scholarly journals Media Strategy of TV Advertising in Indonesia

2013 ◽  
Vol 64 (2) ◽  
Author(s):  
Mustika Sufiati Purwanegara ◽  
Mia T. D. Indriani ◽  
Augustine Merriska ◽  
Evy Rachmawati Ch

There is an increasing number of TV channel in Indonesia. The competitive environment in TV advertising has made advertisers pull many different media strategies to get audience’s attention. The media strategies consider several factors, such as television channel, product categories, program rating, and advertising rates. The purpose of this research is to explore media strategy for TV advertising in Indonesia, defined by number of advertising played on TV. We analyzed data on the behavior of TV advertisers in February 2010. From the research we found that television channel, product categories, and advertising rate had significant relationships with the number of advertising played on TV. Meanwhile, program rating did not have significant relationships with the number of advertising played on TV.

2020 ◽  
Vol 37 (s1) ◽  
pp. 85-99
Author(s):  
Hanne Jørndrup

AbstractOn Saturday afternoon, 14 February 2015, a man attacked a public meeting at Krudttønden in Copenhagen and later the city's synagogue, killing two persons. The attacks did not take the Danish media by surprise since they had recently been engaged in the coverage of similar events, reporting the attacks at the Charlie Hebdo office in Paris in January 2015.This article analyses how the Danish television channel DR1 framed the attacks in the newscast from the first shot at Krudttønden and for the following week. Furthermore, the analysis will discuss how the framing of the shooting as a “terror attack” transformed the news coverage into a “news media” media event, abandoning the journalistic norm of critical approach while the media instead became the scene of national mourning.


Author(s):  
Pınar Özgökbel Bilis ◽  
Ali Emre Bilis

Television channels for children contain many cartoons and programs. These productions reach the viewers via both the television and the channel's official website. TRT Çocuk, broadcasting for children as a government television channel, presents many locally produced animated cartoons to the viewers. A product of the modern and digital technology, these locally produced cartoons carry importance in terms of transfer of social values. This study focuses on locally produced animation cartoons that have an important potential especially in the transfer of national and moral values. Determination of values conveyed via cartoons that bear importance in the transformation of television into an educational tool allows the media and child relationships to become visible. This work aims to examine the relationship between media and values by defining the concept of “value.” After creating a corporate frame, the study brings to light the social values conveyed in locally produced cartoons aired on TRT Çocuk television channel via qualitative analysis method.


2018 ◽  
Vol 14 (1) ◽  
pp. 99 ◽  
Author(s):  
Claudio Zanotti ◽  
Fabiola Reyes ◽  
Brian Fernandez

Purpose: The purpose of this paper is to provide the underlying constructs that connect the operational and financial performance of firms with the competitive environment surrounding the brewing industry in Europe.Design/methodology/approach: The selected method of study is exploratory and confirmatory factor analysis, and subsequently applying structural equations modelling. We have sampled 214 brewing companies distributed in over 12 European economies.Findings: The study provides a comparison between different antecent studies, including contextual contrast in both an industry and a methodologic perspective. The study shoes that the competitive construct of the industry is significantly related with the financial performance of firms, however not necesarilly to the operational results. Additionally, the operational structure of the firm does not necesarilly provide significant relationship to the firms' financial results.Research limitations/implications: The research is segmented within the European brewing industry, hence we find potentian geographic delimiations in terms of the conclusions of this paper.Originality/value: Significant relationships between competitive variables and financial performance in the brewing industry remains evasive in research thus far. Additionally, sustained in the potential the brewing industry represents within Europe, it is significant to identify these relationships for readers on both an academic and industrial background. 


Author(s):  
Renato Essenfelder ◽  
João Canavilhas ◽  
Haline Costa Maia ◽  
Ricardo Jorge Pinto

Technological advancements have created a media ecosystem in which traditional journalism sees its existence strongly threatened by the emergence of new players. Social networks have created a competitive environment that, whether due to its dispersion or its capillarity, has relegated the mainstream media to a secondary role in the media ecosystem. Ironically, the technologies that threaten traditional journalism are also those that can save it; provided they are used correctly. Journalism, weakened by the economic crisis and with increasingly smaller newsrooms, has artificial intelligence as an opportunity to recover a certain centrality in the media ecosystem. This paper studies AIDA, a project from the Brazilian television network Globo. This project looked to automation as a way to avoid errors and ambiguities in the news. The study of the AIDA case, complemented by interviews, presents the challenges to achieve the automatization of news regarding electoral polls.


