scholarly journals Egypt’s dispersed heritage: Multi-directional storytelling through comic art

2021 ◽  
pp. 146960532199292
Author(s):  
Heba Abd el-Gawad ◽  
Alice Stevenson
Keyword(s):  
Human Remains ◽  
Cultural Relevance ◽  
Contemporary Society ◽  
Colonial History ◽  
Museum Collections ◽  
Grass Roots ◽  
History Of ◽  
The Uk ◽  
Egyptian Archaeology ◽  
Traditional Storytelling

This paper responds to a need to address the colonial history of collections of Egyptian archaeology and to find new ways in which Egyptian audiences can assume greater agency in such a process. The ‘Egypt’s Dispersed Heritage’ project presents a model of engagement whereby foreign museum collections become the inspiration for Egyptians to express their own feelings about the removal of their heritage abroad using idioms and traditional storytelling of cultural relevance to them. A series of online comics confronting contentious heritage issues, including the display of mummified human remains, eugenics, looting and destruction, is discussed. It is argued that this approach is not only more relatable for Egyptian communities, but moreover provides space for the development of grass-roots critique of heritage practices, both in the UK and in Egypt. Museums have a responsibility to take on board these critiques, curating not just objects but relationships forged amongst them in historical and contemporary society.

scholarly journals Fredrik Svanberg. Människosamlarna. Anatomiska museer och rasvetenskap i Sverige ca 1850–1950

1970 ◽  
pp. 159
Author(s):  
Eva Åhrén
Keyword(s):  
Welfare State ◽  
Medical History ◽  
Human Remains ◽  
Museum Collections ◽  
Human Beings ◽  
History Museum ◽  
Media Attention ◽  
History Of ◽  
The Media ◽  
Swedish History

The publication of Fredrik Svanberg’s Människosamlarna. Anatomiska museer och rasvetenskap i Sverige ca 1850–1950 [The Collectors of Human Beings. Anatomical Museums and Racial Science in Sweden c. 1850–1950] is very timely. The topic of human remains in museum collections has recently been under debate in Swedish media Early in 2015, the debate was triggered by the efforts of Karolinska Institutet’s Unit for Medical History and Heritage to research its neglected historic collections of human remains, and start repatriating racialized skulls to indigenous source communities. (Disclosure: I am the director of that unit, and my own research on the history of medical museums is referenced in this book.) Svanberg, who is head of research at the Swedish History Museum in Stockholm, wrote an important contribution to the media debate. The old skull collections that still exist in Lund, Uppsala and Stockholm, he pointed out, have been “rediscovered” by the media at intervals of 5–7 years since the 1980s (cf. pp. 20–26). Media attention tends to cause a brief uproar, until the crania are quickly forgotten again – until the next time. Swedes don’t seem to retain past understandings and constructions of race, or how these conceptions contributed to the creation of our modern, neutral and ostensibly non-racist welfare state.

The Immortals: Prehistoric Individuals as Ideological and Therapeutic Tools in our Time

2016 ◽  
Author(s):  
Nina Nordström
Keyword(s):  
Human Remains ◽  
Modern World ◽  
Contemporary Society ◽  
Early Medieval ◽  
Full Picture ◽  
Biographical Approach ◽  
History Of ◽  
The Dead ◽  
Therapeutic Tools ◽  
The One

Archaeologists have begun to look more closely at the history of displaying the dead in museums. One important reason for this is a growing awareness of the fact that, apart from deepening our understanding of certain events in prehistory, the evidence, such as bodies in different states of decay as well as grave-goods, reflects changing attitudes towards death and what it means to be human. One example is Howard Williams’s appeal for the need to look at how early medieval graves are displayed in British museums. He points out that we must be more aware of the seductive and even misleading reconstructions that we can see today, but he also suggested that we should focus more on ‘the bigger picture’: the broader contexts of factors and influences affecting how we display the archaeological dead. This concerns the question: ‘What do the early medieval dead ever do for us?’ He suggests that currently we pay too much attention to the two ‘fringe groups’: those who either stand for the scientific value alone of human remains on the one hand or those who object to the display of the dead on ethical or religious grounds on the other (Williams 2010). Instead, he proposes we focus more on the social roles of the archaeological dead in contemporary society. For several years I have worked on similar issues, mainly with the purpose of understanding why some individuals from the past become famous and ‘immortal’ whereas others are more or less forgotten in their showcases (Nordström 2006a,b, 2007, 2010). I have adopted a biographical approach to human remains in museums in order to afford a full picture of these individuals’ ideological and therapeutic value in contemporary society. What do they, as individuals, as timeless renowned characters, mean to us today? It is important to understand their role in our modern world both as evidence for the human past and as famous objects in museums today. Last but not least, it is vital to recognize that the mass media—newspapers, documentaries, and the like—play an important role in how these individuals’ stories are told and retold.

