One Belt – One Way: Perspectives on the Research and Distribution of Contemporary Literature in China

2019 ◽  
Vol 15 (2) ◽  
pp. 178-185
Author(s):  
Salida Sharifova
Keyword(s):  
Literary Criticism ◽  
Chinese Literature ◽  
Contemporary Literature ◽  
The Other ◽  
Literary Analysis ◽  
Foreign Languages ◽  
The World ◽  
World Cultural Heritage ◽  
The One ◽  
Contemporary Chinese

Project One Belt – One Way opens up new opportunities. On the one hand, to provide for the translation of contemporary Chinese authors into foreign languages, and on the other, to carry out a literary analysis of these works in terms of principles and methods characteristic of Western literary criticism. And this will allow the literary circles of various countries to consider contemporary Chinese literature as part of the world cultural heritage.

scholarly journals Artistic Polemic with A.P. Chekhov in the Story by T.L. Shchepkina-Kupernik “Loneliness”

2021 ◽  
Vol 2021 (1) ◽  
pp. 10-18
Author(s):  
Alexander V. Kubasov
Keyword(s):  
Contemporary Literature ◽  
The Other ◽  
Complex Nature ◽  
Reading Public ◽  
One Dimensional ◽  
The World ◽  
Mass Literature ◽  
The One ◽  
Young Writer

From the earliest works, Chekhov acts as a polemicist with both contemporary literature and with the literature of the immediate past. This polemic is expressed not so much in the direct statements of the writer in letters or in conversations recorded by the memory of the memoirists, but in an artistic form, with the help of an imaginative system. However, there were people who polemicized with Chekhov. On the one hand, these were magazine critics, and on the other, fellow writers. One of these authors was T.L. Shchepkina-Kupernik, who wrote the story "Loneliness" at the age of twenty, which was published in the authoritative journal “Russian Thought” in 1894. The works of Chekhov, which caused the greatest resonance among the reading public: “The Jumping Girl”, “Boring Story”, “Ward No. 6”, became the material for the polemic of the young writer. Shchepkina-Kupernik actually agrees with the opinion of the readers who recognized the element of libel in the story "The Jumping girl", and the element of distortions of reality in others. The author of “Loneliness” creates an artistic picture of the world, which seems to her more realistic than Chekhov’s. However, the story of the young writer does not go beyond the bounds of stencil mass literature. All her claims against the author of “Ward No. 6” turn out to be untenable and demonstrate her lack of understanding of the innovative nature of Chekhov’s work. The complex nature of the dialogic character of his works, based on the art of parody stylization, was not perceived by the opponent, who opposed it with a one-dimensional and simplified image of reality.

scholarly journals Калмыцкая и тувинская поэзия в антологии «Современная литература народов России. Поэзия»

2020 ◽  
Vol 12 (1) ◽  
pp. 55-71
Author(s):  
Rimma M. Khaninova ◽  
◽  
Wurisigala ◽  
Keyword(s):  
Comparative Method ◽  
Contemporary Literature ◽  
Russian Language ◽  
The Other ◽  
Generational Change ◽  
Comparative Aspect ◽  
Wide Range ◽  
The World ◽  
The One

