scholarly journals Uchodźca, czyli „nowak”. Spór o słowo. O projekcie artystycznym „Nowacy” Jany Shostak w kontekście konstruowania znaczeń i kryzysu migracyjnego.

2020 ◽  
Author(s):  
Joanna Szczepanik

Refugee or "Newcomer". Dispute over the Word: About the Artistic Project "Nowacy" ("Newcomers") by Jana Shostak in the Context of the Construction of Meaning and the Migration CrisisThe artistic diploma project of Jana Shostak, a Polish student from Belarus, assumed the introduction of the word “nowak” (newcomer) into the Polish language as an alternative to the negative term “refugee.” This initiative becomes particularly important in the context of the migration crisis, going beyond the safe sphere of art. The methods of presenting it, both by the artist and by the media, in the form of interviews, press articles and comments on internet forums, were analyzed. The article is an attempt to make a meta-interpretation of this artistic proposal from the perspective of critical cultural studies, emphasizing two main areas: culture as a battlefield and language as a tool of constructing meaning. Methodologically, it is also supported by relativistic linguistic theories, the paradigm of symbolic interactionism, ethnomethodology, the concept of engaged aesthetics and critical theory. Uchodźca, czyli „nowak”. Spór o słowo. O projekcie artystycznym  „Nowacy” Jany Shostak w kotekście konstruowania znaczeń i kryzysu migracyjnegoArtystyczny projekt dyplomowy Jany Shostak zakłada wprowadzenie do języka polskiego słowa „nowak” jako alternatywy dla negatywnie nacechowanego określenia „uchodźca”. Inicjatywa ta nabiera szczególnego znaczenia w kontekście kryzysu migracyjnego, wykraczając poza bezpieczną sferę sztuki. Analizie poddane zostały sposoby jej prezentowania zarówno przez artystkę, jak i przez media, w postaci wywiadów, artykułów prasowych oraz wypowiedzi na forach internetowych. Artykuł jest próbą dokonania meta-interpretacji tej propozycji artystycznej z perspektywy kulturoznawstwa krytycznego z postawieniem akcentu na dwa zasadnicze obszary: kultury jako pola walki oraz języka jako narzędzia konstruującego znaczenie. Metodologicznie wspiera się również relatywistycznymi teoriami lingwistycznymi, paradygmatem interakcjonizmu symbolicznego, etnometodologią, oraz koncepcją estetyki zaangażowanej i teorią krytyczną.

1999 ◽  
Vol 27 (2) ◽  
pp. 481-486
Author(s):  
Linda Shires

VICTORIAN STUDIES PRACTITIONERS have often applauded themselves on their openness to views, topics, and approaches not immediately recognizable as already part of the field. I put the formulation this way because Victorian studies scholars and critics also prize the field for its capaciousness; they tend to think of the field as large and already all-inclusive. It houses many genres and sub-disciplines and it first welcomed certain kinds of critical theory when other historical fields moved more slowly to accept them.


2011 ◽  
Vol 3 (3) ◽  
pp. 254-269
Author(s):  
Bart Lootsma

Architecture has changed from a discipline in service of the larger part of the population through public housing, public buildings, public spaces, urban planning and design to a particular and already in itself disparate niche market of the real estate business that has more to do with the media industry than with public tasks. Architectural criticism has become part of this media industry as well. Thus, Postmodern architecture could flourish as the bastard child of political and cultural populist strategies. Today, architectural criticism finds itself in a deep crisis due to new developments in publishing and it's financing. This also affects Critical Theory. With its background of ideas rooted in Marxism and Enlightenment, Critical Theory seems to have great difficulty with not only the speed of new developments and the unpredictability of their directions, but also with the increasingly dominant irrational but powerful aspects of marketing and propaganda in which it's voice seems no longer heard beyond the walls of the academic ghetto.


