scholarly journals Traditional Art Kayori as An Identity of Taa Society in District of Tojo Una-Una in Globalization Era

2015 ◽  
Vol 15 (2) ◽  
Author(s):  
Abdul Rasyid Hasan
Keyword(s):  
Qualitative Method ◽  
Public Awareness ◽  
Meaning Of Life ◽  
Regeneration Process ◽  
Young Generation ◽  
Traditional Art ◽  
Cultural Approach ◽  
Form Function ◽  
Aesthetic Values

<p><em>Kayori</em> is someone’s or group’s statement expressed civilly in a particular time, so that the messages delivered are easily internalized and understood to nod in agreement. This research intends to identify form, function, and meaning contained in <em>kayori</em> traditional art of <em>Taa</em> society. This research employed qualitative method with a cultural approach. The results of this study portray that <em>kayori</em> performance periodically held is an introduction media in increasing public awareness. <em>Kayori,</em> embracing aesthetic values, functions to diffuse moral and aesthetic aspects to the society. Education in <em>kayori</em> tradition follows the regeneration process in <em>to</em> society orientating towards the new roles for young generation to maintain their cultural heritages. <em>Kayo</em>ri tradition implies valuable meaning of life and provides chance in understanding historical cultural heritages in tackling down recent issues in <em>Taa</em> society.</p>

scholarly journals Upaya Pelestarian Topeng Warno Waskito di Diro Pendowoharjo Sewon Bantul Yogyakarta

2021 ◽  
Vol 12 (1) ◽  
pp. 49-56
Author(s):  
R. Jati Nurcahyo ◽  
Yulianto Yulianto
Keyword(s):  
Qualitative Method ◽  
Strong Relationship ◽  
Young Generation ◽  
Technology System ◽  
Traditional Art ◽  
Ethnographic Approach ◽  
Mask Design ◽  
Literature Reviews ◽  
Arts And Culture ◽  
Art And Culture

Abstrak - Topeng Warno Waskito yang terletak di Diro Pendowoharjo Sewon Bantul Yogyakarta adalah salah satu asset budaya asli bangsa Indonesia. Adanya kekhawatiran kesenjangan di masyarakat terhadap pelestarian Topeng Warno Waskito yang pada akhirnya akan dilupakan oleh generasi muda, bahkan meninggalkan atas karya seni topeng klasik yang menjadi jati diri bangsa Indonesia merupakan permasalahan yang diangkat dalam penelitian ini. Tujuan penelitian untuk mengetahui upaya pelestarian Topeng Warno Waskito sebagai komponen kesenian tradisional dalam memperkuat budaya Indonesia. Penelitian ini menggunakan metode kualitatif dengan pendekatan etnografi. Teknik pengumpulan data melalui wawancara, studi Pustaka, pengamatan langsung dan dokumentasi. Adapun Teknik Analisa data berupa reduksi penyajian dan penarikan kesimpulan. Hasil penelitian mewujudkan bahwa dari kedelapan bagian etnografi ada hubungan erat terhadap keadaan tempat yang mempengaruhi topeng diciptakan, sistem teknologi yang membentuk keberlangsungan pembuatan topeng, organisasi yang dihadirkan dikehidupan masyarakat, sistem pencaharian yang melatarbelakangi terciptanya topeng dan sistem religi yang berkaitan dengan perkembangan Topeng Warno Waskito. Upaya pelestarian Topeng Warno Waskito melalui 1) Tetap mempertahankan ciri khas keaslian (pakem) Topeng Warno Waskito 2) Melalui Pendidikan seni dan budaya dan ketrampilan 3) Pengembangan beragam kompetensi, apresisasi dan kreasi 4) Menumbuhkembangkan Kembali kesadaran kepada masyarakat terhadap keragaman seni budaya Indonesia Kata kunci : Profile Warno Waskito, Topeng, Desain Warno Waskito Mask Preservation Efforts At The Diro Pendowoharjo Sewon Bantul, Yogyakarta Abstract - The Mask of Warno Waskito which is locked in Diro Pendowoharjo Sewon Bantul Yogyakarta one of the Indonesian original national asset. The society gap in preserving the Warno Waskito mask which is lately forgotten by the young generation, they event leave the classical mask are which becomes the identity of Indonesia, are the problems brought up in this research. The objective of the research is to find out the efforts to preserve the Warno Waskito mask as a traditional art component in enriching the Indonesian culture. This study used the qualitative method and ethnographic approach. The techniques to collect the data are interviews, literature reviews, direct observation and documentation. The data analysis techniques are presentation reduction and conclusion. The result of the study shows that out of the eight ethnographic parts, there is a strong relationship between the place where the mask is created. The technology system that shapes the mask production, the organization existing in the society, the daily profession that grounding the mask production and the religion system related to the development of the Warno Waskito mask. Preservation efforts of the Warno Waskito Mask through : 1) Keep maintaining the original characteristics of Warno Waskito mask 2) Through the education of arts and culture, 3) The development of various competencies, appreciation an creations. 4) Regrowing the awareness to the society about the diversity of the Indonesian art and culture. Keyword : Profile Warno Waskito, Mask, design

