Steps to an Ecology of Mind: Gregory Bateson

1993 ◽  
Vol 163 (2) ◽  
pp. 265-268
Author(s):  
Sebastian Kraemer

This is not a book, but a collection of essays. Reconsidering it has been a difficult task. Some pieces are stunningly fresh and inspiring, others infuriating and confusing. It began happily enough. In the introduction, “The science of mind and order”, Bateson brilliantly frames the Old Testament as a scientific statement about order: “… and God divided the light from the darkness … and divided the waters which were under the firmament from the waters which were above the firmament” (p. 29). Modern science has neglected form for substance, yet thinking – making sense of the patterns in the world – is entirely a matter of form. This is the point of Steps to an Ecology of Mind.

2017 ◽  
Vol 18 (3) ◽  
pp. 37
Author(s):  
Elzbieta Magdalena Wasik

<p>Departing from the biological notion of ecology that pertains to mutual relationships between organisms and their environments, this paper discusses theoretical foundations of research on the nature of human mind in relation to knowledge, cognition and communication conducted in a broader context of social sciences. It exposes the view, explicitly formulated by Gregory Bateson, that the mind is the way in which ideas are created, or just the systemic device for transmitting information in the world of all living species. In consequence, some crucial points of Bateson’s reasoning are accentuated, such as the recognition of the biological unity of organism and environment, the conviction of the necessity to study the ecology in terms of the economics of energy and material and/or the economy of information, the belief that consciousness distorts information coming to the organism from the inside and outside, which is the cause of its functional disadaptation, and the like. The conception of the ecology of an overall mind, as the sets of ideas, notions or thoughts in the whole world, is presented against the background of theoretical and empirical achievements of botany and zoology, anthropology, ethology and psychiatry, sociology and communication studies in connection with the development of cybernetics, systems theory and information theory.</p>


Science Scope ◽  
2016 ◽  
Vol 039 (07) ◽  
Author(s):  
Todd Campbell ◽  
Christina Schwarz ◽  
Mark Windschitl

2013 ◽  
pp. 174-183
Author(s):  
Piotr Sadkowski

Throughout the centuries French and Francophone writers were relatively rarely inspired by the figure of Moses and the story of Exodus. However, since the second half of 20th c. the interest of the writers in this Old Testament story has been on the rise: by rewriting it they examine the question of identity dilemmas of contemporary men. One of the examples of this trend is Moïse Fiction, the 2001 novel by the French writer of Jewish origin, Gilles Rozier, analysed in the present article. The hypertextual techniques, which result in the proximisation of the figure of Moses to the reality of the contemporary reader, constitute literary profanation, but at the same time help place Rozier’s text in the Jewish tradition, in the spirit of talmudism understood as an exchange of views, commentaries, versions and additions related to the Torah. It is how the novel, a new “midrash”, avoids the simple antinomy of the concepts of the sacred and the profane. Rozier’s Moses, conscious of his complex identity, is simultaneously a Jew and an Egyptian, and faces, like many contemporary Jewish writers, language dilemmas, which constitute one of the major motifs analysed in the present article. Another key question is the ethics of the prophetism of the novelistic Moses, who seems to speak for contemporary people, doomed to in the world perceived as chaos unsupervised by an absolute being. Rozier’s agnostic Moses is a prophet not of God (who does not appear in the novel), but of humanism understood as the confrontation of a human being with the absurdity of his or her own finiteness, which produces compassion for the other, with whom the fate of a mortal is shared.


2021 ◽  
pp. 096366252198925
Author(s):  
Monika Djerf-Pierre ◽  
Mia Lindgren

Antimicrobial resistance is one of the greatest challenges facing the world. With the rapid growth of social media, YouTube has become an influential social media platform providing publics with expert health knowledge. This article explores how antimicrobial resistance is communicated on YouTube. Drawing on qualitative media analyses of the most viewed YouTube videos 2016–2020, we identify seven different genres and two main storytelling approaches, personalized and fictionalized storytelling, used to make sense of antimicrobial resistance and its complexities. The study contributes new knowledge about YouTube as a platform for health communication and the types of videos about antimicrobial resistance that gets most traffic. This is useful, not the least for public health experts working to improve communication strategies that target hard-to-reach media publics.