2021 ◽  
Vol 2 (1) ◽  
pp. 64
Author(s):  
Rizki Setyo Nugroho ◽  
Muhammad Taufiqurrohman ◽  
Lynda Susana Widya Ayu Fatmawaty

This research is aimed to figuring out the fanaticism from the members of an action figure community in Purwokerto called “Figure Purwokerto”. “Figure Purwokerto” community is an action figure community located in Purwokerto, Central Java, Indonesia. The total of the member is about 241 people from different age and culture. The researchers use focus group discussion and interview as the method to gain the information that the researcher needed for research purposes. The researchers applies some theories in order to obtain further analysis related to the issue. Fanaticism theory is used to figure out the fanaticism of “Figure Purwokerto” community’s members. Another theory, the Cultural Studies: Cultural Consumption Research, is added to make a deeper analysis about the consumption of culture from the members of the community. The scope of this research is cultural studies under the umbrella of English Studies which relates to  American culture and supremacy with action figure as the media. Furthermore, the disscussion of this study is divided into two main parts which correspondent with the fanaticism happened in Figure Purwokerto community. The first part explains the portrayal of the fanaticism from the members of the community. The characteristics of a person can be said as a fanatics are included in this part. The second part explains the cultural relation between the members and the action figure as a culture. The result of this research concludes that the members are fanatic based on several aspects and characteristics of a fanatic. This research was also conducted to make another prespective of fanaticism which is seen as a bad term due to it’s relation to religion fanaticism. 


2020 ◽  
Vol 24 (1) ◽  
pp. 7-8
Author(s):  
Leszek Zinkow

2018 was marked by a variety of celebrations of the 100th anniversary of Poland’s independence. Therefore, it was impossible to ignore this great event also in terms of scientific reflection. We decided to include into this and the next issue a few interesting cultural studies on various aspects of the regained independence. The first mini cycle is comprised of three ar­ticles is dominated by research on the prefiguration of what happened in 1918. Włodzimierz Toruń (KUL) analyzes a few sketches, or rather, liter­ary essays by Cyprian Norwid, written after the fall of the January Upris­ing (1864), expressing the poet’s critical views on the Polish roads to na­tional sovereignty. The Poles “know how combat” but they “do not know how to fight,” Norwid writes, at the same time pointing to the importance of spiritual independence, which in his opinion is more meaningful than the political one. Wilhelm Coindre (UKSW) turns toward interesting in­dependence themes in the works of Maria Dąbrowska. The school strike in Kalisz in 1905 became an inspiration for that writer to undertake deep reflection about what the coming independence is to be like. The triptych is closed by the article by Karol Samsel (UW) on a little-known “post-ro­manticistally entangled” intellectual independence journalism of Joseph Conrad, providing a very interesting analysis from the perspective of the intertextual method, as a precise deconstruction of a highly sophisticated, elegant “literary game.” The second part of the issue consists of a number of highly diverse, but in any case interesting essays. The team of five authors (a setting to which we are not accustomed to in the humanities): Aleksandra Smołka- Majchrzak, Jakub Lickiewicz, Thomas Nag, Conrad Ravnanger, and Marta Makara-Studzińska present the results of their research combining clinical medicine and cultural studies, analyzing the effectiveness of tools to evaluate training geared to prevent aggressive behavior towards medi­cal staff from an intercultural perspective. Further, we include a cross-sec­tional, historical-cultural analysis of the significance of church music in the history of the Church by Fr. Robert Tyrała (UPJPII). An interesting proposal for interpretation of contemporary marketing strategies of book promotion, and more broadly, the “celebritization” of authors, was stud­ied by Edyta Żyrek-Horodyska (Jagiellonian University) on the example of a journalist and writer-reporter Mariusz Szczygieł, who perfectly illus­trates these transformations in the space of media activity (especially so­cial media), where the writer becomes not only an author but also a pro­tagonist of their work. The media study by Olga Białek-Szwed (KUL), in which the author aims to present correlations between contemporary civi­lization and cultural transformations and the situation of the human be­ing as a consumer of the mass media in the 21st century, shows the speci­ficity of some mechanisms governing contemporary media, such as media voyeurism, the so-called online living, or the metaphor of the synopticon. The issue closes with a text by Paweł Krokosz (UPJPII), under the in­triguing title Od przedawcy pierożków do generalissimusa [From pie seller to the generalissimo], bringing closer the little-known figure of Alexander Mienshykov, a man from the social lowlands, who made friends with Tsar Peter I and managed to achieve considerable wealth, prominent state posi­tions and the highest ranks of command in the Russian army and war fleet. He even tried unsuccessfully, after the tsar’s death, to take over the leader­ship of all state affairs. In 1727, he was arrested and convicted to exile in Berezovo, Siberia, with his family. As always, we wish you a pleasant and useful scientific reading!


