Bourdieu and Affect

Author(s):  
Steven Threadgold

A Bourdieusian contribution to studies of affect provides a more comprehensive understanding of the everyday moments that make, transform and remake the social contours of inequality, and how those relations are contested and resisted. By teasing out the affective elements already implicit in concepts like habitus, illusio, cultural capital, field and symbolic violence, this book develops a theory of affective affinities to consider how emotions and feelings are central to how class is affectively delineated along with material and symbolic relations. This includes theorising habitus as one’s history rolled up into an affective ball of immanent dispositions, an assemblage of embodied affective charges. Sketching fields as having their own affective atmospheres and structures of feeling, while considering everyday settings that the concept of field cannot capture. Drawing upon illusio, social gravity and social magic to unpack how the embodied nature of the forms of capital mean they operate in affective economies mediating transmissions of affective violence. The book concludes by critically engaging with aspects of social change due to the rise of reflexivity, irony and cynicism and proposing the figure of the accumulated being to challenge the dominance of homo economicus.

2008 ◽  
Vol 29 (4) ◽  
pp. 539-565 ◽  
Author(s):  
Todd L. Goodsell

In recent years, the process of social change through improvement of residences in decaying neighborhoods—gentrification—has itself changed. Traditional families (married with children) and a broader spectrum of the social class spectrum are more likely to be involved. The present research takes an ethnographic perspective and considers the experiences and understandings of a set of families in one urban community as they attempt a variety of home improvement (do-it-yourself or DIY) projects. Although cultural and institutional representations of home improvement are found to be helpful, they frequently fail to capture the complexities of actual home improvement projects. The practical logic of home repair in this community involves leadership, responsiveness, continuing struggle, and compromise. To accomplish the work under circumstances in which ideals do not match reality, these families use humor, exchange, and trial and error. Their lives show that family, home, and community are inseparable in the everyday experience of home improvement.


2013 ◽  
Vol 92 (1) ◽  
pp. 100-122 ◽  
Author(s):  
Lynn Abrams

Inter-personal violence between men has often been accepted as a ubiquitous feature of male relationships in the past, and the contexts in which that violence was perpetrated is seen to reveal something about the mentalities and social roles of men in past societies. This article considers the social practices of masculinity and the acting out of codes of manhood in the context of Highland Scotland in the eighteenth and early nineteenth centuries – a period of significant economic and social change. Based primarily on the scrutiny of legal records relating to cases of violent assault involving men of the middling and lower classes from across the Highland counties, this article suggests that the everyday practice of Highland manhood was subject to taming, as the expressions of manhood appropriate for a society at war were gradually rejected as inappropriate for a society of commerce and civility. While customary forms of violence in pursuit of the restitution of honour continued to have some legitimacy until the early nineteenth century, especially in the rural Highlands, in Inverness a new model of disciplined masculinity was applied to male behaviour, offering a glimpse at new sensibilities around inter-personal violence that were to enter Highland society more generally in the following decades.


Author(s):  
Ganesha Hari Murti ◽  
Nila Susanti

This writing reveals the subtle domination in the area of literature and social practice which is illustrated through the practice of coffee consumption and also the claims of legitimate authors. Bourdieu examines this sociological space as a field of contestation, so he constructs his sociological project by mapping the type of social power in arena in which every subject wagers his capital to achieve a legitimate position. In the arena, each subject desires to get power either by way of embracing the rule that applies, doxa, or to fight with the practice of the new, heterodox. Following the existing rules are not able to change anything because it dictates the subject to be a disciplined subject. Bourdieu proposes the emerging heterodox because doing resistance to all forms of domination can give birth to the new alternative social structure and preventing the old one to remain in power. Social change is expected because Bourdieu's symbolic power as in symbolic capital tends to provoke symbolic violence. Having symbolic capital enchanting for its power to subtly dominate people with less capital. Oppression becomes natural due to everyday practice normalizing the oppression. shapes the taste of a certain class as class distinction. Bourdieu’s concept of distinction investigates a more sophisticated strategy in the social arena where every agent plays subtle intimidation and indeed domination. 


2012 ◽  
pp. 74-82 ◽  
Author(s):  
A. Stavinskaya ◽  
E. Nikishina

The opportunities of the competitive advantages use of the social and cultural capital for pro-modernization institutional reforms in Kazakhstan are considered in the article. Based on a number of sociological surveys national-specific features of the cultural capital are marked, which can encourage the country's social and economic development: bonding social capital, propensity for taking executive positions (not ordinary), mobility and adaptability (characteristic for nomad cultures), high value of education. The analysis shows the resources of the productive use of these socio-cultural features.


Author(s):  
Corey Kai Nelson Schultz

This book examines how the films of the Chinese Sixth Generation filmmaker Jia Zhangke evoke the affective “felt” experience of China’s contemporary social and economic transformations, by examining the class figures of worker, peasant, soldier, intellectual, and entrepreneur that are found in the films. Each chapter analyzes a figure’s socio-historical context, its filmic representation, and its recurring cinematic tropes in order to understand how they create what Raymond Williams calls “structures of feeling” – feelings that concretize around particular times, places, generations, and classes that are captured and evoked in art – and charts how this felt experience has changed over the past forty years of China’s economic reforms. The book argues that that Jia’s cinema should be understood not just as narratives that represent Chinese social change, but also as an effort to engage the audience’s emotional responses during this period of China’s massive and fast-paced transformation.