Comunicar ◽  
2005 ◽  
Vol 13 (25) ◽  
Author(s):  
Manuela Barba-García

Nobody questions that advertising is one of the elements of the culture of our time and it generates consumption, being the children the most sensitive objectives. Thus, once the consumption habit is created, it is quite easy to correct its direction, directing it towards the satisfaction of new needs (Martínez, 1995: 12). We try throughout this research to understand the presence of the figure of children in any advertising spot and to set some implicit values that can affect them. For it, we have divided this study in four parts. The first part puts forward the reason of selection of this project. The second part, on which our study is based: the present mediatic society. Consumption predominates in our society, and it finds its maximum apogee on TV. advertising, since the television is a mass-media that has high social power. And the children are protagonists in spots because advertising tries to consolidate the habit of consumption in the childhood (Furones, 1980: 30). In the final part, we will continue with the development of proposals of intervention to prepare people to a critical and intelligent consumption. For it, we will concentrate in five scopes: school, family, the own intervention, the media and the community. The third part of our study presents audio-visual documents, base of our research. In it, we will describe the process of research followed by the object of our study, the audio-visual documents, and we will indicate the objectives that we considered. By watching the videos, we will collect the data that will be analyze with the object of valuing its adjustment to the intentions of the research and will present the results derived from the process. And finally we will indicate the conclusions that have come up in our study along with the consequences that will take us to future potential research and all those limitations that have come up throughout the research process. Nadie pone en duda que la publicidad es uno de los elementos de la cultura de nuestro tiempo y que ella genera consumo, siendo los niños los objetivos más sensibles. Así, una vez engendrado el hábito de consumo, es bastante fácil corregir su orientación, dirigiéndolo hacia la satisfacción de nuevas necesidades (Martínez, 1995: 12). Se pretende a lo largo de este trabajo de investigación comprender la presencia de la figura del niño en cualquier spot publicitario y determinar algunos valores implícitos que le afectan. Para ello hemos dividido este estudio en cuatro partes. Una primera parte que expone el motivo de selección del pro­yecto. Una segunda parte, en la cual se fundamenta de forma global el marco en el que se integra nuestro estudio: la actual sociedad mediática. Estando en una sociedad en la que predomina el consumo, y éste encuentra su máximo apogeo a través de la publicidad televisiva, ya que la televisión es un medio de comunicación de masas que tiene un alto poder social. Y son los niños los mayores protagonistas en los spots publicitarios, porque la pu­blicidad lo que intenta es consolidar el hábito de consumo en la infancia (Furones, 1980: 30). Se continuará en la parte final de este bloque, con la elaboración de propuestas de intervención para preparar a las personas a un consumo crítico e inteligente. Para ello, nos centraremos en cinco ámbitos: la escuela, la familia, la propia intervención, los medios y los colectivos ciudadanos. Una tercera parte del estudio presenta los documentos au­diovisuales, base de nuestra investigación. En ella, se describe el proceso de investigación seguido de nuestro objeto de estudio, los documentos audiovisuales y se señalan los objetivos planteados. Con la visualización de los vídeos, se procederá a recoger los datos obtenidos de los mismos, analizados con el objeto de valorar su adecuación a los propósitos de la investigación y se presentarán los resultados derivados del proceso. Y por último, se señalarán las conclusiones que se vislumbran del estudio, junto con las implicaciones que llevarán a potenciales futuras investigaciones y todas aquellas limitaciones que nos han asaltado a lo largo del proceso investigativo.


Author(s):  
ياسين صدوقي

This study seeks to identify the methods and methods of covering Islamophobia by Arab news channels، and that was set in the Qatari Al-Jazeera channel and alaraby television channel That broadcasts from England. This choice comes because they are affiliated to a television news complex that has huge (financial and human) capabilities that make them broadcast on a large scale. Therefore, we aim in this study to discover the most prominent determinants and foundations of coverage of the phenomenon of Islamophobia in an era in which social networking sites exploded and became a major driver in many issues, and the religious media was absent from the agenda of the traditional media.


2018 ◽  
Vol 14 (4) ◽  
pp. 493-503
Author(s):  
Dikgang Moseneke

AbstractIn 2014, something happened that changed how the media report on court proceedings in South Africa. The Oscar Pistorius trial proceedings attracted much media attention. International journalists flocked into South Africa in droves. Our newspapers, our televisions, our radios, even our Facebook feeds were flooded with information. An entire twenty-four-hour television channel was created with the sole purpose of televising, and then discussing, the proceedings. Everything about the trial – the judge's rulings, the witnesses who gave evidence and especially the verdict – clogged social-media newsfeeds on laptops and other devices for months on end. This has changed irreversibly the manner in which the media and the justice system in South Africa converge. Through a focus on the debates in and out of the courtroom that the Pistorius trial generated, this paper explores the intersection between the judicial function, the media and the public. It was an important moment in post-apartheid South Africa, ushering in a new way of making and distributing judicial images to the public and thereby bringing into being new ways for the media and the public to access and assess the adjudicative role of judges.


