The Porous Body: Cultivating malleability in traditional dance training

2018 ◽  
Vol 10 (1) ◽  
pp. 65-77 ◽  
Author(s):  
Louis Laberge-Côté
2020 ◽  
Vol 11 (1) ◽  
pp. 43-57 ◽  
Author(s):  
Louis Laberge-Côté

Over the past four years I have developed The Porous Body, a teaching philosophy that promotes the practice of heightened physical and mental malleability in dance training by following four fundamental guiding principles: flow, playfulness, metaphor and paradox. As my process deepened, I wondered: what would happen if I applied The Porous Body to my choreographic practice? How might this framework prove fruitful during a creative process? What kind of choreographic work would emerge from this experiment? This article is an artist’s reflection on an artistic experiment; it describes the first choreographic process to which I applied The Porous Body’s guiding principles, and which led to the creation and performance of edged, a solo work exploring the porous edges between inner/outer, planned/unplanned, control/surrender, pleasure/struggle and terror/courage.


2012 ◽  
Vol 26 (1) ◽  
pp. 192-198 ◽  
Author(s):  
Vasileios K Tsimaras ◽  
Genovefa A Giamouridou ◽  
Dimitrios G Kokaridas ◽  
Maria P Sidiropoulou ◽  
Asterios I Patsiaouras

2010 ◽  
Vol 24 (4) ◽  
pp. 1052-1058 ◽  
Author(s):  
Vasileios K Tsimaras ◽  
Dimitrios A Kyriazis ◽  
Kosmas I Christoulas ◽  
Eleni G Fotiadou ◽  
Dimitrios G Kokaridas ◽  
...  

2021 ◽  
Vol 9 (3) ◽  
pp. 347
Author(s):  
Suci Ramadani ◽  
Solfema Solfema

This research was motivated by the high participation of participants in traditional dance training at Sanggar Palinggam Bungo Pasang, Pesisir Selatan Regency. This study aims to see the description of the physical environment and social environment in traditional dance training at Sanggar Palinggam. This type of research is descriptive quantitative. The population of this study are 20 participants. Sample of the study are 16 people. The instruments of data collections are questionnaire with a statement, while the result of the research used percentage calculation. This result describe that learning environment of traditional dance at Sanggar Palinggam Bungo Pasang Pesisir selatan regency are 1) physic environment is good. It means that environment is suibtable with the instrument that the trainees need for training traditional dance. It can from the way of the trainer teach the trainee, also the trainer can give a conditional place with a pleasant training atmosphere and there is good air circulation, 2) the social environment is good. There is good interaction and communication between the trainee and their trainer. Then, it can be seen that every trainer has good communication each others. Good communication from the trainer can be seen that the trainer never say bad words in front of the trainee. The dance traditional learning always open with praying and greeting.Keywords: Learning Environment, Dance Training


2019 ◽  
Vol 8 (1) ◽  
pp. 126-130
Author(s):  
Mulay Gebretensay ◽  
Soumitra Mondal ◽  
Mathivanan D ◽  
Mahmud Abdulkader

The purpose of this study was to evaluate the effect of Awris traditional dance Tigray regional state on health related physical fitness traits among high school students. To achieve the purpose of this study, 40 high school students were selected randomly. And their age ranged between 15 and 17 years. The selected participants were categorized into experimental and control group with twenty (n=20) subjects in each. The experimental group performed traditional dances for a period of 16 weeks three days per week whereas participants in the control group were informed to follow their usual daily activity. All participants were tested on selected criterion measures on muscular strength, flexibility, cardiovascular endurance and body composition prior to and after the 16 weeks of the training period. The data pertaining to the variables in this study were statistically examined by using SPSS statistical software version 25. Descriptive statistics such as mean and standard deviation were found in order to get the basic idea of the data distribution. Independent t- test was employed for finding whether there was any statistically significant pre-test to post-test mean differences in their respective variables of each group. Level of significant was set at 0.05. Following the 16-weeks traditional dance training, significant change was observed on muscular strength and cardiovascular endurance, but there was no significant improvement in flexibility and body composition as compare the experimental groups with the control group. Therefore it can be concluded that Awris traditional dance training program can notably improve muscular strength and cardiovascular endurance of high school students.


2021 ◽  
Vol 5 (2) ◽  
pp. 306
Author(s):  
Budi Agustono ◽  
Heristina Dewi ◽  
Mhd. Pujiono

The majority of the younger generation ignore national culture, such as traditional dances, and prefer modern dances. This makes the importance of strengthening traditional dance groups & place (sanggar tari) as a forum for developing creativity in traditional culture in Medan. Therefore, in this community service, efforts to strengthen the sanggar tari to strengthen Medan's local culture were carried out. This activity consisted of a Focus Group Discussion (FGD) and dance training for 30 young men and women members of the Medan Amplas sub-district sanggar tari held for two months. Besides providing training, the community service team facilitates supporting equipment in traditional dance performance activities for members, such as clothing, accessories, and other training media. The lecture, Q&A, demonstration, and drill methods are used in its implementation. This community service has resulted in the form of services to raise public awareness of the local dance culture of North Sumatera, especially in Medan, with training assistance to increase creativity, innovation, and the ability of the sanggar members in the field of traditional dance and culture.


2021 ◽  
Vol 9 (2) ◽  
pp. 188
Author(s):  
Restu Putri ◽  
Jamaris Jamna

This research was motivated by the success of the Baiturrahmah Studio in carrying out training activities. This can be seen from the activeness of the training participants in participating in training activities and the large number of participants invited to major events. This is because the media used in the training activities use direct music accompaniment that is played by the musician. The purpose of this study was to determine the relationship between the musical accompaniment learning media and the learning outcomes of the training participants at the Baiturrahmah Studio, Padang City. This type of research is a quantitative study that deals with a population of 40 people. The sampling technique used a random sample per cluster which was taken as much as 75% of the population. The number of samples in this study were 30 people. The data collection technique used was the data collection technique used by the researcher in this study, namely a questionnaire, while the data collection tool used by the researcher was a list of statements. Data analysis techniques used percentages and product moments. The results of this study indicate that: (1) The learning media of musical accompaniment in the implementation of traditional dance training are in accordance with the objectives to be achieved, (2) The learning outcomes of participants in traditional dance training are high, (3) There is a significant relationship between the use of media. learning with the results of learning the skills of traditional dance training participants. The hope of this research is to keep using and increasing the use of music accompaniment learning media in the implementation of traditional dance training. Keywords: Training Success, Music Accompaniment Media


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