Britannia, the Individual, and the Public Sphere: Thomson to Coleridge

2018 ◽  
Vol 79 (2) ◽  
pp. 123-144
Author(s):  
John Richardson
Keyword(s):  
Public Sphere ◽  
The Public ◽  
The Public Sphere ◽  
The Individual

scholarly journals The Normativity of Habermas’s Public Sphere from the Vantage Point of Its Evolution

2019 ◽  
pp. 47-65
Author(s):  
Maciej Hułas
Keyword(s):  
Public Sphere ◽  
Private Property ◽  
The Public ◽  
Age Of Reason ◽  
Unique Character ◽  
Classical Setting ◽  
Bourgeois Culture ◽  
The Public Sphere ◽  
The 1960S ◽  
The Individual

The paper argues that the original normativity that provides the basis for Habermas’s model of the public sphere remains untouched at its core, despite having undergone some corrective alterations since the time of its first unveiling in the 1960s. This normative core is derived from two individual claims, historically articulated in the eighteenth-century’s “golden age” of reason and liberty as both sacred and self-evident: (1) the individual right to an unrestrained disposal of one’s private property; and (2) the individual right to formulate one’s opinion in the course of public debate. Habermas perceives the public sphere anchored to these two fundamental freedoms/rights as an arena of interactive opinion exchange with the capacity to solidly and reliably generate sound reason and public rationality. Despite its historical and cultural attachments to the bourgeois culture as its classical setting, Habermas’s model of the public sphere, due to its universal normativity, maintains its unique character, even if it has been thoroughly reformulated by social theories that run contrary to his original vision of the lifeworld, organized and ruled by autonomous rational individuals.     

Politicizing Solidarity in Times of Crisis: The Politics of Alternative Action Organizations in Greece, Italy, and Spain

2018 ◽  
Vol 62 (6) ◽  
pp. 796-815 ◽  
Author(s):  
Lorenzo Zamponi ◽  
Lorenzo Bosi
Keyword(s):  
Public Sphere ◽  
Cultural Practices ◽  
Social Solidarity ◽  
Individual Level ◽  
The Public ◽  
Alternative Action ◽  
Visible Effect ◽  
The Public Sphere ◽  
The Individual

Alternative action organizations (AAOs) are collective bodies engaged in carrying out alternatives to dominant socioeconomic and cultural practices through actions that aim to provide people with alternative ways of enduring day-to-day difficulties and challenges in hard economic times. They are often interpreted as merely “philanthropic” actors, although it is not rare to see them go beyond the provision of direct services to people in need and end up pursuing political goals through political means. This article focuses on the process of politicization, that is, the transition of issues from the private to the public sphere and thus the use of public forms of contention (e.g., protest) proposing public solutions at the collective level instead of private solutions at the individual level. We argue for the role of the crisis in the politicization of AAOs. In particular, we show that the appropriation of the context as a context of economic crisis in the discourse of AAOs has a visible effect on their politicization, in terms of both repertoire of actions and goals. Furthermore, we show that social solidarity organizations, those that are not inherently politicized, are the main protagonists of this crisis-triggered transition. The article draws on statistical analysis of the data collected through the coding of AAOs’ websites in Greece, Italy, and Spain.

O PRINCÍPIO KANTIANO DA PUBLICIDADE NA MORAL E NO DIREITO

2010 ◽  
Vol 36 (115) ◽  
pp. 285
Author(s):  
José N. Heck
Keyword(s):  
Public Sphere ◽  
18Th Century ◽  
Modern Concept ◽  
Urban Centers ◽  
Public And Private ◽  
The Public ◽  
German Philosopher ◽  
New Ideas ◽  
The Public Sphere ◽  
The Individual

A moderna concepção de indivíduo justifica-se na esfera pública. O termo publicidade remonta ao modo privado de pensar, no século XVIII, por parte de pessoas que tinham o costume, à maneira iluminista, de ler livros, eram rotineiramente informadas por jornais, criavam associações de leitura e freqüentavam espaços comuns de lazer em cafés, salões e parques, onde à época eram discutidas novas idéias advindas de longe, oriundas dos grandes centros urbanos com universidades centenárias. Esta congruência entre uso privado e público da razão, Kant a contrapõe a um uso específico de razão, privativo a pessoas que exercem funções e cumprem ordens em obediência a comandos superiores, como é o caso dos funcionários públicos; ou seja, na contramão do emprego hoje usual da palavra, o filósofo alemão predica à denominação uso privado aquele que o sábio pode fazer de sua razão em um certo cargo público ou função a ele confiada. Kant estabelece, ao longo de sua obra, o princípio da publicidade como a âncora legitimadora de sua filosofia moral, política e jurídica.Abstract: The modern concept of the individual is justified in the public sphere. The term publicity first appeared in the 18th century to describe the private manner of thinking of those who, following the general enlightenment custom, were used to reading books. These people were kept regularly informed by journals; created reading associations and frequented shared leisure areas in cafés, salons and parks where new ideas coming from afar, originated in the great urban centers with century-old universities, were discussed. Kant opposes this congruency between the public and private uses of reason to a specific use of reason, particular to those who fulfill functions and obey superior orders, as is the case of civil servants. Contrary to the normal usage of the word today, the German philosopher recognizes in the term private use that which the scholar can do with reason in a certain public office or function confided to him. Throughout his work, Kant establishes the principle of publicity as a legitimate anchor for his moral, political and juridical philosophy.