scholarly journals RUMAH TRADISIONAL SUKU KAMORO (Traditional House of Kamoro Tribe)

2018 ◽  
Vol 10 (2) ◽  
pp. 153-168
Author(s):  
Rini Maryone
Keyword(s):  
Qualitative Method ◽  
Inductive Reasoning ◽  
Form Function

This paper examines the tradisional houses karapauw kame and mitoro pole of the Kamoro in Mimika District. The problems raised in the paper is how the form, function, and cultural velues of tradisional homes karapauw kame and mitoro pole. The metohod used is qualitative method, with inductive reasoning as a minsed in solving problems that have been done before. The results of research houses karapauw kame and mitoro poles are expected to and reference tribal house in Papua in particular and in Indonesia generally. ABSTRAK Tulisan ini mengkaji rumah tradisional Karapauw kame dan tiang mitoro pada suku Kamoro di kabupaten Mimika. Adapun permasalahan yang diangkat dalam tulisan ini adalah bagaimana bentuk, fungsi dan nilai budaya rumah tradisional karapauw kame dan tiang mitoro. Metode yang di gunakan adalah metode kualitatif, dengan penalaran induktif sebagai pola pikir dalam memecahkan rumusan masalah yang telah diajukan sebelumnya. Diharapkan budaya masa lampau ini dapat direkontruksi lewat data etnografi dari tradisi masyarakat yang masih berlangsung (pendekatan etnoarkeologi). Hasil penelitian rumah tradisional Karapauw kame dan tiang mitoro di harapkan pulah dapat menambah referensi rumah suku yang ada di Papua khususnya dan di Indonesia umumnya.

scholarly journals Posttraumatic growth in adolescent survivors of earthquake, tsunami, and liquefaction in Palu Indonesia: a phenomenological study

2020 ◽  
Author(s):  
Siti Hajar Salawali ◽  
Herni Susanti ◽  
Novy Helena Catharina Daulima ◽  
Arcellia Farosyah Putri
Keyword(s):  
Posttraumatic Growth ◽  
Qualitative Method ◽  
Phenomenological Study ◽  
Meaning Of Life ◽  
Mental Health Nurses ◽  
Descriptive Phenomenology ◽  
Acceptance Commitment Therapy ◽  
Key Points ◽  
Second Chance ◽  
Depth Interviews

Exploration of posttraumatic growth (PTG) experiences in adolescent survivors of earthquakes, tsunamis, or liquefaction are needed by nurses to maximize the potential for recovery and growth of adolescents from trauma after natural disasters. The study used a qualitative method with a descriptive phenomenology approach. Data were collected through in-depth interviews with 16 adolescent survivors and were analyzed using the Colaizzi method. The results of this study have two main themes: trauma becoming the basis for realizing the meaning of life and escaping from disaster as a second chance to live better. PTG is a positive change that needs to be pursued. Escaping from disaster and realizing the meaning of life are the key points to get success in pursuing PTG to live a better life. In addition, support from mental health nurses through cognitive therapy (CT) and acceptance commitment therapy (ACT) are needed to increase the PTG.

