The ‘Neoplatonic’ Interpretation of Plato’s Parmenides

2016 ◽  
Vol 10 (1) ◽  
pp. 65-94 ◽  
Author(s):  
Lloyd P. Gerson
Keyword(s):  
The One ◽  
The Way

In his highly influential 1928 article ‘The Parmenides of Plato and the Origin of the Neoplatonic “One”,’ E.R. Dodds argued, inter alia, that among the so-called Neoplatonists Plotinus was the first to interpret Plato’s Parmenides in terms of the distinctive three ‘hypostases’, One, Intellect, and Soul. Dodds argued that this interpretation was embraced and extensively developed by Proclus, among others. In this paper, I argue that although Plotinus took Parmenides to contain a sort of outline of the true metaphysical principles, he understood the One of the first hypothesis of the second part of the dialogue in a way importantly different from the way that Proclus understood it. The characterization of this One, especially its identity with the Idea of the Good of Republic, has significant ramification for Plotinus’ philosophy that set it apart from Proclus’ philosophy in ways hitherto infrequently noted. The widely accepted reasons for rejecting Proclus’ interpretation do not apply to the interpretation of Plotinus. The two different interpretations help explain why Proclus’ notorious proliferation of entities in the intelligible realm is not found in Plotinus.

Subjectivité et projet. La critique patočkienne du concept heideggérien de "projet de possibilités"

Labyrinth ◽  
2017 ◽  
Vol 19 (1) ◽  
pp. 63
Author(s):  
Ovidiu Stanciu
Keyword(s):  
Being And Time ◽  
Final Part ◽  
Critical Reading ◽  
Fundamental Ontology ◽  
Phenomenal Field ◽  
The One ◽  
The Way

Subjectivity and Project. Patočka's critique of Heidegger's concept "project of possibilities" The purpose of this article is to lay out the way the main aspects of Patočka's critical reading of Heidegger's fundamental ontology. More precisely, I intend to restate the central arguments Patočka raised against Heidegger's characterization of "understanding" (Verstehen) as a "project". In the first part, I will single out Patočka's project of an "asubjective phenomenology" by distinguishing it from another asubjective project (that of Aristotle) and from the subjective phenomenology. In the second part, I will examine some central theses Heidegger puts forth in §31 of Being and Time in order to show the inescapable difficulties they bring about. In the final part, I will describe the tenets around which Patočka's critical reading of Heidegger revolves. I will explore the two directions of this critique that correspond to the double orientation of asubjective phenomenology: a) on the one hand, the priority of the phenomenal field with regard to any subjective sense-bestowal; b) the importance of the phenomenon of corporeity for an accurate apprehension of subjectivity.

scholarly journals Notes on the characterization of prokaryote strains for taxonomic purposes

2010 ◽  
Vol 60 (1) ◽  
pp. 249-266 ◽  
Author(s):  
B. J. Tindall ◽  
R. Rosselló-Móra ◽  
H.-J. Busse ◽  
W. Ludwig ◽  
P. Kämpfer
Keyword(s):  
Present Article ◽  
The One ◽  
The Way

Taxonomy relies on three key elements: characterization, classification and nomenclature. All three elements are dynamic fields, but each step depends on the one which precedes it. Thus, the nomenclature of a group of organisms depends on the way they are classified, and the classification (among other elements) depends on the information gathered as a result of characterization. While nomenclature is governed by the Bacteriological Code, the classification and characterization of prokaryotes is an area that is not formally regulated and one in which numerous changes have taken place in the last 50 years. The purpose of the present article is to outline the key elements in the way that prokaryotes are characterized, with a view to providing an overview of some of the pitfalls commonly encountered in taxonomic papers.

Make Love at War? Representing Gender and Memory in the Soviet Estonian Film Dark Windows (Pimedad aknad, Tõnis Kask, 1968)

2018 ◽  
Vol 6 (1) ◽  
pp. 20-37
Author(s):  
Liis Jõhvik
Keyword(s):  
Everyday Life ◽  
Young Women ◽  
Interpersonal Relations ◽  
Nazi Germany ◽  
National Narrative ◽  
Moral Choices ◽  
The One ◽  
Falling In Love ◽  
The Way

