Bodies in Alliance and New Sites of Resistance: Performing the Political in Neoliberal Public Spaces

2019 ◽  
pp. 177-194 ◽  
Keyword(s):  
Public Spaces ◽  
The Political

Islamic Society Diaspora of Bugis Descent in Bali

2016 ◽  
Vol 3 (5) ◽  
Author(s):  
I Putu Gede Suwitha
Keyword(s):  
Public Spaces ◽  
Ethnic Relations ◽  
The Political ◽  
Multicultural Society ◽  
Community Needs ◽  
Cultural Exchanges ◽  
The World ◽  
Islamic Society

Diaspora Islamic Society of Bugis descent in Bali has long played a role, especially in the political and economic fields. Their presence has historically never to be an issue, due to political entity that became a patron. Besides that, the cultural exchanges in various activities has been made inter-ethnic relations and more collaborative than competitive. This study was wanted to express how diaspora was formed in Bali island of Hindu society. Similarly, the development of Islam Bugis and how relationship between diaspora Bugis. The results of this study that showed in addition to Bugis diaspora demonstrate their role, as well as in their diasporic make an adjustments and establish a new identity. The identity was a diaspora community needs. Public spaces has been built and part of a multicultural society and mem blow values up the Baliness people, recently, the Bugis community in a state of marginalized (subaltern). Spivak (1972) stated that seems subaltern merkea not be able to follow the dynamics of changing, especially, in the world of tourism in Bali.

scholarly journals Uma trilha sonora no largo da carioca: caminhadas de escuta e observação como método de investigação dos espaços públicos/A soundtrack on the Largo da Carioca: listening and observation walks as a public spaces investigation method

2018 ◽  
pp. 235-253
Author(s):  
Renato Coimbra Frias
Keyword(s):  
Public Space ◽  
Rio De Janeiro ◽  
Political Geography ◽  
Public Spaces ◽  
The Political ◽  
Audio Recording ◽  
Street Vendors ◽  
Investigation Method ◽  
The Relationship

RESUMOO presente trabalho discute a relação existente entre sons, política e espaços públicos. Tal discussão é conduzida pela análise dos dados obtidos em um trabalho de campo realizado no Largo da Carioca, Rio de Janeiro, que consistiu no mapeamento das diferentes atividades que ocupam esse espaço público e no registro em áudio dos sons ao longo de uma caminhada pelo Largo da Carioca. A análise evidencia como o som produzido por camelôs, artistas de rua e outras atividades observadas em campo exerce um importante papel no jogo de posições entre elas, configurando-se como importante fator na geografia política dos espaços públicos.Palavras-chave: Espaços Públicos, Caminhadas Sonoras, Paisagens Sonoras. ABSTRACTThis paper discusses the relationship between sounds, politics and public spaces. This discussion is conducted by the analysis of data obtained in a fieldwork in Largo da Carioca, Rio de Janeiro, which consisted in mapping the different activities that occupy this public space and in the audio recording of the sounds present on a walk along the Largo da Carioca. Our analysis shows how the sound produced by street vendors, street performers and other activities observed in field plays an important role in the positions established between them, becoming an important factor in the political geography of public spaces.Keywords: Public Spaces, Soundwalks, Paisagens Sonoras.

scholarly journals The (No-)Public Space. Reviewing the Transformation of Al-Qaed Ibrahim's Urban Image

2020 ◽  
pp. 177-192
Author(s):  
Iman Hegazy
Keyword(s):  
Public Space ◽  
Public Spaces ◽  
The Political ◽  
Urban Image ◽  
Political Conflicts ◽  
Political Events ◽  
The One ◽  
The Impact ◽  
The City

Public spaces are defined as places that should be accessible to all inhabitants without restrictions. They are spaces not only for gathering, socializing and celebrating but also for initiating discussions, protesting and demonstrating. Thus, public spaces are intangible expressions of democracy—a topic that the paper tackles its viability within the context of Alexandria, case study Al-Qaed Ibrahim square. On the one hand, Al-Qaed Ibrahim square which is named after Al-Qaed Ibrahim mosque is a sacred element in the urban fabric; whereas on the other it represents a non-religious revolutionary symbol in the Alexandrian urban public sphere. This contradiction necessitates finding an approach to study the characteristic of this square/mosque within the Alexandrian context—that is to realize the impact of the socio-political events on the image of Al-Qaed Ibrahim square, and how it has transformed into a revolutionary urban symbol and yet into a no-public space. The research revolves around the hypothesis that the political events taking place in Egypt after January 25th, 2011, have directly affected the development of urban public spaces, especially in Alexandria. Therefore methodologically, the paper reviews the development of Al-Qaed Ibrahim square throughout the Egyptian socio-political changes, with a focus on the square’s urban and emotional contextual transformations. For this reason, the study adheres to two theories: the "city elements" by Kevin Lynch and "emotionalizing the urban" by Frank Eckardt. The aim is not only to study the mentioned public space but also to figure out the changes in people’s societal behaviour and emotion toward it. Through empowering public spaces, the paper calls the different Egyptian political and civic powers to recognize each other, regardless of their religious, ethnical or political affiliations. It is a step towards replacing the ongoing political conflicts, polarization, and suppression with societal reconciliation, coexistence, and democracy.