scholarly journals UPACARA PERKAWINAN ADAT SUNDA DI KECAMATAN CICALENGKA KABUPATEN BANDUNG

2010 ◽  
Vol 2 (3) ◽  
pp. 377
Author(s):  
Aam Masduki
Keyword(s):  
Qualitative Method ◽  
Young Generation ◽  
The People ◽  
Wedding Ceremony ◽  
The One

AbstrakUpacara perkawinan adat Sunda lazimnya disebut Upacara Nikahkeun (dalam bahasa Sunda halus) atau Ngawinkeun (dalam bahasa Sunda kasar), yang artinya menikahkan atau mengawinkan. Nikah atau kawin mengandung arti bersatunya dua insan (laki-laki dan perempuan) yang disahkan secara agama dan oleh negara untuk hidup sebagai suami istri. Atau dengan kata lain, nikah adalah kesepakatan dua insan yang berlainan jenis untuk mengadakan ikatan guna membentuk keluarga atau rumah tangga untuk mencapai keluarga yang sakinah, mawadah dan warohmah. Tujuan dari penelitian ini yaitu untuk mendokumentasikan salah satu jenis upacara tradisional yang ada di Kabupaten Bandung Provinsi Jawa Barat agar orang Sunda, terutama generasi mudanya dapat mengetahui, memahami, dan menyayangi budaya sendiri. Dalam penelitian ini metode yang digunakan adalah metode deskriptif dengan pendekatan kualitatif. Adapun teknik pengumpulan data yang dipergunakan adalah observasi, wawancara, dan studi kepustakaan. Dari hasil pengkajian yang dilakukan oleh penulis, dapat disimpulkan bahwa upacara-upacara baik yang dilakukan sebelum acara pernikahan (Ngalamar, Ngeuyeuk Seureuh, Seserahan) maupun setelah pernikahan (Sawer, Ninjak Endog, Buka Pintu, Ngunduh Mantu) masih tetap dilakukan oleh masyarakat di Kabupaten Bandung. AbstractThis research is a case study about Sundanese traditional wedding ceremony that implemented in Kecamatan Cicalengka, Kabupaten Bandung. The purpose of the research is to make a documentation of it. It is very important to make such a documentation in order to make young generation know and appreciate their own culture. A qualitative method was conducted and the data were collected through observation, interview, and bibliographical study. The author came into conclusion that the people of Cicalengka remain preserving their traditional wedding ceremony, either the one that must be done before the akad nikah (the wedding pledge) or the ones that following it.

scholarly journals Digital Musical Performance as the Refl ection of the Axiosphere of Culture and the Educational Space of the Digital Age

ICONI ◽  
2020 ◽  
pp. 87-97
Author(s):  
Natalia N. Petrova ◽  
Keyword(s):  
Electronic Music ◽  
Musical Instruments ◽  
Young Generation ◽  
Artistic Process ◽  
On Demand ◽  
Digital Performance ◽  
Generation Z ◽  
Music Making ◽  
Analysis Of Performance ◽  
Aesthetic Values

The article examines performance on contemporary digital musical instruments, such as the keyboard synthesizer, the digital piano, the digital button and keyboard accordion and others, as a direction of artistic creativity in the contemporary sociocultural space on demand by numerous music lovers and professional performers. Evaluation is given to the possibilities of functioning for electronic musical creativity in the culturalcreative, communicative and educational angles. A phenomenological analysis of performance on electronic musical instruments is carried out and data is provided about the peculiarities of the sociocultural perception among various target auditoriums. The heuristic potential of electronic music-making for the young generation is highlighted in the refl ection of the demands of generation Z on poly-timbre and multi-genres in the artistic process. Examples are brought of successful attempts of realizing of individual and ensemble digital performance which has made it possible to manifest the fundamental functions of artistic culture, to create a system of moral and aesthetic values which would be relevant for society, and to form an aesthetically organized, highly technological sociocultural milieu.

