scholarly journals From the Editors

2020 ◽  
Vol 24 (1) ◽  
pp. 7-8
Author(s):  
Leszek Zinkow

2018 was marked by a variety of celebrations of the 100th anniversary of Poland’s independence. Therefore, it was impossible to ignore this great event also in terms of scientific reflection. We decided to include into this and the next issue a few interesting cultural studies on various aspects of the regained independence. The first mini cycle is comprised of three ar­ticles is dominated by research on the prefiguration of what happened in 1918. Włodzimierz Toruń (KUL) analyzes a few sketches, or rather, liter­ary essays by Cyprian Norwid, written after the fall of the January Upris­ing (1864), expressing the poet’s critical views on the Polish roads to na­tional sovereignty. The Poles “know how combat” but they “do not know how to fight,” Norwid writes, at the same time pointing to the importance of spiritual independence, which in his opinion is more meaningful than the political one. Wilhelm Coindre (UKSW) turns toward interesting in­dependence themes in the works of Maria Dąbrowska. The school strike in Kalisz in 1905 became an inspiration for that writer to undertake deep reflection about what the coming independence is to be like. The triptych is closed by the article by Karol Samsel (UW) on a little-known “post-ro­manticistally entangled” intellectual independence journalism of Joseph Conrad, providing a very interesting analysis from the perspective of the intertextual method, as a precise deconstruction of a highly sophisticated, elegant “literary game.” The second part of the issue consists of a number of highly diverse, but in any case interesting essays. The team of five authors (a setting to which we are not accustomed to in the humanities): Aleksandra Smołka- Majchrzak, Jakub Lickiewicz, Thomas Nag, Conrad Ravnanger, and Marta Makara-Studzińska present the results of their research combining clinical medicine and cultural studies, analyzing the effectiveness of tools to evaluate training geared to prevent aggressive behavior towards medi­cal staff from an intercultural perspective. Further, we include a cross-sec­tional, historical-cultural analysis of the significance of church music in the history of the Church by Fr. Robert Tyrała (UPJPII). An interesting proposal for interpretation of contemporary marketing strategies of book promotion, and more broadly, the “celebritization” of authors, was stud­ied by Edyta Żyrek-Horodyska (Jagiellonian University) on the example of a journalist and writer-reporter Mariusz Szczygieł, who perfectly illus­trates these transformations in the space of media activity (especially so­cial media), where the writer becomes not only an author but also a pro­tagonist of their work. The media study by Olga Białek-Szwed (KUL), in which the author aims to present correlations between contemporary civi­lization and cultural transformations and the situation of the human be­ing as a consumer of the mass media in the 21st century, shows the speci­ficity of some mechanisms governing contemporary media, such as media voyeurism, the so-called online living, or the metaphor of the synopticon. The issue closes with a text by Paweł Krokosz (UPJPII), under the in­triguing title Od przedawcy pierożków do generalissimusa [From pie seller to the generalissimo], bringing closer the little-known figure of Alexander Mienshykov, a man from the social lowlands, who made friends with Tsar Peter I and managed to achieve considerable wealth, prominent state posi­tions and the highest ranks of command in the Russian army and war fleet. He even tried unsuccessfully, after the tsar’s death, to take over the leader­ship of all state affairs. In 1727, he was arrested and convicted to exile in Berezovo, Siberia, with his family. As always, we wish you a pleasant and useful scientific reading!

2014 ◽  
Vol 23 (1) ◽  
pp. 101-108 ◽  
Author(s):  
Rúbia Guimarães Ribeiro ◽  
Maria Henriqueta Luce Kruse

The media challenges us, creating ways of life and showing us how to behave in various situations. Therefore, we propose to understand the investments on beauty conveyed on Para Ti magazine, in 1940, reflecting on the possible conditions of such messages and the way they circulated producing a subjective mindset and teaching their readers how to be beautiful. We understand that the media provides material with which people forge their identity. This is a qualitative study based on post-structuralist cultural studies. The research corpus consists of issues of the Argentinean magazine Para Ti, from 1940. A cultural analysis was carried out based on concepts suggested by philosopher Michel Foucault, such as power and discipline. These analyses were organized under the marker named "the imperative of beauty". Considering the content presented by the magazine, it is possible to understand the relationship we have with today's image of a beautiful body, associating it with thinness, a balanced diet, exercise, normality, and health.


ASHA Leader ◽  
2013 ◽  
Vol 18 (2) ◽  
Keyword(s):  
Know How ◽  

How to use your local know-how to get the media to pay attention.