scholarly journals Social Media as Valuable Anti-Corruption Assets in the Public Sphere in Nigeria

2020 ◽  
pp. 1-10
Author(s):  
B. Babasanya ◽  
L. Ganiyu ◽  
U. F. Yahaya ◽  
O. E. Olagunju ◽  
S. O. Olafemi ◽  
...  
Keyword(s):  
Social Media ◽  
Public Sphere ◽  
Good Governance ◽  
Public Affairs ◽  
The Political ◽  
Political Class ◽  
The Public ◽  
Mainstream Media ◽  
The Public Sphere ◽  
The Individual

The issue of corruption in Nigeria has assumed a monumental dimension in such a way that it has become a household song and practice. Thus, adopting a rhetoric definition may not be appropriate instead a succinct description will suffice. The dimension of corruption is monumental because it started from pre-independence in the First republic with the first major political figure found culpable and investigated in 1944 and reach its peak recently with the evolvement of ‘godfatherism’ in the political landscape of the country. Therefore, corruption in Nigeria is more or less a household name. Using Social Responsibility Media Theory as a guide, this paper undertakes an examination of the right of the media to inform the public, serve the political system by making information, discussion and consideration of public affairs generally accessible, and to protect the rights of the individual by acting as watchdog over the governments. This discourse analysis is backed up with the presentation of documented materials on tracking corruption through the use of social media. Since the use of mainstream media only is disadvantageous owing to its demand-driven nature, social media stands as a veritable and result-orientated asset in tracking corruption across the public sphere. This paper found that complimented with mainstream media, social media and civic journalism have exposed corrupt tendencies of contractors and public office holders including the political class in the provision and handling of infrastructural development projects thereby make public officials accountable and create an open access to good governance.

The "Secular" as a Tragic Category: On Talal Asad, Religion and Representation

2005 ◽  
Vol 17 (2) ◽  
pp. 149-165 ◽  
Author(s):  
Christopher Craig Brittain
Keyword(s):  
Civil Society ◽  
Public Sphere ◽  
Western Europe ◽  
Modern State ◽  
The Public ◽  
Political Concept ◽  
History Of ◽  
The Public Sphere ◽  
The Individual

AbstractAmong current efforts to deconstruct the category "religion" is a tendency to problematize the secular/sacred distinction with the argument that it is simply the product of the distinctive history of post-Reformation Western Europe. The "secular," it is claimed, is a category employed to legitimize the modern state by establishing a boundary between the authority of the public sphere, in opposition to the privatized sphere of the individual religious practitioner. This paper analyses this argument as it is developed by Talal Asad and contrasts his "genealogy" of the secular with Dominique Colas' genealogy of the concept of "civil society". This comparison raises pragmatic and political concerns about Asad's perspective, and problematizes his description of Islamic subjectivity. The paper concludes by furthering Asad's reading of Walter Benjamin's understanding of allegory, in order to argue for the secular as a tragic category that continues to represent a vital theoretical and political concept.

scholarly journals Private/Public Space of New Media

2020 ◽  
Author(s):  
Alla Drozdova ◽  
◽  
Natalia Stepanova ◽  
Keyword(s):  
New Media ◽  
Public Sphere ◽  
Public Space ◽  
Private Life ◽  
Third Party ◽  
The Public ◽  
The Government ◽  
The Public Sphere ◽  
Multiple Network ◽  
The Individual

Today, we have a situation that the new media environment has reshaped our conception of reality while changing social spaces, modes of existence, and the functional mechanisms of the private sphere. In the space of new media, the boundary between privacy and publicity is redefined with the emergence of multiple network communities having become a subject of observation and evaluation, collective discussions, and even third party interventions. In the current situation, the privacy/publicity boundary can be defined both through the societal/the individual, and through such concepts as visible/invisible. The new media era sees the personification of online publicness, therefore the very sphere of private life gets consumed by the public sphere open both for being discussed and for being controlled by the government, market, and advertisement. The public sphere has fallen under the power of certain private/vested interests, which only transiently become common, coinciding with the interests of other groups, but not the public sphere. The ambivalent nature of new media, while based on personalisation and filtration, obviously determines the ambiguous and controversial relationship of the public and the private. Thus, the private not only reflects, but also represents the public, whereas the public implements privacy up to its inherent special intimate atmosphere and intonation. This fast-changing virtual reality requires the development of conceptual tools for analysing new content and forms of social and personal life, one of which is the relationship between publicity and privacy.

