Emily Dickinson’s “My life had stood a loaded gun” – An interdisciplinary analysis

2015 ◽  
Vol 44 (2) ◽  
Author(s):  
Matthias Bauer ◽  
Nadine Bade ◽  
Sigrid Beck ◽  
Carmen Dörge ◽  
Burkhard von Eckartsberg ◽  
...  

AbstractIn this article we analyse Emily Dickinson’s poem “My life had stood a loaded gun” using a specific methodology that combines linguistic and literary theory. The first step is a textual analysis with the methods of compositional semantics. The second step is a literary analysis enriching the literal meaning with information about the wider context of the poem. The division of these two steps reflects the distinction between an objective interpretation of the text based solely on the rules of grammar and a subjective reading which draws on various external fields of reference. In combining both steps, we show why some interpretations of the poem are more plausible than others and how different lines of interpretation are related to each other. However, it is not our aim to provide one definite interpretation of the poem or to favour one reading over the others. Rather, we wish to show how Dickinson’s use of specific grammatical mechanisms leads to a number of interpretations which are more or less plausible. That is, we identify plausible interpretations on the basis of grammatical evidence, and we relate these to each other by pointing at instances in the poem where a divergence of interpretations is possible (cases of ambiguity, for example). This method is helpful for literary studies since formal linguistics helps produce a systematic and non-arbitrary analysis, and it is helpful for linguistic analysis since it uncovers which violations of grammar do or do not disturb the interpretative process, and which kind of structures need pragmatic enrichment.

2019 ◽  
Vol 23 (1) ◽  
pp. 274-291
Author(s):  
Andrea Polaschegg

Abstract Tracing the transformations phenomenological thought underwent in the sphere of literary studies after the 1930s, the paper outlines the epistemological potential of this tradition in regards to a proper understanding of the phenomenon ›text‹. Proceeding from reflections on the agonal relation between structuralistic and phenomenological traditions within contemporary literary theory, the article focuses on Husserl’s apprehension of texts as being »objects in procedure« by exploring the impact of this idea on the literary theories of Ingarden, Wellek, and Iser. In light of the - largely forgotten - fact that Karl Bühler’s pioneering Language Theory (1934) is mainly based on phenomenological thinking, the paper finally discusses to what extend Bühler’s idea of verbal expressions figuring as effective events could open a new space for the development of a literary theory of texts within recent debates on the »media of literature«.


2020 ◽  
Vol 3 (4) ◽  
pp. 108-128
Author(s):  
Anna I. Kovalevskaya ◽  

The article considers the main stages in formation of the method for the comparative historical typology the first steps of which were made by A.N. Veselovsky in the second half of the 19 th century. For example, the point elaborated upon in “Historical Poetics” concerning consequential evolution of genres and poetic forms that reflect social reality became the starting point for the further development of that method. Work in this direction was continued later on by V.M. Zhirmunsky. At the beginning of his career in academia he dwelled upon the issues of literary theory and – while keeping “Historical Poetics” in high regard – continued Veselovsky’s work in the field of literary studies. However, turning to folklore material, he managed to develop the basic principles of the comparative historical method: first of all, he had analysed and systematised the extensive epic material, what allowed him to reveal in the folklore work the national and the general, for the successful search and analysis of which the method was necessary. The author analysis of the works of Zhirmunsky, that contain his main ideas, and considers not only his suggestions on how to work with folk material, and also the features of the comparative typological method, as well as the development of Zhirmunsky’s ideas in the works of his students, followers and scientists who came to a similar result on their own (for example, V.Ya. Propp) and influenced further refinement of the methods of comparative typology.


Paramasastra ◽  
2017 ◽  
Vol 4 (1) ◽  
Author(s):  
Aprinus Salam

Literary studies can not be separated from the literary theory initiated and developed by “Western” scholars. Indonesian Literature also refers to these theories in interpreting and explaining literary works. This paper intends to ask the historical contextuality and the theoretical independence of Indonesian literature as a nation that has a historicity different from the West. The main offer in this paper is the importance of a theory called the theory of harmony-constitution. The important objectives of the theoretical point of view of the theory of harmony-the constitution are 1) all efforts to build an independent society and social justice, 2) a happy and safe condition, and hence the freedom that has been achieved should always encourage unity, sovereignty and prosperity, and 3) the acknowledgment “on the blessings of almighty God and by the noble driven.” Methodologically, the theory of harmony-constitution is based on semantics. This theory can be used to analyze social and cultural issues, but in the case of this paper will be tested to study literary works, especially the poetry of Chairil Anwar.


