Sebastian Münster and his Sources: The Messiah in Rome and the Convergence of Christian-Jewish Polemic and Intra-Christian Conflict

2021 ◽  
Vol 8 (2) ◽  
pp. 135-151
Author(s):  
Daniel Lehmann

Abstract The Talmudic story of an encounter between Rabbi Joshua ben Levi and the Messiah at the gate of Rome served medieval Christians well in their polemics against the Jews. This was, it seemed, a Jewish affirmation of the truth of Christianity: not only did the legend indicate that the Messiah had already come, it also placed him in Rome, the epicenter of the Christian faith. For that very reason, however, later Protestant polemicists could hardly be expected to utilize the story correspondingly, not after rejecting the primacy of Rome. This article considers a number of Protestant responses to the Jewish Messiah in Rome tradition. Its primary focus, though, is on two anti-Jewish treatises by Sebastian Münster. As Stephen G. Burnett has demonstrated, Münster’s texts draw heavily from pre-Reformation polemical works – in other words, works that accepted Rome’s preeminence; the present article argues that Münster managed to subtly convey his own Protestant sensitivities in discussing the Joshua b. Levi story, all the same. This close reading of Münster offers a unique perspective on the convergence of Christian-Jewish controversy and Protestant-Catholic tensions, and especially on the role and development of the former in light of the latter.

POETICA ◽  
2020 ◽  
Vol 50 (3-4) ◽  
pp. 282-313
Author(s):  
Robert Stockhammer

Abstract The recent controversy about the possibility of defining a new geological era called ‘Anthropocene’ has far-ranging consequences. The new notion forces us to rethink the dichotomy between the entities formerly referred to as men and nature and to conceive of their relation as an interrelation. The relevance of these considerations for literary studies is not limited to the anthropocene as a subject matter of literature, or to the possible use of literature as a means of enhancing the reader’s awareness of climate change. Rather, what is at stake is the relation of language to the new interrelation between man and nature, including the poetical and metalinguistic functions that emphasize the materiality of language. The present article explores the relation between the materiality of language and the materiality of things by way of a close reading of a single poem written by Marcel Beyer. Devoted to the cultivated plant rape, the literary traditions which this poem invokes reach beyond nature lyrics into georgic. An excursus recalls this genre of agriculture poetry and distinguishes it from pastoral, especially with regard to its use of language.


2020 ◽  
pp. 009164712097498
Author(s):  
John M. McConnell ◽  
Vincent Bacote ◽  
Edward B. Davis ◽  
Eric M. Brown ◽  
Christin J. Fort ◽  
...  

Multiculturalism, social justice, and peace are important aspects of the Christian faith. However, scholars in the literature seeking to integrate psychology and Christian theology have underrepresented them. In this present article, we review barriers to including them in our psychology–theology integration literature. Thereafter, we provide a trinitarian theology of multiculturalism, social justice, and peace with a hope that theological knowledge will help Christian psychologists begin to overcome barriers and to move this body of literature forward. We also offer implications for scholarship/research, education/training, and clinical work.


2021 ◽  
Vol 30 (2) ◽  
pp. 139-155
Author(s):  
Michelle Charalambous

Samuel Beckett's interest in the experience of memory and the central role the body plays in the re-experience of the past has been most evident since the time he composed Krapp's Last Tape (1958), one of his most famous memory plays where the body can actually ‘touch’ its voice of memory. In this context, the present article provides a close reading of two of Beckett's late works for the theatre, namely That Time (1976) and Ohio Impromptu (1981), where the author once again addresses the relationship between the body and memory. Unlike his earlier drama, however, in That Time and Ohio Impromptu Beckett creates a ‘distance’, as it were, between memory and the body on stage by presenting the former as a narrative and by reducing the latter to an isolated part or by restricting it to limited movements. Looking closely at this ‘distance’ in these late plays, the article underlines that the body does not lose its authority or remains passive in its re-experience of the past. Rather – the article argues – the body essentially plays a determining role in these stripped-down forms as is shown in its ability to ‘interrupt’ and somatically punctuate the fixity of the narrative form memory takes in these works.


