Network

2006 ◽  
Vol 23 (2-3) ◽  
pp. 307-314 ◽  
Author(s):  
Joost van Loon

Network is a device for organizing and conceptualizing non-linear complexity. Networks defy narrative, chronology and thus also genealogy because they entail a multiplicity of traces. Networks problematize boundaries and centrality but intensify our ability to think in terms of flows and simultaneity. As a concept, network has been highly conducive to theorizing phenomena and processes such as globalization, digital media (Internet), speed, symbiosis and complexity. This in turn enables us to rethink what constitutes the foundations of intelligence, knowledge and even life itself. One particularly useful application of network as a concept is the notion of the gift, which is often seen as the archetypical figure for understanding the nature of economics and social relationships.

2018 ◽  
pp. 458-472
Author(s):  
Michael Johansson

This article will present and discuss the design thinking, methods, processes and some examples of work that demonstrates how, together with different co-creators, one sets up a work practice using digital 3d objects and images. That in different ways and formats helps us to explore how a database, a set of rules can be used in a dialogue with artistic work practice and how such a process can be used to create images and animation in a variety of design and art projects. The main example is a project called Conversation China that still is in its making, here one works with rather complex processes, involving several digital analogue techniques as the basis for creating the images for a 150 pieces porcelain dinner set. The author's interest in this work is how the intention of the artist or designer is transferred and later embedded in the procedural or algorithmic process and how this intent is organized and set up to secure an desired outcome, mixing the possibilities of the digital media object with manual editing and artistic craftsmanship. What this article tries to put forward is how we designed and set up environments for working with non linear and procedural media, their different expressions and forms by using explorable prototypes and design thinking?


2019 ◽  
Vol 16 (5) ◽  
pp. 675-685 ◽  
Author(s):  
Dave Elder-Vass

AbstractEconomics has tended to neglect giving, and thus both its important contemporary economic role and its potential contribution to alternative, non-market systems. To remedy this, it will need to draw on the broad debates on the nature of the gift that have developed in and across the other social sciences. This paper addresses several of these by asking how we should define the terms gift and giving. It rejects definitional associations of giving with obligation, reciprocity and the development of social relationships. Such definitions exclude many phenomena commonly understood as giving and underpin misguided attempts to analyse gifts in contemporary late-modern societies in terms derived from anthropological discussions of very different societies. Instead, the paper develops a definition of the gift based on contemporary giving institutions. A more open, contemporary definition of the gift helps to sensitise us to the continuing importance of gift institutions in social and economic life.


1997 ◽  
Vol 13 (1) ◽  
pp. 87-100 ◽  
Author(s):  
Graham Dawson

Are there worthwhile values and ideals which flourish in the procedures of the state but wither in the transactions of the market? Are there equitable and fulfilling social relationships which are nurtured in the economic sphere but crumble in the political world? There is clearly some truth in the claim that at least in certain circumstances market systems inculcate in people not only ‘honesty and diligence, but also sensitivity to the needs and preferences of others’ (Gray, 1992, p. 24). On the other hand, it is difficult to deny the appeal of a tradition of thought which attaches moral superiority to the non-market ideals and values epitomised in the gift relationship. Titmuss (1970), for example, objected to treating blood as a commodity in part because it undermined the sense of fraternity or community which a system of voluntary blood donors enhanced. A contemporary statement of this position holds that gift values differ from commodity values in being ‘tokens of love, admiration, respect, honor, and so forth, and consequently lose their value when they are provided for merely self-interested reasons’ (Anderson, 1990, p. 203).


2021 ◽  
pp. 41-67
Author(s):  
Jonathan Pugh ◽  
David Chandler

Chapter 2 examines the heuristic of ‘Resilience’, through which island ontologies have been most obviously adopted by mainstream academic and policy-thinking. Resilience is conceptualised here as an analytical field through which islands have emerged in postmodern framings of governance, as an alternative to linear thinking about progress and sustainability in the Anthropocene. Resilience seeks to capture the art of adaptation or of adaptive change. Working with islands has been significant to the rise of Resilience thinking because islands are imagined to have powers of creative and productive differentiation and individuation, faced with unprecedented changes and challenges. The chapter also turns to the work of Charles Darwin, and the power he attributed to islands as powerful, adaptative, differentiating ‘engines’ for life itself. Island life has become a high-profile symbol of non-linear emergence and diversification as islands are seen to enable contexts to intensify and magnify interactive feedback effects as well as acting as a baseline for understanding ‘vulnerability and resilience’, relational contingencies and ‘system effects’ that cannot be accessed directly by way of modern frameworks of reasoning. The island, as an important figure for working through the central problematic of relational entanglements, makes it particularly generative and productive for Resilience thinking in the Anthropocene.


2021 ◽  
Vol 23 (Supplement_G) ◽  
Author(s):  
Vanessa Pivetti ◽  
Davide Lazzeroni ◽  
Luca Moderato ◽  
Claudio Stefano Centorbi ◽  
Matteo Bini ◽  
...  

