scholarly journals BENTUK DAN FUNGSI TARI GATHOLOCO KELOMPOK SENI CIPTO BUDOYO KABUPATEN TEMANGGUNG

2019 ◽  
Vol 17 (2) ◽  
Author(s):  
Lenni Wulandari ◽  
Sri Rochana Widyastutieningrum
Keyword(s):  
Qualitative Method ◽  
Function Theory ◽  
Social Function ◽  
Literature Study ◽  
Form Function ◽  
The People ◽  
The Social ◽  
Depth Study ◽  
Form Theory ◽  
And Function

AbstrakTari Gatholoco adalah tari kelompok berjenis tradisi rakyat dalam sebuah kelompok seni di Desa Kembangsari. Tari Gatholoco belum diketahui siapa penciptanya dan digarap oleh Badrun tahun 1965 kemudian digarap oleh Tono tahun 1980. Tari Gatholoco menarik karena pola lantai membentuk formasi huruf (terbalik dari arah depan) yang menyusun sebuah kata Temanggung. Juga terdapat gerak penghubung antar gerak satu ke gerak berikutnya dan gerak penghubung untuk perpindahan pola lantai dengan senggakan “sukseskan pembangunan”. Tari Gatholoco memiliki fungsi sosial dalam masyarakat Desa Kembangsari. Penelitian ini menggunakan landasan teori bentuk oleh Suzanne K. Langer dan Sri Rochana Widyastutieningrum dan teori fungsi oleh Raymond Firth. Penelitian ini menggunakan metode kualitatif, merupakan metode penelitian yang menekankan pada telaah mendalam suatu fenomena yang terjadi dengan melakukan wawancara, dokumentasi, pengamatan langsung, pengamatan tidak langsung, dan studi pustaka. Presentasi yang disajikan berupa data dan visual. Hasil dari penelitian ini dapat diperoleh gambaran yang berkaitan dengan bentuk sajian dan fungsi sosial tari Gatholoco yang hingga kini masih hidup dan berkembang di kalangan masyarakat Desa Kembangsari. Bentuk sajian tari Gatholoco terdapat gerak yang menggambarkan aktivitas masyarakat sehari hari. Fungsi sosial tari Gatholoco yaitu sebagai sarana kepuasan batin, sarana bersantai dan hiburan, sarana ungkapan jati diri, sarana integratif dan pemersatu, dan sarana pendidikan amat positif di kehidupan masyarakat Desa Kembangsari.Kata kunci: Gatholoco, Bentuk, FungsiAbstractGatholoco Dance is a group dance of the folk-type tradition in an art group in Kembangsari Village. Not yet known who the creator of Gatholoco dance it was cultivated by Badrun in 1965 then tilled by Tono in 1980. Gatholoco dance is very interesting, because pattern floor as like alfabet (upside down from the front) which composes the word means like Temanggung. That dance also relational between one of the movement to the next movement, and then the relational connecting the other movement of the pattern floor it is mean that “successful development”. Gatholoco dance has a sociocultural function in the Kembangsari Village. This research uses the foundation of form theory by Suzanne K. Langer and Sri Rochana Widyastutieningrum and function theory by Raymond Firth. This research uses qualitative method, is a research method that emphasizes in depth study of a phenomenon that occurs by conducting interviews, documentation, direct observation, indirect observation, and literature study. Presentation is presented in the form of data and visual. The results of this study can be obtained a picture relating to the form of course and social function of Gatholoco dance which until now is still alive and growing among the people of Kembangsari Village. There is a movement that describes the daily activities of society in the form of Gatholoco dance course. The social function of Gatholoco dance is as a mean of inner satisfaction, means of relaxation and entertainment, means of expression of identity, integrative means and unifier, means of educational, means of healing, symbolic means of meaning and power, and means of integration in chaotic times are very positive in the life of the community of Kembangsari Village.Keywords: Gatholoco, Form, Function.

scholarly journals UNGKAPAN MARAH DAN UNGKAPAN PUJIAN MASYARAKAT NIAS DI KAKI GUNUNG PADANG

