scholarly journals Lo bello, lo sublime y lo siniestro en “Fragmento de un diario”, de Amparo Dávila

Author(s):  
Claudia Cabrera Espinosa

La obra de la escritora mexicana Amparo Dávila (1928) ha sido leída y estudiada de manera intermitente durante los últimos sesenta años. Gracias a la edición del Fondo de Cultura Económica de sus Cuentos reunidos, de 2009, la autora zacatecana ha obtenido nuevos lectores. Asimismo, durante la última década la crítica nacional e internacional se ha interesado nuevamente por su narrativa. No obstante, poco se ha explorado el vínculo entre sus relatos y la filosofía. Este trabajo propone establecer un diálogo entre “Fragmento de un diario”, uno de los cuentos que conforman Tiempo destrozado (1959), y la filosofía de Immanuel Kant, Longino y Eugenio Trías en torno a lo bello, lo sublime y lo siniestro, considerando también las aportaciones de Sigmund Freud acerca de lo ominoso.

2021 ◽  
Vol 35 (1) ◽  
pp. 141-154
Author(s):  
Dmitri Cerboncini Fernandes ◽  
Alexander Moreira-Almeida

We live in a contradictory world. Self-proclaimed “skeptics”, as the original meaning itself suggests, should first of all strive for proper scientific rationality, for reflective and objective distancing in the apprehension of reality, for methodological caution and for the extended ability to theoretical and philosophical understanding of intricate problems, in practice, too often have entrenched themselves in dogmatic groups. Inquisitors often endowed with the appearance of religious fanaticism, in the worst sense of the term, invest their energies in a crusade of attacks to everyone to whom they attribute mistakes, naivety or even bad intentions. In practice, the universe of those who do not fit in their often restricted, idealized and naïve views of scientific practice. With them, there is hardly any possibility of frank dialogue or opening to research fields that escape their conceptions of what science and philosophy can approach and how they should operate. Charlatans, backward, believers, superstitious; these are some disqualifications generally granted to researchers who dare to go beyond the limits they established for science and rationality. To substantiate their certainties, such self-proclaimed skeptics often claim to base their approach to science on the examples given by highly regarded scientists and philosophers of the past. We speak here of scholars of the stature of Giordano Bruno, Francis Bacon, René Descartes, Isaac Newton, the Encyclopedists, Immanuel Kant, Arthur Schopenhauer, Sigmund Freud, James Frazer, the Vienna Circle, Max Weber, etc. Despite their different approaches, we are talking about many of the very founders of modern Western knowledge. The self-proclaimed contemporary “skeptics” claim their inscriptions in the tradition inaugurated by these illustrious intellectual ancestors. They claim to defend with determination such a rationalist tradition against “pseudoscientists” and “mystic-religious" philosophers who, according to their opinions, wish to corrupt it through insidious insertions in a field that would not rightfully belong to them. This would be their main mission.


2021 ◽  
Vol 12 (2) ◽  
pp. 99
Author(s):  
Mauricio Winck Esteves ◽  
Luis Artur Costa

O artigo parte da problematização da noção de sujeito no exercício da escrita para fazer uma crítica ao sujeito da modernidade. Reflete sobre a emergência desse sujeito moderno nas filosofias de René Descartes, Immanuel Kant e na psicanálise de Sigmund Freud, em suas articulações com os mecanismos disciplinares e biopolíticos, demonstrando a emergência de um triplo enlace entre autoria, culpa e propriedade. Ressalta a articulação na modernidade de duas tecnologias de produção do sujeito: a culpa e o alterocídio, duas faces do ressentimento as quais são apresentadas por Friedrich Nietzsche e Achille Mbembe. Por fim, desde a perspectiva dos modos de subjetivação, busca-se traçar algumas linhas de uma autoria no avesso do ressentimento moderno-colonial: uma autoinvenção coletiva.


Author(s):  
Kenneth Dyson

This chapter examines the ways in which the distinctive conception of the moral order in conservative liberalism and Ordo-liberalism bears testament to the metaphysical and epistemological imprints of continental European ethical philosophy as it evolved in the period from the 1880s to the 1930s. Ethical philosophy helped to give flesh to their conception of liberalism as about human flourishing. The chapter begins by reflecting on the complex relationship with Adam Smith as political economist and moral philosopher and on the enormous importance of Immanuel Kant in shaping the broad parameters of the way in which conservative liberals and Ordo-liberals engaged with the ethical basis of liberalism. The founding thinkers of this tradition rejected Sigmund Freud, Karl Marx, Friedrich Nietzsche, and Jean-Jacques Rousseau. The chapter investigates in depth the complex connections—far from neat causal relationships—between conservative liberals and Ordo-liberals and a range of philosophers with whom they had often studied or knew as family friends: Rudolf Eucken, Edmund Husserl, Max Scheler, Nicolai Hartmann, William James, and G. E. Moore, as well as the special case of Louis Rougier and of French positivism in the work of Rougier and Jacques Rueff. Attention is also paid to the Euckenbund (Eucken Association). This context is important in understanding the hostility of the founding thinkers to determinism, subjectivism, utilitarianism, naturalism, empiricist Realism, and moral relativism. A contrast is drawn between the differing philosophical roots of the early Austrian tradition and Ordo-liberalism. The chapter closes with an examination of the implications of developments in philosophy for the reception of conservative liberalism and Ordo-liberalism and of the problematic relationship between truth and relevance as it arises in economic and financial crisis.