Abstract Aims Arterial hypertension (AHT) represents the leading cause of cardiovascular disease (CVD) and premature death worldwide. Essential AHT accounts for 95% of all cases of hypertension; although the aetiology of essential AHT is still largely unknown, a pivotal role of autonomic nervous system has been proposed and demonstrated. Both excessive sympathetic tone and vagal withdrawal, that define autonomic dysfunction, has been associated with essential AHT. The aim of our study was to investigate the relationship between blood pressure and autonomic function in essential hypertension; this was done comparing 24 h heart rate variability and 24 h blood pressure data, simultaneously collected, in a population of essential AHT subjects. Methods A prospective registry of 179 consecutive not selected essential AHT patients were considered in the present study. All patients underwent cardiac evaluation at the Primary and Secondary Cardiovascular Prevention Unit of the Don Gnocchi Foundation of Parma. All subjects underwent 24 h ECG monitoring, and 24 h Ambulatory Blood Pressure Monitoring, during the same day. Twenty-four hours Heart Rate variability analysis included: Time-domain, frequency-domain and non-linear domain. Results Mean age was 60 0a11.7 years, male gender was prevalent (68.4%). Among the population 26 (14.7%) subjects had diabetes; the prevalence of family history of CVD was 61.7% and 66.5% had dyslipidaemia; body mass index mean values were 27.6 7.4.3. In the whole population, the prevalence of uncontrolled AHT was 80.5%, divided into: 53.1% systo-diastolic, 17.9% isolated systolic, and 9.5% isolated diastolic. The prevalence of untreated AHT (recent diagnosis) was 40.2%, while treated AHT was 59.8% and only 19.6% had controlled blood pressure values (AHT at target). 12.3% of patients were treated with Beta Blockers. A significant correlations between diastolic blood pressure (DBP) values (24 h and day-time), LF/HF ratio (24 h) (r = 0.200; P = 007) and DFA alfa1 (24 h) (r = 0.325; P = 0.000), two know markers of sympathetic tone, were found. A higher sympathetic tone, expressed as high LF/HF, was found in isolated diastolic AHT compared to other types of AHT and the lowest sympathetic tone was found in isolated systolic AHT. Considering non-linear (complexity) analysis, DFA alfa1 (24 h) showed a significant correlation with DBP values that remained independent even after multiple adjustment for BMI, age, gender and Beta Blockers (β = 0.218; P = 0.011). Moreover, the lack of DBP control was associated with high sympathetic tone (LF/HF 3.8 112.3 vs 5.5 .33.3; P < 0.0001). On the other hand, no significant correlations between all DBP data and vagal markers, such as SDNN index, RMSSD and HF, were found. Again, no significant correlations between 24 h, daytime, night-time SBP and time or frequency HRV data as well as with non-linear (complexity) analysis were found. Finally, considering ‘autonomic dipping’, expressed as changes in HRV data between day and night, a strong inverse correlation between vagal markers and Heart Rate Dipping (r = −0.297; P < 0.0001) was found; correlation that remain independent even adjusted for age, gender, BMI, and BB. On the other hand, no association between blood pressure dipping and autonomic dipping was found. Conclusion Diastolic blood pressure and uncontrolled diastolic AHT, rather than systolic AHT, are associated with a hyper-sympathetic tone rather than with blunted vagal tone. The lack of heart rate dipping during night-time in AHT is associated with blunted vagal activation rather than a persistent night-time hyper-adrenergic tone.


2020 ◽  
Vol 11 ◽  
Author(s):  
Jaleea Price

Perpetual Motion: Dance, Digital Cultures, and the Common takes the reader on a journey through a collection of digital dance works that cumulatively reveal a rich, and ongoing, interplay between dance and digital media.  Available for purchase as a book and as an open-access download, Perpetual Motion details an historical evolution of dance's engagement within shared digital media experiences, focusing on the period from 1996 to 2016.  As a reader, I quickly found within these pages a personal connectivity and, in these isolating times, a renewed membership into the global, online corporeal community.  With myriad works (re)discovered in each chapter, Perpetual Motion shows us the global impact dance and digital media have had upon each other through shared social relationships and interactions, both on- and off-screen.


2019 ◽  
Vol 5 (4) ◽  
pp. 205630511988169 ◽  
Author(s):  
Ana Jorge

This article looks at the discourses of Instagram users about interrupting the use of social or digital media, through hashtags such as “socialmediadetox,” “offline,” or “disconnecttoreconnect.” We identified three predominant themes: posts announcing or recounting voluntary interruption, mostly as a positive experience associated to regaining control over time, social relationships, and their own well-being; others actively campaigning for this type of disconnection, attempting to convert others; and disconnection as a lifestyle choice, or marketing products by association with disconnection imaginary. These discourses reproduce other public discourses in asserting the self-regulation of the use of social media as a social norm, where social media users are responsible for their well-being and where interruption is conveyed as a valid way to achieve that end. They also reveal how digital disconnection and interruption is increasingly reintegrated on social media as lifestyle, in cynical and ironic ways, and commodified and co-opted by businesses, benefiting from—and ultimately contributing to—the continued economic success of the platform. As Hesselberth, Karppi, or Fish have argued in relation to other forms of disconnection, discourses about Instagram interruptions are thus not transformative but restorative of the informational capitalism social media are part of.


Author(s):  
Michael Johansson

This article will present and discuss the design thinking, methods, processes and some examples of work that demonstrates how, together with different co-creators, one sets up a work practice using digital 3d objects and images. That in different ways and formats helps us to explore how a database, a set of rules can be used in a dialogue with artistic work practice and how such a process can be used to create images and animation in a variety of design and art projects. The main example is a project called Conversation China that still is in its making, here one works with rather complex processes, involving several digital analogue techniques as the basis for creating the images for a 150 pieces porcelain dinner set. The author's interest in this work is how the intention of the artist or designer is transferred and later embedded in the procedural or algorithmic process and how this intent is organized and set up to secure an desired outcome, mixing the possibilities of the digital media object with manual editing and artistic craftsmanship. What this article tries to put forward is how we designed and set up environments for working with non linear and procedural media, their different expressions and forms by using explorable prototypes and design thinking?


2019 ◽  
pp. 113-127
Author(s):  
Jonah R. Rimer ◽  
Kate C. Tilleczek

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