Abstract Initially produced in 1968 as a three-part TV miniseries, and restored and re-edited in 2008 as a feature-length film, Dark Windows (Pimedad aknad, Tõnis Kask, Estonia) explores interpersonal relations and everyday life in September 1944, during the last days of Estonia’s occupation by Nazi Germany. The story focuses on two young women and the struggles they face in making moral choices and falling in love with righteous men. The one who slips up and falls in love with a Nazi is condemned and made to feel responsible for the national decay. This article explores how the category of gender becomes a marker in the way the film reconstructs and reconstitutes the images of ‘us’ and ‘them’. The article also discusses the re-appropriation process and analyses how re-editing relates to remembering of not only the filmmaking process and the wartime occupation, but also the Estonian women and how the ones who ‘slipped up’ are later reintegrated into the national narrative. Ultimately, the article seeks to understand how this film from the Soviet era is remembered as it becomes a part of Estonian national filmography.

Ibn-Ul-Arabi's Cultural Environment that Influenced Him

2017 ◽  
Vol 5 (1) ◽  
pp. 165
Author(s):  
Assist. Prof. Dr. Kazım Yıldırım
Keyword(s):  
The Other ◽  
Cultural Environment ◽  
Ibn Rushd ◽  
Other Hand ◽  
The One ◽  
The Way

The cultural environment of Ibn al-Arabi is in Andalusia, Spain today. There, on the one hand, Sufism, on the other hand, thinks like Ibn Bacce (Death.1138), Ibn Tufeyl (Death186), Ibn Rushd (Death.1198) and the knowledge and philosophy inherited by scholars, . Ibn al-Arabi (1165-1240), that was the effect of all this; But more mystic (mystic) circles came out of the way. This work, written by Ibn al-Arabi's works (especially Futuhati Mekkiye), also contains a very small number of other relevant sources.

Emerson's Memory Loss

2017 ◽  
Author(s):  
Christopher Hanlon
Keyword(s):  
William James ◽  
Memory Loss ◽  
Margaret Fuller ◽  
Final Phase ◽  
Important Work ◽  
The Social ◽  
The Many ◽  
The One ◽  
Do So ◽  
The Way

Emerson’s Memory Loss is about an archive of texts documenting Emerson’s intellectual state during the final phase of his life, as he underwent dementia. It is also about the way these texts provoke a rereading of the more familiar canon of Emerson’s thinking. Emerson’s memory loss, Hanlon argues, contributed to the shaping of a line of thought in America that emphasizes the social over the solipsistic, the affective over the distant, the many over the one. Emerson regarded his output during the time when his patterns of cognition transformed profoundly as a regathering of focus on the nature of memory and of thinking itself. His late texts theorize Emerson’s experience of senescence even as they disrupt his prior valorizations of the independent mind teeming with self-sufficient conviction. But still, these late writings have succumbed to a process of critical forgetting—either ignored by scholars or denied inclusion in Emerson’s oeuvre. Attending to a manuscript archive that reveals the extent to which Emerson collaborated with others—especially his daughter, Ellen Tucker Emerson—to articulate what he considered his most important work even as his ability to do so independently waned, Hanlon measures the resonance of these late texts across the stretch of Emerson’s thinking, including his writing about Margaret Fuller and his meditations on streams of thought that verge unto those of his godson, William James. Such ventures bring us toward a self defined less by its anxiety of overinfluence than by its communality, its very connectedness with myriad others.

Shakespeare Afoot

2018 ◽  
Author(s):  
John Kerrigan
Keyword(s):  
Early Modern ◽  
Richard Iii ◽  
Midsummer Night's Dream ◽  
As You Like It ◽  
A Midsummer Night's Dream ◽  
History Of ◽  
The Way

That Shakespeare adds a limp to the received characterization of Richard III is only the most conspicuous instance of his interest in how actors walked, ran, danced, and wandered. His attention to actors’ footwork, as an originating condition of performance, can be traced from Richard III through A Midsummer Night’s Dream and As You Like It into Macbeth, which is preoccupied with the topic and activity all the way to the protagonist’s melancholy conclusion that ‘Life’s but a walking shadow, a poor player | That struts and frets his hour upon the stage’. Drawing on classical and early modern accounts of how people walk and should walk, on ideas about time and prosody, and the experience of disability, this chapter cites episodes in the history of performance to show how actors, including Alleyn, Garrick, and Olivier, have worked with the opportunities to dramatize footwork that are provided by Shakespeare’s plays.

