scholarly journals Representations of Hungary and Transylvania in John Paget’s Travelogue

2017 ◽  
Vol 9 (1) ◽  
pp. 87-98
Author(s):  
Borbála Bökös
Keyword(s):  
Nineteenth Century ◽  
Everyday Life ◽  
Western Europe ◽  
Political Climate ◽  
War Of Independence ◽  
Travel Guide ◽  
Hungarian Society ◽  
English Culture ◽  
Insight Into ◽  
Travel Accounts

Abstract Hungary was an important destination for British travelers in the nineteenth century, whose travel accounts provide intriguing insights into the cultural and political climate of the period. John Paget’s journey was meticulously recorded in his extensive book entitled Hungary and Transylvania (1839) that served as a travel guide for other British visitors after him. Paget, who took part in the 1848/49 War of Independence, and became a “Hungarian,” opened Europe’s eyes to the Hungarian people and their country, destroying several false myths that existed about Hungarians in Western Europe, thus attempting to shape up a more favorable picture about them. The present paper examines a few questions regarding the representation of Hungary and of Transylvania in general in the travelogue: how did Paget describe particular cities and regions, the inhabitants, as well as their everyday life? I will attempt to look at the (changing) images of Hungary and Transylvania in Paget’s writing, as well as to offer an insight into Hungarian society and culture in the nineteenth century as contrasted to English culture and politics.

Military Bands in the Romanian Principalities between 1821 and 1878

2017 ◽  
Vol 14 (3) ◽  
pp. 367-389
Author(s):  
Nicolae Gheorghiţă
Keyword(s):  
Nineteenth Century ◽  
Western Europe ◽  
Early Nineteenth Century ◽  
Musical Life ◽  
Military Bands ◽  
War Of Independence ◽  
Cultural Paradigm ◽  
Musical Practices ◽  
The One ◽  
Radical Shift

The abandonment in the early nineteenth century of the Ottoman military bands (mehterhâne and tabl-khāne) that had provided ceremonial music for the Romanian princes, and the establishment of Western-style military bands in the newly formed army, brought about a radical shift in the cultural paradigm that was to have an effect upon the entire spectrum of musical life in the capitals of the Romanian provinces of Wallachia and Moldavia. This change occurred at two levels: on the one hand, musicians and the repertory current in noble salons were imported from the West, and, on the other, a native ethnic element was activated in a series of works and orchestrations based on folk themes. The present study examines the emergence, development and organization of the modern military bands in the Principalities of Wallachia and Moldavia in the context of native musical practices and the transition of Romanian society from an oriental mentality to an outlook and behaviour specific to Western Europe, in the period from the nineteenth century to the War of Independence (1877).

Trust: A National Project

2015 ◽  
pp. 138-146
Author(s):  
N. Rozinskaya ◽  
I. Rozinskiy
Keyword(s):  
Social Capital ◽  
Civil Society ◽  
Everyday Life ◽  
Western Europe ◽  
External Pressure ◽  
National Project ◽  
Low Level ◽  
General Trust

This article deals with the genesis of general trust and social capital in contemporary Russia, which faces the external pressure. The low level of general trust is noted, its economic, social and everyday life implications are considered, an explanation of Russia’s lower than in western Europe level of trust is provided. Considering society’s level of trust and social capital as externalia, the authors conclude that there is a necessity to "produce" trust intentionally. Promotion of collective charity is proposed as a mechanism of such "production". It is stressed that in order to activate the potential of trust in a society, there is a need for ideological and symbolic basis linked to its history. Russian People’s Unity Day, understood as the birthday of Russian civil society, is proposed to be used in this respect.

Clothing in Context — Nineteenth-Century Dress and Textiles in the Thomas Hardy Archive

Costume ◽  
2018 ◽  
Vol 52 (2) ◽  
pp. 261-284 ◽  
Author(s):  
Lucy Johnston
Keyword(s):  
Nineteenth Century ◽  
Working Class ◽  
Thomas Hardy ◽  
Famous People ◽  
Tess Of The D'urbervilles ◽  
Textiles And Clothing ◽  
Insight Into

This article will consider how dress, textiles, manuscripts and images in the Thomas Hardy Archive illuminate his writing and reveal the accuracy of his descriptions of clothing in novels including Far from the Madding Crowd and Tess of the D'Urbervilles. Rural clothing, fashionable styles, drawings and illustrations will shed new light on his writing through providing an insight into the people's dress he described so eloquently in his writing. The textiles and clothing in the Archive are also significant as nineteenth-century working-class dress is relatively rare. Everyday rural clothing does not tend to survive, so a collection belonging to Hardy's family of country stonemasons provides new opportunities for research in this area. Even more unusual is clothing reliably provenanced to famous people or writers, and such garments that do exist tend to be from the middle or upper classes. This article will show how the combination of surviving dress, biographical context and literary framework enriches understanding of Hardy's words and informs research into nineteenth-century rural dress.