2010 ◽  
Vol 18 (3) ◽  
pp. 329-345
Author(s):  
Hubert Markl

The reason why I wavered a bit with this topic is that, after all, it has to do with Darwin, after a great Darwin year, as seen by a German scientist. Not that Darwin was very adept in German: Gregor Mendel’s ‘Versuche über Pflanzenhybriden’ (Experiments on Plant Hybrids) was said to have stayed uncut and probably unread on his shelf, which is why he never got it right with heredity in his life – only Gregory Bateson, Ronald A. Fisher, and JBS Haldane, together with Sewall Wright merged evolution with genetics. But Darwin taught us, nevertheless, in essence why the single human species shows such tremendous ethnic diversity, which impresses us above all through a diversity of languages – up to 7000 altogether – and among them, as a consequence, also German, my mother tongue, and English. It would thus have been a truly Darwinian message, if I had written this article in German. I would have called that the discommunication function of the many different languages in humans, which would have been a most significant message of cultural evolution, indeed. I finally decided to overcome the desire to demonstrate so bluntly what cultural evolution is all about, or rather to show that nowadays, with global cultural progress, ‘the world is flat’ indeed – even linguistically. The real sign of its ‘flatness’ is that English is used everywhere, even if Thomas L. Friedman may not have noticed this sign. But I will also come back to that later, when I hope to show how Darwinian principles connect both natural and cultural evolution, and how they first have been widely misunderstood as to their true meaning, and then have been terribly misused – although more so by culturalists, or some self-proclaimed ‘humanists’, rather than by biologists – or at least most of them. Let me, however, quickly add a remark on human languages. That languages even influence our brains and our thinking, that is: how we see the world, has first been remarked upon by Wilhelm von Humboldt and later, more extensively so, by Benjamin Whorf. It has recently been shown by neural imaging – for instance by Angela Friederici – that one’s native language, first as learned from one’s mother and from those around us when we are babies, later from one’s community of speakers, can deeply impinge on a baby’s brain development and stay imprinted in it throughout life, even if language is, of course, learned and not fully genetically preformed. This shows once more how deep the biological roots are that ground our cultures, according to truly Darwinian principles, even if these cultures are completely learned.


2018 ◽  
Vol 74 (1) ◽  
Author(s):  
Ndikho Mtshiselwa ◽  
Lerato Mokoena

The Old Testament projects not only a Deity that created the world and human beings but also one that is violent and male. The debate on the depiction of the God of Israel that is violent and male is far from being exhausted in Old Testament studies. Thus, the main question posed in this article is: If re-read as ‘Humans created God in their image’, would Genesis 1:27 account for the portrayal of a Deity that is male and violent? Feuerbach’s idea of anthropomorphic projectionism and Guthrie’s view of religion as anthropomorphism come to mind here. This article therefore examines, firstly, human conceptualisation of a divine being within the framework of the theory of anthropomorphic projectionism. Because many a theologian and philosopher would deny that God is a being at all, we further investigate whether the God of Israel was a theological and social construction during the history of ancient Israel. In the end, we conclude, based on the theory of anthropomorphic projectionism, that the idea that the God of Israel was a theological and social construct accounts for the depiction of a Deity that is male and violent in the Old Testament.


1952 ◽  
Vol 5 (4) ◽  
pp. 355-361
Author(s):  
Harold Knight

The purpose of this study is to elucidate the significance underlying the concept of miracle in the world of Old Testament thought and theology, in the hope that the results attained may shed fresh light upon something which touches the very centre of religious life and is a frequent cause of genuine doubt and perplexity for modern man. Perhaps the word miracle itself is ambiguous in this connexion, for it has gathered around itself a penumbra of associations derived from its use in our modern scientifically determined modes of thought and speech. Broadly speaking the background which it implies is that of nature conceived as an independent system presupposing fixed laws or if, with the more modern scientific outlook we reject the notion of materialistic determinism and mechanism, then, at any rate, we must substitute for ‘laws’ the tendency for uniform patterns and processes to emerge. Against such large uniformities, miracle, in the modern sense, stands out somewhat sharply as an exception, mysterious and apparently inexplicable, repugnant in its arbitrariness to the spirit of pure science. Such presuppositions do not exist in the Old Testament World of ideas where we are confronted by a type of thought which is through and through theological rather than philosophical and scientific. The corner-stone of the Old Testament system of ideas is the primacy of God as self-existent Creator whose creative activity is unceasing, upholding and interpenetrating by His watchful redeeming care all that is.


