‘Slainte, I goes, and he says his word’: Morvern Callar undergoes the trial of the foreign

2004 ◽  
Vol 13 (1) ◽  
pp. 55-71 ◽  
Author(s):  
Catherine Claire Thomson
Keyword(s):  
Translation Studies ◽  
Literary Texts ◽  
Source Text ◽  
Scottish Literature ◽  
National Community ◽  
Language Varieties ◽  
Translation Practice ◽  
International Power ◽  
National Boundaries ◽  
Literary Practices

This article explores how style may be implicated in the construction of ethnic identity in literary texts, and how associated linguistic patternings may be effaced or destroyed in interlingual translation. It is argued that the emphasis of the last decade within translation studies on the ethics of translation practice in the context of asymmetrical international power relations should extend to the study of intralingual translation, as a postnational phenomenon. Where non-standard language varieties are used in literature as the expression of an imagined national or sub-national community, as in some contemporary Scottish literature, translation as process and practice is already implicated in the source text. One way to understand the import of such literary practices is through ‘ethnostylistics’, tracing the stylistic expression of a culture’s concern with heterogeneity and difference both within and between national boundaries. After a discussion of ethics and ethnicity within translation studies, Antoine Berman’s analytic of translation is used as a framework for an analysis of the Danish translation of Alan Warner’s Morvern Callar.

Dante’s ‘Shameless Whore’: Sexual Imagery in Anglo-American Translations of the Comedy

2003 ◽  
Vol 14 (1) ◽  
pp. 11-38 ◽  
Author(s):  
Edoardo Crisafulli
Keyword(s):  
Catholic Church ◽  
Translation Studies ◽  
Roman Catholic ◽  
Literary Texts ◽  
Roman Catholic Church ◽  
Sexual Imagery ◽  
Original Language ◽  
Translation Practice ◽  
Descriptive Approach ◽  
Anglo American

Abstract This article focuses on the strategies pursued by Anglo-American translators in dealing with Dante’s sexual imagery in the Comedy. The author attempts to explain why the original imagery — which condemns a corrupt Roman Catholic Church — has sexist connotations, and why it is reproduced in most translations in the corpus. “Fidelity” or adequacy with respect to sexual/sexist images seems striking in view of the fact that certa..n translators bowdlerize the source text or tone down the boldness of its vernacular style. It is suggested that the patriarchal nature of both the Italian and English languages explains why the use of sexist imagery is tolerated (or perhaps even encouraged) in literary texts. The findings of the analysis are then brought to bear on one important question: should the translation scholar aim to bring about “politically correct” changes in translation practice, that is, changes attenuating the offensiveness of the original language? The author advocates a descriptive approach, even though “gender and translation” seems more politicized than other areas of research within Translation Studies. The paper concludes that Translation Studies may benefit from the findings of gender studies, provided scholars in this area do not attempt to change actual translation practice and focus on the hermeneutics of translation. In fact, gender scholars can make an important contribution to Translation Studies by focusing on the ideological nature of the gendered construction of meaning.

scholarly journals On Re-instantiation of Literary Dialects: A Systemic Functional Approach

2019 ◽  
Vol 9 (6) ◽  
pp. 706
Author(s):  
Jing Chen
Keyword(s):  
Systemic Functional Linguistics ◽  
Translation Studies ◽  
Functional Approach ◽  
Literary Texts ◽  
Source Text ◽  
Linguistic Features ◽  
New Development ◽  
English Translations ◽  
Descriptive Approach ◽  
New Perspective

With the developments in Systemic Functional Linguistics (SFL), the functional approach to translation studies (TS) has offered new perspective into understanding how translation can be viewed as the re-instantiation of Source Text (ST) in another language system as Target Text (TT).In literary texts, language variations such as literary dialects have long been considered challenges in translation, but literary dialects are also believed to be “valued” linguistic elements since non-standard language such as dialects are socially related and may trigger linguistic stereotypes among readers. In tune with the new development in SFL, the current research focuses on the English translations of dialects in Li Jieren’s Si Shui Wei Lan (死水微澜) which is rich in Sichuan dialects and are with linguistically varied voices. The purpose of this article is threefold: firstly, to briefly present the linguistic features of ST, revealing author’s intentional arrangement in his choices of dialects; secondly, with case studies to compare and discuss the translators’ choices in re-instantiating dialects from the perspective of coupling and commitment; finally, to offer suggestions for translating literary dialects. This paper argues that SFL helps translators pinpoint the linguistic features that are valued in ST and inform translators of alternative renderings. This paper adopts a descriptive approach to the triplet on how translators re-coupled and re-committed the language variations in the ST into TT, and it serves as a manifestation of how SFL applies to TS from a new angel.

