A Hole in the Heavens

1977 ◽  
Vol 34 (3) ◽  
pp. 294-298
Author(s):  
Erik Routley
Keyword(s):  
Holy Spirit ◽  
Right Hand ◽  
The People ◽  
The Holy Spirit ◽  
Set Up ◽  
The Right ◽  
The City

“Stephen, full of grace and power, did great wonders and signs among the people. Then some of those who belonged to the synagogue of the Freedmen… arose and disputed with Stephen… and set up false witnesses… They were enraged, and they ground their teeth against him. But he, full of the Holy Spirit, gazed into heaven and saw the glory of God, and Jesus standing at the right hand of God; and he said, ‘Behold, I see the heavens opened’… Then they cast him out of the city and stoned him… And he knelt down and cried with a loud voice, ‘Lord, do not hold this sin against them.’ ”—Acts 6:8-7:60.

The Functions of Faith in Primitive Pentecostalism

1984 ◽  
Vol 77 (3-4) ◽  
pp. 353-375 ◽  
Author(s):  
Grant Wacker
Keyword(s):  
Los Angeles ◽  
San Francisco ◽  
Holy Spirit ◽  
The People ◽  
The Holy Spirit ◽  
Small House ◽  
Azusa Street ◽  
The City

On a foggy evening in the spring of 1906, nine days before the San Francisco earthquake, several black saints gathered in a small house in Los Angeles to seek the baptism in the Holy Spirit. Before the night was over, a frightened child ran from the house to tell a neighbor that the people inside were singing and shouting in strange languages.Several days later the group moved to an abandoned warehouse on Azusa Street in a run-down section of the city. Soon they were discovered by a Los AngelesTimesreporter. The “night is made hideous … by the howlings of the worshippers,” he wrote. “The devotees of the weird doctrine practice the most fanatical rites, preach the wildest theories and work themselves into a state of mad excitement.”

scholarly journals A paisagem em Criúva e Vila Seca, Caxias do Sul, Brasil: uma narrativa etnográfica

ILUMINURAS ◽  
2015 ◽  
Vol 16 (40) ◽  
Author(s):  
Claudia Ribeiro ◽  
José Carlos Gomes dos Anjos ◽  
Guilherme Francisco Waterloo Radomsky
Keyword(s):  
Holy Spirit ◽  
Participant Observation ◽  
Space Time ◽  
Environmental Conservation ◽  
Rural Districts ◽  
The Holy Spirit ◽  
Landscape Survey ◽  
The City ◽  
Reflective Narrative ◽  
Life Projects

Trajeto etnográfico realizado em contexto multidisciplinar de pesquisa motiva essa narrativa reflexiva. Recorre-se criticamente a observação participante realizada em dois distritos rurais nas circunvizinhanças da segunda maior cidade gaúcha (Caxias do Sul). O procedimento foi conduzido mediante o acompanhamento do ciclo de louvação da festa do Divino Espírito Santo, mas a narrativa própria, que desvela a paisagem como bem de uso comum no lugar, atinge-se através da atenção às alteridades desveladas nesse percurso. Nesse contexto, avaliam-se as contribuições e possibilidades do fazer etnográfico em um tema mais abrangente ainda a deslindar: a luta dos habitantes do lugar - agricultores há mais de 150 anos nos Campos de Cima da Serra - para continuarem seus projetos de vida. Pois, supostamente no mesmo espaço-tempo, a cidade exige outras ações, sob o discurso da conservação ambiental, contudo portando em seu bojo desejos de outras espécies. Nessa pesquisa de paisagem, mais do que compreender, almeja-se ressoar a voz de quem vive no lugar.Palavras-chave: Paisagem. Ruralidade. Etnografia. The Landscape in Criúva and Vila Seca, Caxias do Sul, Brazil: an ethnographic narrativeAbstractOngoing ethnographic path nested in a multidisciplinary context research, motivates this reflective narrative. The participant observation conducted in two rural districts in the neighborhood of the second largest city of Rio Grandedo Sul (Caxias do Sul) is critically reviewed. The main procedure that was carried out was the following of celebrations cycle of the Holy Spirit. Despite this, the narrative that unfolds the landscape as a common use in the place it is reached through the attention to diversitiesunveiled in this path. In this context, the researchers seek to critically evaluate the contributions and possible contributions of ethnographic work to a more comprehensive theme. The drama to be empirically figured out is the struggles of inhabitants of the place - farmers since 150 years in Campos de Cima da Serra - to continue their life projects. It happens that, supposedly in the same space time, the city requires other actions in the discourse of environmental conservation, however showing desires of other species. In this landscape survey more than to understand, it’s aimed to resonate the voices of people who live in the place.Key words: Landscape. Rurality. Ethnography.