2021 ◽  
Vol 11 (2) ◽  
pp. 73-85
Author(s):  
Suada A. Dzogovic ◽  
◽  
Vehbi Miftari ◽  

The topic of this article presents communication challenges and the role of the media in constructing an image of migrants and refugees as “the others” in our societies today. The article analyses the migrant situation in South-Eastern Europe, specifically in migration crisis in Bosnia and Herzegovina that has been going on since 2018. The aim is to present the basic aspects of this issue and offer answers to key questions - who are migrants and refugees, what’s their own identity, from which countries do they come, how do they cross the border, where do they go, what is the state’s attitude towards them, what forms and channels of communication the state and other stakeholders use toward them, who cares for them, what do they preserve from their national, cultural and/or language identities and how do they construct self-identity and confront with the “hosting identities”, who donates funds for migration management and how they are managed? Also, a special focus of the research will be on the human rights of migrants and refugees in Bosnia and Herzegovina, which is the subject of various discussions - both within the country itself and among various humanitarian, governmental and non-governmental international organizations in the EU and beyond.


Author(s):  
Aaron Louis Rosenberg

This chapter investigates the phenomenon of emigrant Zairo-Congolese musicians in Uganda, Kenya, and Tanzania and their attempts to integrate into these societies through a variety of strategies that overtly and covertly employ political elements. Remmy Ongala, Samba Mapangala, and the members of Orchestra Maquis all spent time in one of these countries and shaped their sound and messages in these settings, politics being a significant part of their work. While political communication studies focus on structures, institutions, and the media, it is the case that in numerous African contexts music is an integral part of political understanding and participation. Drawing upon the works of scholars such as Michael Urban, Mark Mattern, and Uche Onyebadi, this chapter combines varied fields such as ethnomusicology, political communication, and cultural studies to provide a close understanding of these musical emigrants as well as an exploration of the social trajectories in their work over the course of the last half century.


2019 ◽  
Vol 10 ◽  
pp. e39146
Author(s):  
Mario Tito Barros Almeida ◽  
Bruna Ferreira Pinheiro

Neste artigo, visa-se apresentar e analisar a experiência de cinco anos do Programa Globalizando, programa de rádio universitária produzido pelos alunos e professores do curso de Relações Internacionais da Universidade da Amazônia/PA. Este programa discute temas de Relações Internacionais e é transmitido via Rádio UNAMA FM 105.5 de Belém do Pará, bem como pela internet. Esta experiência universitária é analisada a partir do pensamento de Boaventura de Sousa Santos, em sua perspectiva sobre a Universidade à luz da teoria crítica e da epistemologia do Sul. Para tal, metodologicamente, realizou-se uma revisão bibliográfica sobre a importância da extensão universitária e a utilização de meios de comunicação. Para viabilizá-la, apresenta-se organização e experiência do Programa Globalizando e, analisa-se estas questões a partir do referencial teórico proposto. Palavras-chave: Programa Globalizando; Relações Internacionais; Extensão Universitária.ABSTRACTIn this article, the objective is to present and analyze the five years’ experience of Programa Globalizando, a university radio program produced by the students and professors from the course of the University of Amazonia / PA. This program discusses topics of International Relations and is transmitted via Radio UNAMA FM 105.5 of Belém do Pará, as well as through the internet. This study is analyzed from the theorical thinking of Boaventura de Sousa Santos, in his perspective on the University in the light of the critical theory and the epistemology of the South. To this end, a bibliographical review was carried out on the importance of university extension and the use of the media. To make it feasible, the organization and experience gained by the Globalizing Program over the years is presented, and these questions are analyzed based on the proposed theoretical framework. Keywords: Programa Globalizando; International Relations; University Extension.Recebido em: 09 dez. 2018 | Aceito em: 05 mai. 2019


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