Epic and Novel

2013 ◽  
Vol 68 (3) ◽  
pp. 396-422 ◽  
Author(s):  
Natasha Moore
Keyword(s):  
Nineteenth Century ◽  
Everyday Life ◽  
Economic Life ◽  
Modern World ◽  
The Novel ◽  
Aurora Leigh ◽  
Big Picture

This essay explores a peculiarly Victorian solution to what was perceived, in the middle of the nineteenth century, as a peculiarly Victorian problem: the fragmentation and miscellaneousness of the modern world. Seeking to apprehend the multiplicity and chaos of contemporary social, intellectual, political, and economic life, and to furnish it with a coherence that was threatened by encroaching religious uncertainty, Victorian poets turned to the resources of genre as a means of accommodating the heterogeneity of the age. In particular, by devising ways of fusing the conventions of the traditional epic with those of the newly ascendant novel, poets hoped to appropriate for the novelistic complexity of modern, everyday life the dignifying and totalizing tendencies of the epic. The essay reevaluates the generic hybridity of Elizabeth Barrett Browning’s Aurora Leigh (1856) as an attempt to unite two distinct kinds of length—the microscopic, cumulative detail of the novel and the big-picture sweep of the epic—in order to capture the miscellaneousness of the age and, at the same time, to restore order and meaning to the disjointed experience of modernity.

Prerequisites for the reforms of the Russian Empire in the 1860s: a historical analysis

2020 ◽  
Vol 2020 (10-2) ◽  
pp. 176-184
Author(s):  
Dmitry Nechevin ◽  
Leonard Kolodkin
Keyword(s):  
Nineteenth Century ◽  
Foreign Policy ◽  
Western Europe ◽  
Historical Analysis ◽  
Russian Empire ◽  
Economic Relations ◽  
The Sixties ◽  
The Russian Empire ◽  
Political Economic

The article is devoted to the prerequisites of the reforms of the Russian Empire of the sixties of the nineteenth century, their features, contradictions: the imperial status of foreign policy and the lagging behind the countries of Western Europe in special political, economic relations. The authors studied the activities of reformers and the nobility on the peasant question, as well as legitimate conservatism.

Women and Agency in Bankim’s Rajmohan’s Wife and Tagore’s The Home and The World

2020 ◽  
Vol 12 (5) ◽  
Author(s):  
Manju Dhariwal ◽  
Keyword(s):  
Nineteenth Century ◽  
The Self ◽  
Indian English ◽  
Colonial India ◽  
English Novel ◽  
The World ◽  
The Status ◽  
Insight Into ◽  
Status Of Women

Written almost half a century apart, Rajmohan’s Wife (1864) and The Home and the World (1916) can be read as women centric texts written in colonial India. The plot of both the texts is set in Bengal, the cultural and political centre of colonial India. Rajmohan’s Wife, arguably the first Indian English novel, is one of the first novels to realistically represent ‘Woman’ in the nineteenth century. Set in a newly emerging society of India, it provides an insight into the status of women, their susceptibility and dependence on men. The Home and the World, written at the height of Swadeshi movement in Bengal, presents its woman protagonist in a much progressive space. The paper closely examines these two texts and argues that women enact their agency in relational spaces which leads to the process of their ‘becoming’. The paper analyses this journey of the progress of the self, which starts with Matangini and culminates in Bimala. The paper concludes that women’s journey to emancipation is symbolic of the journey of the nation to independence.

scholarly journals Exploring the functions of music in the lives of young people on the autism spectrum

2021 ◽  
pp. 030573562110089
Author(s):  
Melissa L Kirby ◽  
Karen Burland
Keyword(s):  
Young People ◽  
Everyday Life ◽  
Interpretative Phenomenological Analysis ◽  
Autism Spectrum ◽  
Phenomenological Analysis ◽  
Multiple Methods ◽  
Social Functions ◽  
Interview Technique ◽  
Autistic People ◽  
Insight Into

Current research investigating the functions of music in everyday life has identified cognitive, emotional, and social functions of music. However, previous research focuses almost exclusively on neurotypical people and rarely considers the musical experiences of autistic people. In addition, there is limited research which focuses explicitly on the musical experiences of young people on the autism spectrum. Current research exploring the functions of music may therefore not accurately represent the experiences of the autistic community. This article aims to explore the function of music in the lives of young people on the autism spectrum through a series of interviews. Eleven young people on the autism spectrum age 12 to 25 ( M = 19.4) were interviewed about the function of music in their lives. An adaptive interview technique, utilizing multiple methods of communication, was employed to account for the participants’ broad communicative and personal needs. Interpretative phenomenological analysis revealed four key functions of music in the participants’ lives: Cognitive, Emotional, Social, and Identity. Collectively, these results provide a unique insight into the musical experiences of young people on the autism spectrum.

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