scholarly journals A Tensor Decomposition Algorithm for Large ODEs with Conservation Laws

2019 ◽  
Vol 19 (1) ◽  
pp. 23-38 ◽  
Author(s):  
Sergey V. Dolgov
Keyword(s):  
Conservation Laws ◽  
Tensor Decomposition ◽  
Time Discretization ◽  
Approximation Accuracy ◽  
Stochastic Simulation Algorithms ◽  
Right Hand ◽  
Large Linear System ◽  
Linear Ode ◽  
Set Up ◽  
The Right

AbstractWe propose an algorithm for solution of high-dimensional evolutionary equations (ODEs and discretized time-dependent PDEs) in the Tensor Train (TT) decomposition, assuming that the solution and the right-hand side of the ODE admit such a decomposition with a low storage. A linear ODE, discretized via one-step or Chebyshev differentiation schemes, turns into a large linear system. The tensor decomposition allows to solve this system for several time points simultaneously using an extension of the Alternating Least Squares algorithm. This method computes a reduced TT model of the solution, but in contrast to traditional offline-online reduction schemes, solving the original large problem is never required. Instead, the method solves a sequence of reduced Galerkin problems, which can be set up efficiently due to the TT decomposition of the right-hand side. The reduced system allows a fast estimation of the time discretization error, and hence adaptation of the time steps. Besides, conservation laws can be preserved exactly in the reduced model by expanding the approximation subspace with the generating vectors of the linear invariants and correction of the Euclidean norm. In numerical experiments with the transport and the chemical master equations, we demonstrate that the new method is faster than traditional time stepping and stochastic simulation algorithms, whereas the invariants are preserved up to the machine precision irrespectively of the TT approximation accuracy.

The state of Ireland in the 1820s: James Cropper's plan

1971 ◽  
Vol 17 (67) ◽  
pp. 320-339 ◽  
Author(s):  
Kenneth Charlton
Keyword(s):  
New York ◽  
United States Of America ◽  
New York State ◽  
The United States ◽  
Canal System ◽  
Black Ball ◽  
The People ◽  
Trading Activities ◽  
Set Up ◽  
The City

In 1825 there was published in Liverpool a pamphlet of 59 pages entitled The present state of Ireland, with a plan for improving the position of the people. Its author was James Cropper, a quaker merchant of that city and senior partner of the firm Cropper, Benson and Co. As a young man he had been apprenticed to the firm of Rathbone, Benson and Co., living and working in the small circle of liberal radicals in the city, of whom the Rathbones, the Binns and the Roscoes were perhaps the most famous. In 1799 he had set up business on his own account, and later joined in partnership with another quaker, Thomas Benson, son of Rathbone's partner, as Cropper, Benson and Co. The firm engaged in a wide variety of commission trading, but increasingly specialized in cotton imports from the United States of America, acting also as the Liverpool agent for the Black Ball line of packets which from 1818 provided the first regular passenger sailings between New York and Liverpool. As an ‘ American ’ merchant in Liverpool, Cropper helped to form the American chamber of commerce in the port, serving as treasurer and later as president. Besides his trading activities Cropper was a founder-director of the Liverpool-Manchester Railyway and he also invested heavily in the New York State canal system.