The metalanguage of localization

Target ◽  
2007 ◽  
Vol 19 (2) ◽  
pp. 337-357 ◽  
Author(s):  
Iwona Mazur
Keyword(s):  
Translation Studies ◽  
The Other ◽  
Present Discussion ◽  
Translation Practice ◽  
The Future ◽  
Basic Concepts ◽  
The One

In recent years localization has become a popular concept in both translation practice and theory. It has developed a language of its own, which, however, still seems to be little known among translation scholars. What is more, being primarily an industry-based discourse, the terms related to localization are very fluid, which makes theorizing about it difficult. Therefore, the aim of this article is, first of all, to explain the basic terms of the metalanguage of localization, as they are used by both localization practitioners and scholars, and, secondly, to make this metalanguage more consistent by proposing some general definitions that cover the basic concepts in localization. This, in turn, should, on the one hand, facilitate scholar-to-practitioner communication and vice versa and, on the other, should result in concept standardization for training purposes. In the conclusions I link the present discussion of the metalanguage of localization to a more general debate on metalanguage(s) in Translation Studies and propose that in the future we might witness the emergence of a new discipline called Localization Studies.

scholarly journals Equiprosodic translation method in Estonian poetry

2012 ◽  
Vol 40 (3/4) ◽  
pp. 447-472 ◽  
Author(s):  
Maria-Kristiina Lotman
Keyword(s):  
Natural Language ◽  
Translation Method ◽  
Quantitative Structure ◽  
Source Text ◽  
Artificial System ◽  
Translation Practice ◽  
Prosodic Structures ◽  
Estonian Language

Equimetrical translation of verse, which conveys the metre of the source text, should be distinguished from equiprosodic translation of verse, which conveys the versification system of the source text. Equiprosodic translation of verse can rely on the possibilities of natural language (for instance, when presumably Publius Baebius Italicus created the Ilias Latina, he made use of the quantitative structure in Latin), but it can also employ an artificial system (cf., for example, the quantitative verse in Church Slavonic or English). The Estonian language makes it possible to convey the syllabic (based on the number of syllables), accentual (based on the number and configuration of accents) and quantitative (based on the configuration of durations) versification systems. In practice, combined types are most frequent, for instance, the ones in which both the syllable count and the configuration of accents is relevant; in Estonian, versification systems with the participation of all three principles are possible as well. Despite the contrast of quantity in Estonian, the transmission of the quantitative structure of ancient metrics still involves a number of difficulties which result from differences in the prosodic structures. The transmission of purely syllabic versification system has also been problematic: it is hard to perceive such structure as verse in Estonian and therefore it has often been conveyed with the help of different syllabic-accentual or accentual-syllabic verse metres. Although equiprosodic translation is not necessarily equimetrical, in actual translation practice it usually is so.

scholarly journals Slovak thinking on audiovisual translation and the issue of the second-hand translation of Russian documentary films

2019 ◽  
Keyword(s):  
English Language ◽  
Translation Studies ◽  
Russian Language ◽  
Documentary Films ◽  
Source Text ◽  
Historical Explanation ◽  
Cultural Space ◽  
Audiovisual Translation ◽  
The Russian Language ◽  
Limited Diffusion

The paper, in its first part, outlines the Slovak research into audiovisual translation (AVT) from the 1950s up to the present, paying attention to the most important scholars as well as publications that helped to shape and establish the discipline within Slovak translation studies. It is based on the ongoing bibliographical research and the historical explanation mapping the development of AVT research in Slovakia by I. Tyšš – e.g. his publication Myslenie o audiovizuálnom preklade na Slovensku: 1952 – 2017 (Thinking on Audiovisual Translation in Slovakia: 1952 – 2017, 2018) – as well as on own findings covering the last two years. In more detail, the first part of the paper highlights that it was primarily thanks to a younger generation of translation studies scholars – especially E. Perez (née Janecová), L. Paulínyová (née Kozáková) and J. Želonka – that in 2012 the Slovak research into AVT finally became systematic. The second part of the paper is devoted to the phenomenon of the so-called second-hand translation of originally Russian audiovisual works that may be observed in Slovakia in recent years. The questionable nature of this phenomenon is stressed since the Russian language is not a language of limited diffusion and definitely not remote in relation to the Slovak cultural space. On the example of two documentary films – Под властью мусора (Held Captive by Rubbish, 2013) and Дух в движении (Spirit in Motion, 2015), the author discusses and analyses the problems that occur when translating originally Russian AV works into Slovak through the English language, i.e. the negative shifts resulting from mis-/overinterpretation of the source text, translation by omission, wrong order of dialogues, cultural specifics and incorrect transcription.