2020 ◽  
Vol 8 (1) ◽  
pp. 10
Author(s):  
Faula Ismi ◽  
Ermanto Ermanto
Keyword(s):  
Data Collection ◽  
Social Structure ◽  
Social Function ◽  
Structure And Function ◽  
The People ◽  
The Social ◽  
Data Source ◽  
And Function ◽  
The Village ◽  
Descriptive Method

This study  aimed to determine the structure and social function of folklore legend naming Batunabontar Batang Natal district Mandailing Natal district. The method used in this research was descriptive method. The data source of this research was the people who inhabit Batunabontar village, Batang Natal District, Mandailing Natal District. The instrument used in this study was the researcher himself and the informant based on the understanding of the structure and social function of the naming legend of a place. Data collection techniques used in this study were observation by observation and to strengthen the data obtained, direct interviews were carried out to the authorities in research on the Social Structure and Function of the Legend of the Naming of Batunabontar Village, Batang Natal District, Mandailing Natal District. The results of this study indicate that the Social Structure and Function of Naming Legend of Batunabontar Village, Batang Natal District, Mandailing Natal District has a unique history and structure and function in the village. The uniqueness of this Batunabontar makes the writer want to know the importance of the structure and function of the Batunabontar in Batang Natal District, Mandailing Natal Regency.  

scholarly journals TRANSFORMASI PENCAK SILAT PARIAN MENJADI TARI GARIGIAK DI ISTANO TUAN GADANG BATIPUAH KECAMATAN BATIPUAH KABUPATEN TANAH DATAR

2019 ◽  
Vol 8 (1) ◽  
pp. 137
Author(s):  
Auliana Mukhti Maghfirah ◽  
Erlinda Erlinda
Keyword(s):  
Performing Arts ◽  
Qualitative Method ◽  
Function Theory ◽  
Defense Style ◽  
Martial Art ◽  
Self Defense ◽  
The People ◽  
Form Theory ◽  
Traditional Arts ◽  
Special Meaning

AbstrakTari Garigiak adalah satu bentuk seni pertunjukan tradisi di Istano Tuan Gadang Batipuah Kabupaten Tanah Datar, yang gerak tarinya bersumber kepada gerakan Silek Parian. Silek Parian merupakan seni beladiri  yang berkembang di Nagari Baipuah Ateh yang di akuui oleh masyarakat keberadaan tari tersebut. Oleh karenanya tari Garigiak diakui pula sebagai produk budaya asli Kecamatan Batipuah, yang memiliki makna khusus dalam kehidupan masyarakat pendukungnya. Tari Garigiak, memiliki gaya gerak yang tidak jauh berbeda dari Silek Parian itu sendiri. Karena bila gaya Silek Parian masih memperlihatkan gaya beladiri yang berbentuk fisik maupun penyaluran tenaganya seperti pertarungan, namun dalam tarian ditampilkan terlihat lebih indah karena sudah mengalami proses stilisasi. Dengan demikian kesenian tradisional tari Garigiak dapat dikatakan sebagai hasil dari proses kreativitas, berupa produk baru yang diciptakan oleh keturunan Tuan Gadang Batipuah. Meskipun secara teks  merupakan adaptasi dari Silek Parian. Tujuan penelitian ini untuk melihat faktor penyebab terjadinya transformasi dalam Silek Parian menjadi tari Garigiak di Kecamatan Batipuah.  Metode yang digunakan adalah metode kualitatif, pengumpulan data dilakukan melalui observasi dan mengamati kesenian tradisional khususnya tari tari Garigiak, dokumentasi audio dan visual serta wawancara dengan sejumlah tokoh adat dan masyarakat. Penelitian ini dianalisis dengan teori bentuk, teori fungsi dan teori kreativitas. Secara umum, penelitian ini memperoleh hasil berupa sejauh mana kreativitas dan perwujudan gerak Silek Parian dalam kesenian tradisional masyarakat di Nagari Batipuah ateh yang terfokus pada tari Garigiak.Kata Kunci: Silek Parian, tari Garigiak, masyarakat.AbstractGarigiak dance is a form of traditional performing arts at Istano Tuan Gadang Batipuah Tanah Datar District, whose dance moves are sourced from the Silek Parian movement. Silek Parian is a martial art that developed in Nagari Baipuah Ateh which was acknowledged by the community where the dance was. Therefore Garigiak dance is also recognized as a genuine cultural product of the Batipuah District, which has special meaning in the lives of its supporting communities. Garigiak dance, has a style of motion that is not much different from the Silek Parian itself. Because if the style of Silek Parian still shows a self-defense style in the form of physical as well as channeling its energy like a fight, in the dance it appears to look more beautiful because it has undergone a stylization process. Thus the traditional arts of Garigiak dance can be said to be the result of the process of creativity, in the form of new products created by the descendants of Tuan Gadang Batipuah. Although text is an adaptation of Silek Parian. The purpose of this study was to look at the causes of the transformation in the Silek Parian into the Garigiak dance in Batipuah District. The method used is a qualitative method, data collection is done through observation and observing traditional arts, especially Garigiak dance, audio and visual documentation and interviews with a number of traditional leaders and the community. This research was analyzed by form theory, function theory and creativity theory. In general, this research obtained results in the form of the extent of the creativity and manifestation of the movement of Silek Parian in the traditional arts of the people in Nagari Batipuah ateh which focused on the Garigiak dance.  Keywords: Silek Parian, Garigiak dance, society. 