Pragmatics ◽  
2013 ◽  
Vol 23 (1) ◽  
pp. 117-145 ◽  
Author(s):  
María Elena Placencia ◽  
Catalina Fuentes Rodríguez

Vamos con todo is a mixed-genre entertainment programme transmitted in Ecuador on a national television channel. The segment of the programme that we examine in this paper focuses on gossip and events surrounding local/national celebrities. Talk as entertainment is central to this segment which is structured around a series of ‘news’ stories announced by the presenters and mostly conveyed through (pre-recorded) interviews. Extracts of these interviews are ingeniously presented to create a sense of confrontation between the celebrities concerned. Each news story is then followed-up by informal ‘discussions’ among the show’s 5-6 presenters who take on the role of panellists. While Vamos con todo incorporates various genres, the running thread throughout the programme is the creation of scandal and the instigation of confrontation. What is of particular interest, however, is that no sooner the scandalous stories are presented, the programme presenters attempt to defuse the scandal and controversy that they contributed to creating. The programme thus results in what viewers familiar with the genre of confrontational talk shows in Spain, for example, may regard as an emasculated equivalent. In this paper we explore linguistic and other mechanisms through which confrontation and scandal are first created and then defused in Vamos con todo. We consider the situational, cultural and socio-political context of the programme as possibly playing a part in this disjointedness. The study draws on the literature on television discourse, talk shows and (im)politeness in the media.


2021 ◽  
Vol 17 (20) ◽  
pp. 125
Author(s):  
Qemal Affagnon

Cette étude propose une réflexion sur les fictions sérielles produites en Afrique par la chaîne de télévision TV5. Ces dernières années, avec l’arrivée de nouvelles chaînes de télévision , on assiste à une multiplication des fictions diffusées en Afrique francophone. Cette multiplication de séries africaines favorise d’une part une concurrence entre les médias locaux. D’autre part, elle favorise également une compétition entre les médias locaux et internationaux. Si la télévision joue un rôle -clef dans les dynamiques culturelles des sociétés africaines, ces flux télévisuels peuvent être utilisés à des fins d’instrumentalisation commerciales ou politiques. Par aileurs, cette instrumentalisation favorise le déploiement de certaines stratégies de conquête qui ne sont pas sans risque. Suivant une approche plus descriptive que théorique, le présent article montre comment ces stratégies favorisent de redoutables attaques dont les fonctions n’ont de limites que l’imagination des attaquants afin de détourner les médias de leur rôle initial.   This study proposes a reflection on the serial fictions produced in Africa by the television channel TV5. These last years, with the arrival of new television channels, we witness a multiplication of the fictions diffused in French-speaking Africa. This multiplication of African series favors on the one hand a competition between the local media. On the other hand, it also favors a competition between local and international media. If television plays a key role in the cultural dynamics of African societies, these television flows can be used for commercial or political purposes. Moreover, this instrumentalization favors the deployment of certain strategies of conquest which are not without risk. Following an approach that is more descriptive than theoretical, this article shows how these strategies favor formidable attacks whose functions are limited only by the imagination of the attackers in order to divert the media from their initial role.


Author(s):  
Admink Admink

  Наведено огляд публікацій, дотичних обраній тематиці. Роль ЗМІ у менеджменті академічної музики розглянуто крізь призму ключових культурних індустрій, які мають справу з індустріальним виробництвом та розповсюдженням текстів (широкого мовлення, друку, інтернету). Описано їх безпосередню комунікацію завдяки єдиному в Україні спеціалізованому журналу «Музика», національному радіо та телевізійному каналу «Культура» і їх розміщенню в соціальних мережах. Визначено, що для становлення менеджменту академічного музичного мистецтва в Україні засоби масової інформації та комунікації відіграють роль іміджмейкера та лобіста, тобто є ефективним засобом піару та промоушину високого культурного продукту. Ключові слова: засоби масової інформації та комунікації, менеджмент, академічна музика, національна культура, медійний продукт. An overview of publications related to selected topics is given. The role of the media in the management of academic music has been examined through the prism of key cultural industries that deal with the industrial production and distribution of texts (broadcasting, print, and the Internet). Their direct communication is described thanks to the only specialized magazine «Music» in Ukraine, national radio and television channel «Culture» and their placement on social networks. It has been determined that the media and communication play a special role of the image-maker and lobbyist in the formation of the management of academic musical art in Ukraine, that is, it is an effective means of PR and promotion of a high cultural product. Key words: media and communication, management, academic music, national culture, media product.


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