scholarly journals V. László, I. Mátyás és II. Lajos magyar királyok horoszkópjai

PONTES ◽  
2021 ◽  
Vol 4 ◽  
pp. 302-322
Author(s):  
Veszprémy Márton

In the present article I examine the extant horoscopes of three kings of Hungary, Ladislaus the Posthumous (1440–1457), his successor, Matthias Corvinus (1458–1490), and Louis II (1516–1526). Several of these horoscopes were little used by or completely unknown to modern historians, and a systematic treatment of them was a desiderata in the Hungarian scholarship for a long time. Although when examining sixteenth-century geniture collections the exact source and transmission history of a single horoscope is often difficult to reconstruct, in some cases the source of nativity horoscopes can be traced back from Johannes Kepler through Paul Eber, Georg Joachim Rheticus, Philipp Melanchthon and Johannes Schöner to Johannes Regiomontanus and Georg von Peuerbach.

2020 ◽  
Vol 25 (4) ◽  
pp. 328-359
Author(s):  
Cesare Pastorino

Abstract Numerous early modern experimentalists, including Galileo Galilei, Francis Bacon and Thomas Harriot, viewed one seemingly humble principle – that at a given volume, different substances can be identified by their particular weight, or specific gravity – as a fundamental key to the understanding of nature in general. Johannes Kepler’s Messekunst Archimedis of 1616 contains a striking summary of the experimental research on specific gravities in the long sixteenth-century. Counting himself amongst an extensive list of authors interested in this problem, Kepler mentions not only natural philosophers or mathematicians interested in Archimedes. His account surprisingly includes humanists, instrument makers, antiquarians and assayers. Received histories of specific gravities often focus on antecedents of modern disciplinary concepts and methodologies, where instead, Kepler’s account suggests the existence of a heterogeneous group of early modern experts involved in experiments on the quantification of matter, at the intersection between the history of science, practical mathematics and the humanities.


2012 ◽  
Vol 55 (2-3) ◽  
pp. 220-254 ◽  
Author(s):  
Ali Anooshahr

AbstractThe sixteenth century witnessed the flowering of European literature that claimed to describe the encounter between Western travelers and the indigenous population of the rest of the world. Similarly, some Persianate writings of the same period present a dialogical encounter, not so much with the Europeanother, but with rival Muslim empires. One of the writers in this genre was Jaʿfar Beg Qazvīnī, sole author of the third part of theTaʾrikh-i alfī(Millennial History), supervised by the Mughal emperor Akbar. In his book, Jaʿfar Beg drew on an unprecedented store of sources from rival courts and treated the Ottomans, Mughals, and Safavids as essentially equal political and cultural units following identical historical trajectories. He also developed one of the earliest Mughal expressions of “Hindustan” encompassing South Asia in its entirety. While most analyses of this outstanding example of dialogical historiography have downplayed its value because of its paucity of new information, the present article will seek instead to demonstrate its significance for its unusual worldview.


2021 ◽  
Vol 14 (3) ◽  
pp. 5-20
Author(s):  
Irina F. Shcherbatova ◽  

This article analyses Pyotr Chaadayev’s “Note” (1832), a message addressed to Alexan­der von Benkendorf, who served as head of the secret police under Nikolas I. “The Note” is essentially a letter that supports Ivan Kireevsky’s article entitled “The 19th Century”, which Kireevsky published in his magazine – “The European” – and which provoked the secret police to close the magazine right after the publication of the article in 1832. “The Note” is a somewhat enigmatic text because it was signed with Kireevsky’s name, which for a long time made researchers believe that it reflected Kireevsky’s position. However, in the 1930s, researchers proved that the actual author of “The Note” was Pyotr Chaadayev, and that “The Note” contained his thoughts. “The Note” shows that it was the July Revolution of 1830 that temporarily undermined Chaa­dayev’s belief in Europe and made Chaadayev shift from the negative philosophy of Russian history and the Eurocentrism of his “Philosophical Letters” (1829–1830) to­wards the idea of Russia’s historical mission, despite Russia’s backwardness. This back­wardness was later presented in the text “Apology of a Madman” (1837) as the idea of Providence guiding Russia through history. The present article argues that in the early 1830s, Kireevsky did not share Chaadayev’s belief in Providence. “The Note” reads as a very ambivalent text because Chaadayev used it to both vindicate Kireevsky’s article, and to set forth his own philosophy of history. In the present paper, the author separates these two types of arguments and concepts which were tightly interwoven in “The Note”, but were in fact reflections of two different, although unstable and somewhat overlap­ping, positions of two philosophers.