scholarly journals Belentung Sebagai Identitas Musik Pada Komunitas Konser Kampung Desa Jatitujuh Majalengka Jawa-Barat

SELONDING ◽  
2019 ◽  
Vol 14 (14) ◽  
Author(s):  
Shintia Ananias
Keyword(s):  
Qualitative Method ◽  
Fine Arts ◽  
Local People ◽  
Literature Study ◽  
West Java ◽  
String Instrument ◽  
The People ◽  
Art Activities ◽  
And Function ◽  
The Voice

Belentung is a string instrument made by bamboo inspired by soundscape which is the voice of big toads and also children toys made by a can and thread of mattress. Belentung can be played individually or ansemble. The words “belentung” also refers to the ansemble or music that produced from belentung itself. Belentung ansamble music have four kinds of instrument based on their size and function, such as belentung panggede, panungtun, panembal and pangrecok.            Belentung made by Komunitas Konser Kampung located in the Jatitujuh village, Majalengka, West Java. Komunitas Konser Kampung has been established since June 26th, 1987 and have many art activities, such as in music activities, literature and fine arts. Members of this community are artists, humanists and youth generation of Jatitujuh. This community have so many art activities in Jatitujuh village itself and also in the level of region, Majalengka until out of region. The interaction of Komunitas Konser Kampung with other communities and also with the people made this community realized the importance of group identit, especially music identity. Belentung created as a music identity of Komunitas Konser Kampung because of the uniqness of the organology and the characteristic of their musical.            The qualitative method used to get data in the field, for example observation participate, interview with the local people, documentation and literature study. Ethnomusicology and anthropology approach has been done to analyze and made conclucion.

scholarly journals STRUKTUR DAN FUNGSI SOSIAL CERITA RAKYAT LEGENDA ASAL USUL KAMPUNG BATUNABONTAR

2020 ◽  
Vol 8 (1) ◽  
pp. 1
Author(s):  
Atika Batubara ◽  
Nurizzati Nurizzati
Keyword(s):  
Data Collection ◽  
Social Structure ◽  
Social Function ◽  
Structure And Function ◽  
The People ◽  
The Social ◽  
Data Source ◽  
And Function ◽  
The Village ◽  
Descriptive Method

This study  aimed to determine the structure and social function of folklore legend naming Batunabontar Batang Natal district Mandailing Natal district. The method used in this research was descriptive method. The data source of this research was the people who inhabit Batunabontar village, Batang Natal District, Mandailing Natal District. The instrument used in this study was the researcher himself and the informant based on the understanding of the structure and social function of the naming legend of a place. Data collection techniques used in this study were observation by observation and to strengthen the data obtained, direct interviews were carried out to the authorities in research on the Social Structure and Function of the Legend of the Naming of Batunabontar Village, Batang Natal District, Mandailing Natal District. The results of this study indicate that the Social Structure and Function of Naming Legend of Batunabontar Village, Batang Natal District, Mandailing Natal District has a unique history and structure and function in the village. The uniqueness of this Batunabontar makes the writer want to know the importance of the structure and function of the Batunabontar in Batang Natal District, Mandailing Natal Regency.  