scholarly journals Possible Worlds in Translation: Coleman Barks’s Rendition of a Story from Rumi’s Masnavi

2021 ◽  
Vol 44 (3) ◽  
Author(s):  
Vahid Medhat ◽  
Hossein Pirnajmuddin ◽  
Pyeaam Abbasi
Keyword(s):  
Internal Structure ◽  
English Translation ◽  
Possible Worlds ◽  
Translation Studies ◽  
Original Text ◽  
Main Character ◽  
Source Text ◽  
Narrative Worlds ◽  
The Way

This article applies the theory of possible worlds to the field of translation studies by examining the narrative worlds of original and translated texts. Specifically, Marie-Laure Ryan’s characterization of possible worlds provides an account of the internal structure of the textual universe and the progression of the plot. Based on this account, one of the stories from Rumi’s Masnavi is compared to Coleman Barks’s English translation. The possible worlds of the characters and the unfolding of the plots in both texts are examined to assess the degree of compatibility between the textual universes of the original and the translated texts and how significant this might be. It also examines how readers reconstruct the narrative worlds projected by the two texts. The analysis reveals some inconsistencies in the way the textual universes of the original and translated texts are furnished and in the way readers reconstruct the narrative worlds of the two texts. The inability of translation to fully render the main character results in some loss in terms of the pungency and pithiness of the original text. It is also shown that the source text presents a richer domain of the virtual in comparison, suggesting a higher degree of tellability in the textual universe of the Masnavi’s narrative.

scholarly journals Strategies to Overcome Translation Losses in the Novel “The Grapes of Wrath” by John Steinbeck to Achieve Adequacy in Translation

2020 ◽  
Vol 23 (4) ◽  
pp. 17-32
Author(s):  
Konul Khalilova ◽  
Irina Orujova
Keyword(s):  
John Steinbeck ◽  
Literary Texts ◽  
The Novel ◽  
Source Text ◽  
Grapes Of Wrath ◽  
Thought Patterns ◽  
Translation Techniques ◽  
Current Article ◽  
The Given ◽  
Different Levels

The current article involves the issues of losses, gains, or survivals contributing to literature in the process of translation. It represents a thorough study based on the novel “The Grapes of Wrath” by John Steinbeck from English and, respectively, its translation into Azerbaijani by Ulfet Kurchayli. It investigates the problematic areas or challenges emerging from the source-text discrepancies. Furthermore, this article also concentrates on the issue of cultural non-equivalence or the losses occurring in translating English literary texts into Azerbaijani. The paper identifies the translation techniques adopted by the translator of John Steinbeck’s The Grapes of Wrath. Adopting certain techniques rather than others has led to many losses on different levels. The translator’s important role as a cultural insider is also emphasized. The wide gap, distance, or the differences between the cultures, languages, and thought patterns of the English and Azerbaijani language speakers are the main factors resulting in various losses in the process of translation. Coping with these extra-linguistic constraints is harder than the linguistic ones as the translator has no choice in the given situations, deleting these elements from the TT or replacing them with elements that do not fit the context. This article aims at determining translation losses and gains, defining ways that the translator employs for compensating losses, through the analysis of John Steinbeck’s style in The Grapes of Wrath. The article concludes that there are some situations where the translation of a certain text from the SL into the TL embraces alteration in the whole informational content of the text, in the form of expressions or words.

scholarly journals A HYBRID TRANSLATION THEORY FOR EU TEXTS

2017 ◽  
Vol 5 (5) ◽  
pp. 76 ◽  
Author(s):  
Vilelmini Sosoni
Keyword(s):  
Linguistic Diversity ◽  
Prima Facie ◽  
Translation Theory ◽  
Discourse Community ◽  
Source Text ◽  
Cultural And Linguistic Diversity ◽  
Translation Practice ◽  
Textual Features ◽  
To Come ◽  
Neutral Ground