scholarly journals BENTUK DAN FUNGSI TARI GATHOLOCO KELOMPOK SENI CIPTO BUDOYO KABUPATEN TEMANGGUNG

2019 ◽  
Vol 17 (2) ◽  
Author(s):  
Lenni Wulandari ◽  
Sri Rochana Widyastutieningrum
Keyword(s):  
Qualitative Method ◽  
Function Theory ◽  
Social Function ◽  
Literature Study ◽  
Form Function ◽  
The People ◽  
The Social ◽  
Depth Study ◽  
Form Theory ◽  
And Function

AbstrakTari Gatholoco adalah tari kelompok berjenis tradisi rakyat dalam sebuah kelompok seni di Desa Kembangsari. Tari Gatholoco belum diketahui siapa penciptanya dan digarap oleh Badrun tahun 1965 kemudian digarap oleh Tono tahun 1980. Tari Gatholoco menarik karena pola lantai membentuk formasi huruf (terbalik dari arah depan) yang menyusun sebuah kata Temanggung. Juga terdapat gerak penghubung antar gerak satu ke gerak berikutnya dan gerak penghubung untuk perpindahan pola lantai dengan senggakan “sukseskan pembangunan”. Tari Gatholoco memiliki fungsi sosial dalam masyarakat Desa Kembangsari. Penelitian ini menggunakan landasan teori bentuk oleh Suzanne K. Langer dan Sri Rochana Widyastutieningrum dan teori fungsi oleh Raymond Firth. Penelitian ini menggunakan metode kualitatif, merupakan metode penelitian yang menekankan pada telaah mendalam suatu fenomena yang terjadi dengan melakukan wawancara, dokumentasi, pengamatan langsung, pengamatan tidak langsung, dan studi pustaka. Presentasi yang disajikan berupa data dan visual. Hasil dari penelitian ini dapat diperoleh gambaran yang berkaitan dengan bentuk sajian dan fungsi sosial tari Gatholoco yang hingga kini masih hidup dan berkembang di kalangan masyarakat Desa Kembangsari. Bentuk sajian tari Gatholoco terdapat gerak yang menggambarkan aktivitas masyarakat sehari hari. Fungsi sosial tari Gatholoco yaitu sebagai sarana kepuasan batin, sarana bersantai dan hiburan, sarana ungkapan jati diri, sarana integratif dan pemersatu, dan sarana pendidikan amat positif di kehidupan masyarakat Desa Kembangsari.Kata kunci: Gatholoco, Bentuk, FungsiAbstractGatholoco Dance is a group dance of the folk-type tradition in an art group in Kembangsari Village. Not yet known who the creator of Gatholoco dance it was cultivated by Badrun in 1965 then tilled by Tono in 1980. Gatholoco dance is very interesting, because pattern floor as like alfabet (upside down from the front) which composes the word means like Temanggung. That dance also relational between one of the movement to the next movement, and then the relational connecting the other movement of the pattern floor it is mean that “successful development”. Gatholoco dance has a sociocultural function in the Kembangsari Village. This research uses the foundation of form theory by Suzanne K. Langer and Sri Rochana Widyastutieningrum and function theory by Raymond Firth. This research uses qualitative method, is a research method that emphasizes in depth study of a phenomenon that occurs by conducting interviews, documentation, direct observation, indirect observation, and literature study. Presentation is presented in the form of data and visual. The results of this study can be obtained a picture relating to the form of course and social function of Gatholoco dance which until now is still alive and growing among the people of Kembangsari Village. There is a movement that describes the daily activities of society in the form of Gatholoco dance course. The social function of Gatholoco dance is as a mean of inner satisfaction, means of relaxation and entertainment, means of expression of identity, integrative means and unifier, means of educational, means of healing, symbolic means of meaning and power, and means of integration in chaotic times are very positive in the life of the community of Kembangsari Village.Keywords: Gatholoco, Form, Function.