scholarly journals KEHIDUPAN KEAGAMAAN DAN BUDAYA MAS YARAKAT DIKOTA JAYAPURA PROVINSI PAPUA

Al-Qalam ◽  
2018 ◽  
Vol 13 (2) ◽  
pp. 85
Author(s):  
Muhammad As'ad
Keyword(s):  
Qualitative Method ◽  
Social Conflict ◽  
Social Harmony ◽  
Traditional Leader ◽  
The People ◽  
The Social ◽  
And Function ◽  
Role And Function ◽  
Tribal Leader

<p>This research was conducted in Jayapura, Papua. This research aims<br />to describe the role of traditional government in maintaining social<br />harmony in Jayapura society. This used qualitative method, where data<br />was collected by interview. Than, data was analyzed by descriptivequalitative.<br />This research indicates that the traditional government has a good<br />role and function in maintaining social harmony in Papua society. The<br />charisma of traditional leader (tribal leader) is most important factor.<br />His words will be listened and his order will be obey. The social conflict<br />among the people or between two tribal could be healed by this tribal<br />leader intervention.</p>

scholarly journals STRUKTUR, KATEGORI DAN FUNGSI SOSIAL UNGKAPAN LARANGAN MENGENAI CINTA, PACARAN, DAN MENIKAH DI KENAGARIAN TOBOH SIKALADI KECAMATAN SINTUK TOBOH GADANG KABUPATEN PADANG PARIAMAN

2018 ◽  
Vol 6 (2) ◽  
pp. 181
Author(s):  
Desy Murni MS ◽  
Yenni Hayati ◽  
Zulfadhli Zulfadhli
Keyword(s):  
Social Function ◽  
Human Environment ◽  
Projection System ◽  
Folk Beliefs ◽  
The Public ◽  
The Social ◽  
Social Expression ◽  
Three Stages ◽  
And Function ◽  
Phase Phase

This study aimed to describe the structure and function of social expression of a ban on love, dating, and married in Kenagarian Toboh Sikaladi Kecamatan Sintuk Toboh Gadang Kabupaten Padang Pariaman. The research is a qualitative study using descriptive methods. Background or where the study was conducted in Kenagarian Toboh Sikaladi Sintuk Toboh Tower District of Padang Pariaman district. The informants consist of one main informant and two supportive informants. Data were collected through three stages, namely observation, interview and recording techniques. After that, the data is analyzed by a data inventory phase, phase description of the structure and a social function, stage identifies the data, and reporting stage. Based on the results, it can be concluded that data about people's trust ban expression of love, dating, and married in Kenagarian Toboh Sikaladi Kecamatan Sintuk Toboh Gadang Kabupaten Padang Pariaman found as many as 53 expression. The structure of the people's trust in the public ban Kenagarian Toboh Sikaladi Kecamatan Sintuk Toboh Gadang Kabupaten Padang Pariaman is divided into two forms,ie expression of belief and expression structured two-part folk beliefs structured three parts.The phrase structured ban two parts are found as many as 45 expression, whereas expression of a structured three parts found eight expression. This study included into the category of folk beliefs surrounding human environment of love, courtship, and marriage. The social function of the people's trust ban expression in this research, strengthen religious emotion and conviction found as many as five expressions, fantasy projection system found 31 expression, educate found three expressions, prohibit found 13 expression, and had found a phrase.Keywords: social expression, local beliefs, prohibition

scholarly journals KAJIAN FILOSOFIS LONTAR CALONARANG

2018 ◽  
Vol 2 (1) ◽  
pp. 274
Author(s):  
I Gusti Ayu Widayanti ◽  
I Made Surada ◽  
I Made Adi Brahman
Keyword(s):  
Literary Work ◽  
Social Function ◽  
Cultural Preservation ◽  
Work Of Art ◽  
Literary Works ◽  
Art Form ◽  
The People ◽  
The Social ◽  
Black Magic ◽  
The Village