scholarly journals Is Structure Context or Content? A Data-Driven Method of Comparing Museum Collections

2019 ◽  
pp. 76-109
Author(s):  
Júlia Perczel
Keyword(s):  
New York ◽  
Data Driven ◽  
Social Embeddedness ◽  
Museum Of Modern Art ◽  
Museum Collections ◽  
East European ◽  
Exhibition History ◽  
The Social ◽  
History Of ◽  
The Uk

This paper presents a method which depicts a museum collection as a relational venue structure. This venue structure is constructed from the exhibition history of the artists acquired by the museum, in such a way that it uniquely characterizes the collection. Such a structure can be conceived as a historical fingerprint of a collection. The paper compares such derived historical fingerprints of three canonical museum collections: that of the Tate Collection in the UK, the Centre Pompidou in Paris and the Museum of Modern Art in New York. The goal is to develop the understanding of the way they represent the art of the Central-East European region. The research shows that the representation formed by the three museums on the region relies on specific venues and connections among them. Furthermore, the analysis has identified patterns within these structures that contribute to the formation of the representations in typical ways. As a result, the agency of museums is tackled from a data-driven perspective highlighting the social embeddedness of representations, and a method is introduced that enables comparison of collections built through distinctive acquisition histories.

scholarly journals “These Our Games” – Sport and the Church of Scotland Mission to Kenya, c. 1907–1937

2015 ◽  
Vol 43 ◽  
pp. 259-288
Author(s):  
Tom Cunningham
Keyword(s):  
Colonial History ◽  
Documentary Evidence ◽  
Archival Research ◽  
John Bale ◽  
Church Of Scotland ◽  
The People ◽  
History Of ◽  
The Uk ◽  
The Church ◽  
Central Kenya

Abstract:In this article I use oral and documentary evidence gathered during recent fieldwork and archival research in the UK and Kenya to explore the ways in which the Church of Scotland Mission to Kenya attempted to use sport to “civilize” and “discipline” the people of Central Kenya. I make a case for the important contributions the topic of sport can make to the study of African and colonial history, and offer a comprehensive critique of the only book-length work which explores the history of sport in colonial Kenya, John Bale and Joe Sang’sKenyan Running(1996).

The Film World’s Cooperative Store: Institutions and Films of the 1930s and 1940s

2018 ◽  
Author(s):  
C. Claire Thomson
Keyword(s):  
World War Ii ◽  
Meat Products ◽  
Public Information ◽  
Early History ◽  
World War ◽  
International Context ◽  
German Occupation ◽  
History Of ◽  
The Uk ◽  
The Impact

This chapter traces the early history of state-sponsored informational filmmaking in Denmark, emphasising its organisation as a ‘cooperative’ of organisations and government agencies. After an account of the establishment and early development of the agency Dansk Kulturfilm in the 1930s, the chapter considers two of its earliest productions, both process films documenting the manufacture of bricks and meat products. The broader context of documentary in Denmark is fleshed out with an account of the production and reception of Poul Henningsen’s seminal film Danmark (1935), and the international context is accounted for with an overview of the development of state-supported filmmaking in the UK, Italy and Germany. Developments in the funding and output of Dansk Kulturfilm up to World War II are outlined, followed by an account of the impact of the German Occupation of Denmark on domestic informational film. The establishment of the Danish Government Film Committee or Ministeriernes Filmudvalg kick-started aprofessionalisation of state-sponsored filmmaking, and two wartime public information films are briefly analysed as examples of its early output. The chapter concludes with an account of the relations between the Danish Resistance and an emerging generation of documentarists.

Re-imagining Reproduction: Unsettling Metaphors in the History of Imperial Science and Commercial Surrogacy in India

Somatechnics ◽  
2015 ◽  
Vol 5 (1) ◽  
pp. 88-103 ◽  
Author(s):  
Kalindi Vora
Keyword(s):  
Assisted Reproductive Technologies ◽  
Reproductive Technologies ◽  
The Body ◽  
Body Parts ◽  
Colonial History ◽  
Women's Bodies ◽  
Commercial Surrogacy ◽  
Art Practices ◽  
History Of ◽  
Travel Industry

This paper provides an analysis of how cultural notions of the body and kinship conveyed through Western medical technologies and practices in Assisted Reproductive Technologies (ART) bring together India's colonial history and its economic development through outsourcing, globalisation and instrumentalised notions of the reproductive body in transnational commercial surrogacy. Essential to this industry is the concept of the disembodied uterus that has arisen in scientific and medical practice, which allows for the logic of the ‘gestational carrier’ as a functional role in ART practices, and therefore in transnational medical fertility travel to India. Highlighting the instrumentalisation of the uterus as an alienable component of a body and subject – and therefore of women's bodies in surrogacy – helps elucidate some of the material and political stakes that accompany the growth of the fertility travel industry in India, where histories of privilege and difference converge. I conclude that the metaphors we use to structure our understanding of bodies and body parts impact how we imagine appropriate roles for people and their bodies in ways that are still deeply entangled with imperial histories of science, and these histories shape the contemporary disparities found in access to medical and legal protections among participants in transnational surrogacy arrangements.

