Genre-dependent metonymy in Norse skaldic poetry

2008 ◽  
Vol 17 (1) ◽  
pp. 21-36 ◽  
Author(s):  
Karen Sullivan

This article describes a metonymic process which is common in skaldic verse, but rare in everyday language. This process allows one member of a category to stand for another (for example, SEA is referred to by the name of another member of BODIES OF WATER, such as `river' or `fjord'). This process has previously been called `metaphor' (cf. Fidjestøl, 1997). However, I show that the process lacks several characteristics of metaphor as defined in cognitive linguistics, including multiple mappings and the creation of target-domain inferences. I suggest that the process is more similar to metonymies such as Category for Member (cf. Radden and Kövecses, 1999), and should be called `Member for Member' metonymy. I argue that Member for Member metonymy is rare in conversational language because it fails to generate the inferences and cognitive benefits provided by most metaphors and metonymies. However, Member for Member is abundant in skaldic verse, because the aesthetic and sociolinguistic goals of this genre outweigh the considerations of clarity and efficiency imposed on conversation by the Gricean Maxims. I furthermore propose that Member for Member metonymy is a defining feature of classical skaldic poetry, and one that distinguishes this genre from later, more naturalistic styles such as hrynhent. The observation that Member for Member occurs in a specific literary genre like skaldic poetry — even though it is normally barred from conversational language — indicates that cognitive linguists must study the full range of linguistic genres in order to document the cognitive processes that underlie language use.

Author(s):  
I Wayan Budiarta ◽  
Ni Wayan Kasni

This research is aimed to figure out the syntactic structure of Balinese proverbs, the relation of meaning between the name of the animals and the meaning of the proverbs, and how the meanings are constructed in logical dimension. This research belongs to a qualitative as the data of this research are qualitative data which taken from a book entitled Basita Paribahasa written by Simpen (1993) and a book of Balinese short story written by Sewamara (1977). The analysis shows that the use of concept of animals in Balinese proverbs reveal similar characteristics, whether their form, their nature, and their condition. Moreover, the cognitive processes which happen in resulting the proverb is by conceptualizing the experience which is felt by the body, the nature, and the characteristic which owned by the target with the purpose of describing event or experience by the speech community of Balinese. Analogically, the similarity of characteristic in the form of shape of source domain can be proved visually, while the characteristic of the nature and the condition can be proved through bodily and empirical experiences. Ecolinguistics parameters are used to construct of Balinese proverbs which happen due to cross mapping process. It is caused by the presence of close characteristic or biological characteristic which is owned by the source domain and target domain, especially between Balinese with animal which then are verbally recorded and further patterned in ideological, biological, and sociological dimensions.


Author(s):  
Andreas Stokke

This chapter provides an overview of reactions to Harry Frankfurt’s influential theory of bullshitting, addressing the four main features he ascribes to it, and considers some alternatives to Frankfurt’s account. Among others, issues raised by Thomas Carson and G. A. Cohen are examined in the discussion. A proposal to characterize bullshitting in terms of Gricean maxims is discussed, and it is argued that these views fail to capture the full range of cases. Here, works by Stokke and Don Fallis are cited. An alternative view that analyzes bullshitting in terms of the speaker’s attitudes toward the communal project of inquiry is canvassed, and the chapter ends by discussing the relation between bullshitting and lying.


2021 ◽  
Vol 85 ◽  
pp. 61-71
Author(s):  
Carla Ovejas Ramírez

This article discusses hyperbolic markers in modeling hyperbole from the perspective of a scenario-based account of language use within the framework of Cognitive Linguistics. In this view, hyperbole is seen as a mapping across two conceptual domains (Peña y Ruiz de Mendoza, 2017), a source domain, here relabeled as the magnified scenario, which contains a hypothetical unrealistic situation based on exaggeration, and a target domain or observable scenario which depicts the real situation addressed by the hyperbolic expression. Since the hypothetical scenario is a magnified version of the observable scenario, the mapping contains source-target matches in varying degrees of resemblance. Within this theoretical context, the article explores resources available to speakers for the construction of magnified scenarios leading to hyperbolic interpretation. Among such resources, we find hyperbole markers and the setting up of domains of reference. Finally, the article also discusses hyperbole blockers, which cancel out the activity of the other hyperbolic meaning construction mechanisms.


2008 ◽  
Vol 159 (7) ◽  
pp. 205-208
Author(s):  
Gianni Paravicini

There is much extended literature about classic technical hydraulic engineering and about the revitalization of bodies of water. This article deals with a third component, which has received little attention by the engineers. The author pleads for more aesthetic in hydraulic engineering, in particular in populated areas where many people use the open water bodies for recreation. It is shown that more aesthetic in hydrologic engineering often also leads to an increased ecological value. With hydraulic constructions in the canton of Lueerne, possible creative elements for the aesthetic and ecological revaluation of the course of creeks are discussed.


