author(s):  
Kalim Ullah

Human beings are deeply related to land. Human beings take birth on land, live on land, die on land and mixes with land ultimately. As stated in the holy Quran: ‘We (Allah) created you (human beings) from the soil, we shall make you return to the soil and We shall call you back again from the soil’ (20:55). Human life is surrounded by soil i.e. land. So, land is a highly completed issue of human life involving economic, social, political, cultural and often religious systems. Land administration is thus a critical element and often a pre-condition for peaceful society and sustainable development. In administrating land, Khatian or record of rights plays a vital role to determine the rights and interests of the respective parties as supportive evidence. In this article, discussion is mainly made on the fact that Khatian or record of rights is not a document of title solely but it may be an evidence of title as well as possession. IIUC Studies Vol.15(0) December 2018: 33-46


2006 ◽  
Vol 2 (1) ◽  
pp. 70-79 ◽  
Author(s):  
Ben Highmore

From a remarkably innovative point of departure, Ben Highmore (University of Sussex) suggests that modernist literature and art were not the only cultural practices concerned with reclaiming the everyday and imbuing it with significance. At the same time, Roger Caillois was studying the spontaneous interactions involved in games such as hopscotch, while other small scale institutions such as the Pioneer Health Centre in Peckham, London attempted to reconcile systematic study and knowledge with the non-systematic exchanges in games and play. Highmore suggests that such experiments comprise a less-often recognised ‘modernist heritage’, and argues powerfully for their importance within early-twentieth century anthropology and the newly-emerged field of cultural studies.


Paragraph ◽  
2017 ◽  
Vol 40 (3) ◽  
pp. 279-293
Author(s):  
Avital Ronell

Reflecting on the debts collected by Shoshana Felman's work, within the theoretical contexts of the time in which the 1977 Yale French Studies issue of ‘Psychoanalysis and Literature’ first appeared, this article takes as its point of departure Lacan's analysis of Hamlet's father as the barred Other, focusing on Hamlet's ‘complaint’. The nature of the complaint (plainte, or Klage, also closely allied to Anklage, or accusation) is then explored in relation to various writers and thinkers — Rilke, Benjamin, Nietzsche, Heidegger, among others — and more specifically via a reading of François Roustang's La Fin de la plainte (The End of the Complaint), and his own interpretations of Freudian narcissism. Scanning the wreckage for which the little narcissists are responsible, the article aims to give more insight into the structuring principles of those who whine incessantly.


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