QFD Models for Research and Development of Future Car

Author(s):  
Yasuhisa Tsuda

Abstract In succession to Tsuda (1995) in which 2 QFD models were proposed for Concurrent Engineering (CE) development of a complicated product such as an automobile, this report treats a study of QFD models for research and development of a future car. First it is discussed, how to approach a future car concept. As customers can not forecast the future, the market quality requirements do not exist which were the very starting point of the 2 QFD models proposed in Tsuda (1995). Instead, experts must find future quality requirements, which then need to be accepted by customers, together with their backgrounds. These circumstances are considered for modification of the 2 QFD models proposed in Tsuda (1995) into new QFD models. These models will then be compared with a research and development case of a future car which was pushed forward on the same basic concept as these models. This real case aimed at the research of both a future car and the methodology of its research and development. It included not only planning and development of a future car, but also customer researches using this concept car. As a result the 2 new QFD models are proven valid for the research and development of a future car.

2021 ◽  
Vol 7 (1) ◽  
pp. 52-62
Author(s):  
Johanna Clements ◽  
Anna Insa Vermehren ◽  
Ida Fossli ◽  
Jaroslav Bogomolov

In this paper we look at digital solutions in museums today and with a view to the future. We believe that they have a potential to innovate museum practices and reach audiences with relevant content. We have found the Norwegian Government’s Museum Framework (Kulturdepartementet 2009) a useful starting point to consider ‘digital’ through the lens of the areas of collection care, research, content dissemination, innovation and business development. In this paper, our focus is on smaller museums and heritage organisations. We contribute our thoughts, experiences and give some practical ideas how small museums can better utilise digital media and digital solutions.  This paper was written by staff members of Museum Nord who are part of the Research and Development Team. Museum Nord was lead partner in the CINE project, 2017-2020 (CINE project 2017) which enabled the team to gain valuable insights into this area of knowledge and practice. 


2019 ◽  
Vol 37 (2) ◽  
pp. 206-219
Author(s):  
Meindert E. Peters

Friedrich Nietzsche's influence on Isadora Duncan's work, in particular his idea of the Dionysian, has been widely discussed, especially in regard to her later work. What has been left underdeveloped in critical examinations of her work, however, is his influence on her earlier choreographic work, which she defended in a famous speech held in 1903 called The Dance of the Future. While commentators often describe this speech as ‘Nietzschean’, Duncan's autobiography suggests that she only studied Nietzsche's work after this speech. I take this incongruity as a starting point to explore the connections between her speech and Nietzsche's work, in particular his Thus Spoke Zarathustra. I argue that in subject and language Duncan's speech resembles Nietzsche's in important ways. This article will draw attention to the ways in which Duncan takes her cues from Nietzsche in bringing together seemingly conflicting ideas of religion and an overturning of morality; Nietzsche's notion of eternal recurrence and the teleology present in his idea of the Übermensch; and a renegotiation of the body's relation to the mind. In doing so, this article contributes not only to scholarship on Duncan's early work but also to discussions of Nietzsche's reception in the early twentieth century. Moreover, the importance Duncan ascribes to the body in dance and expression also asks for a new understanding of Nietzsche's own way of expressing his philosophy.


Leadership ◽  
2021 ◽  
pp. 174271502199959
Author(s):  
Chellie Spiller
Keyword(s):  
The Past ◽  

This article encourages a move away from the excessively inward gaze of ‘to thine own self be true’ and explores ‘I AM’ consciousness as a starting point. An I AM approach encourages a move from the measurable self to the immeasurable expansiveness and mystery of our own becoming. It is to step beyond the lines drawn around the ‘true self’ or the lines that others would have us draw. I AM consciousness reflects an ancient Indigenous thread that echoes through millennia and reminds humans that we are a movement through time, and each person is a present link to the past and the future, woven into a fabric of belonging.


2017 ◽  
Vol 38 (9) ◽  
pp. 1631-1641 ◽  
Author(s):  
Mayte E van Alebeek ◽  
Renate M Arntz ◽  
Merel S Ekker ◽  
Nathalie E Synhaeve ◽  
Noortje AMM Maaijwee ◽  
...  