2018 ◽  
Vol 10 (4) ◽  
pp. 383-419 ◽  
Author(s):  
Terrence H. Witkowski

Purpose This paper aims to present a visually documented brand history of Winchester Repeating Arms through a cultural analysis of iconic Western images featuring its lever action rifles. Design/methodology/approach The study applies visual culture perspectives and methods to the research and writing of brand history. Iconic Western images featuring Winchester rifles have been selected, examined, and used as points of departure for gathering and interpreting additional data about the brand. The primary sources consist chiefly of photographs from the nineteenth century and films and television shows from the twentieth century. Most visual source materials were obtained from the US Library of Congress, the Smithsonian Institution, the Buffalo Bill Center of the West and the Internet Movie Firearms Database. These have been augmented by written sources. Findings Within a few years of the launch of the Winchester brand in 1866, visual images outside company control associated its repeating rifles with the settlement of the American West and with the colorful people involved. Some of these images were reproduced in books and others sold to consumers in the form of cartes de visite, cabinet cards and stereographs made from albumen prints. Starting in the 1880s, the live Wild West shows of William F. Cody and his stars entertained audiences with a heroic narrative of the period that included numerous Winchesters. During the twentieth century and into the present, Winchesters have been featured in motion pictures and television series with Western themes. Research limitations/implications Historical research is an ongoing process. The discovery of new primary data, both written and visual, may lead to a revised interpretation of the selected images. Originality/value Based largely on images as primary data sources, this study approaches brand history from the perspective of visual culture theory and data. The research shows how brands acquire meaning not just from the companies that own them but also from consumers, the media and other producers of popular culture.


Author(s):  
Gerald Pratley
Keyword(s):  
Know How ◽  

IF IT WAS SAID ONCE it was said a hundred times: "The cinema was invented a hundred years ago but today's filmmakers don't know how to make movies. After a century of existence they are rapidly going backwards." A sweeping statement and fortunately, there are exceptions, but this was the consensus at the conclusion of the showing of the Competition films at Berlin's 45th International Film Festival. By general agreement this year's festival has not matched up to last year's standards which were themselves lower than the year before. All of which leads to the questions frequently asked among the ranks of the media - is this the best that Moritz de Hadeln could find? Is Cannes proving to be a continuing stumbling block to obtaining the best entries? Or is he losing his sense of judgment after 15 years in charge? The film expected to win the Golden...


2021 ◽  
Vol 2 (1) ◽  
pp. 64
Author(s):  
Rizki Setyo Nugroho ◽  
Muhammad Taufiqurrohman ◽  
Lynda Susana Widya Ayu Fatmawaty

This research is aimed to figuring out the fanaticism from the members of an action figure community in Purwokerto called “Figure Purwokerto”. “Figure Purwokerto” community is an action figure community located in Purwokerto, Central Java, Indonesia. The total of the member is about 241 people from different age and culture. The researchers use focus group discussion and interview as the method to gain the information that the researcher needed for research purposes. The researchers applies some theories in order to obtain further analysis related to the issue. Fanaticism theory is used to figure out the fanaticism of “Figure Purwokerto” community’s members. Another theory, the Cultural Studies: Cultural Consumption Research, is added to make a deeper analysis about the consumption of culture from the members of the community. The scope of this research is cultural studies under the umbrella of English Studies which relates to  American culture and supremacy with action figure as the media. Furthermore, the disscussion of this study is divided into two main parts which correspondent with the fanaticism happened in Figure Purwokerto community. The first part explains the portrayal of the fanaticism from the members of the community. The characteristics of a person can be said as a fanatics are included in this part. The second part explains the cultural relation between the members and the action figure as a culture. The result of this research concludes that the members are fanatic based on several aspects and characteristics of a fanatic. This research was also conducted to make another prespective of fanaticism which is seen as a bad term due to it’s relation to religion fanaticism. 


