scholarly journals Don Quixote’s Quixotic Trauma Therapy: A Reassessment of Cervantes’s Canonical Novel and Trauma Studies

2017 ◽  
Vol 1 (1) ◽  
pp. 244-256
Author(s):  
Suzanne LaLonde

Abstract This article presents a non-canonical reading of Miguel de Cervantes Saavedra’s canonical novel Don Quixote. Using a trauma theory lens (from both cultural studies and psychiatry) to understand the pre-Don Quixote character Alonso Quijano, this research first advances several new arguments as to why Quijano appears to have endured a traumatic experience of ageing. Instead of interpreting his obsessive behaviour as madness, it is argued that he engages in a form of both individual and collective therapy consisting of reading to educate himself about emotions; engaging the body in adventures; listening to others’ stories of traumatic suffering; and stimulating “empathic unsettlement” toward others and his previously traumatized self, one of the main critical suggestions advanced. This article takes an original turn in trauma studies too by putting forward that Quijano’s therapy is effective because it addresses the “central dialectic of psychological trauma.” He embarks on an imaginative and collective adventure of self-identity, transforming himself into another who is exempt from the traumatic experience; he knows without knowing and speaks without speaking. His trauma therapy occurs outside the reality of trauma or inside the “unreality” of creative expression, and this is how he endures a traumatic experience of ageing.

Author(s):  
Suzanne Lalonde

In an attempt to decolonize Trauma Studies, a dominant mental health discourse, and to expand our understanding of trauma and post-traumatic growth, this project investigates J.M.G. Le Clézio’s The African (L’africain 2004) and Ahmadou Kourouma’s: Allah is Not Obliged 2011) (Allah n’est pas obligé 2000) and the untranslated and unfinished Quand on refuse on dit non (2004). The term “decolonizing Trauma Studies” refers to a remapping of this particular field of Cultural Theory by studying these non-Western “trauma novels”. The first critical suggestion advanced is that these authors explore the traumatic consequences of lies that are ontological and phenomenological in nature and maintained through language (logos). This research then examines Le Clézio’s and Kourouma’s models of healing, which centre on the body, language, and an empathetic re-encounter with the traumatized self through narratives. Another major finding is that these texts experiment with literature, manipulating it into new forms, thus expanding our understanding of the relationship between the literary arts and post-traumatic growth theories and treatments.


2003 ◽  
Vol 14 (3) ◽  
pp. 139-157
Author(s):  
Gudrun Hofmann

Zusammenfassung. Don Quijote und Sancho Panza, von Miguel de Cervantes Saavedras 1605/1612 geschaffene Romanhelden, erfreuen sich auch im Jahre 2003 eines großen Bekanntheitsgrades und sind als komisches Paar berühmt geworden. Beide verstricken sich in Abenteuer, die einzig ihrer Fantasie erwachsen. Im folgenden steht das Komische - aus nicht der Norm entsprechendem Verhalten oder aus wahnhaften Imaginationen erwachsend - in der literarischen Vorgabe wie auch in dem sinfonischen Tongedicht “Don Quixote“ von Richard Strauss im Mittelpunkt. Daran schließen sich Überlegungen zu einer tänzerischen Umsetzung im Rahmen eines therapeutischen Settings an. Es wird analysiert, wie sich Menschen mit unterschiedlichen Persönlichkeitszügen (resp. -störungen) darin wiederfinden können und wie die Charaktere von Don Quijote und Sancho Panza im Sinne einer eigenen Interpretation weiterentwickelt werden können. Aspekte der von Helmut Plessner vertretenen anthropologischen Betrachtungsweise des Lachens beleuchten die nur dem Menschen eigene Fähigkeit komisch zu sein und Komisches wahrzunehmen.


Physiotherapy ◽  
2014 ◽  
Vol 22 (4) ◽  
Author(s):  
Agnieszka Stępień ◽  
Sylwia Chładzińska-Kiejna ◽  
Katarzyna Salamon-Krakowska

AbstractDissociative psychopathology is understood as an immature defence mechanism of personality, based on the techniques of reality distortion. The natural cause of a disorder reflects the lack of sense of coherence between identity, memory, awareness, perception and consequently - goal orientated action. Its symptoms manifest the separation of emotions, thoughts and behaviours bound with an event in order to maintain an illusory sense of control of demanding and unbearable experience.We describe the case of a 57-year-old woman suffering from broad range of dissociative symptoms from early childhood. Decomposition of integrity between memories, a sense of self-identity and control of the body has become the cause of numerous suicide attempts, multiple psychiatric hospitalizations and not fully effective therapy attempts. Destructive influence of psychopathological symptoms negatively influenced patient’s life course, decisions made as well as family, work and social life.