scholarly journals Digital Representation of a Conceptual Leather Puppet Character using Holographic Prism Glass

2020 ◽  
Vol 2 (1) ◽  
pp. 38
Author(s):  
M Wahyuni ◽  
M A Ayu ◽  
R Anhas ◽  
C H Pangaribuan
Keyword(s):  
Cultural Heritage ◽  
Qualitative Method ◽  
Young Generation ◽  
Digital Representation ◽  
Language Complexity ◽  
Detailed Explanation ◽  
Alternative Method ◽  
Long Duration ◽  
Key Concepts ◽  
Modern Era

Leather shadow puppet performances are slowly becoming iso-lated. They are no longer attracting the young generation to-wards its long duration and language complexity, inclusive of its incomprehensible storytelling and characters. To address this gap, this research utilized a descriptive qualitative method and mind map to transcribe and describe key concepts of both rede-signing and avatar creation of leather shadow puppet character. The purpose of this study was to explore an alternative method in representing leather puppet performance by implementing a holographic prism glass technique. The digital representation of a leather puppet through a holographic prism glass medium is a manifestation of appreciating Indonesian cultural artwork in the modern era. The contribution of this study is to provide a more detailed explanation of a new manner in exploring and preserving the narrative and figure of the cultural heritage.

scholarly journals Revitalizing Local Wisdom in Balinese Simile: An Effort to Enhance Balinese Youth Character

2022 ◽  
Vol 13 (1) ◽  
pp. 138-144
Author(s):  
I Nyoman Kardana ◽  
I Gusti Ngurah Adi Rajistha ◽  
Made Sri Satyawati
Keyword(s):  
Information Technology ◽  
Detailed Analysis ◽  
Figurative Language ◽  
Tourism Development ◽  
Pragmatic Approach ◽  
Metaphorical Language ◽  
Cultural Approach ◽  
Form Function ◽  
Language Needs ◽  
Local Languages

The moral message in local languages is often referred to as local wisdom. Local wisdom plays a very important role in people's lives since it is used as a means and basis for solving their encountered various problems. As one of the big local languages in Indonesia, the Balinese language contains many figurative languages that are rich in local wisdom values. The values have proven to be a shield to protect the Balinese people and their culture from the globalization attack. For this reason, local wisdom found in Balinese figurative language needs to be revitalized to be understood and implemented by the younger generation of Bali. One of the figurative languages studied in this study is the simile. Similes of the Balinese language are studied by combining three approaches, namely ecolinguistic, pragmatic, and cultural approaches, to reach detailed analysis results. Simile as part of a metaphor is an expression or discourse conveyed by the speaker indirectly to the interlocutor with certain aims and objectives. The ecolinguistic approach examines the form, function, and meaning or ideology contained in metaphorical language. Meanwhile, a pragmatic approach and a cultural approach are used to assist the ecolinguistic approach in uncovering the functions of figurative language in society and explaining the meaning or ideology existing in Balinese society. The values were reviewed for relevance to the current people's lives contaminated by information technology and tourism development.

scholarly journals AJARAN AGAMA HINDU SEBAGAI INSPIRASI PENCIPTAAN KARYA SENI LUKIS TRADISIONAL BALI

2020 ◽  
Vol 9 (1) ◽  
pp. 158
Author(s):  
I Wayan Agus Gunada
Keyword(s):  
Qualitative Method ◽  
Qualitative Data ◽  
Spiritual Values ◽  
Traditional Art ◽  
Hindu Religion ◽  
Pragmatic Research ◽  
Religious Teaching ◽  
The Creation ◽  
First Time

