De la fictionnalisation du génocide rwandais à la stylisation de l’éthique de la non-violence : Souveraine Magnifique d’Eugène Ébodé
Abstract Can we assume that the rewriting of the Rwandan genocide from April to July 1994 may alternatively have a moralizing role in the sense of educating readers about the atrocities suffered by the warring parties ? Based on sociocriticism as the framework theorized by Edmond Cros and Pierre Barbéris, this study identifies the literary and ethical issues crystallized in Eugene Ébodé’s writing frame for the purposes of filling the gap left in memory by a reductive historical discourse. In particular, it unravels the relationship between historical characters and their literary double, with a view to postulating that the fictionalization of historical events sometimes proves to be an artistic alteration that reveals the nonviolent nature of interhuman contacts.