Daphnis ◽  
2001 ◽  
Vol 30 (3-4) ◽  
pp. 665-689
Author(s):  
Albrecht Classen

Musicologists and theologians have often paid close attention to the genre of the church song book which was basically created by Martin Luther, but soon found many imitators and developed into a genre on its own. Surprisingly, however, literary scholars have mostly ignored the church song books, although they contain highly valuable collections of sixteenth-century church songs, important prologues and epilogues, and other text types. The present article offers a broad overview of the genre, discusses major contributors, and also demonstrates that a significant number of religious women were also involved in composing church songs and in editing church song books. In fact, the analysis of this genre demonstrates that in the history of sixteenth-century German literature women were well represented and utilized the church song as a medium to find their own literary voice.


2019 ◽  
Vol 15 (2) ◽  
pp. 125-135
Author(s):  
Tatiana S. Minaeva ◽  
Sergey S. Gulyaev

Introduction. The organization of transport links and the bridge building in cities located on the banks of wide rivers has always been one of the most important tasks of the local administration. The study of the history of bridge building allows not only to trace the process of modernization of different regions of the country, but also to help in solving similar problems of our time. Nevertheless, the history of Russian bridge building is poorly studied. The purpose of the article is to determine the characteristics and features of the organization of bridge building in big cities of the European North of Russia as a way to solve one of the problems of urban infrastructure in the early XX century. Materials and Methods. The sources for this study are the documents of the State archive of the Arkhangelsk region, published documents on the history of Vologda, articles in the local periodicals of the early XX century. The analysis of the studied problem used a systematic approach, the method of economic analysis, historical and historical-comparative methods. Results and Discussion. The building of permanent bridges was a need for the development of Arkhangelsk and Vologda. In Vologda the two wooden bridges were built in the middle of XIX century on city funds and in the future these bridges were repaired or rebuilt. The Arkhangelsk city authorities did not hurry to solve a problem of city infrastructure by own efforts and a long time they used the floating bridge. The lack of experience in the building of large bridges and the desire to save money led to the rapid destruction of the first permanent bridge in Arkhangelsk. Conclusion. The Development of trade and industry in cities of the European North of Russia, such as Arkhangelsk and Vologda, led to the expansion of their territory and the emergence over time, the so-called third parts of the cities. Despite the comparable size of the population of the districts located across the river, the process of connecting them with bridges to the rest of the city went at different rates, which depended on the attitude of the local administration to the problem of urban infrastructure.


2010 ◽  
Vol 4 (1-2) ◽  
pp. 37-73
Author(s):  
Paul R. Powers

The ideas of an “Islamic Reformation” and a “Muslim Luther” have been much discussed, especially since the terrorist attacks of September 11, 2001. This “Reformation” rhetoric, however, displays little consistency, encompassing moderate, liberalizing trends as well as their putative opposite, Islamist “fundamentalism.” The rhetoric and the diverse phenomena to which it refers have provoked both enthusiastic endorsement and vigorous rejection. After briefly surveying the history of “Islamic Reformation” rhetoric, the present article argues for a four-part typology to account for most recent instances of such rhetoric. The analysis reveals that few who employ the terminology of an “Islamic Reformation” consider the specific details of its implicit analogy to the Protestant Reformation, but rather use this language to add emotional weight to various prescriptive agendas. However, some examples demonstrate the potential power of the analogy to illuminate important aspects of religious, social, and political change in the modern Islamic world.


