scholarly journals Калмыцкая и тувинская поэзия в антологии «Современная литература народов России. Поэзия»

2020 ◽  
Vol 12 (1) ◽  
pp. 55-71
Author(s):  
Rimma M. Khaninova ◽  
◽  
Wurisigala ◽  
Keyword(s):  
Comparative Method ◽  
Contemporary Literature ◽  
Russian Language ◽  
The Other ◽  
Generational Change ◽  
Comparative Aspect ◽  
Wide Range ◽  
The World ◽  
The One

The article discusses the dialogue of ethnocultures within the anthology titled ‘Contemporary Literature of Russia’s Peoples. Poetry’. The case study of contemporary Russia’s literary processes through works of Kalmyk and Tuvan poetry makes it possible — to a certain degree — to identify its present-day state, examines the existing literary contacts and interrelations, including by means of Russian-language literary translations of compositions by national poets, reveals the translation problem faced by national literatures of our country. Goals. The article presents poetic collections of Kalmyk and Tuvan poets, reveals ethnic worldviews of the Turko-Mongolic peoples through the use of Russian translations. The novelty of the work lies in the fact that this is the first study of Kalmyk and Tuvan poetic lyrics in the format of a modern anthology of literature of Russia’s peoples as a presentation of ethnic poetry for a wide range of Russian-speaking readers. Materials and 57 Фольклористика и литературоведение Methods. The comparative method delineates specific features of Kalmyk and Tuvan poetic works, identifies mental and individual vectors of authors. In terms of gender, the anthology contains works by Kalmyk men poets only. Kalmyk poetry is represented by 5 authors, Tuvan poetry — by 3 authors. The distinctive line is the age. The selected works include none by representatives of senior or junior generations which evidently attests to the fact, on the one hand, there is a problem of generational change and, on the other hand, the compilers faced quite a challenge when it actually came to select authors to be introduced in such anthologies. In genre perspective, both the sections seem to have little to do with the traditional poetic structures and patterns; so, there are some borrowed genres of ballad and poetic legend without any mention of post-modernist experiments. Still, the thematic landscape is traditional enough: motherland, genealogies, national history, nature of ancestral lands, love, and family. The Tuvan poems by E. Mizhit are published in the author’s translations (a bilingual poet), works by the other poets — in V. Kulle’s translations. Results. The study of modern Kalmyk and Tuvan poetry in this book in a comparative aspect reveals similarities and differences in cultures of the Turko-Mongolic peoples, artistic pictures of the world inherent to related ethnic groups.

scholarly journals Pluralia tantum nouns and nouns, mostly used in the plural form, in modern Russian

2018 ◽  
Vol 215 (1) ◽  
pp. 159-176
Author(s):  
Dr. Ahmed Hamid Shalyan
Keyword(s):  
Economic Reforms ◽  
Russian Language ◽  
The Other ◽  
New Words ◽  
Lexical Semantic ◽  
Plural Form ◽  
The World ◽  
Lexical Composition ◽  
The One ◽  
Modern Russian

This study focuses on monitoring the development in the lexical composition of the modern Russian language lexical-semantic digits pluraliatantum nouns and nouns, mostly used in the plural form. The material of the study used the book "Dictionary of new words." During the analysis it was found that the process of appearance of words and pluraliatantum nouns, is used mainly in the form of plural. numbers can be considered active and continuous, on the one hand, characterizes the category of plural nouns in the structure as a strong, mnogoznamenatelnuyu category, on the other hand, once again convinces us of the inseparable, mutually connection of language and society. Political and economic reforms in Russia, have occurred in recent decades, the expansion of ties in all areas with other countries of the world are reflected in the lexical composition of these units, their semantics and education

scholarly journals Symbol of Mouse in Slavonic and Chinese Linguocultures

2020 ◽  
Vol 11 (2) ◽  
pp. 250-264
Author(s):  
Vladimir I. Koval
Keyword(s):  
The Other ◽  
Material Wealth ◽  
Cultural Traditions ◽  
Language And Culture ◽  
Noticeable Increase ◽  
Comparative Aspect ◽  
The World ◽  
Symbolic Meanings ◽  
Actual Material ◽  
The One