<p><em>Lontar Calonarang's literary works is a work of art. Calonarang term other than as one of the works of literature, Calonarang also means characterization</em><em> </em><em>or the name of a man in the play known as Rangda ing Girah. Calonarang is also known as art form such as wayang pacalonarangan and in staging pacalonarangan dance drama. Lontar Calonarang is a lontar manuscript that specifically tells about Calonarang revenge using black magic against the people in Girah village. This is because the people in the village of Girah no one wants to marry Calonarang child is Ratna Manggali. Lontar Calonarang literary work is interesting to read and researched because this literary work has a philosophical meaning of construct so easy to be understood in depth. </em></p><p><em>The results that can be obtained from this literary work are Teachings contained in lontar Calonarang include Rwa Bhineda, Catur Asrama, and Tantra. The function of the teachings contained in the Calonarang lontar is the religious function, the social function, and the function of cultural preservation. While the philosophical meaning derived from this literary work is the meaning of balance, meaning of education, and the meaning of divinity.</em><strong><em></em></strong></p>

Russian Organized Crime: Its History, Structure and Function

1995 ◽  
Vol 11 (4) ◽  
pp. 213-243 ◽  
Author(s):  
Joseph L. Albini ◽  
R.E. Rogers ◽  
Victor Shabalin ◽  
Valery Kutushev ◽  
Vladimir Moiseev ◽  
...  
Keyword(s):  
Soviet Union ◽  
Organized Crime ◽  
Russian Society ◽  
Soviet History ◽  
Russian Economy ◽  
The Soviet Union ◽  
The People ◽  
The Social ◽  
Client Relationships ◽  
And Function

In analyzing Russian organized crime, the authors describe and classify the four major forms of organized crime: 1) political-social, 2) mercenary, 3) in-group, and 4) syndicated. Though the first three classifications of the aforementioned types of organized crime existed throughout Soviet history, it was the syndicated form that began to emerge in the late 1950's, expanding during the corrupt Breznev years (1964–82), exploding during perestroika, and reaching pandemic levels after the demise of the Soviet Union in 1991. The abrupt transformation of the Russian society from a centralized command economy to one driven by the forces of market capitalism created the socio-pathological conditions for the malignant spread of mercenary and especially syndicated organized crime. New criminals syndicates were created by an alliance of criminal gangs/groups and former members of the Soviet Union's communist nomenklatura (bureaucracy) and the consequence was the criminalization of much of the Russian economy. The social structure of these syndicates is based on a loose association of patron-client relationships rather than a centralized hierarchical system; their function is to provide illicit goods/services desired by the people. The authors conclude their study by emphasizing that what has taken place in Russia is not peculiar to the Russian people, but exemplifies what can happen to societies that experience rapid and intense social change.

scholarly journals Tinggalan Arkeologi di Pura Subak Ulun Suwi Sidewaas, Bangli

HUMANIS ◽  
2018 ◽  
pp. 204
Author(s):  
Ida Bagus Gd Panji Semara ◽  
A.A. Gde Aryana ◽  
Coleta Palupi Titasari
Keyword(s):  
Archaeological Remains ◽  
Literature Study ◽  
Functional Theory ◽  
Human Thought ◽  
Form Function ◽  
The People ◽  
Holy Water ◽  
Art And Culture ◽  
The Temple ◽  
Collection Methods