Author(s):  
Larisa V. Kolenko

The present article is concerned with the research results of the chronicles of N. Krupskaya Astrakhan Regional Research Library, representing history of the largest regional library of the Volga region in the context of development of the country librarianship as well as regional culture.


2018 ◽  
Vol 2018 (1) ◽  
pp. 83-96
Author(s):  
Ramon Reichert

The history of the human face is the history of its social coding and the media- conditions of its appearance. The best way to explain the »selfie«-practices of today’s digital culture is to understand such practices as both participative and commercialized cultural techniques that allow their users to fashion their selves in ways they consider relevant for their identities as individuals. Whereas they may put their image of themselves front stage with their selfies, such images for being socially shared have to match determinate role-expectations, body-norms and ideals of beauty. Against this backdrop, collectively shared repertoires of images of normalized subjectivity have developed and leave their mark on the culture of digital communication. In the critical and reflexive discourses that surround the exigencies of auto-medial self-thematization we find reactions that are critical of self-representation as such, and we find strategies of de-subjectification with reflexive awareness of their media conditions. Both strands of critical reactions however remain ambivalent as reactions of protest. The final part of the present article focuses on inter-discourses, in particular discourses that construe the phenomenon of selfies thoroughly as an expression of juvenile narcissism. The author shows how this commonly accepted reading which has precedents in the history of pictorial art reproduces resentment against women and tends to stylize adolescent persons into a homogenous »generation« lost in self-love


Author(s):  
مها بنت منصور الصائغ

شهد تاريخ الأمة الإسلامية حضارة ونهضة عالمية في جميع مجالات الحياة الإنسانية، ومما كان له كبير الأثر في ذلك هو الأوقاف التي بدأت مع سيد البشرية محمد صلى الله عليه وسلم واستمرت بتنوع وشمولية إلى عصرنا الحالي؛ ولكن ما تعرضت إليه الأوقاف من إهمال وإقصاء وضياع يرجع لأسباب عديدة من أهمها غياب التوثيق الوقفي. تقوم الدراسة على تتبع مفهوم الوقف والتوثيق، والوقف في الإمارات العربية المتحدة ول سيما في إمارة الشارقة. توصلت الدراسة إلى نتائج منها: أن الأوقاف قائمة منذ زمن بعيد، وأن رغبة الواقف بالوقف وإقدامه عليها لم ينقصها سوى وثيقة، وأنه لا وثائق لها ولا مستندات، كما أن العرض الموجز لنشأة دائرة الأوقاف بالشارقة وسعيها لإحياء سنة الوقف ونشر ثقافته نراه يتضح شيئاً فشيئاً من خلال تفعيل مواد القانون والبحث حول الأنسب والأصح لحماية الأوقاف، ولم يكن هذا الاهتمام بالوقف إلا انعكاساً لتوجه الواقفين وتماشياً لرؤية الحكام وامتثالاً لنهج خير الأنام ورغبة في تكافل الأرواح وحباً للسلام. الكلمات المفتاحيّة: الوقف، التوثيق، المقارنة، الشارقة. Abstract The history of Islamic nation has witnessed a global civilization and it has had a great impact in all areas of human life, including the endowments that began with the master of humankind; Muhammad S.A.W. and it was continuing in diversity and comprehensively until our epoch. However, there are some problems related to endowment management such as negligence, exclusion and loss that due to many reasons. Among the most important reasons is the absence of endowment documentations. Therefore, the study aims to discuss the concept of endowment and documentation, as well as the endowment in United Arabic Emirates, especially in the Emirate of Sharjah. The study concluded that the practice of endowment has been existed for a long time, yet there are in need of endowment documentations. This study also found that the information related to the establishment of institution of endowment in Sharjah and its role has   spread widely to the people through the enforcement of the law and the implementation of the research related to the practice of endowment in order to sustain them in a good way. This documentation system was only a reflection of what has  stated in Shariah laws regarding the practice of endowment among the donors, so that it will be in line with the approach of good intentions and love of peace. Keywords: Endowment, Documentation, Comparison, Sharjah.   


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