EU texts are produced by way of multilingual negotiation in a supranational multicultural discourse community, where there is no linguistically neutral ground and where the internationalisation of concepts and ideas is a sine qua non. As a result, they are idiosyncratic texts, reflecting specific textual features. Their translation in the current 23 official EU languages is equally idiosyncratic and challenging, to say the least, especially since it is shaped under the EU’s overwhelming cultural and linguistic diversity, the constraints of its policy of multilingualism, and the subsequent policy of linguistic equality which states that all languages are equal, or ‘equally authentic’ (Wagner, Bech, Martinez 2002, 7), and that translations are not really translations but language versions. In other words, in the framework of EU translation, the terms source text (ST) and target text (TT) cease to exist, while the prima facie illusory notion of ‘equivalence’ seems to resurface—though altered in nature—and dominate the translation practice. It thus goes without saying that in the case of EU texts and their translation a tailor-made theoretical framework is required where many classic concepts of Translation Studies (TS), such as ST, TT and equivalence need to be re-evaluated and redefined, and at the same time functionalist approaches and the postmodernist concepts of intertextuality, hybridity and in-betweenness need to come to the fore. The proposed translation theory for EU texts flaunts the feature inherent in their production, it is—just like them—hybrid.

scholarly journals Termini in der technischen Übersetzung: Rettungsanker, Tyrannen – oder auch nur Wörter?

2021 ◽  
Vol 3 ◽  
Author(s):  
Ulrike Oster
Keyword(s):  
Translation Studies ◽  
Source Text ◽  
Specific Study ◽  
Domain Specific ◽  
Cultural Specificity ◽  
Technical Translation ◽  
Language Pair

The understanding of ‘term’ in traditional terminology theory reduces the lexical problems of technical translation to a mere substitution of the source-text term by a target-text term. In translation studies however , a number of issues have been highlighted which are not covered by traditional terminology theory, e.g. cultural specificity or the importance of textual and pragmatic considerations. This paper first analyses how the new communication and cognition-oriented approaches to terminology account for these aspects of technical translation. Then it briefly presents results of a language-pair and domain-specific study which allows us to exemplify some of the issues that have been discussed and to reach some specific conclusions for the translator of this linguistic combination.

scholarly journals From Translation Studies and audiovisual translation to media accessibility

Target ◽  
2016 ◽  
Vol 28 (2) ◽  
pp. 248-260 ◽  
Author(s):  
Aline Remael ◽  
Nina Reviers ◽  
Reinhild Vandekerckhove
Keyword(s):  
Speech Recognition ◽  
Basic Research ◽  
Translation Studies ◽  
Hybrid Form ◽  
Audio Description ◽  
Translation Practice ◽  
Recent Developments ◽  
Key Issues ◽  
The One

Abstract Recent developments in Translation Studies and translation practice have not only led to a profusion of approaches, but also to the development of new text forms and translation modes. Media Accessibility, particularly audio description (AD) and subtitling for the deaf and hard-of-hearing (SDH), is an example of such a ‘new’ mode. SDH has been evolving quickly in recent decades and new developments such as interlingual SDH and live subtitling with speech recognition bring it closer to established forms of translation and interpreting. On the one hand, interlingual SDH reintroduces Jakobson’s (1959) ‘translation proper’ while the use of speech recognition has led to the creation of a hybrid form that has affinities with both subtitling and interpreting. Audio description, for its part, cannot even be fitted into Jakobson’s ‘intersemiotic translation’ model since it involves translation from images into words. Research into AD is especially interesting since it rallies methods from adjacent disciplines, much in the same way that Holmes ([1972] 1988) described TS when it was a fledgling discipline. In 2008, Braun set out a research agenda for AD and the wealth of topics and research approaches dealt with in her article illustrate the immense complexity of this field and the work still to be done. Although AD and SDH research have developed at different paces and are concerned with different topics, converging trends do appear. Particularly the role of technology and the concept of multimodality seem to be key issues. This article aims to give an overview of current research trends in both these areas. It illustrates the possibilities of technology-driven research – particularly popular in SDH and live-subtitling research – while at the same time underlining the value of individual, human-driven approaches, which are still the main ‘modus operandi’ in the younger discipline of AD where much basic research is still required.

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