The article discusses the dialogue of ethnocultures within the anthology titled ‘Contemporary Literature of Russia’s Peoples. Poetry’. The case study of contemporary Russia’s literary processes through works of Kalmyk and Tuvan poetry makes it possible — to a certain degree — to identify its present-day state, examines the existing literary contacts and interrelations, including by means of Russian-language literary translations of compositions by national poets, reveals the translation problem faced by national literatures of our country. Goals. The article presents poetic collections of Kalmyk and Tuvan poets, reveals ethnic worldviews of the Turko-Mongolic peoples through the use of Russian translations. The novelty of the work lies in the fact that this is the first study of Kalmyk and Tuvan poetic lyrics in the format of a modern anthology of literature of Russia’s peoples as a presentation of ethnic poetry for a wide range of Russian-speaking readers. Materials and 57 Фольклористика и литературоведение Methods. The comparative method delineates specific features of Kalmyk and Tuvan poetic works, identifies mental and individual vectors of authors. In terms of gender, the anthology contains works by Kalmyk men poets only. Kalmyk poetry is represented by 5 authors, Tuvan poetry — by 3 authors. The distinctive line is the age. The selected works include none by representatives of senior or junior generations which evidently attests to the fact, on the one hand, there is a problem of generational change and, on the other hand, the compilers faced quite a challenge when it actually came to select authors to be introduced in such anthologies. In genre perspective, both the sections seem to have little to do with the traditional poetic structures and patterns; so, there are some borrowed genres of ballad and poetic legend without any mention of post-modernist experiments. Still, the thematic landscape is traditional enough: motherland, genealogies, national history, nature of ancestral lands, love, and family. The Tuvan poems by E. Mizhit are published in the author’s translations (a bilingual poet), works by the other poets — in V. Kulle’s translations. Results. The study of modern Kalmyk and Tuvan poetry in this book in a comparative aspect reveals similarities and differences in cultures of the Turko-Mongolic peoples, artistic pictures of the world inherent to related ethnic groups.

scholarly journals O olhar de Medusa e a reparação do mundo: 6 flashes e um álbum aberto

2021 ◽  
pp. 53-65
Author(s):  
Ana Paula Coutinho
Keyword(s):  
Social Communication ◽  
Contemporary Literature ◽  
Vantage Point ◽  
The Other ◽  
Photographic Image ◽  
The Gaze ◽  
The World ◽  
The One

In Thinking about the “salvation of the world” from the vantage point of photography, understood not so much as the product of an optical mechanism or as a form of social communication but as the art of the gaze, has led me to gather a series of reflections which seek to elucidate, on the one hand, the idea of “salvation” as a “reparation” paradigm in contemporary literature and, on the other, some intrinsic and extrinsic conditions, through a more or less protracted process that extends from the rendering of the photographer’s gaze by the camera to its reception by the gaze(s) of different spectators, that allow the photographic image to effectively participate in a leisurely and life-enhancing revelation of reality that all kinds of viewers can enjoy

scholarly journals FROM THE EXTRAORDINARY NATURE OF THE GREAT POMPEII PROJECT TO PLANNED CONSERVATION

2019 ◽  
Vol XLII-2/W11 ◽  
pp. 867-871
Author(s):  
A. Mauro
Keyword(s):  
Cultural Heritage ◽  
Heavy Rainfall ◽  
Environmental Risks ◽  
The Other ◽  
Wall Paintings ◽  
Archaeological Data ◽  
Heritage Site ◽  
The World ◽  
World Cultural Heritage ◽  
The One

<p><strong>Abstract.</strong> The Archaeological Park of Pompeii promotes the most advanced methodologies in preservation, conservation, research, and the promotion of public use of the site. The Great Project Pompeii (GPP), as is evident, has intervened ‘strategically’ on the entire site: on the one hand stabilising the <i>Regiones</i>, on the other hand mitigating the hydrogeological risk of the plateaus and securing the excavation fronts; in addition the GPP has improved accessibility levels. Coping with environmental risks (seismic, volcanic and hydrogeological) is one of the main challenges of the Archaeological Park. First, seismic and volcanic phenomena constitute a major issue in the Pompeii area, embodied by the dormant Mt. Vesuvius. Second, the marked difference in height between the level of the ancient town and that of the unexcavated area, spanning about 22&amp;thinsp;ha, exerts a strong pressure over the ancient structures and may imply a serious danger of landslides in case of hazard events (seismic and volcanic phenomena or heavy rainfall). These dangers seriously jeopardise the protection of ancient structures and wall-paintings, with subsequent risks to the world cultural heritage site. For this reason, an urgent program of conservation, maintenance, and restoration has been undertaken as part of the Great Pompeii Project. The computerisation of archaeological data is among the most current topics of interest for the management of Cultural Heritage. The Information System (GPP-IS), created with the Plan of the Knowledge of the Great Pompeii Project (GPP), has allowed the creation of a unique knowledge tool for the entire city of Pompeii.</p>