AbstrakPenelitian ini merupakan bentuk analisis serta kajian mengenai peran ajaran agama Hindu dalam proses penciptaan karya seni lukis umumnya seni lukis tradisional Bali. Seni lukis sebagai bagian dari seni rupa di Bali berkembang cukup pesat, dimana terdapat dua dikotomi seni lukis di Bali yaitu seni lukis tradisional di Bali dan Seni lukis modern. Seni lukis tradisional Bali merupakan bentuk seni lukis yang proses pembuatannya masih menggunakan tradisi-tradisi baik proses pembuatan dan bahan-bahan yang tradisional walaupun kini sudah umum ditemukan menggunakan alat serta bahan yang sudah tergolong modern, dan seni lukis tradisional Bali ini yang sudah berlangsung sejak dulu yaitu terdapat pakem-pakem serta prinsip yang dilakukan ketika proses penciptaan karya tersebut dikreasikan. Ketika seorang pelukis mencipta sebuah karya maka realita dan imajinasi menjadi sumber ide namun Seni lukis tradisional Bali memiliki ciri khasnya yang sangat kentara ketika dilihat secara langsung, yaitu penggambaran objek bentuk karyanya yang cenderung mengambil bentuk-bentuk alam, cerita-cerita rakyat, mitologi serta ajaran-ajaran agama Hindu yang direinterpretasikan melalui bentuk simbol-simbol didalamnya. Sehingga sebagian besar tema-tema yang dihadirkan dalam seni lukis tradisional Bali adalah mengimajinasikan ajaran-ajaran agama Hindu yang kental akan nilai-nilai spiritual dan memiliki nilai-nilai magis kedalam sebuah karya yang tidak hanya sekedar memuaskan pengalaman keindahan namun secara tidak langsung juga menjadi media wahana pengajaran ajaran agama Hindu. Penelitian ini bertujuan untuk menggambarkan bagaimana ajaran agama Hindu menjadi sumber inspirasi dalam penciptaan karya seni lukis tradisional Bali. Metode yang digunakan dalam mengkaji fokus penelitian ini adalah metode penelitian kualitatif deskriftif dengan pendekatan studi fenomenologi yaitu penelitian menggunakan data-data kualitatif untuk menggambarkan fenomena-fenomena ajaran agama Hindu yang menjadi sumber inspirasi penciptaan. Secara pragmatis penelitian ini diharapkan berdampak dalam memberikan informasi dan menambah wawasan terkait keberadaan seni lukis tradisional Bali sebagai bentuk kekayaan budaya bidang seni yang masih hidup serta keberadaannya yang masih lestari dan hidup di Bali.Kata Kunci: hindu, seni, lukis tradisional, bali.AbstractThis research is a form of analysis and study of the role of the Hindu religion in the process of creation of art painting generally traditional Balinese painting. Art painting as part of the art in Bali develops quite rapidly, where there is two art dichotomy in Bali is a traditional art painting in Bali and the art of modern paint. Traditional Balinese painting is a form of art painting that process is still using the traditions of both the making process and traditional materials although it is now common to be found using tools and materials that are already relatively modern, and the traditional Balinese painting that has been held since the first time is there are pakem and the principle that is done when the process of creation of the work is Reincreikan. When a painter creates a masterpiece, the reality and imagination become the source of ideas but the traditional Balinese painting has its distinctive characteristic when viewed directly, that is the depiction of the object of his form that tends to take the forms of nature, folklore, mythology, and teachings of Hindu religion that is interpreted by the form of symbols inside. So most of the themes presented in the art of traditional Balinese painting are too imaginative Hindu teachings that are strong in spiritual values and have magical values into a work that not only satisfies the experience of beauty but indirectly also becomes a medium of religious teaching of Hindu teachings. This research aims to illustrate how Hinduism's teachings are a source of inspiration in the creation of traditional Balinese art paintings. The method used in reviewing the focus of this research is a qualitative method of research with the approach of phenomenology study using qualitative data to describe the phenomena of Hindu religious teachings that are the source of the inspiration of creation. Pragmatic research is expected to have an impact on providing information and adding insight related to the existence of traditional Balinese art painting as a form of cultural richness of living arts and its existence that is still sustainable and living in Bali. Keywords: hindu, art, traditional painting, bali

Sign in / Sign up

Export Citation Format

Share Document