Arca is one of the relics of the classical period that has various forms and is the development of human thought in the field of art and culture. Thought can be seen in Pura Subak Ulun Suwi Sidewaas Bangli which until now still functioned with the statue which amounted to 14 pieces. Some of the problems in this study include the form, function and meaning of archaeological remains in Pura Subak Ulun Suwi Sidewaas Bangli. This study uses data collection methods consisting of several stages of observation, interviews, and literature study. The next stage is the stage of data analysis, this stage using qualitative analysis and iconography analysis. The theory used in this research is the functional theory and the theory of semiotics, which is expected to solve the problems in this research. Archeology in Pura Subak Ulun Suwi Sidewaas Bangli encompasses two statues of bhatari embodiment, four statues of bhatara, one lingga tribhaga, two lingga above lapel and stela and five fragments of the statue. These stalks are believed to be a means to invoke the welfare of the plants that are incomes for the people who depend on the plantations. The holy water obtained from the temple is not only used for self-use, but also used for the fertility of cattle and plants. The residue that is sanctioned by the community of temple penyungsung has meaning as a means of worship, the worship means in question is symbolic of the goddess god or his ancestor in an effort to get closer to his ancestors.

POTRET KEHIDUPAN WARUNG LANTING DI KECAMATAN DAHA KABUPATEN HULU SUNGAI SELATAN

Jurnal Socius ◽  
2018 ◽  
Vol 7 (1) ◽  
Author(s):  
M Rasyid Ridha
Keyword(s):  
Qualitative Method ◽  
Home Ownership ◽  
Occupation Number ◽  
Purposive Sampling ◽  
Economic Relations ◽  
The People ◽  
Data Source ◽  
Using Data ◽  
And Function ◽  
Selling Process

AbstractThe life of the lanting shop merchant along the Nagara River can be seen from the life of the people who use the river to perform the activities of daily life. The development of the era has changed the mindset of people to have a modern life by making business.This study aims: (1). Analyzing Portrait of Life of WarungLanting Traders in Daha Subdistrict of HSS Regency. (2) Analyzing Social Interaction of Warung Lanting in Daha Sub-district, HSS District. This research uses qualitative method. The data source was chosen by purposive sampling. Data collection with observation techniques, interviews, documentation.Testing the validity of data researchers using data triangulation, ie triangulation of sources and time trianggulasi and use extension of observation.The result of this research is life of warung lanting can be seen from physical condition and function of shop of warung lanting include owner's name, building size, origin, business type, age of building, stall status, shape and duration of business in Daha Subdistrict which make lanting stall by forwarding river as place of business. The identity of the lanting stall owner is the owner's name, owner's age, education level, occupation, number of family members, other home ownership and buying and selling process. Economic relations of traders with merchants in keeping customers and buyers in stepping up efforts to give competition to businesses located on the mainland.Keywords: Portrait of life, warung lanting AbstrakKehidupan pedagang warung lanting di sepanjang Sungai Nagara dapat terlihat dari kehidupan masyarakat yang menggunakan sungai untuk melakukan aktivitas kehidupan sehari-hari. Perkembangan zaman sudah mengubah pola pemikiran masyarakat agar memiliki kehidupan yang modern dengan cara membuat usaha. Penelitian ini bertujua menganalisis  Kehidupan Pedagang Warung Lanting  di Kecamatan Daha Kabupaten HSS. (2) Menganalisis Interaksi Sosial Warung Lanting di Kecamatan Daha Kabupaten HSS. Penelitian ini menggunakan metode kualitatif. Sumber data dipilih secara purposive sampling. Pengumpulan data dengan teknik observasi, wawancara, dokumentasi. Pengujian keabsahan data peneliti menggunakan trianggulasi data, yaitu trianggulasi sumber dan trianggulasi waktu serta menggunakan perpanjangan pengamatan. Hasil penelitian yaitu kehidupan warung lanting dapat dilihat darikeadaan fisik dan fungsi bagunan warung lanting meliputi nama pemilik, ukuran bangunan, asal mula, jenis usaha, umur bagunan, status warung, bentuk dan lama usaha di Kecamatan Daha yang membuat warung lanting dengan mendepankan sungai sebagai tempat usaha.Identitas penghuni warung lanting yaitu nama pemilik, usia pemilik, tingkat pendidikan, pekerjaan, jumlah anggota keluarga, kepemilikan rumah yang lain dan proses jual beli.Hubungan ekonomi pedagang dengan pedagang dalam menjaga pelanggan dan pembeli dalam meningkatkan usaha untuk memberikan persaingan terhadap usaha yang berada di daratan.Kata Kunci:  Potret kehidupan, warung lanting

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