1969 ◽  
Vol 1 (2) ◽  
Author(s):  
Günter ZÖLLER

Este artigo visa esboçar uma leitura abrangente do projeto filosófico de Immanuel Kant tal como ele se manifesta na dupla faceta de uma teoria crítica da razão e uma história natural da razão. A seção 1 apresenta o caráter distintivamente moderno da conjunção idealista kantiana de naturalismo científico e racionalismo supranatural. A seção 2 detalha a outra metade da concepção kantiana de razão humana, concepção antropologicamente baseada, evolutivamente estruturada e historicamente orientada. A seção 3 investiga a posição peculiar da concepção kantiana de antropogênese cultural no seu encontro produtivo com J.-J. Rousseau e sua prefiguração da (muito posterior e diferentemente motivada) avaliação da relação entre natureza humana e cultura humana em Sigmund Freud.


Author(s):  
Dana Arnold

The relationship between art and thought can be a complex one. ‘Thinking about art history’ discusses the impact various philosophical schools and psychoanalytic theory have had on the way in which we think about art history and the role, meaning, and interpretation of art. It introduces the ideas of such key thinkers as G. W. F. Hegel, Immanuel Kant, Karl Marx, Sigmund Freud, Michel Foucault, and Jacques Derrida in order to show how they have interacted with art history, not least in regard to the emergence of social histories of art and feminist art history.


Author(s):  
John Marmysz

Exposing and illustrating how an ongoing engagement with nihilistic alienation may contribute to – rather than detract from – the value of life, this book both challenges and builds upon past scholarship that has strutinised nihilism in the media, but which has generally over-emphasised its negative and destructive aspects. The book is divided into three sections that explore an international variety of films in which encounters, confrontations and overcomings of nihilism are depicted. Drawing on insights from Plato, Immanuel Kant, Friedrich Nietzsche, Marin Heidegger, Jean-Paul Sartre and Sigmund Freud, it’s nine chapters include case studies of films such as The Wicker Man, Breaking the Waves, NEDs, Under the Skin, The Human Centipede, Nymphomaniac, Videodrome, Night of the Living Dead, Dawn of the Dead, Day of the Dead, Rollerball, Fight Club, Avatar and Mishima: A Life in Four Chapters, among others. The overall trajectory of the book illustrates the potentially negative consequences involved in overcoming nihilism, while highlighting the potentially liberating and creative consequences of remaining entangled in an ongoing battle with nihilistic distress. The book’s main thesis is that cinematic nihilism is a potentially beneficial phenomenon that offers audiences the opportunity to explore and reflect on their mortal condition while remaining safely detached from real-life dangers.


Author(s):  
Béatrice Longuenesse

The chapter explores the contrasting analyses of the moral standpoint offered by the eighteenth-century Enlightenment philosopher Immanuel Kant, on the one hand; and, on the other, the pessimistic observer of human moral frailty, Sigmund Freud. The lecture explores the similarities and contrasts between Freud’s and Kant’s respective conceptions of the structure of mental life and the place in that structure of the categorical imperative of morality. From this confrontation, new lessons emerge concerning the relation between the radically individual nature of the first-person pronoun “I” (considered here in the phrase “I—morally—ought to”) and the claim to universal validity of at least some of the pronouncements we make in our own name or from what we call “the first-person standpoint.”


2019 ◽  
Vol 19 (2) ◽  
pp. 108-121
Author(s):  
Reginaldo Oliveira Silva
Keyword(s):  

Após consolidar o fundamento objetivo da lei moral na razão pura prática, Immanuel Kant investiga o fundamento subjetivo e introduz o sentimento. De produto da razão, a lei moral será examinada como efeito sobre o ânimo, numa dialética de desprazer e prazer, da qual surge o sentimento moral. O presente artigo visa problematizar este aspecto da ética do filósofo à luz da Crítica da faculdade do juízo e dos conceitos princípio do prazer e princípio da realidade de Sigmund Freud. Ao colocar em questão a relação entre sentimento de prazer e moral nos dois pensadores, indaga se no filósofo não estaria em questão a descoberta da realidade interna da heteronomia.


2018 ◽  
Vol 1 (1) ◽  
pp. 50-58
Author(s):  
Dorthe Jørgensen

AbstractThe term ‘the intermediate world’ is a key concept in Den skønne tænkning (Beautiful Thinking) and the metaphysics of experience presented by this book. The metaphysics of experience is about the experiences of transcendence and beautiful thinking that take place in the intermediate world. In the article “The Intermediate World,” this subject is introduced through a discussion of thoughts and concepts formulated by Paul Klee (Zwischenwelt), Alexander Gottlieb Baumgarten (beautiful thinking), Aristotle (phantasia), Immanuel Kant (expanded thinking), Mark C. Taylor (imagination), and Eugenio Trías (the limit). The text depicts the intermediate world as the level of experience at which the understanding does not yet distinguish between subject and object. The intermediate world is thus not a realm between human and world, nor is it something outside the world we know. The intermediate world is rather the present world in its most original state: the ‘place’ where we find the source of all experience and cognition, a source called ‘basic experience’ characterized by sensation, faith, and comprehension. In this realm, imagination is active and takes the form of an objective force rather than a subjective mental power. Imagination opens mind and world, thus allowing not-yetactualized possibilities to become perceivable.


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