2014 ◽  
Vol 16 (1) ◽  
pp. 83
Author(s):  
Wojciech Kaczmarek

Maciejewski’s ‘Method’ The article analyses kerygmatic method of interpretation that was first employed in literary studies by professor Marian Maciejewski. Thanks to this method one can verify a text and its relation to Christianity. Kerygmatic method calls for objective preciseness in defining the level of religiosity of a given text, regardless of whether it was inspired by Christianity or natural religiosity. Maciejewski’s research, mainly his works on Mickiewicz’s poems, is still governed by the directives of historical-literary analysis, nevertheless he considers his observations within the dynamics of Christian life and not in a perspective of vaguely undefined religiosity.


2021 ◽  
Vol 25 (1) ◽  
pp. 189-210
Author(s):  
Katerina Kroucheva

Abstract This article concerns itself with Gérard Genette’s reception in Germanophone literary study. Through an analysis of the rhetorical substrate from which Genette’s terminology draws its specific tension, the article determines that Genette is not only an excessive systematist, but also and simultaneously an author who battles received attempts at order and who foregrounds doubts about the idea of order. In this way, he displays a kinship with such theorists as Roland Barthes and Jacques Derrida. The receptions of the rhetorical construction of Genette’s texts and of the particular strategies of structuralism to which that construction refers did not occur synchronously in French, American, Russian, and German literary studies. The article demonstrates that, while German literary theory occasionally discusses Genette’s positioning within the field, there remains a general absence of the recognition that practically all of his books display a definite proximity to deconstruction, and that this proximity plays a central role in Genette’s enire theoretical edifice. This text is, last but not least, a call to read literary-theoretical texts in their aesthetic contexts.


Author(s):  
Thomas Hansson

Working practices rather than purpose or instrumentation defines workplaces as individually motivated or systems controlled units of analysis. In this chapter, analysis of religious work in spiritual organizations covers interview data on employees' experiences of their organizations. Methodological consideration applies for comparison between concepts, models, and theories. Results on religious workplace characteristics emerge from applied activity theory and a model of literary analysis. Religious people perceive and conceive of their workplaces as self-controlled, purpose-driven, administratively structured, and multi-faceted environments. As their words come out during interviews, the data they supply differs from their perceived workplace impressions. Deployed activity and literary theory plus empirical data make up the means for analyzing the impact of setting, purpose, individual action, and collective activity.


2017 ◽  
Vol 2 (1) ◽  
pp. 92-103 ◽  
Author(s):  
Analía Gerbaudo

This article analyzes the obstacles that hinder the reconstruction of the processes of institutionalization and internationalization of literary studies in Argentina within the framework of the project International Cooperation in the Social-Sciences and Humanities: Comparative Socio-Historical Perspectives and Future Possibilities, directed by Gisèle Sapiro. These obstacles were negotiated partly through the creation of two categories: “stories” and “fantasies of nano-intervention.” The article introduces these categories, along with some examples that enable reflection on the factors that impede or condition the international circulation of literary theory.


2018 ◽  
Vol 11 (2) ◽  
pp. 200-225
Author(s):  
Allan James ◽  
Nursen Gömceli

Abstract This article explores dimensions of dramatic structure which the literary linguistic analysis of a play text can illuminate within an integrated model of dramatic significance. The play to be examined is John Millington Synge’s The Playboy of the Western World, known for its lexical richness, denseness of dramatic expression and not least the structural creativity of its Hiberno-English, all of which provide an abundant fund of textual semiotics for the present drama-specific literary linguistic analysis. The dimensions of the play investigated are (i) those of its ‘constitution’, which linguistically comprises dialogue and stage directions, and characterisation, plot and setting as traditional constituents of dramatic structure in their own right; and (ii) those of its ‘realisation’ as literary work, staging production and theatre performance and the associated addressivity of materially the same play text at each of these levels. As such, it will be shown that the employment of, and further development of, a linguistic model of social semiotics (after Halliday 1978; Fairclough 2003) enables a unified account to be given of the dramatic meanings a play text expresses at these two levels of its internal construction and its external actualisation.


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