The article describes in comparative aspect the main symbolic meanings of the zoononym mouse in Slavic and Chinese linguocultures. The study of animal symbolism in Russian (wider - Slavic) and Chinese cultural traditions is one of the current trends in modern linguistics, which, on the one hand, has a pronounced anthropocentric orientation, and on the other, is characterized by a noticeable increase in interest in the Chinese language and culture of China in different countries of the world. Turning to the study of complex and ambiguous symbolism of the mouse is quite timely and taking into account the confinement of 2020 to the year of the White Rat / Mouse. The purpose of the study is to identify similar and specific for each culture features of perception and characteristics of the mouse as an animal, which has a significant impact on everyday life. The tasks of the work include identifying the sources of the appearance of a negatively connotated mouse image in culture, determining the ambivalent nature of rituals, customs and ritual actions, the object of which are mice, as well as revealing the contents of the “Mouse Wedding” custom in Chinese and South Slavic traditions. The analysis of the actual material (stable phrases, folklore texts, ethnocultural records, traditional drawings) showed, on the one hand, the mostly negative symbolism of the mouse in the Slavic spiritual culture, and on the other, the perception of the mouse as an animal, bringing material wealth and prosperity, in the traditional picture of the world the Chinese. At the same time, it was established that both the Slavs and the Chinese use a number of magic tricks aimed at fighting mice that cause considerable damage to the peasant economy. Significant for the linguoculturological analysis of the mouse image is the appeal to oriental folklore texts, as well as to traditional popular prints of Chinese and Russians, reflecting differently the symbolism of mice and their relation to the main enemy - the cat.

scholarly journals Artistic Polemic with A.P. Chekhov in the Story by T.L. Shchepkina-Kupernik “Loneliness”

2021 ◽  
Vol 2021 (1) ◽  
pp. 10-18
Author(s):  
Alexander V. Kubasov
Keyword(s):  
Contemporary Literature ◽  
The Other ◽  
Complex Nature ◽  
Reading Public ◽  
One Dimensional ◽  
The World ◽  
Mass Literature ◽  
The One ◽  
Young Writer

From the earliest works, Chekhov acts as a polemicist with both contemporary literature and with the literature of the immediate past. This polemic is expressed not so much in the direct statements of the writer in letters or in conversations recorded by the memory of the memoirists, but in an artistic form, with the help of an imaginative system. However, there were people who polemicized with Chekhov. On the one hand, these were magazine critics, and on the other, fellow writers. One of these authors was T.L. Shchepkina-Kupernik, who wrote the story "Loneliness" at the age of twenty, which was published in the authoritative journal “Russian Thought” in 1894. The works of Chekhov, which caused the greatest resonance among the reading public: “The Jumping Girl”, “Boring Story”, “Ward No. 6”, became the material for the polemic of the young writer. Shchepkina-Kupernik actually agrees with the opinion of the readers who recognized the element of libel in the story "The Jumping girl", and the element of distortions of reality in others. The author of “Loneliness” creates an artistic picture of the world, which seems to her more realistic than Chekhov’s. However, the story of the young writer does not go beyond the bounds of stencil mass literature. All her claims against the author of “Ward No. 6” turn out to be untenable and demonstrate her lack of understanding of the innovative nature of Chekhov’s work. The complex nature of the dialogic character of his works, based on the art of parody stylization, was not perceived by the opponent, who opposed it with a one-dimensional and simplified image of reality.

One Belt – One Way: Perspectives on the Research and Distribution of Contemporary Literature in China

2019 ◽  
Vol 15 (2) ◽  
pp. 178-185
Author(s):  
Salida Sharifova
Keyword(s):  
Literary Criticism ◽  
Chinese Literature ◽  
Contemporary Literature ◽  
The Other ◽  
Literary Analysis ◽  
Foreign Languages ◽  
The World ◽  
World Cultural Heritage ◽  
The One ◽  
Contemporary Chinese

Project One Belt – One Way opens up new opportunities. On the one hand, to provide for the translation of contemporary Chinese authors into foreign languages, and on the other, to carry out a literary analysis of these works in terms of principles and methods characteristic of Western literary criticism. And this will allow the literary circles of various countries to consider contemporary Chinese literature as part of the world cultural heritage.