2020 ◽  
Author(s):  
Joanna Szczepanik

Refugee or "Newcomer". Dispute over the Word: About the Artistic Project "Nowacy" ("Newcomers") by Jana Shostak in the Context of the Construction of Meaning and the Migration CrisisThe artistic diploma project of Jana Shostak, a Polish student from Belarus, assumed the introduction of the word “nowak” (newcomer) into the Polish language as an alternative to the negative term “refugee.” This initiative becomes particularly important in the context of the migration crisis, going beyond the safe sphere of art. The methods of presenting it, both by the artist and by the media, in the form of interviews, press articles and comments on internet forums, were analyzed. The article is an attempt to make a meta-interpretation of this artistic proposal from the perspective of critical cultural studies, emphasizing two main areas: culture as a battlefield and language as a tool of constructing meaning. Methodologically, it is also supported by relativistic linguistic theories, the paradigm of symbolic interactionism, ethnomethodology, the concept of engaged aesthetics and critical theory. Uchodźca, czyli „nowak”. Spór o słowo. O projekcie artystycznym  „Nowacy” Jany Shostak w kotekście konstruowania znaczeń i kryzysu migracyjnegoArtystyczny projekt dyplomowy Jany Shostak zakłada wprowadzenie do języka polskiego słowa „nowak” jako alternatywy dla negatywnie nacechowanego określenia „uchodźca”. Inicjatywa ta nabiera szczególnego znaczenia w kontekście kryzysu migracyjnego, wykraczając poza bezpieczną sferę sztuki. Analizie poddane zostały sposoby jej prezentowania zarówno przez artystkę, jak i przez media, w postaci wywiadów, artykułów prasowych oraz wypowiedzi na forach internetowych. Artykuł jest próbą dokonania meta-interpretacji tej propozycji artystycznej z perspektywy kulturoznawstwa krytycznego z postawieniem akcentu na dwa zasadnicze obszary: kultury jako pola walki oraz języka jako narzędzia konstruującego znaczenie. Metodologicznie wspiera się również relatywistycznymi teoriami lingwistycznymi, paradygmatem interakcjonizmu symbolicznego, etnometodologią, oraz koncepcją estetyki zaangażowanej i teorią krytyczną.


Diogenes ◽  
2020 ◽  
Vol 28 (1) ◽  
Author(s):  
Iryna Fedorova ◽  
◽  
Iryna Pokulyta

This article describes the ways of understanding roles and meaning of thesaurus methodology in the aspect of interdisciplinary potential of practical philosophy. Thesaurus-oriented design and personality self-realization principle acquires dominant characteristics under conditions of modern cultural transformations: processes of globalization, digitalization technologies, semiosis of the media sphere. Multiple abilities of thesaurus approach allow to fulfill self-identification and self-actualization of creative activities’ subject by the practical goal setting.


Author(s):  
Aaron Louis Rosenberg

This chapter investigates the phenomenon of emigrant Zairo-Congolese musicians in Uganda, Kenya, and Tanzania and their attempts to integrate into these societies through a variety of strategies that overtly and covertly employ political elements. Remmy Ongala, Samba Mapangala, and the members of Orchestra Maquis all spent time in one of these countries and shaped their sound and messages in these settings, politics being a significant part of their work. While political communication studies focus on structures, institutions, and the media, it is the case that in numerous African contexts music is an integral part of political understanding and participation. Drawing upon the works of scholars such as Michael Urban, Mark Mattern, and Uche Onyebadi, this chapter combines varied fields such as ethnomusicology, political communication, and cultural studies to provide a close understanding of these musical emigrants as well as an exploration of the social trajectories in their work over the course of the last half century.


2019 ◽  
pp. 1-4
Author(s):  
Emily Finch ◽  
Stefan Fafinski

The cover of this book features an open penknife with an impressive range of attachments, set against a bright yellow background. So why did we pick this as the image to capture what we think Criminology Skills is all about? Without turning this into a media studies lesson, the cover says several things to us. First, by its very nature, much crime is hidden. Criminals tend not to want their activities to be made public. Criminology aims to bring criminality into the light: to explore issues such as why people start to offend, the causes and consequences of crime, methods of crime prevention, public perceptions and reactions to crime, measuring and quantifying crime, how the criminal justice system, the police, the courts, the probation and prison service, should deal with offenders, and methods that the state uses, especially the criminal law, in response to crime. Secondly, a penknife is quite capable of causing harm: stabbing or merely cutting someone with a knife could give rise to criminal liability for a range of different offences. Simply waving it at someone could be criminal. What about possession of the penknife in a public place? Or selling one to someone under the age of 16? Is it an offensive weapon or a weapon of offence? These have distinct meanings in the criminal law of England and Wales. Knife crime is a topic that is always of concern in the media. Thirdly, and perhaps, most importantly, a penknife contains a whole selection of different tools that can be used in different situations to make life easier. Several years ago, one of us was asked the question: ‘Why do you make such a fuss about skills? These students are at university. They ought to know how to study by now.’ Our answer is that, yes, perhaps students ...


2019 ◽  
Vol 54 (1) ◽  
pp. 286-305
Author(s):  
Cara Delay ◽  
Annika Liger

Abstract This article investigates how the criminal courts and popular press depicted abortionists across key decades of political, economic, and cultural transformations in postindependence Ireland (1922–1950). It demonstrates how and why the legal system and the media highlighted those abortion-related crimes in which bad mothers, ambitious parvenus, and ethnic “others” subverted society, religion, motherhood, and, in Ireland’s case, national values. At stake in depictions of abortionists was not only morality and criminality but also Irishness itself. Courts and newspapers presented abortion defendants as “others” in terms of gender, sexuality, class, race, and religion. Doing so branded abortionists as dangerous outsiders in, and even traitors to, a fragile Irish nation still working to define itself.


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