Indonesian Literature’s Position in World Literature

TEKNOSASTIK ◽  
2018 ◽  
Vol 14 (2) ◽  
pp. 1
Author(s):  
Dina Amelia
Keyword(s):  
World Literature ◽  
The Other ◽  
National Literature ◽  
Western World ◽  
The World ◽  
The One ◽  
The Voice

There are two most inevitable issues on national literature, in this case Indonesian literature. First is the translation and the second is the standard of world literature. Can one speak for the other as a representative? Why is this representation matter? Does translation embody the voice of the represented? Without translation Indonesian literature cannot gain its recognition in world literature, yet, translation conveys the voice of other. In the case of production, publication, or distribution of Indonesian Literature to the world, translation works can be very beneficial. The position of Indonesian literature is as a part of world literature. The concept that the Western world should be the one who represent the subaltern can be overcome as long as the subaltern performs as the active speaker. If the subaltern remains silent then it means it allows the “representation” by the Western.

scholarly journals Hiketeia

1973 ◽  
Vol 93 ◽  
pp. 74-103 ◽  
Author(s):  
John Gould
Keyword(s):  
Dominant Role ◽  
Ancient Greece ◽  
Social Institutions ◽  
The Other ◽  
Sixth Century ◽  
Dead Body ◽  
Greek Literature ◽  
The World ◽  
The One ◽  
Working Out

To Professor E. R. Dodds, through his edition of Euripides'Bacchaeand again inThe Greeks and the Irrational, we owe an awareness of new possibilities in our understanding of Greek literature and of the world that produced it. No small part of that awareness was due to Professor Dodds' masterly and tactful use of comparative ethnographic material to throw light on the relation between literature and social institutions in ancient Greece. It is in the hope that something of my own debt to him may be conveyed that this paper is offered here, equally in gratitude, admiration and affection.The working out of the anger of Achilles in theIliadbegins with a great scene of divine supplication in which Thetis prevails upon Zeus to change the course of things before Troy in order to restore honour to Achilles; it ends with another, human act in which Priam supplicates Achilles to abandon his vengeful treatment of the dead body of Hector and restore it for a ransom. The first half of theOdysseyhinges about another supplication scene of crucial significance, Odysseus' supplication of Arete and Alkinoos on Scherie. Aeschylus and Euripides both wrote plays called simplySuppliants, and two cases of a breach of the rights of suppliants, the cases of the coup of Kylon and that of Pausanias, the one dating from the mid-sixth century, the other from around 470 B.C. or soon after, played a dominant role in the diplomatic propaganda of the Spartans and Athenians on the eve of the Peloponnesian War.

scholarly journals Two Conceptions of Second Nature

2020 ◽  
Vol 3 (1) ◽  
pp. 68-80 ◽  
Author(s):  
Georg W. Bertram
Keyword(s):  
The Other ◽  
Human Beings ◽  
Open Future ◽  
Second Nature ◽  
Other Hand ◽  
The World ◽  
Cognitive Activities ◽  
The Open Future ◽  
The One ◽  
First Nature

AbstractThe concept of second nature promises to provide an explanation of how nature and reason can be reconciled. But the concept is laden with ambiguity. On the one hand, second nature is understood as that which binds together all cognitive activities. On the other hand, second nature is conceived of as a kind of nature that can be changed by cognitive activities. The paper tries to investigate this ambiguity by distinguishing a Kantian conception of second nature from a Hegelian conception. It argues that the idea of a transformation from a being of first nature into a being of second nature that stands at the heart of the Kantian conception is mistaken. The Hegelian conception demonstrates that the transformation in question takes place within second nature itself. Thus, the Hegelian conception allows us to understand the way in which second nature is not structurally isomorphic with first nature: It is a process of ongoing selftransformation that is not primarily determined by how the world is, but rather by commitments out of which human beings are bound to the open future.

scholarly journals Possibilities of the Development of Edible Insect-Based Foods in Europe