2019 ◽  
Vol 28 (1) ◽  
pp. 52-66
Author(s):  
Julie Bates

Happy Days is contemporaneous with a number of seminal contributions to the concept of the everyday in postwar France. This essay suggests that the increasingly constrained verbal and physical routines performed by its protagonist Winnie constitute a portrait of the everyday, and goes on to trace the affinities between Beckett's portrait and several formulations of the concept, with particular emphasis on the pronounced gendering of the everyday in many of these theories. The essay suggests the aerial bombings of the Second World War and methods of torture during the Algerian War as potential influences for Beckett's play, and draws a comparison with Marlen Haushofer's 1963 novel The Wall, which reimagines the Romantic myth of The Last Man as The Last Woman. It is significant, however, that the cataclysmic event that precedes the events of Happy Days remains unnamed. This lack of specificity, I suggest, is constitutive of the menace of the play, and has ensured that the political as well as aesthetic power of Happy Days has not dated. Indeed, the everyday of its sentinel figure posted in a blighted landscape continues to articulate the fears of audiences, for whom the play may resonate today as a staging of twenty-first century anxiety about environmental crisis. The essay concludes that in Happy Days we encounter an isolated female protagonist who contrives from scant material resources and habitual bodily rhythms a shelter within a hostile environment, who generates, in other words, an everyday despite the shattering of the social and temporal framework that conventionally underpin its formation. Beckett's play in this way demonstrates the political as well as aesthetic power of the everyday in a time of crisis.


Author(s):  
Michael Germana

Ralph Ellison, Temporal Technologist examines Ralph Ellison’s body of work as an extended and ever-evolving expression of the author’s philosophy of temporality—a philosophy synthesized from the writings of Henri Bergson and Friedrich Nietzsche that anticipates the work of Gilles Deleuze. Taking the view that time is a multiplicity of dynamic processes, rather than a static container for the events of our lives, and an integral force of becoming, rather than a linear groove in which events take place, Ellison articulates a theory of temporality and social change throughout his corpus that flies in the face of all forms of linear causality and historical determinism. Integral to this theory is Ellison’s observation that the social, cultural, and legal processes constitutive of racial formation are embedded in static temporalities reiterated by historians and sociologists. In other words, Ellison’s critique of US racial history is, at bottom, a matter of time. This book reveals how, in his fiction, criticism, and photography, Ellison reclaims technologies through which static time and linear history are formalized in order to reveal intensities implicit in the present that, if actualized, could help us achieve Nietzsche’s goal of acting un-historically. The result is a wholesale reinterpretation of Ellison’s oeuvre, as well as an extension of Ellison’s ideas about the dynamism of becoming and the open-endedness of the future. It, like Ellison’s texts, affirms the chaos of possibility lurking beneath the patterns of living we mistake for enduring certainties.


Author(s):  
Susan E. Whyman

The introduction shows the convergence and intertwining of the Industrial Revolution and the provincial Enlightenment. At the centre of this industrial universe lay Birmingham; and at its centre was Hutton. England’s second city is described in the mid-eighteenth century, and Hutton is used as a lens to explore the book’s themes: the importance of a literate society shared by non-elites; the social category of ‘rough diamonds’; how individuals responded to economic change; political participation in industrial towns; shifts in the modes of authorship; and an analysis of social change. The strategy of using microhistory, biography, and the history of the book is discussed, and exciting new sources are introduced. The discovery that self-education allowed unschooled people to participate in literate society renders visible people who were assumed to be illiterate. This suggests that eighteenth-century literacy was greater than statistics based on formal schooling indicate.


Author(s):  
Jane Stevenson

This chapter examines the social aspect of the interwar arts. It demonstrates that the genuinely innovative were almost all dependent on personal patronage to support the early stages of their career. The necessity of clientage relationships influenced what was achieved, since the patrons’ interests could not be discounted. Cultural capital was exchanged for social opportunity and financial support. This also gave particular opportunities to gay people of both genders.


2020 ◽  
Vol 37 (1) ◽  
pp. 30-54
Author(s):  
Richard Boyd

AbstractFor all the recent discoveries of behavioral psychology and experimental economics, the spirit of homo economicus still dominates the contemporary disciplines of economics, political science, and sociology. Turning back to the earliest chapters of political economy, however, reveals that pioneering figures such as Francis Bacon, Thomas Hobbes, and Adam Smith were hardly apostles of economic rationality as they are often portrayed in influential narratives of the development of the social sciences. As we will see, while all three of these thinkers can plausibly be read as endorsing “rationality,” they were also well aware of the systematic irrationality of human conduct, including a remarkable number of the cognitive biases later “discovered” by contemporary behavioral economists. Building on these insights I offer modest suggestions for how these thinkers, properly understood, might carry the behavioral revolution in different directions than those heretofore suggested.


Sign in / Sign up

Export Citation Format

Share Document