scholarly journals Clipped Wings and the Great Abyss: Cognitive Stylistics and Implicatures in Abiezer Coppe’s ‘Prophetic’ Recantation

2017 ◽  
Vol 52 (1) ◽  
pp. 53-71
Author(s):  
Daniele Borgogni

Abstract In this article, two major paradigms within cognitive stylistics, the Conceptual Metaphor Theory (CMT) and the Conceptual Integration Theory (CIT), are applied as largely complementary approaches to discuss the scope and implicatures of the central metaphorical image of Copp’s Return to the wayes of Truth (1651), a text written by one of the most famous radical preachers of the Civil War period as a plea to be released from prison. The article will focus on how the linguistic and cultural contexts of Coppe’s prophetic writing, in their interaction with the dynamic conceptual relationships of a conceptual integration network, open up new possibilities of perspectivizing and insinuating radically different meanings and implicatures: the use of blends in Coppe’s text has a direct effect on the structure of the analogies that can be made between mental spaces, thereby triggering new meaning effects, supplementary symbolizing patterns, and unpredictable perlocutionary effects.

Author(s):  
Iryna Shevchenko ◽  
Vira Shastalo

The Conceptual Metaphor of Modesty in English and UkrainianThe article focuses on the cultural regulatory concept of MODESTY in English and Ukrainian linguistic construals of the world. The article examines this concept as it is lexicalized in English and Ukrainian in terms of cross-domain mapping and conceptual integration theory. In the corresponding national corpora of fiction, MODESTY serves both as target and source domains, thus forming the range and scope of conceptual metaphors. The article claims that in genetically unrelated languages, conceptual metaphors of MODESTY demonstrate common mental models and mainly vary in their verbal form and in their frequency in discourse. From a cross-cultural perspective, the variation of conceptual metaphors of MODESTY is motivated not only linguistically but also culturally. In English conceptual metaphors, the source domains cross-mapped onto the target MODESTY are semantically more varied than in Ukrainian. The target domains onto which modesty is mapped form semantically similar conceptual metaphors, which differ in their frequency in English and Ukrainian discourses. Metafora konceptualna skromności w języku angielskim i ukraińskim Autorki przedstawiają kulturowo-regulacyjny koncept SKROMNOŚCI w angielskich i ukraińskich językowych konstruktach świata. Analizują leksykalizację tego konceptu w języku angielskim i ukraińskim pod kątem mapowania międzydomenowego i teorii integracji konceptualnej. W utworach literackich zawartych w korpusach narodowych SKROMNOŚĆ służy zarówno jako domena docelowa, jak i źródłowa, kształtując w ten sposób zakres metafor konceptualnych. Autorki stwierdzają, że w językach niezwiązanych genetycznie konceptualne metafory SKROMNOŚCI wskazują na wspólne modele umysłowe i różnią się głównie formą werbalną oraz częstotliwością występowania w dyskursie. Z perspektywy międzykulturowej, zróżnicowanie konceptualnych metafor SKROMNOŚCI jest umotywowane nie tylko językowo, ale i kulturowo. W angielskich metaforach konceptualnych domeny źródłowe, na które nakłada się docelowe pojęcie SKROMNOŚCI, są semantycznie bardziej zróżnicowane niż w metaforach ukraińskich. Domeny docelowe, na które mapowana jest SKROMNOŚĆ, tworzą semantycznie podobne metafory konceptualne, różniące się częstotliwością występowania w dyskursie angielskim i ukraińskim.


2021 ◽  
Vol 33 ◽  
pp. 131
Author(s):  
Agnieszka Bożena Mierzwińska-Hajnos

The paper offers a cognitive analysis of selected common English names of mullein (Verbascum thapsus L.) motivated by the appearance of the plant. While analyzing such names as flannel and beggar’s blanket, the author strives to portray the way they are conceptualized by recalling Conceptual Metaphor Theory and Conceptual Integration Theory, in particular the Brandt and Brandt six-space model of conceptual integration, also known as a cognitive-semiotic approach to metaphor. In the course of the analysis, the author also makes reference to those aspects which seem indispensable from the standpoint of cognitive linguistics, viz. (i) the role of human experience and embodied thought in the conceptualization process, (ii) the dynamic and context-dependent meaning construction and (iii) the role of linguistic worldview in decoding meaning.


Author(s):  
Cristóbal Pagán Cánovas ◽  
Anna Piata

Conceptual metaphor theory has used TIME IS SPACE as the paradigmatic case of projection from a concrete to an abstract domain. More recently, within the framework of conceptual integration or blending theory, a more complex view of time–space mappings—and of mappings in general—has been proposed. Rather than a binary, unidirectional projection between the vast experiential domains of TIME and SPACE, the blending account proposes that meanings combining time and motion emerge from successive integrations within a network of relatively small conceptual packets, including event structure, motion from A to B, and a cultural mechanism for measuring duration. We examine how poetic effects can be created by using the conventional opportunities provided by this conceptual template, as well as by manipulating the path (with a linear or circular shape), one of the basic spatial features in this representation. We analyze examples in Greek, English, and Spanish.


Author(s):  
Zoltán Kövecses

The chapter reports on work concerned with the issue of how conceptual metaphor theory (CMT) functions as a link between culture and cognition. Three large areas are investigated to this effect. First, work on the interaction between conceptual metaphors, on the one hand, and folk and expert theories of emotion, on the other, is surveyed. Second, the issue of metaphorical universality and variation is addressed, together with that of the function of embodiment in metaphor. Third, a contextualist view of conceptual metaphors is proposed. The discussion of these issues leads to a new and integrated understanding of the role of metaphor and metonymy in creating cultural reality and that of metaphorical variation across and within cultures, as well as individuals.


