scholarly journals Upaya Pelestarian Topeng Warno Waskito di Diro Pendowoharjo Sewon Bantul Yogyakarta

2021 ◽  
Vol 12 (1) ◽  
pp. 49-56
Author(s):  
R. Jati Nurcahyo ◽  
Yulianto Yulianto

Abstrak - Topeng Warno Waskito yang terletak di Diro Pendowoharjo Sewon Bantul Yogyakarta adalah salah satu asset budaya asli bangsa Indonesia. Adanya kekhawatiran kesenjangan di masyarakat terhadap pelestarian Topeng Warno Waskito yang pada akhirnya akan dilupakan oleh generasi muda, bahkan meninggalkan atas karya seni topeng klasik yang menjadi jati diri bangsa Indonesia merupakan permasalahan yang diangkat dalam penelitian ini. Tujuan penelitian untuk mengetahui upaya pelestarian Topeng Warno Waskito sebagai komponen kesenian tradisional dalam memperkuat budaya Indonesia. Penelitian ini menggunakan metode kualitatif dengan pendekatan etnografi. Teknik pengumpulan data melalui wawancara, studi Pustaka, pengamatan langsung dan dokumentasi. Adapun Teknik Analisa data berupa reduksi penyajian dan penarikan kesimpulan. Hasil penelitian mewujudkan bahwa dari kedelapan bagian etnografi ada hubungan erat terhadap keadaan tempat yang mempengaruhi topeng diciptakan, sistem teknologi yang membentuk keberlangsungan pembuatan topeng, organisasi yang dihadirkan dikehidupan masyarakat, sistem pencaharian yang melatarbelakangi terciptanya topeng dan sistem religi yang berkaitan dengan perkembangan Topeng Warno Waskito. Upaya pelestarian Topeng Warno Waskito melalui 1) Tetap mempertahankan ciri khas keaslian (pakem) Topeng Warno Waskito 2) Melalui Pendidikan seni dan budaya dan ketrampilan 3) Pengembangan beragam kompetensi, apresisasi dan kreasi 4) Menumbuhkembangkan Kembali kesadaran kepada masyarakat terhadap keragaman seni budaya Indonesia Kata kunci : Profile Warno Waskito, Topeng, Desain Warno Waskito Mask Preservation Efforts At The Diro Pendowoharjo Sewon Bantul, Yogyakarta Abstract - The Mask of Warno Waskito which is locked in Diro Pendowoharjo Sewon Bantul Yogyakarta one of the Indonesian original national asset. The society gap in preserving the Warno Waskito mask which is lately forgotten by the young generation, they event leave the classical mask are which becomes the identity of Indonesia, are the problems brought up in this research. The objective of the research is to find out the efforts to preserve the Warno Waskito mask as a traditional art component in enriching the Indonesian culture. This study used the qualitative method and ethnographic approach. The techniques to collect the data are interviews, literature reviews, direct observation and documentation. The data analysis techniques are presentation reduction and conclusion. The result of the study shows that out of the eight ethnographic parts, there is a strong relationship between the place where the mask is created. The technology system that shapes the mask production, the organization existing in the society, the daily profession that grounding the mask production and the religion system related to the development of the Warno Waskito mask. Preservation efforts of the Warno Waskito Mask through : 1) Keep maintaining the original characteristics of Warno Waskito mask 2) Through the education of arts and culture, 3) The development of various competencies, appreciation an creations. 4) Regrowing the awareness to the society about the diversity of the Indonesian art and culture. Keyword : Profile Warno Waskito, Mask, design

Author(s):  
Abdul Rasyid Hasan

<p><em>Kayori</em> is someone’s or group’s statement expressed civilly in a particular time, so that the messages delivered are easily internalized and understood to nod in agreement. This research intends to identify form, function, and meaning contained in <em>kayori</em> traditional art of <em>Taa</em> society. This research employed qualitative method with a cultural approach. The results of this study portray that <em>kayori</em> performance periodically held is an introduction media in increasing public awareness. <em>Kayori,</em> embracing aesthetic values, functions to diffuse moral and aesthetic aspects to the society. Education in <em>kayori</em> tradition follows the regeneration process in <em>to</em> society orientating towards the new roles for young generation to maintain their cultural heritages. <em>Kayo</em>ri tradition implies valuable meaning of life and provides chance in understanding historical cultural heritages in tackling down recent issues in <em>Taa</em> society.</p>