‘Pillaging Jesus’: healing churches and the villagisation of Kinshasa

Africa ◽  
1996 ◽  
Vol 66 (4) ◽  
pp. 555-586 ◽  
Author(s):  
René Devisch
Keyword(s):  
Holy Spirit ◽  
Urban Areas ◽  
Satellite Communication ◽  
Symbolic Capital ◽  
The Body ◽  
Moral Integrity ◽  
Colonial State ◽  
Post Colonial ◽  
The Holy Spirit ◽  
The City

In Kinshasa thousands of prophetical churches of the Holy Spirit, particularly those in the Koongo area, fill in the ethical gap left, according to the people, by the marginalisation of traditional authority in the city, as well as the failure of civilisationist ‘white’ models, such as the collapse of public health and education sectors, and the dissolution of the State party. Confronted with economic collapse and miserable conditions in urban areas, these charismatic healing churches deconstruct the colonial and missionary heritage that ‘invented Africa’ in a white mirror, and the evolutionist utopia relating to modern progress. The dogmatic use that they make of biblical texts, their immoderate liturgy, and above all their ostentatious healing rituals parody and ridicule people's experience of post-colonial state constraints, the dichotomisation of the society operated by Christian conversion, and postcolonial mirrors opposing modernity and reactionary tradition, Christian values and pagan life. Healing churches deconstruct the daily seduction of the town folk by hedonistic ideals of capitalist consumption and Northern television channels which control the world. The Holy Spirit, as a substitute for the ancestral spirit, expresses itself in an heterodox manner and with multiple voices in the shape of glossolalia, dreams, and trance. During these very intense celebrations these communities, through the spirit, remobilise and, in particular, reinforce interpersonal links woven through the care of the body and from the mother within the matrifocal community or the matri-centered villagisation operating in the city. Here, in the daily quest for survival, people reassert their sense of criticism and community in the face of the fragments of state and tribal structures as well as their desire for moral integrity and sharing. And, above all, in this process of villagisation, healing churches recycle as symbolic capital the so-called forces of western imperialism, and particularly those which come from written material and electronics: the Bible, money, television, and satellite communication.

Walk in the history of the city and its environs

10.12737/6572 ◽  
2014 ◽  
Vol 8 (4) ◽  
pp. 20-33
Author(s):  
Наталья Гаршина ◽  
Natalya Garshina
Keyword(s):  
Excursion Theory ◽  
Transmission Of Knowledge ◽  
City Environment ◽  
The Past ◽  
Walking Tour ◽  
The People ◽  
The World ◽  
History Of ◽  
The Right ◽  
The City

Having a look at the tourist space as a cultural specialist, the author drew attention to the fact that the closest to the modern man is a city environment he contacts and sometimes encounters in everyday life and on holidays. And every time whether he wants it or not, it opens in a dif erent way. One way of getting to know the world has long been a walking tour. It’s not just a walk hand in hand with a pleasant man or hasty movement to the right place, but namely the tour, in which a knowledgeable person with a soulful voice will speak about the past and present of the city and its surroundings, as if it is about your life and the people close to you. Turning to the beginning of the twentieth century, the experience of scientists-excursion specialists we today can learn a lot to improve the process of building up a tour, and most importantly the transmission of knowledge about the world in which we live. Well-known names of the excursion theory founders to professionals are I. Grevs, N. Antsiferov, N. Geynike and others. They are given in the context of ref ection on the historical development of walking tours, which haven’t lost their value and attract both creators and consumers of tour services.

scholarly journals Representasi Kearifan Lokal Budaya Timur Tengah dalam Film “Aladdin (2019)” Produksi Walt Disney Pictures

Koneksi ◽  
2020 ◽  
Vol 4 (1) ◽  
pp. 7
Author(s):  
Nada Salsabila ◽  
Diah Ayu Candraningrum
Keyword(s):  
Middle East ◽  
Middle Eastern ◽  
Musical Instrument ◽  
Semiotic Analysis ◽  
Cultural Symbols ◽  
Eastern Culture ◽  
Walt Disney ◽  
The People ◽  
The Right ◽  
The City