Empiricism’s Secret History: Fleetwood and Rousseau

2016 ◽  
Author(s):  
Zoe Beenstock
Keyword(s):  
Public Sphere ◽  
Political Theory ◽  
Social Contract ◽  
Political Justice ◽  
Sentimental Fiction ◽  
The Public ◽  
The Social ◽  
The Public Sphere ◽  
The Individual ◽  
Secret History

Criticism often organizes Godwin’s career by genre, suggesting that Godwin progressed from political theory to sentimental fiction. Instead this chapter argues that Godwin follows Rousseau in writing literature to ‘judge’ his own philosophy. In Enquiry Concerning Political Justice Godwin posits society as prior to the individual. He regards the general good as mandatory rather than voluntary. Godwin’s novels examine the struggles of individuals in conforming to his model of compulsory sociability. In Fleetwood and Mandeville Godwin explores the shortcomings of Rousseau’s theory of individualist education. He fictionalizes Rousseau, Hume, Wollstonecraft, and the First Earl of Shaftesbury, exploring the shortcomings of their theories. In Fleetwood Godwin uses elements of the genre of the secret history to explore political theory’s failure to validate women within the public sphere. Deloraine extends Godwin’s criticism of the social contract tradition for being inherently patriarchal. In Godwin’s writings Rousseau eclipses Aristotle as the founding theorist of sociability.

scholarly journals The Open Constructed Public Sphere: Aeschylus’ The Suppliant Women in a Version by David Greig

Humanities ◽  
2020 ◽  
Vol 9 (1) ◽  
pp. 21
Author(s):  
Verónica Rodríguez
Keyword(s):  
Public Sphere ◽  
Political Engagement ◽  
Public Place ◽  
Jürgen Habermas ◽  
Ancient Greek ◽  
The Public ◽  
Porous Model ◽  
Chantal Mouffe ◽  
The Public Sphere ◽  
The Individual

This article looks at the ‘public’ ‘place’ of drama in Britain at present by offering an analysis of a contemporary version of an ancient Greek play by Aeschylus, entitled The Suppliant Women, written by David Greig, directed by Ramin Gray, and first performed at the Royal Lyceum Theatre Edinburgh in 2016. Following an agonistic (Chantal Mouffe), rather than a consensual (Jürgen Habermas) model of the public sphere, it argues that under globalisation, three cumulative and interwoven senses of the public sphere, the discursive, the spatial, and the individual and his/her/their relation to a larger form of organisation, despite persisting hegemonic structures that perpetuate their containment, have become undone. This is the kind of unbounded model of public sphere Greig’s version of Aeschylus’ The Suppliant Women seems to suggest by precisely offering undoings of discourses, spaces, and individualisations. In order to frame the first kind of undoing, that is, the unmarking of theatre as contained, the article uses Christopher Balme’s notion of ‘open theatrical public sphere’, and in order to frame the second, that is, the undoing of elements ‘in’ Greig’s version, the article utilises Greig’s concept of ‘constructed space’. The article arrives then at the notion of the open constructed public sphere in relation to The Suppliant Women. By engaging with this porous model of the public sphere, The Suppliant Women enacts a protest against exclusionary, reductive models of exchange and organisation, political engagement, and belonging under globalisation.

scholarly journals “The Sisterhood is Watching”: Challenging Identity and Agency in Citizenship

2010 ◽  
Vol 4 (2) ◽  
Author(s):  
Melody Viczko ◽  
Anna McClean
Keyword(s):  
Public Sphere ◽  
Feminist Theory ◽  
Collective Identity ◽  
Citizenship Education ◽  
The Public ◽  
Public Media ◽  
Identity And Agency ◽  
The Public Sphere ◽  
The Individual ◽  
The Relationship

“The Garneau Sisterhood is watching”, warns an impromptu poster in the Garneau community, following a police warning for women to take safety precautions subsequent to announcements of a serial rapist in the area. In this context, tensions exist between the individual, the state and the collective. In this interpretivist study, we invoke the lens of feminist theory to examine the relationship between identity and agency in a collective conceptualization of the citizen. Through content analysis of a sampling of public media, we present the case of the Garneau Sisterhood to consider the relationship between collective identity and agency in challenging the constraints of individualist notions of citizenship. Finally, we argue that feminist citizenship education is needed to engage the notion of collective identity and agency as a source of empowerment for students, and other citizens, to raise issues of importance in the public sphere.

scholarly journals Outsider Art and the autistic creator

2009 ◽  
Vol 364 (1522) ◽  
pp. 1459-1466 ◽  
Author(s):  
Roger Cardinal
Keyword(s):  
Public Sphere ◽  
Aesthetic Experience ◽  
Medical Condition ◽  
Art Market ◽  
Outsider Art ◽  
The Public ◽  
Art Brut ◽  
The Public Sphere ◽  
The Aesthetic ◽  
The Individual

Outsider Art ( art brut ) is defined as a mode of original artistic expression which thrives on its independence, shunning the public sphere and the art market. Such art can be highly idiosyncratic and secretive, and reflects the individual creator's attempt to construct a coherent, albeit strange, private world. Certain practitioners of what may be termed autistic art are examined in the light of this definition; their work is considered as evidence not of a medical condition but of an expressive intentionality entirely worthy of the interest of those drawn to the aesthetic experience.

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