“We are all republicans”: Political Articulation and the Production of Nationhood in France's Face Veil Debate

2018 ◽  
Vol 60 (4) ◽  
pp. 938-967 ◽  
Author(s):  
Emily Laxer
Keyword(s):  
Political Parties ◽  
Public Space ◽  
Electoral Politics ◽  
Public Spaces ◽  
Social Identities ◽  
The Political ◽  
Political Boundaries ◽  
The Face ◽  
A Site ◽  
The Relationship

AbstractIn July 2010, following a year-long nationwide debate over Islamic veiling, the French government passed a law prohibiting facial coverings in all public spaces. Prior research attributes this and other restrictive laws to France's republican secular tradition. This article takes a different approach. Building on literature that sees electoral politics as a site for articulating, rather than merely reflecting, social identities, I argue that the 2010 ban arose in significant part out of political parties’ struggles to demarcate the boundaries of legitimate politics in the face of an ultra-right electoral threat. Specifically, I show that in seeking to prevent the ultra-right National Front party from monopolizing the religious signs issue, France's major right and left parties agreed to portray republicanism as requiring the exclusion of face veiling from public space. Because it was forged in conflict, however, the consensus thus generated is highly fractured and unstable. It conceals ongoing conflict, both between and within political parties, over the precise meaning(s) of French republican nationhood. The findings thus underscore the relationship between boundary-drawing in the political sphere and the process of demarcating the cultural and political boundaries of nationhood in contexts of immigrant diversity.

Do territorial rights include the right to exclude?

2018 ◽  
Vol 18 (4) ◽  
pp. 307-322 ◽  
Author(s):  
Cara Nine
Keyword(s):  
Political Theory ◽  
John Locke ◽  
Public Spaces ◽  
Prima Facie ◽  
Property Right ◽  
The Political ◽  
The Public ◽  
Hard Time ◽  
Territorial Rights ◽  
The Right

Do territorial rights include the right to exclude? This claim is often assumed to be true in territorial rights theory. And if this claim is justified, a state may have a prima facie right to unilaterally exclude aliens from state territory. But is this claim justifiable? I examine the version of territorial rights that has the most compelling story to support the right to exclude: territorial rights as a kind of property right, where ‘territory’ refers to the public and common spaces included in the domain of state jurisdiction. I analyse the work of A. J. Simmons, who develops the political theory of John Locke into one of the most well-articulated and defended theories of territorial rights as a kind of property right. My main argument is that Simmons’ justification for rights of exclusion, which are derived from individual rights of self-government, does not apply to many kinds of public spaces. An upshot of this analysis is that most Lockean-based theories of territorial rights will have a hard time justifying the right to exclude as a prima facie right held by states against aliens.

scholarly journals Streets of the ‘spice zombies’: Dependence and poverty stigma in times of austerity

2019 ◽  
Vol 16 (1) ◽  
pp. 97-113 ◽  
Author(s):  
Liviu Alexandrescu
Keyword(s):  
Synthetic Cannabinoids ◽  
Public Spaces ◽  
Cultural Analysis ◽  
New Psychoactive Substances ◽  
The Political ◽  
Psychoactive Substances ◽  
Political Discourses ◽  
The United Kingdom ◽  
The Poor ◽  
National Media

Following the 2016 general ban on new psychoactive substances, synthetic cannabinoids (‘spice’-type drugs) have moved into unregulated street markets and have become popular among homeless populations in the United Kingdom. Images of so-called ‘spice zombies’, rough sleepers in public spaces experiencing severe substance-induced fits, have been used by local and national media to suggest the growing scale of the problem. This article proposes that such depictions should be read through a cultural analysis rooted in the political economy of austerity policies, where the twofold stigma of substance and welfare dependencies directs guilt at the poor, concealing the systemic cruelty of benefits reforms. Through the circulation of such tropes and the ridiculing of a superfluous abject underclass that embodies them, media and political discourses of the ‘broken society’ highlight an evident need for welfare reduction and more generally for the austerity project.

Autochtonie, Libéralisation Politique, et Construction d'une Sphère Publique Locale au Cameroun

2011 ◽  
Vol 54 (3) ◽  
pp. 71-99
Author(s):  
Ibrahim Mouiche
Keyword(s):  
Public Space ◽  
Political Representation ◽  
Public Spaces ◽  
The Political ◽  
Ethnic Communities ◽  
Political Liberalization ◽  
Public Spheres ◽  
Plural Form ◽  
Political Roles ◽  
Emerging Democracy