This research examines the representation of Middle Eastern culture local wisdom contained in the film "Aladdin 2019" produced by Walt Disney Pictures. This study aims to examine the cultural symbols of the Middle East. The research method used in this study is a qualitative method with Charles Sanders Peirce's semiotic analysis which divides the sign into three elements namely sign, object and interpretant. Semiotics is the science that discusses or examines the meaning of a sign. The results showed that Middle Eastern cultural symbols in the film "Aladdin 2019" were displayed through 10 scenes selected in the film. Cultural symbols of the Middle East are shown through the habits of the people kissing the right and left cheeks every time they meet relatives, riding camels to travel, livelihoods of people who trade, princess clothes Jasmine and Sultan, building architecture made of bricks and domes as decoration and art that displays traditional Middle Eastern musical instrument namely Gambus. Some interesting facts in the film one of which is the making of the city "Agrabah" as a shooting setting which is a fictitious city in England and property made of authentic jewelry.  Penelitian ini mengkaji mengenai representasi kearifan lokal budaya Timur Tengah yang terdapat dalam Film “Aladdin 2019” Produksi Walt Disney Pictures. Penelitian ini bertujuan untuk mengkaji simbol-simbol budaya Timur Tengah. Metode penelitian yang digunakan dalam penelitian ini adalah metode kualitatif dengan analisis semiotika Charles Sanders Peirce yang membagi tanda menjadi tiga elemen yaitu tanda, objek dan interpretan. Semiotika adalah ilmu yang membahas atau mengkaji mengenai pemaknaan dari sebuah tanda. Hasil penelitian menunjukkan bahwa simbol-simbol budaya Timur Tengah dalam Film “Aladdin 2019” ditampilkan melalui 10 scene yang dipilih dalam film tersebut. Simbol-simbol Budaya Timur Tengah ditunjukkan melalui kebiasaan masyarakat cium pipi kanan dan kiri setiap bertemu kerabat, menunggangi unta untuk bepergian, mata pencaharian masyarakat yang berdagang, pakaian putri Jasmine dan Sultan, arsitektur bangunan berasal dari batu bata dan kubah sebagai hiasan serta kesenian yang menampilkan alat musik tradisional Timur Tengah yaitu Gambus. Beberapa fakta menarik dalam film tersebut salah satunya adalah pembuatan kota “Agrabah” sebagai latar syuting yang merupakan kota fiktif di Inggris dan properti yang terbuat dari perhiasan asli.

scholarly journals Moralna wymowa gestu namaszczenia stóp i głowy Jezusa w Quaestio de Maria Magdalena et Maria sorore Lazari et Marthae Joachima z Fiore

Vox Patrum ◽  
2018 ◽  
Vol 69 ◽  
pp. 175-193
Author(s):  
Jan Grzeszczak
Keyword(s):  
Middle Ages ◽  
Holy Spirit ◽  
Middle Age ◽  
Religious Life ◽  
13Th Century ◽  
12Th Century ◽  
The Holy Spirit ◽  
History Of ◽  
The Right ◽  
Joachim Of Fiore

Joachim of Fiore (1135-1202) – a Middle Age exegete and mystic – is the author of an impressive work on the vision of history, whose most renown ele­ment is the tertius status, i.e. the age of the Holy Spirit which precedes the end of the world and the Final Judgment. As an author, Joachim was also interested in the history of religious life in the Middle Ages and in various exegetical tools which he developed to analyze this subject. In his works, especially the minor ones, he also discusses practical problems related to religious life in the 12th century. The small tractate, Questio de Maria Magdalena et Maria sorore Lazari et Marthae, has been preserved in a single 13th century manuscript and is kept in the Biblioteca Antoniana in Padua. In his exegesis on various Gospel passages which deal with the anointing of Jesus’ feet and head in Galilee and Bethany, Joachim of Fiore intends to show that the actions of women who performed this gesture pos­sess a hidden moral significance: the certainty concerning the internal unity that occurs between contemplation and the virtue of humility. An example of this unity is Mary of Bethany who anointed the feet of Jesus and wiped them with her hair (cf. Jn 12:3) as a person who is humble and – at the same time – given to contem­plation. Still – according to Joachim – as a righteous person, she had the right to reach for the head of the Savior.