2019 ◽  
Vol 15 (3) ◽  
pp. 429-447
Author(s):  
Hongbing Yu

Abstract Meaning generation reaches beyond the convenient code-based distinction between the encoding versus the decoding of information. What we need is a more comprehensive perspective that can encompass code-based communication and agency-oriented interpretation, both of which are treated as two subordinate mechanisms of meaning generation or signification. Based on a close reading of Saussure, there are only forms in signification; signs and signification are one. Given the complexity of its usage over the years, the term sign should be reevaluated. In its stead, the present article proposes using Sebeok and Danesi’s term model, although with some modifications, in order to shed a new light on meaning generation. The present article also demonstrates that cultural memory, or culture understood in the sense proposed by Lotman and Uspensky, coupled with emotions and human agency, act as three determinants of the process of meaning generation and make it a semi-autonomous process.


2018 ◽  
Vol 32 (3) ◽  
Author(s):  
Ellton Luis Sbardella ◽  
Clélia Peretti

O presente artigo apresenta reflexões bíblicas e do magistério da Igrejasobre o tema da misericórdia. A misericórdia é o fundamento para os desafios que a fé cristã enfrenta diante das diferentes manifestações de violência na nossa sociedade. O tema da misericórdia está presente na Sagrada Escritura e no Catecismo da Igreja Católica (CIC), o qual nos mostra a concretização da ação misericordiosa de Deus em Jesus para todo ser humano. A Bula Misericordiae Vultus, do Papa Francisco, na  proclamação do Jubileu Extraordinárioda Misericórdia, apresenta com clareza o rosto da misericórdia de Deus, sua presença e ações manifestas no caminhar e na história do povo. O desafio do cristão hoje é uma prática evangélica da misericórdia, que ofereça respostas de libertação àquilo que fere a dignidade do homem e da mulher.Palavras-chave: Misericordiae Vultus. Deus é misericórdia. Violência e misericórdia.Abstract: The present article presents biblical reflections and the magisterium of the Church on the subject of mercy. Mercy is the foundation for the challenges that the Christian faith faces in the face of the different manifestations of violence in our society. The theme of mercy is present in Sacred Scripture and in the Catechism of the Catholic Church (CCC) which shows us the concreteness of the merciful action of God in Jesus for every human being. The Bull Misericordiae Vultus of Pope Francis in the proclamation of the extraordinary jubilee of mercy clearly presents the face of the mercy of God, his presence and actions manifested in the way of the people and in his history. The challenge of the Christian today is an evangelical practice of mercy offering answers of deliverance to that which hurts the dignity of man and woman.Keywords: Misericordiae Vultus. God is mercy. Violence and mercy.


2021 ◽  
Vol 8 (1) ◽  
pp. 39-56
Author(s):  
Michael L. Martínez, Jr

In the post-Fordist world, cities emerged as increasingly contested terrains upon which capital and ordinary citizens struggled to control the urban process. Henri Lefebvre discerned this contestatory dynamic early on and in response developed the ‘urban’, a concept that cleaves a critical pathway towards a host of material, cultural and ideological processes that attach to capitalist modernity. Around the same time, the Spanish novelist Gonzalo Torrente Ballester was working to sketch the contours of his magnus opus La saga/fuga de J.B. Torrente would eventually come to recognize the roles that the urban process and the socio-spatial dialectic play in mediating contemporary urban life. The present article thus carries out first a close reading of Torrente’s personal journals to detail the ascendency of the ‘urban dominant’ as a central structuring component of his fictional writings. Thereafter, the critical analysis of La saga/fuga de J.B. will reveal that the ‘urban dominant’ stands concealed at the heart of this notoriously complicated novel. This urban cultural studies reading of La saga/fuga de J.B. will argue that, like Lefebvre, Torrente denounces capital’s static conception of space at the same time that he draws upon historical movements of urban protest for textual inspiration. And what will eventually emerge is that, beyond a master of the metafictional novel, Torrente was also an astute observer of everyday life in the urban context.