Folklore and Literature

PMLA ◽  
1940 ◽  
Vol 55 (3) ◽  
pp. 866-874 ◽  
Author(s):  
Stith Thompson
Keyword(s):  
The Other ◽  
Modern Language Association ◽  
American Anthropological Association ◽  
Modern Language ◽  
Wide Range ◽  
The World ◽  
English Speaking ◽  
The One ◽  
Take All

The meeting of the American Folk-Lore Society with the Modern Language Association of America on the one hand and with the American Anthropological Association on the other in 1938 illustrates very clearly the wide range of interests covered by the term folklore. A century ago no such term existed, but the need for one was greatly felt. Students of the popular ballad, of popular antiquities, and of superstitions all recognized that they had something in common, and, as soon as the word folklore was proposed in the 1840's, it was adopted, not only by the English-speaking public, but by the whole world. It is now as ubiquitous as the Ford car and moves uneasily in Russian or Hungarian texts, not to speak of such familiar literatures as French or German. During the ninety years in which this word has been spreading over the world, it has extended its meaning until no man today can take all folklore for his province.

scholarly journals O olhar de Medusa e a reparação do mundo: 6 flashes e um álbum aberto

2021 ◽  
pp. 53-65
Author(s):  
Ana Paula Coutinho
Keyword(s):  
Social Communication ◽  
Contemporary Literature ◽  
Vantage Point ◽  
The Other ◽  
Photographic Image ◽  
The Gaze ◽  
The World ◽  
The One

In Thinking about the “salvation of the world” from the vantage point of photography, understood not so much as the product of an optical mechanism or as a form of social communication but as the art of the gaze, has led me to gather a series of reflections which seek to elucidate, on the one hand, the idea of “salvation” as a “reparation” paradigm in contemporary literature and, on the other, some intrinsic and extrinsic conditions, through a more or less protracted process that extends from the rendering of the photographer’s gaze by the camera to its reception by the gaze(s) of different spectators, that allow the photographic image to effectively participate in a leisurely and life-enhancing revelation of reality that all kinds of viewers can enjoy

scholarly journals Russian Language in the Global Linguocultural Space

2021 ◽  
Vol 12 (4) ◽  
pp. 1189-1215
Author(s):  
Vladimir G. Egorov
Keyword(s):  
European Union ◽  
Cultural Heritage ◽  
Comparative Method ◽  
Russian Language ◽  
Special Role ◽  
The European Union ◽  
Cultural Process ◽  
Wide Range ◽  
The World ◽  
The Russian Language

As the planetary civilization enters a qualitatively new era, the dialectical contradiction inevitably grows: national-cultural - globally universal. Obviously, in its resolution, not the last place belongs to the languages of the peoples of the world. Functioning in interactive interaction, the languages of the world form a civilizational linguocultural space. National languages are increasingly acquiring, in addition to the function associated with the promotion of soft power, the function of a translator of the cultural heritage of peoples and nations into the global cultural landscape. The purpose of this article is to determine the potential of the Russian language in the world cultural and linguistic mainstream. When writing the article, a wide range of sources was used, including materials from international foundations and organizations, documents characterizing Russian and European language policy, electronic resources and scientific literature on the problem. In addition to special and general scientific methods, the comparative method was used in the work, which made it possible to project European multilingualism on the logic of the article, revealing the mechanisms of global linguistic integration. By virtue of its natural qualities, the Russian language has a unique potential for adaptation to a new social reality. The domestic historical and cultural process has determined the unique features of the modern Russian language: special communication properties that meet the broad needs of users, including not only representatives of the Russian ethnos; imagery that allows you to convey all the richness of the cultural heritage of Russia and the ability to present the cultural heritage of other peoples. The civilizational potential of the Russian language largely depends on how long its ability to aggregate the national cultural values of the peoples of Russia and to promote them into the global cultural process will persist and increase, which, of course, does not mean embedding into the politically engaged hierarchy of great and peripheral languages. A special role in the search for a multilingualism strategy as the upcoming fundamental principle of the global world order belongs to the European Union, which is paving the first steps in this direction, fraught with problems and difficulties. The article attempts to analyze the relevance of the tools chosen by the European Union to implement the strategic goal of multilingualism. The first experience of moving towards achieving this goal testifies to the counter productiveness of following the path of linguistic universalism or cultural domination. It is obvious that hopes for the deprivation of national and cultural identities in the linguistic space also demonstrate their failure. Globalization as an objective process inevitably determines the transformation of all languages of the world, including the Russian language. However, it is clear that only the changes enriching them, but not distorting the natural appearance, coincide with the direction of the cultural evolution of the planetary civilization.