AJIL Unbound ◽  
2020 ◽  
Vol 114 ◽  
pp. 111-116
Author(s):  
Mark A. Drumbl

Memorials and monuments are envisioned as positive ways to honor victims of atrocity. Such displays are taken as intrinsically benign, respectful, and in accord with the arc of justice. Is this correlation axiomatic, however? Art, after all, may be a vehicle for multiple normativities, contested experiences, and variable veracities. Hence, in order to really speak about the relationships between the aesthetic and international criminal law, one must consider the full range of initiatives—whether pop-up ventures, alleyway graffiti, impromptu ceremonies, street art, and grassroots public histories—prompted by international criminal trials. Courts may be able to stage their own outreach, to be sure, but they cannot micromanage the outreach of others. And the outreach of others may look and sound strikingly different than that curated and manicured by courts. This essay presents one such othered outreach initiative: a memorial in Tokyo dedicated to Justice Radhabinod Pal of India, who authored a vehement dissent at the International Military Tribunal for the Far East (IMTFE). The IMTFE was established in 1946 to prosecute Japan's leadership in the aftermath of the Second World War. Pal would have acquitted each defendant. This essay describes Justice Pal's legal philosophy, situates his place in the currents of international law, and reflects on the broader role of memorials as discursive sites.


AJS Review ◽  
2005 ◽  
Vol 29 (1) ◽  
pp. 179-181
Author(s):  
Chanita Goodblatt

In his epilogue to The Politics of Canonicity, Michael Gluzman has aptly delineated the parameters of this book, by writing that it “originates from the American debate on canon formation and cultural wars that predominated academic discourse during my years at University of California, Berkeley” (p. 181). This statement firmly sets its author within a critical context that auspiciously brings a wider literary discourse, such as that sustained by Chana Kronfeld and Hannan Hever, into the realm of modern Hebrew poetry. In particular, The Politics of Canonicity is identified by its publication in the series entitled Contraversions: Jews and Other Differences, which has a primary interest in the ongoing redefinition of Jewish identity and culture, specifically involving issues of gender, modernity, and politics. The Politics of Canonicity is effectively divided into two parts. In the first, comprising Chapters 1 and 2, Gluzman provides the intellectual and historical context for the interwoven formation of national identity and the literary canon in modern Hebrew literature. In particular, in Chapter 1 he relates the story of the 1896–1897 debate between Ahad Ha'am and Mikha Yosef Berdichevsky, arguing that it produced a dominant and regulative paradigm of Hebrew literature that integrates the private and public, the aesthetic and the national. In the second chapter, Gluzman discusses the way in which Hebrew modernism created a counterpoint to international modernism's glorification of exile. He discusses a full range of premodernist and modernist Hebrew poets—Shaul Tchernichovsky, Avigdor Hameiri, Avraham Shlonsky, Noach Stern, and Leah Goldberg—in order to underline their resistance to “the idea of exile as a literary privilege or as an inherently Jewish vocation” (p. 37), a resistance which Gluzman determines as calling into question “the critical tendency to read modernist practices as essentially antinationalist” (p. 37).


2019 ◽  
Vol 8 (2S11) ◽  
pp. 3862-3866

Questions such as What is beauty? What is beautiful? Who's handsome? are as ancient as the world itself. The answers to these questions are of interest to everyone from Plato to the present generation. These questions, first of all, require an understanding of the philosophical and aesthetic nature of "beauty". However, the problem of analyzing the expression of the concept of "beauty" in the language (in the English, Uzbek and Tajik national cultures) has not been studied from the point of view of cognitive linguistics and linguistic Culturology. Consequently, the aesthetic picture of the world in English, Uzbek and Tajik languages, the possibility of expressing and reflecting the concept of "beauty" on the phraseological and lexical tiers of the language, the interpretation of values in different cultures, comparative analysis of linguistic and cultural features, and the study in direct connection with cognitive linguistics, linguoculturology, general linguistics determine the relevance of the topic of the article


2020 ◽  
Vol 48 (4) ◽  
pp. 395-407
Author(s):  
Lydia Pearson ◽  
Sophie Parker ◽  
Warren Mansell

AbstractBackground:Sleep and mood are known to be linked and this is particularly evident in people with a diagnosis of bipolar disorder (BD). It has been proposed that psychological interventions improving sleep can be a pathway for improving mood. In order for a psychological sleep intervention to be appropriate, the common cognitive processes maintaining the range of sleep disturbances need to be investigated.Aim:This study aimed to explore and identify expert consensus on positive and negative sleep appraisals in the context of low and high mood states, using the Integrative Cognitive Model as a theoretical guide.Method:A Delphi approach was utilized to allow clinical and research professionals, with experience in the field of BD, to be anonymously consulted about their views on sleep appraisals. These experts were invited to participate in up to three rounds of producing and rating statements that represented positive and negative sleep appraisals.Results:A total of 38 statements were developed and rated, resulting in a final list of 19 statements that were rated as ‘essential’ or ‘important’ by >80% of the participants. These statements represent the full range of extreme sleep appraisals this study had set out to explore, confirming the importance of better understanding and identifying positive and negative sleep cognitions in the context of high and low mood.Conclusion:The statements reviewed in this study will be used to inform the development of a sleep cognition measure that may be useful in cognitive therapy addressing sleep disturbances experienced along the bipolar spectrum.


Leonardo ◽  
2013 ◽  
Vol 46 (2) ◽  
pp. 171-177
Author(s):  
Romy Achituv

The author argues that the application of digital algorithmic structures to analog media may illuminate hidden values and perceptions inherent in the digital technologies themselves. The paper sets out the understanding of metaphor in contemporary cognitive linguistics, in which metaphor is perceived as a conceptual device that creates meaning through cross-domain mapping—that is, partially mapping (projecting) one conceptual domain onto another. While the projected domain is intended to elucidate the target domain, the author argues that metaphor itself is self-reflexive—drawing attention to characteristics of the projected domain.


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