2020 ◽  
Vol 12 (4) ◽  
pp. 65
Author(s):  
Omar Bani Mofarrej ◽  
Ghaleb Rabab'ah

The present paper examines the metaphorical and metonymical conceptualizations of the heart in Jordanian Arabic (JA) within the framework of Conceptual Metaphor Theory developed by Lakoff and Johnson (1980). The main aim is to explore how the human heart is conceptualized in JA, and to test the applicability of the different general cognitive mechanisms proposed by Niemeier (2003 and 2008) to those found in JA. The data were extracted from Idioms and Idiomatic Expressions in Levantine Arabic: Jordanian Dialect (Alzoubi, 2020), and other resources including articles, dissertations and books of Arabic proverbs. The findings revealed that all the four general cognitive mechanisms suggested by Niemeier (2003 and 2008) are applicable to JA. The findings also showed that the similarity derives from the universal aspects of the human body, which lends tremendous support to the embodiment hypothesis proposed by cognitive linguists. 


2021 ◽  
Vol 19 (3) ◽  
pp. 235-285
Author(s):  
Mason D. Lancaster

This article provides an overview of metaphor theories and research on their own terms, as well as their use in Hebrew Bible (HB) studies. Though metaphor studies in the HB have become increasingly popular, they often draw upon a limited or dated subset of metaphor scholarship. The first half of this article surveys a wide variety of metaphor scholarship from the humanities (philosophical, poetic, rhetorical) and the sciences (e.g., conceptual metaphor theory), beginning with Aristotle but focusing on more recent developments. The second half overviews studies of metaphor in the HB since 1980, surveying works focused on theory and method; works focused on specific biblical books or metaphor domains; and finally noting current trends and suggesting areas for future research.


Semiotica ◽  
2018 ◽  
Vol 2018 (220) ◽  
pp. 123-153
Author(s):  
Andrea Rocci ◽  
Sabrina Mazzali-Lurati ◽  
Chiara Pollaroli

AbstractThe aim of this article is to contribute to the theoretical development of multimodal metonymy and the argumentative and rhetorical role that the trope can fulfil in multimodal advertising campaigns. A model for the analysis of multimodal tropes in page-based advertising messages is developed by drawing insights from different disciplines. This model involves the identification of the elementary and layout components of the message, the description of its multimodal structure (in terms of the visual structure and the contribution of the verbal component), the reconstruction of its meaning operation, and the reconstruction of its enthymematic structure. In particular, the meaning operation is reconstructed by the employment of Conceptual Integration Theory, which we have slightly revised in order to better account for metonymical mappings. The enthymematic structure is reconstructed following the Argumentum Model of Topics, a model of argument schemes that enables one to make explicit the contextual and the logical dimensions of arguments. Based on the tenets of the two frameworks, we claim that multimodal metonymy condenses and gives access to a complex chain of connections, which mirrors the argumentation the audience is invited to infer. This argumentation is based on causal schemes of reasoning. This claim results in the in-depth analysis of both a billboard belonging to an anti-AIDS campaign and a social campaign by Greenpeace against the use of environmental-damaging paper for toy packages by Mattel.


2014 ◽  
Vol 13 (1) ◽  
pp. 163-178 ◽  
Author(s):  
ANNAMARIA KILYENI ◽  
NADEŽDA SILAŠKI

Abstract Under the theoretical wing of Conceptual Metaphor Theory, we present a contrastive cognitive and linguistic analysis of the women are animals metaphor as used in Romanian and Serbian. Our main aim is to establish whether the names of the same animals are used in the two languages to conceptualise women and their various characteristics (particularly physical appearance and character traits), or alternatively, whether the two languages exhibit any linguistic or conceptual differences in this regard.


Author(s):  
Nenad Blaženović ◽  
Emir Muhić

An analysis was carried out with two interviews given by the tennis-player Novak Djokovic, one of which was in English and the other in his native Serbian. In both instances, Novak Djokovic used many conceptual metaphors throughout his speech, some of which were analysed in more detail. The main premise of the research was that people’s personalities change in accordance with language they speak at any given time and that they use different conceptual metaphors to describe the same events in different languages. The aim of the paper was to investigate whether personality shift in bilingual speakers can be observed through the speaker’s use of conceptual metaphors in different languages. Through the framework of conceptual metaphor theory, it was shown that Djokovic’s personality does change with the language he speaks. This change was shown through the conceptual metaphors, i.e., source and target domains that Djokovic used during the interviews. He does indeed use different source domains to conceptualise the same target domains in different languages.


2021 ◽  
Vol 19 (2) ◽  
pp. 273-298
Author(s):  
Sakineh Navidi-Baghi ◽  
Ali Izanloo ◽  
Alireza Qaeminia ◽  
Alireza Azad

Abstract The molecular structure of a complex metaphor comprises two or more atomic metaphorical parts, known as primary metaphors. In the same way, several molecular structures of metaphors may combine and form a mixture, known as mixed metaphors. In this study, different types of metaphoric integrations are reviewed and illustrated in figures to facilitate understanding the phenomena. Above all, we introduce double-ground metaphoric chain, a new form of metaphoric integration that has not been identified in the previous literature. Also, a distinction is made between single-ground and double-ground metaphoric chains. In the former, which has already been introduced, two basic metaphors are chained with the same form and have the same ground, while the latter includes two chained metaphors, one main metaphor plus a supportive one, with different grounds. In this analysis, we benefited from Conceptual Metaphor Theory (CMT) to analyse double-ground metaphoric chains. This study suggests that each metaphoric integration leads to a multifaceted conceptualization, in which each facet is related to one of the constituent micro-metaphors.


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