scholarly journals Synodality — Participation — Co-Responsibility. Remarks on the Determinants of the Aggiornamento of the Church Law

2019 ◽  
Vol 7 ◽  
pp. 95-114
Author(s):  
Andrzej Pastwa
Keyword(s):  
Holy Spirit ◽  
Point Of View ◽  
People Of God ◽  
Community Of Faith ◽  
The People ◽  
The Holy Spirit ◽  
Scientific Reflection ◽  
Church Law ◽  
The One ◽  
The Church

In the communio Ecclesiae reality, of a unitarian, charismatic, and institutiona structure, the crucial concepts of participation and co-responsibility are firmly anchored in the juridical and canonical discourse. This is the way in which the horizon of the subject matter reveals itself, the study of which — from the point of view of the title triad: synodality — participation — co-responsibility — will never lose its relevance. What is, at the same time, important is the idea of “synodality,” which is adequately recognized as the sacra potestas of a sacramental origin (ontological aspect), which gains the dynamism of libertas sacra (existential and dynamic aspect) through the charisms of the Holy Spirit, thus leading to the inseparability of its personal and synodal aspects. Therefore, in the attempt to illuminate the determinant of the aggiornamento of the Church law in this study, it was appropriate, on the one hand, to consistently refer to the essence of the idea of the communio hierarchica, according to which Christ makes selected servants participate in his authority by means of an office, the exercise of which always remains a diaconia in the community of faith. On the other hand, in reference to the contemporary understanding of communio fidelium, the axis of scientific reflection was to be the communion-creative phenomenon of charisms — gifts of the Holy Spirit that awaken in the People of God synodal co-responsibility for the good of the entire Church community. In both cases — without losing sight of the obvious truth that, in the sacramental structure of the Church (communio), both hierarchical and charismatic gifts converge in the service of the bishop, who updates — according to the logic of the Vaticanum II aggiormamento and the ecclesiological principles of the Council: collegiality, the title synodality and subsidiarity — the fullness of Christ’s service: as Prophet, Priest, and King.

Pranks, Tropes and Raspberries: The Dialogic Demeanour of Satire’s Creative Horizon

2019 ◽  
Vol 7 (1) ◽  
pp. 46-60
Author(s):  
John Baldacchino
Keyword(s):  
Holy Spirit ◽  
Nobel Laureate ◽  
Moral Values ◽  
The Political ◽  
The People ◽  
Dario Fo ◽  
The World ◽  
The Holy Spirit ◽  
The Ideal

Abstract This essay starts off with a modern-day court jester (Nobel laureate Dario Fo) praising a Pope (Albino Luciani, who became John Paul I). Fo presents us with an historic moment: Luciani scandalises his Church by calling God “Mother.” With utmost seriousness, Fo appreciates the Pope’s kindness and warmth by which the artist perceives a way of scandalising the world out of complacency. In their idealised and situated presentations of the world, the sacred and the profane return the necessary to the contingent (and vice-versa) as moments of equal attention and distraction. Likewise, irony and satire mark our situated sense of the ideal by an inability to unlearn the certainties by which we are urged to construct our world. This is done by first presenting a situated pedagogical context that refuses to provide solutions presumed on measurement, certainty or finality. Secondly this begins to lay claim to the political, aesthetic and moral values that are gained through art’s ironic disposition. Thirdly, through our contingent states of being we begin to understand how education is culturally conditioned and why we need to shift it to another gear – that of unlearning through a weak pedagogy. An atheist, Fo suggests that thanks to Pope Luciani, we now could endear to the Holy Spirit as a spirito ridens, a spirit that laughs. Here one finds a kenotic sense that gives us a glimpse in how an ironic disposition owes its strength and effectiveness to a weak pedagogy. By dint of such weakness, the jester’s pedagogical disposition becomes a form of resistance, exiting the Court in order to be with the people and consequently transformed by the people.

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