Abstract:This study focuses on the hegemonic struggles between two ethnic communities, the Mbo and the Bamiléké, in Santchou, West Cameroon. At issue is the sharing of political roles in this locality, which point to issues of political representation. In this district, these roles (mayor, representative, etc.) were under the single party rule of the ethnic minority Mbo, who are a majority in this area but a minority in the rest of the district, where the Bamileke are the majority. In this monolithic context, where all protests were banned, the Bamileke had given up and accepted this arrangement. With the advent of the multiparty system and democracy, in which mayors are now elected and no longer simply nominated, uncertainty has been hovering over this political stronghold of the Mbo. Nevertheless, the Mbo have been able to hold onto the post of mayor and acquire other political posts as well. However, unlike during the single party era, the situation created by the political liberalization has offered to the Bamileke a public space where they can discuss the allocation of local political positions, and manifest their disagreement with the hegemonic trend. In the footsteps of Habermas and many other authors such as Cottereau, this study underlines the need to talk about public spaces in a plural form, instead of a single public space, in order to put in context the internal dynamics of popular cultures engendering subcultural public spheres or places of emerging democracy.

scholarly journals A political corrida. Spanish-Catalan parallels

2019 ◽  
Vol 9 (1) ◽  
pp. 149-164
Author(s):  
Wioletta Husar-Poliszuk
Keyword(s):  
Animal Rights ◽  
Cultural Context ◽  
Public Spaces ◽  
Decision Makers ◽  
The Political ◽  
Political Decision ◽  
Political Dimension ◽  
Animal Protection ◽  
Independence Movement ◽  
The Subject

AbstractThe Corrida de tores, as an important component of Spanish culture, has also been the subject of a dispute between the aficionados (supporters of the corrida) and the antitaurinos (opponents of the corrida) for centuries. Naturally, the spectacle has become an object of interest for researchers not only in the socio-cultural context, where it is becoming a spectacle full of artistry, accompanied by great emotions, or a tradition in some aspects resembling the Fiesta Nacional, but also becoming increasingly important on the political, moral and ethical level. The latter is related to the issue of animal protection and their humane treatment, while in the political dimension the links between the taurammatic tradition and the actions of political decision-makers are mainly analysed. Importantly, in the Catalan and Spanish public spaces, the corrida has become a national sporting role, with similar links to politics. In the light of the Catalan-Spanish antagonisms, this perspective is gaining particular importance, as evidenced, for example, by the flashback of football competition (Real Madrid FC vs. FC Barcelona) in the country under Francisco Franco’s regime, where sporting competition became an exemplary political game.The aim of the article is to analyze the dispute between politicians in Madrid and Catalanists and independents in the region in the context of the banning of the de toros corrida in Catalonia in 2010 and the reaction of the centre’s decision making centre to these actions. Moreover, the motives for this ban are sought, whether they are of an autotelic nature - in this case, the protection of animal rights -or whether they show the traits of instrumental use of tradition, de facto considered to be a “foreign”, because Spanish, part of the rhetoric and real policy pursued by Catalan nationalists and independents in the era of radicalisation of the independence movement in Catalonia.

The Literary Depiction of the “Public Space”: Chen Zhongshi’s White Deer Plain Revisited

Rural China ◽  
2020 ◽  
Vol 17 (1) ◽  
pp. 151-171
Author(s):  
Zhi Gao
Keyword(s):  
Public Space ◽  
Public Spaces ◽  
Cultural Dimensions ◽  
The Political ◽  
The Novel ◽  
The Public ◽  
The Social ◽  
Political Economic

Chen Zhongshi’s novel, White Deer Plain, is a complex text revealing the social, political, economic, and cultural dimensions of a community in transformation in which multiple public spaces coexist and struggle to survive. As a reinterpretation of the novel, this article examines three types of public spaces: the popular, the political, and the cultural-educational, respectively. Focusing on the forms of depiction, the inner workings of the public spaces, the overlapping between different spaces and their expansion, this article aims to delineate the trajectories of the rise and fall of such public spaces and explore their entangling and association with modernity.

Banal nationalism and belonging within the echoed imagined community

2015 ◽  
Vol 14 (5) ◽  
pp. 627-644 ◽  
Author(s):  
Cynthia J. White
Keyword(s):  
New Zealand ◽  
Public Spaces ◽  
Imagined Communities ◽  
The Political ◽  
The Internet ◽  
Imagined Community ◽  
Content Type ◽  
Everyday Activities ◽  
User Comments ◽  
New Public

Contexts for the performance of banal nationalism and belonging have changed markedly with the emergence of the Internet as a significant constituent and mediator of everyday activities. National anthems, depicted as echoed realizations of the imagined community, now exist in cyberspace, offering new public spaces for observing, participating in and responding to anthem spectacles. Drawing on the notion of ‘networked narratives’ (Page, Harper and Frobenius 2013), and previous research on modes of belonging (Jones and Krzyzanowski 2008, Krzyzanowski and Wodak 2008) this paper analyses user comments posted on six YouTube sites featuring New Zealand anthems. The analysis reveals how the commenting affordances of YouTube act as sites of narrative production for both the assertion of belonging, the evaluation of others’ claims and also for the drawing of boundaries. Through this analysis of imagined communities in cyberspace, it is argued that web 2.0 spaces offer us a different way of accessing situated practices of banal nationalism and belonging, while highlighting the interface between the personal and the political in the complexities and contingencies of belonging.

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