Foods ◽  
2021 ◽  
Vol 10 (4) ◽  
pp. 766
Author(s):  
Magdalena Skotnicka ◽  
Kaja Karwowska ◽  
Filip Kłobukowski ◽  
Aleksandra Borkowska ◽  
Magdalena Pieszko
Keyword(s):  
Material Processing ◽  
Functional Food ◽  
The Other ◽  
Raw Material ◽  
Edible Insects ◽  
Mineral Salts ◽  
Edible Insect ◽  
Alternative Protein ◽  
The World ◽  
The One

All over the world, a large proportion of the population consume insects as part of their diet. In Western countries, however, the consumption of insects is perceived as a negative phenomenon. The consumption of insects worldwide can be considered in two ways: on the one hand, as a source of protein in countries affected by hunger, while, on the other, as an alternative protein in highly-developed regions, in response to the need for implementing policies of sustainable development. This review focused on both the regulations concerning the production and marketing of insects in Europe and the characteristics of edible insects that are most likely to establish a presence on the European market. The paper indicates numerous advantages of the consumption of insects, not only as a valuable source of protein but also as a raw material rich in valuable fatty acids, vitamins, and mineral salts. Attention was paid to the functional properties of proteins derived from insects, and to the possibility for using them in the production of functional food. The study also addresses the hazards which undoubtedly contribute to the mistrust and lowered acceptance of European consumers and points to the potential gaps in the knowledge concerning the breeding conditions, raw material processing and health safety. This set of analyzed data allows us to look optimistically at the possibilities for the development of edible insect-based foods, particularly in Europe.

Domesticated mammoths: Mythic and material in Nenets verbal tradition on ya’ xora

Multilingua ◽  
2020 ◽  
Vol 0 (0) ◽  
Author(s):  
Karina Lukin
Keyword(s):  
The Other ◽  
Verbal Art ◽  
The World ◽  
The One

AbstractThis article discusses language materialities and the Otherworld through the findings of mammoth remains and text-artifacts representing Nenets verbal art. The remains and verbal art are read together as a network of mythic knowledge that forms a semiotic whole, where different signs interact and create potentials for new significations. The article aims to open up a web of relations in which materialities of differing ages and durabilities meet and affect each other through their semiotic potentialities. The materialities operate on several levels of signification, ranging from basic metaphors for mammoths to larger regimes that organize the signification. Consequently, mythic knowledge concerns worlds that are, on the one hand, imperceptible but, on the other, sensible through narration and imagination in terms of materialities. The key material elements of the mythic knowledge are tainted by the narration, such that they cannot be considered without the mythic qualities. In addition, the knowledge concerning the world affects Nenets rituals and ways of dwelling.

Benson and Miller in Perspective

1979 ◽  
Vol 3 (3-4) ◽  
pp. 242-244 ◽  
Author(s):  
Bruce Kuklick
Keyword(s):  
Social Sciences ◽  
Social Policy ◽  
Applied Science ◽  
The Other ◽  
Social Knowledge ◽  
The Past ◽  
The Social ◽  
The World ◽  
The One ◽  
Stock Of Knowledge

Despite differences in coloration Miller and Benson are birds of a feather. Although he is no Pollyanna, Miller believes that there has been a modest and decent series of advances in the social sciences and that the most conscientious, diligent, and intelligent researchers will continue to add to this stock of knowledge. Benson is much more pessimistic about the achievements of yesterday and today but, in turn, offers us the hope of a far brighter tomorrow. Miller explains Benson’s hyperbolic views about the past and future by distinguishing between pure and applied science and by pointing out Benson’s naivete about politics: the itch to understand the world is different from the one to make it better; and, Miller says, because Benson sees that we have not made things better, he should not assume we do not know more about them; Benson ought to realize, Miller adds, that the way politicians translate basic social knowledge into social policy need not bring about rational or desirable results. On the other side, Benson sees more clearly than Miller that the development of science has always been intimately intertwined with the control of the environment and the amelioration of the human estate.

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