Although best known the world over for his masterpiece novel, Don Quixote de la Mancha, published in two parts in 1605 and 1615, the antics of the would-be knight-errant and his simple squire only represent a fraction of the trials and tribulations, both in the literary world and in society at large, of this complex man. Poet, playwright, soldier, slave, satirist, novelist, political commentator, and literary outsider, Cervantes achieved a minor miracle by becoming one of the rarest of things in the early modern world of letters: an international best-seller during his lifetime, with his great novel being translated into multiple languages before his death in 1616. The principal objective of the Oxford Handbook of Cervantes is to create a resource in English that provides a fully comprehensive overview of the life, works, and influences of Miguel de Cervantes Saavedra (1547–1616). This volume contains seven sections, exploring in depth Cervantes’s life and how the trials, tribulations, and hardships endured influenced his writing. Cervantistas from numerous countries, including the United Kingdom, Spain, Ireland, the United States, Canada, and France offer their expertise with the most up-to-date research and interpretations to complete this wide-ranging, but detailed, compendium of a writer not known for much other than his famous novel outside of the Spanish-speaking world. This handbook explores his famous novel Don Quixote, his other prose works, his theatrical output, his poetry, his sources, influences, and contemporaries, and finally reception of his works over the last four hundred years.


Author(s):  
Lavanya Dalal

Trauma Studies and Prison Narratives have emerged over the past few decades as the most significant fields in the humanities. There has been a significant discussion regarding the psychological effects of incarceration; however, literature examining prison as a site of trauma is unusual. Focusing on Iftikhar Gilani's My Days in Prison (2005) and Yvonne Johnson and Rudy Wiebe's Stolen Life: The Journey of a Cree Woman (1998), the article analyzes how prison narratives represent prison as a violent space that inflicts trauma in its characters. These prison narratives represent Yvonne Johnson, the prisoner in Stolen Life, and Gilani as victims of acute psychological trauma faced due to the sheer viciousness of the prison system. The article also concentrates on how the prison experience is both similar and different in Canada and India.    


2019 ◽  
Vol 22 (3) ◽  
pp. 27-39
Author(s):  
Magdalena Barbaruk

Don Quixote unfaithful: Counterculture of failureThe author analyzes the cultural status of the unfinished adaptations of Don Quixote of Miguel de Cervantes, which were worked on for years by Orson Welles 1955–1985 and Terry Gilliam 1991–2018. Although there are many films about the errant knight, these two projects still arouse interest of critics, viewers and filmmakers. Barbaruk initially puts these perplexing obsessions in the context of the idea of film maudit and the romanticism of interpretations of Don Quixote, but considers that only referring to modernity, which is the embodiment of the film industry, makes it understandable. In the unfinished projects of Welles and Gilliam the author sees the potential for self-creation and interpretation underlining of openness of Cervantes’s novel and the autonomy of its heroes and a counter-cultural, critical force aimed at contemporary finality.


2019 ◽  
Vol 51 ◽  
pp. 125
Author(s):  
Paloma Ortiz-de-Urbina Sobrino

El presente trabajo estudia el modo en el que el compositor Roberto Gerhard pone en música, en su ballet Don Quixote (1950), la novela Don Quijote de la Mancha de Miguel de Cervantes, concretamente el enigmático episodio de ‘La Cueva de Montesinos’, contenido en la segunda parte de la obra. Se examina cómo el músico trata de producir en el oyente el mismo efecto –ambiguo y contradictorio, mezcla de lo cómico, lo absurdo o lo grotesco– que se genera en el lector de este desconcertante capítulo, poblado de figuras míticas de diferentes épocas, que conviven con un protagonista real. Para ello se analizan, en primer lugar, los diferentes planos míticos y legendarios utilizados por Cervantes; se repasan, en segundo lugar, las fuentes literarias de las que bebe el autor para crear dichos relatos míticos y se estudian, finalmente, los originales medios de los que se vale Roberto Gerhard para llevar a la música el magistral episodio cervantino.