The Futurists. Experts in World Futures

2018 ◽  
Author(s):  
Jenny Andersson
Keyword(s):  
Cold War ◽  
Status Quo ◽  
The Other ◽  
Futures Studies ◽  
The Future ◽  
The Status ◽  
The One ◽  
The Cold War ◽  
Images Of The Future ◽  
The Way

Alvin Toffler’s writings encapsulated many of the tensions of futurism: the way that futurology and futures studies oscillated between forms of utopianism and technocracy with global ambitions, and between new forms of activism, on the one hand, and emerging forms of consultancy and paid advice on the other. Paradoxically, in their desire to create new images of the future capable of providing exits from the status quo of the Cold War world, futurists reinvented the technologies of prediction that they had initially rejected, and put them at the basis of a new activity of futures advice. Consultancy was central to the field of futures studies from its inception. For futurists, consultancy was a form of militancy—a potentially world altering expertise that could bypass politics and also escaped the boring halls of academia.

Historical Writing in the Balkans

2018 ◽  
Author(s):  
Ulf Brunnbauer
Keyword(s):  
Freedom Of Expression ◽  
The Other ◽  
Former Yugoslavia ◽  
Ethnic Cleansing ◽  
Historical Writing ◽  
The Balkans ◽  
Other Hand ◽  
Balkan Countries ◽  
The One ◽  
The Way

This chapter analyzes historiography in several Balkan countries, paying particular attention to the communist era on the one hand, and the post-1989–91 period on the other. When communists took power in Albania, Bulgaria, Romania, and Yugoslavia in 1944–5, the discipline of history in these countries—with the exception of Albania—had already been institutionalized. The communists initially set about radically changing the way history was written in order to construct a more ideologically suitable past. In 1989–91, communist dictatorships came to an end in Bulgaria, Romania, Yugoslavia, and Albania. Years of war and ethnic cleansing would ensue in the former Yugoslavia. These upheavals impacted on historiography in different ways: on the one hand, the end of communist dictatorship brought freedom of expression; on the other hand, the region faced economic displacement.

II. Modernization of the Papacy and Catholicism in the Postmodern: Legacy and Challenges to Vatican I

Horizons ◽  
2020 ◽  
Vol 47 (1) ◽  
pp. 115-119
Author(s):  
Massimo Faggioli
Keyword(s):  
Catholic Church ◽  
Vatican Ii ◽  
Roman Catholic ◽  
Fiftieth Anniversary ◽  
Roman Catholic Church ◽  
Pope Francis ◽  
Vatican I ◽  
The One ◽  
Pius Ix ◽  
The Way

In the ongoing aggiornamento of the aggiornamento of Vatican II by Pope Francis, it would be easy to forget or dismiss the one hundred and fiftieth anniversary of Vatican I (1869–1870). The council planned (since at least the Syllabus of Errors of 1864), shaped, and influenced by Pius IX was the most important ecclesial event in the lives of those who made Vatican II: almost a thousand of the council fathers of Vatican II were born between 1871 and 1900. Vatican I was in itself also a kind of ultramontanist “modernization” of the Roman Catholic Church, which paved the way for the aggiornamento of Vatican II and still shapes the post–Vatican II church especially for what concerns the Petrine ministry.

scholarly journals Compact Differences of Composition Operators on Bergman Spaces Induced by Doubling Weights

2021 ◽  
Author(s):  
Bin Liu ◽  
Jouni Rättyä ◽  
Fanglei Wu
Keyword(s):  
Bergman Space ◽  
Open Problem ◽  
Lebesgue Space ◽  
Composition Operators ◽  
Bergman Spaces ◽  
Weighted Bergman Space ◽  
Carleson Measures ◽  
Doubling Weights ◽  
The Way

AbstractBounded and compact differences of two composition operators acting from the weighted Bergman space $$A^p_\omega $$ A ω p to the Lebesgue space $$L^q_\nu $$ L ν q , where $$0<q<p<\infty $$ 0 < q < p < ∞ and $$\omega $$ ω belongs to the class "Equation missing" of radial weights satisfying two-sided doubling conditions, are characterized. On the way to the proofs a new description of q-Carleson measures for $$A^p_\omega $$ A ω p , with $$p>q$$ p > q and "Equation missing", involving pseudohyperbolic discs is established. This last-mentioned result generalizes the well-known characterization of q-Carleson measures for the classical weighted Bergman space $$A^p_\alpha $$ A α p with $$-1<\alpha <\infty $$ - 1 < α < ∞ to the setting of doubling weights. The case "Equation missing" is also briefly discussed and an open problem concerning this case is posed.

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