How Finance Colonised Aotearoa: A Concise Counter-History

2019 ◽  
Vol 7 ◽  
pp. 41
Author(s):  
Catherine Cumming
Keyword(s):  
Financial Institutions ◽  
The State ◽  
Colonial History ◽  
Financial Instruments ◽  
Financial History ◽  
Early Colonial ◽  
History Of

This paper intervenes in orthodox under-standings of Aotearoa New Zealand’s colonial history to elucidate another history that is not widely recognised. This is a financial history of colonisation which, while implicit in existing accounts, is peripheral and often incidental to the central narrative. Undertaking to reread Aotearoa New Zealand’s early colonial history from 1839 to 1850, this paper seeks to render finance, financial instruments, and financial institutions explicit in their capacity as central agents of colonisation. In doing so, it offers a response to the relative inattention paid to finance as compared with the state in material practices of colonisation. The counter-history that this paper begins to elicit contains important lessons for counter-futures. For, beyond its implications for knowledge, the persistent and violent role of finance in the colonisation of Aotearoa has concrete implications for decolonial and anti-capitalist politics today.  

Specters of Colonialism - Sven Augustijnen's Haunted Cinema

2017 ◽  
Author(s):  
Andrzej Marzec
Keyword(s):  
Jacques Derrida ◽  
Prime Minister ◽  
Colonial History ◽  
Philosophical Perspective ◽  
History Of ◽  
Contemporary Cinema ◽  
Presence And Absence

The author analyzes Sven Agustijnen's Specters from the philosophical perspective. He tries to prove that the cinema of the Belgian director is haunted because it presents the reality as made out of traces, which disturb the traditional division into presence and absence. The author analyzes Augustijnen's film techniques and uses Jacques Derrida hauntology to show, how contemporary cinema tries to face the difficult and unfinished colonial history of Belgium (the genocide in Congo during the reign of the Belgian king Leopold II and the murder of the first prime minister of the independent Congo, Patrice Lumumba).

Volunteering in hospice and palliative care in the United Kingdom

2018 ◽  
Author(s):  
Ros Scott
Keyword(s):  
Palliative Care ◽  
United Kingdom ◽  
Care Services ◽  
The United Kingdom ◽  
Strategic Direction ◽  
Palliative Care Services ◽  
History Of ◽  
The Uk ◽  
Hospice And Palliative Care ◽  
Changing Role

This chapter explores the history of volunteers in the founding and development of United Kingdom (UK) hospice services. It considers the changing role and influences of volunteering on services at different stages of development. Evidence suggests that voluntary sector hospice and palliative care services are dependent on volunteers for the range and quality of services delivered. Within such services, volunteer trustees carry significant responsibility for the strategic direction of the organiszation. Others are engaged in diverse roles ranging from the direct support of patient and families to public education and fundraising. The scope of these different roles is explored before considering the range of management models and approaches to training. This chapter also considers the direct and indirect impact on volunteering of changing palliative care, societal, political, and legislative contexts. It concludes by exploring how and why the sector is changing in the UK and considering the growing autonomy of volunteers within the sector.

Multicultural and Transnational Novels

2018 ◽  
Author(s):  
James Meffan
Keyword(s):  
National Identity ◽  
New Zealand ◽  
The Other ◽  
Colonial History ◽  
History Of ◽  
Return Home ◽  
Access Rights ◽  
The One

This chapter discusses the history of multicultural and transnational novels in New Zealand. A novel set in New Zealand will have to deal with questions about cultural access rights on the one hand and cultural coverage on the other. The term ‘transnational novel’ gains its relevance from questions about cultural and national identity, questions that have particularly exercised nations formed from colonial history. The chapter considers novels that demonstrate and respond to perceived deficiencies in wider discourses of cultural and national identity by way of comparison between New Zealand and somewhere else. These include Amelia Batistich's Another Mountain, Another Song (1981), Albert Wendt's Sons for the Return Home (1973) and Black Rainbow (1992), James McNeish's Penelope's Island (1990), Stephanie Johnson's The Heart's Wild Surf (2003), and Lloyd Jones's Mister Pip (2006).

Sign in / Sign up

Export Citation Format

Share Document