2002 ◽  
Vol 33 (4) ◽  
pp. 386-410
Author(s):  
Azzan Yadin

AbstractThe present article argues that in the legal midrashim associated with the school of Rabbi Ishmael, the Mekhilta and the Sifre Numbers, "Two Verses Contradict and a Third Resolves" is not a general rule meant to resolve logical difficulties, as is generally assumed. The third verse resolution is employed in only two of the derashot that discuss biblical contradictions. A close reading of these derashot suggest that the issue at hand is not logical but theological and that in each case the third verse introduces a theological intermediary, denying the unmediated presence of God in the Tent of Meeting and at Sinai.


2019 ◽  
Vol 48 (1) ◽  
pp. 134-172
Author(s):  
Axel Pichler

Abstract Nietzsche has repeatedly commented on his already published works, and thus continuously reinterpreted them, in order to shape their public reception and to foreground the communication of specific aspects of his works. As such, he followed a specific “work politics,” or Werkpolitik. The resulting retractions are not only revealing for the reconstruction of Nietzsche’s self-understanding, but also demonstrate both the development and the dynamic character of his thinking. In the present article, this is shown through a so-called “contrasting reading,” which contrasts a posthumous note about The Birth of Tragedy, the Attempt at a Self-Criticism from 1886, with the book itself and with the chapter in Ecce Homo that is dedicated to BT. Starting from a close reading of note Nachlass 1888, 17[3], which also takes into account the genesis of BT, I argue that Nietzsche’s self-commentaries combine his current philosophical reflections with work-political objectives. The subsequent comparison reconstructs the philosophical differences between the note and the texts mentioned above, thus demonstrating the dynamic character of Nietzsche’s philosophizing, which is often stated but seldom reconstructed on the basis of the actual texts.


2019 ◽  
Vol 67 (267) ◽  
pp. 572
Author(s):  
João Manuel Duque

O presente artigo pretende esboçar uma teologia da fé cristã, a partir da relação entre ato de fé e dinamismo de conversão. Se a conversão implica a orientação do ser humano para a sua verdade e para a verdade de todo o processo histórico-social, outro tanto pode ser dito do ato de fé. Partindo desse pressuposto, o autor elabora uma análise do ato de fé como constituição do sujeito e das relações sociais, por distinção em relação às pretensões modernas de auto-fundamentação e aos efeitos nihilistas da pós-modernidade. Assim sendo, a fé constitui um modo de fundamentação da identidade pessoal e social, a partir de um outro e para um outro. Daí resultam as incontornáveis dimensões teológica, eclesial e pragmático-social do ato de fé, sem as quais não seria autêntico dinamismo de conversão nem de salvação.Abstract: The objective of the present article is to outline a theology of the Christian faith focusing in particular on the relationship between the act of faith and the dynamics of conversion. If conversion implies guiding the human being towards his/her truth and towards the truth of the entire historical-social process, a similar claim can be made about the act of faith. On this assumption, the author analyses the act of faith viewing it as the constitution of the subject and of social relations that contrast with the modern pretensions of self-justification and the nihilist effects of post-Modernity. Thus, the faith becomes the basis for a personal and social identity that starts in the other and goes towards the other. From this arise the unavoidable theological, ecclesial and pragmatic-social dimensions of the act of faith without which it would not be the genuine source of energy for conversion and salvation.


Author(s):  
Priscilla Alves Peixoto

The present article is dedicated to undertaking a close reading of L’Urbanisme, utopies et réalités. Une anthologie (1965), organized by Françoise Choay. It seeks to situate this anthology within the intellectual trajectory of the author, as well as in the discursive, urban culture in which it was conceived and had it first distribution. In order to develop this work, the approach adopted was based on authors who study books as “practices and representations”, with particular emphasis on Roger Chartier. It has also been guided by the notion of "nebula", as conceived by Margareth da Silva Pereira. The article has been structured into three parts: in the first, the anthology is presented, especially, its introductory text; following on, situations are investigated in which it is possible to contemplate its conception process and how it was received; and, lastly, the findings are problematized by returning to a reading of the introduction to Françoise Choay’s anthology.


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