Incidence of ischemic stroke and transient ischemic attack in young adults is rising. However, etiology remains unknown in 30–40% of these patients when current classification systems designed for the elderly are used. Our aim was to identify risk factors according to a pediatric approach, which might lead to both better identification of risk factors and provide a stepping stone for the understanding of disease mechanism, particularly in patients currently classified as “unknown etiology”. Risk factors of 656 young stroke patients (aged 18–50) of the FUTURE study were categorized according to the “International Pediatric Stroke Study” (IPSS), with stratification on gender, age and stroke of “unknown etiology”. Categorization of risk factors into ≥1 IPSS category was possible in 94% of young stroke patients. Chronic systemic conditions were more present in patients aged <35 compared to patients ≥35 (32.6% vs. 15.6%, p < 0.05). Among 226 patients classified as “stroke of unknown etiology” using TOAST, we found risk factors in 199 patients (88%) with the IPSS approach. We identified multiple risk factors linked to other mechanisms of stroke in the young than in the elderly . This can be a valuable starting point to develop an etiologic classification system specifically designed for young stroke patients.


2013 ◽  
Vol 651 ◽  
pp. 198-203
Author(s):  
Xiu Ling Wang ◽  
Li Ying Yang ◽  
Shou Ren Wang

It is significant and necessary to carry out the research and development of self-lubricating bearing. The current study of metal matrix self-lubricating bearing materials is summarized. A new type of high temperature self-lubricating Ti-Al alloy bearing materials is proposed. It is light, anti-friction, anti-corrosion and high temperature resistance (600 °C). The future trend is introduced in the end of this paper.


1991 ◽  
Vol 28 (04) ◽  
pp. 197-212
Author(s):  
K. Paetow

In 1980 work began on one of the most intensive and comprehensive marine research and development projects—the German Ship of the Future. The main task was the reduction of the operational costs of a vessel. After five years of work the project was successfully finished with the maiden voyage of the first SdZ prototype ship. The paper describes first the R&D project itself. The organizational structure, the financial background and some examples of development topics are explained. The second part deals with the conversion of the outcomes of the R&D project into the reality of a containership. The third part gives, by example of some focal points of the newly developed ship service technique, a broad description of the HDW-SdZ prototype ships and their economy. A short outlook to further developments concludes the paper.


2021 ◽  
Vol 10 (2) ◽  
pp. 291-305 ◽  
Author(s):  
Pete Dale

Slampt Underground Organisation was conceived in 1992 by Rachel Holborow and Pete Dale, issuing music, fanzines and ephemera from then until 2000. Perceived as a record label, Slampt sold tens of thousands of units and seems to have had a significant impact on particular individuals who might or might not be best described as ‘fans’. This article uses the author’s archives and reflections to collate detail, much of it not publically available before, about a label/distributor/organization, which has already been a point of interest to several researchers and journalists but which is nonetheless unknown to most, even in punk-related music scenes, in the present century. The author, as one half of Slampt’s de facto leading partnership, reveals that this status as a largely forgotten arm of 1990s UK punk is not entirely accidental: Dale and Holborow actively believed in ephemerality as an ideal, particularly in punk. Using this case as a starting point, the article asks whether punk really ought to be as fixated on documenting its past, finding its place in museums/galleries and gaining recognition in rock history. Is punk about collectible objects, about a particular mode of subjectivity or, perhaps, about a phenomenological combination of the two? The irony of the author writing the article at this time is acknowledged: Slampt is being written back in to punk history, even if only in the margins, through the act of publishing this piece. Nonetheless, the article is based around the assumption that the present and the future will always be more important than the past.


2018 ◽  
Vol 26 (4) ◽  
pp. 313-327 ◽  
Author(s):  
Guangying Jin ◽  
Séverine Sperandio ◽  
Philippe Girard

The concurrent engineering design depends on the efficiency of communication between the actors in the design process, such as how effective communication between engineers and teams will have a direct effect on the design efficiency. Currently, the relationships among different actors in the project are shaped by many new challenges such as multiplication of data and information, mass customization, global collaboration, ageing societies, increasing urbanization, scarcity of resources, dynamic technology and innovation. When managers consider these factors, human resource evaluation becomes much more complex to grasp. In order to cope with adaption of product–process–organization model for industry of the future, it is necessary to have a methodology to approach the problem of human resource evaluation in the future organization structure.


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