2021 ◽  
Vol 3 ◽  
Author(s):  
Roberto Lusardi ◽  
Stefano Tomelleri ◽  
Joseph Wherton

Background: Recent advancements in sensor technology and artificial intelligence mechanisms have led to a rapid increase in research and development of robotic orthoses or “exoskeletons” to support people with mobility problems. The purpose of this case study was to provide insight into the lived reality of using the assistive robotic exoskeleton ReWalk.Method: We used ethnographic techniques to explore the everyday experience and use of the assistive robotic device.Results: We found that the appropriation and integration of the technology within the patient's everyday lives required a social and collaborative effort, which continued into use. The decisions to utilise the technology (or not) was closely tied to physical, social, cultural, environmental, and psychological factors. Consequently, there was much variation in patients' perception of the technology and opportunities for support. Four themes emerged:(a) Meaning of mobility—physical mobility represents more than functional ability. Its present socio-cultural meaning is associated with an individual's self-identity and life priorities.(b) Accomplishing body-technique—integration with the body requires a long process of skill acquisition and re-embodiment.(c) Adaptation and adjustment in use—successful use of the technology was characterised by ongoing adjustment and adaptation of the technology and ways of using it.(d) Human element—introduction and sustained use of the exoskeleton demand a social and collaborative effort across the user's professional and lay resources.Conclusions: This study highlights that the development and implementation of the technology need to be grounded in a deep understanding of the day-to-day lives and experiences of the people that use them.


Author(s):  
Senthilnathan Prof.Dr.C.V. ◽  
Vaishnavi G. ◽  
Keerthana G. ◽  
NandhaKumar S. ◽  
Kotteeswaran Prof.Dr.

Hyperhidrosis is an excessive production of sweat more than the physiological amount necessary to maintain thermal homeostasis. Primary focal hyperhidrosis is a disorder of unknown etiology, causing excessive, bilateral, symmetrical sweating on the soles of the foot is called plantar hyperhidrosis. The condition results not only in physical impairment, but also interferes with professional and social life. Although not life-threatening, it is very uncomfortable and cause embarrassment and psychological trauma. Iontophoresis is a helpful method, which includes the presentation of particles into the body tissue through the skin. The essential principle is to place the ion particles under an electrode with the same charge, i.e. negative ion placed under cathode and positive ion placed under anode. This complete process is also known as “technique of ion transfer” into the body tissues by using electrical current as a driving force. It is a comparative study with pre and post intervention. 30 subjects with plantar hyperhidrosis were selected based on the inclusion criteria. The study duration was for about 4 weeks30 subjects of age group between 15 – 25 years with idiopathic plantar hyperhidrosis of both male and female subjects were included in this study. Subjects with cardiac and respiratory disorders, pregnant or lactating, any cuts, abrasions, eczema or infections on plantar aspect, metal implants like pacemakers, Hypersensitivity to the active substance were excluded. The subjects were divided into 3 group Group A treated with iontophoresis using tap water alone. Group B were treated with iontophoresis using tap water along with 3%-5% of anticholinergic drug, glycopyrronium bromide solution. Group C were treated with iontophoresis using tap water along with 1% of indomethacin (NSAID). The result of this study shows that there were significant changes in outcome measures. On comparing Mean values of Group A, Group B & Group C on Minor test (Starch - Iodine Test) tap Water along with Glycopyrronium Bromide (Group B) shows 1.60 which has the Lower Mean value is effective than Group A and Group C .On comparing Mean values of Group A, Group B & Group C on Visual Analog Scale score tap Water along with Glycopyrronium Bromide (Group B) shows 3.80 which has the Lower Mean value is effective than Group A and Group C. On comparing Mean values of Group A, Group B & Group C on Hyperhidrosis Disease Severity Scale tap Water along with Glycopyrronium Bromide (Group B) shows 1.40 which has the Lower Mean value is effective than Group A and Group C. On comparing all the three groups, Group B shows better result than Group C and Group A in outcome measure. This study concluded that Tap water along with glycopyrronium bromide reduces the excessive sweating and decrease the sweating symptoms in subjects with plantar hyperhidrosis.


Author(s):  
María Antonia Garcés

Cervantes’s obsession with freedom and captivity evokes his long incarceration in Algiers (1575–80). In effect, his capture by Barbary corsairs in 1575 and the five years he spent in Algiers left an indelible impression on his fiction. From the first works written after his liberation, such as his play El trato de Argel (c. 1581–3) and his novel La Galatea (1585), to his posthumous book Los trabajos de Persiles y Sigismunda (1617), the story of this traumatic experience continuously resonates throughout his work. The motif of captivity characterizes Cervantes’s autobiographical narrative, La historia del cautivo, interpolated in Don Quixote I.39–41, as well as two of his novellas. Concurrently, his Barbary plays turn around the theme of captivity suffered by Christians in Ottoman territories during the early modern period.


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