Redemption through Sacred Song
Music, especially sacred song, was also a critical subject in Herder’s professional life as a theologian and pastor in Weimar, the center of the German Enlightenment. Chapter 6 is an epistolary essay, in which Herder circulates thoughts about the ways in which song shapes the history, character, and national traits of a people. Beginning with Classical Greek and Roman vocal and poetic traditions, Herder traces the role of sacred song through different national traditions to the modern publications of song in England and the German lands. He concludes with a set of exegetical reflections on Handel’s Messiah as the epitome of sacred music.
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2021 ◽
Vol 9
(4)
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pp. 27-39
1981 ◽
Vol 5
(1)
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pp. 2-4
2020 ◽
Vol 10
(1)
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pp. 79-83
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2017 ◽
Vol 14
(2)
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pp. 119
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2020 ◽
Vol 8
(3)
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pp. 028-031
2021 ◽
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