2006 ◽  
Vol 2 (SPS5) ◽  
pp. 21-24
Author(s):  
Rajesh Kochhar

AbstractAny international effort to promote astronomy world wide today must necessarily take into account its cultural and historical component. The past few decades have ushered in an age, which we may call the Age of Cultural Copernicanism. In analogy with the cosmological principle that the universe has no preferred location or direction, Cultural Copernicanism would imply that no cultural or geographical area, or ethnic or social group, can be deemed to constitute a superior entity or a benchmark for judging or evaluating others.In this framework, astronomy (as well as science in general) is perceived as a multi-stage civilizational cumulus where each stage builds on the knowledge gained in the previous stages and in turn leads to the next. This framework however is a recent development. The 19th century historiography consciously projected modern science as a characteristic product of the Western civilization decoupled from and superior to its antecedents, with the implication that all material and ideological benefits arising from modern science were reserved for the West.As a reaction to this, the orientalized East has often tended to view modern science as “their” science, distance itself from its intellectual aspects, and seek to defend, protect and reinvent “our” science and the alleged (anti-science) Eastern mode of thought. This defensive mind-set works against the propagation of modern astronomy in most of the non-Western countries. There is thus a need to construct a history of world astronomy that is truly universal and unselfconscious.Similarly, the planetarium programs, for use the world over, should be culturally sensitive. The IAU can help produce cultural-specific modules. Equipped with this paradigmatic background, we can now address the question of actual means to be adopted for the task at hand. Astronomical activity requires a certain minimum level of industrial activity support. Long-term maintenance of astronomical equipment is not a trivial task. There are any number of examples of an expensive facility falling victim to AIDS: Astronomical Instrument Deficiency Syndrome. The facilities planned in different parts of the world should be commensurate with the absorbing power of the acceptor rather than the level of the gifter.


2021 ◽  
Vol 22 (2) ◽  
pp. 112-130
Author(s):  
Eugenia Siapera ◽  
Paloma Viejo-Otero

This article is concerned with identifying the ideological and techno-material parameters that inform Facebook’s approach to racism and racist contents. The analysis aims to contribute to studies of digital racism by showing Facebook’s ideological position on racism and identifying its implications. To understand Facebook’s approach to racism, the article deconstructs its governance structures, locating racism as a sub-category of hate speech. The key findings show that Facebook adopts a post-racial, race-blind approach that does not consider history and material differences, while its main focus is on enforcement, data, and efficiency. In making sense of these findings, we argue that Facebook’s content governance turns hate speech from a question of ethics, politics, and justice into a technical and logistical problem. Secondly, it socializes users into developing behaviors/contents that adapt to race-blindness, leading to the circulation of a kind of flexible racism. Finally, it spreads this approach from Silicon Valley to the rest of the world.


Author(s):  
Vyacheslav M. Golovko ◽  

The “idea of human” (“type of attitude to the world”) is considered as a relevant category of the conceptual apparatus of the modern science of literature. The aim of the work is to analyze the theoretical and methodological potential of this category on the basis of large typological units of the literary process, marked with the concepts of “historical and literary era”, “artistic and cognitive cycle”, “literary direction”, “big style”, “artistic method”. The research used the methods of a typological and complex study of literary works, which in the synthesis of literary criticism and philosophy determine the strategy of searches in the field of theoretical and methodological content of the “idea of human” category as the foundation of the literary and philosophical anthropology of cultural and historical eras. The historical and genetic links between the worldview aesthetic principles and the artistic practice of literary trends are problematized. The logic of the research reveals the concept “object – knowledge”, fundamental for epistemology, in the aspects of the structuring of the knowledge of the methodological semantics of the “idea of human” category and of the functioning of the definitions “generalized idea of human”, “type of attitude to the world”, “concept of human and reality”, “whole of human”, “human as a value”. The article shows that the “idea of human” as a philosophical and aesthetic interpretation of the nature and essence of human at a certain stage in the development of artistic consciousness, worked out by the whole culture (R.R. Moskvina, G.V. Mokronosov) and defining integrity and logical consistency of the artistic system, is a synergistically functional semantic core of the historical and cultural era, and this core contains the dialectical potential of “negation of the negation”. As a variable, the historical “idea of human”, in the perspective of the stage development of artistic consciousness, undergoes dramatic changes and is realized in the logic of the successive change of historical and cultural epochs and their philosophical paradigms, in the constant alternation of “realistic” and “mystical”, materialistic and idealistic methods of cognition and images of human and the world (D.I. Chizhevsky, A.M. Panchenko, and others). The conclusions are substantiated that the successive development of literary trends, creative methods and their axiological systems is conditioned by the dynamics of “types of attitude to the world”; that the functioning of the “idea of human” category in literary discourse is focused on argumentation of the ontological nature of fiction, on the identification of philosophical and aesthetic principles that determine the systematic nature and the successive change of artistic and cognitive cycles; that the evolution of the “idea of human” within the framework of one artistic and cognitive cycle is fixed by the dynamics of genre systems since, in the correlations of method, genre and style, “the idea of human” acts as a factor in genre formation.


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