scholarly journals El movimiento como metáfora. Colocaciones con los verbos de movimiento venio e incido en latín

Nova Tellus ◽  
2020 ◽  
Vol 38 (2) ◽  
pp. 177-195
Author(s):  
María Isabel Jiménez Martínez
Keyword(s):  
The Other ◽  
Main Element ◽  
Roman World ◽  
Wide Range ◽  
The World ◽  
The One

One of the best-known features of verb-noun collocations is that one of their constituents, the collocative, has a metaphorical sense adapted to the main element of the construction, the basis. However, there has been little attention to the relation between collocations and metaphors. Thus, the aim of this paper is double: on the one hand, to highlight the tight relationship between metaphor and collocations; and, on the other, to discuss some metaphors codded in collocations with the movement verbs venio and incido, from the analysis of a representative corpus. As we will see, collocations with these two verbs are connected to two orientational metaphors frequently used in a wide range of languages in the world: "states are containers and inceptions of events are endpoints of telic movements". Moreover, the verb incido has in many collocations a negative meaning because of the conceptualization of the “fall” in the Roman world, related to the "up is good, down is bad" metaphor.

Indonesian Literature’s Position in World Literature

TEKNOSASTIK ◽  
2018 ◽  
Vol 14 (2) ◽  
pp. 1
Author(s):  
Dina Amelia
Keyword(s):  
World Literature ◽  
The Other ◽  
National Literature ◽  
Western World ◽  
The World ◽  
The One ◽  
The Voice

There are two most inevitable issues on national literature, in this case Indonesian literature. First is the translation and the second is the standard of world literature. Can one speak for the other as a representative? Why is this representation matter? Does translation embody the voice of the represented? Without translation Indonesian literature cannot gain its recognition in world literature, yet, translation conveys the voice of other. In the case of production, publication, or distribution of Indonesian Literature to the world, translation works can be very beneficial. The position of Indonesian literature is as a part of world literature. The concept that the Western world should be the one who represent the subaltern can be overcome as long as the subaltern performs as the active speaker. If the subaltern remains silent then it means it allows the “representation” by the Western.

Interrelationships between municipal spatial policy strategy and airport operation and development. Lodz Airport case study

2018 ◽  
Vol 59 (1) ◽  
pp. 65-79
Author(s):  
Katarzyna Nikorowicz-Zatorska
Keyword(s):  
Land Use ◽  
Urban Planning ◽  
Cultural Development ◽  
The Other ◽  
Local Authorities ◽  
Spatial Management ◽  
The One ◽  
Surrounding Areas

Abstract The present paper focuses on spatial management regulations in order to carry out investment in the field of airport facilities. The construction, upgrades, and maintenance of airports falls within the area of responsibility of local authorities. This task poses a great challenge in terms of organisation and finances. On the one hand, an active airport is a municipal landmark and drives local economic, social and cultural development, and on the other, the scale of investment often exceeds the capabilities of local authorities. The immediate environment of the airport determines its final use and prosperity. The objective of the paper is to review legislation that affects airports and the surrounding communities. The process of urban planning in Lodz and surrounding areas will be presented as a background to the problem of land use management in the vicinity of the airport. This paper seeks to address the following questions: if and how airports have affected urban planning in Lodz, does the land use around the airport prevent the development of Lodz Airport, and how has the situation changed over the time? It can be assumed that as a result of lack of experience, land resources and size of investments on one hand and legislative dissonance and peculiar practices on the other, aviation infrastructure in Lodz is designed to meet temporary needs and is characterised by achieving short-term goals. Cyclical problems are solved in an intermittent manner and involve all the municipal resources, so there’s little left to secure long-term investments.

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