2019 ◽  
Vol 19 (2) ◽  
pp. 111-116
Author(s):  
Setyo Yanuartuti ◽  
Joko Winarko

Millennial era is an era where this generation is generally characterized by increasing the use and familiarity of communication, media and digital technology. This era will bring even further gaps in the attitude of this generation from the values of Indonesian life. The value of this nation’s life has long been stored under the arts and culture. In the midst of the downfall of the traditional art life, like the Jatid masked dance, we need the strategy for the young generation to value the local culture for filtering the exposure of foreign culture. This becomes the ground of current Jombang society which directing their art revitalization to the present cultural forms. That becomes the reason behind this study to be conducted. The purpose of this study is to realize the Jatidhuwur mask dance as a medium to introduce Jombang local cultural values to the current generation. The method used for revitalization is dance reconstruction. Reconstruction was carried out with the stages of excavation, setting the structure, developing elements of motion and accompaniment, and packaging, and introducing it to young people in Jombang. Data analysis uses an interactive model in the stages of data collection, data reduction, data presentation and conclusions. The results show that in the Jatidhuwur Mask dance performance there are local cultural values such as religious values, discipline values, life values, and the value of struggle. These local cultural values are revitalized and visualized through art elements such as themes (stories), plot, performance structure, and accompaniment in the touch of new cultivation. The dance is presented in the form of a single dance and a short dance drama (fragmentary), with a touch of technology.


2020 ◽  
Author(s):  
Askar Nur

This research explains the mysticism of mappadendang tradition in Allamungeng Patue Village, Bone Regency, which is believed by the local community as a form of shielding from danger and can resist reinforcemen such as Covid-19 outbreak. This research is a descriptive study using qualitative method and an ethnographic approach. This research was carried out with the aim of identifying the mystical space in mappadendang tradition which was held in Allamungeng Patue Village. After conducting the tracing process, the researcher found that mappadendang tradition which was held in Allamungeng Patue Village, Bone Regency in July 2020 was not a tradition of harvest celebration as generally in several villages in Bone Regency, especially Bugis tribe, but mappadendang was held as a form of shielding from all distress including Covid-19 outbreak. This trust was obtained after one of the immigrants who now resides in the village dreamed of meeting an invisible figure (tau panrita) who ordered a party to be held that would bring all the village people because remembering that in the village during Covid-19 happened to almost all the existing areas in Indonesia, the people of Allamungeng Patue Village were spared from the outbreak. Spontaneously, the people of Allamungeng Patue Village worked together to immediately carry out the mappadendang tradition as a form of interpretation of the message carried by the figure.


KarismaPro ◽  
2021 ◽  
Vol 2 (1) ◽  
Author(s):  
Taufiq Rahmat

This study aims to determine the role of the Wonderful Indonesia branding promotion at the Asean Tourism Forum (ATF) in improving tourism in Indonesia. The ASEAN Tourism Forum (ATF) is regional cooperation that seeks to promote the ASEAN region as an international tourist destination.The research method used is a qualitative method through literature reviews on official government documents, scientific articles, and news.The results show that the ASEAN Tourism Forum (ATF) is a means or media for Indonesia to attract foreign investors to invest or invest in cooperation in developing tourism in Indonesia, as well as the Wonderful Indonesia branding promotion media to attract foreign tourists to tourist destinations in Indonesia. Indonesia. The Indonesian government takes advantage of ATF activities, namely the ASEAN Tourism Marketing Strategic (ATMS), TRAVEX, and the ATF award for the best destinations in ASEAN to boost the prestige of Indonesian tourism.AbstractThis study aims to determine the role of the Wonderful Indonesia branding promotion at the Asean Tourism Forum (ATF) in improving tourism in Indonesia. The ASEAN Tourism Forum (ATF) is regional cooperation that seeks to promote the ASEAN region as an international tourist destination.The research method used is a qualitative method through literature reviews on official government documents, scientific articles, and news.The results show that the ASEAN Tourism Forum (ATF) is a means or media for Indonesia to attract foreign investors to invest or invest in cooperation in developing tourism in Indonesia, as well as the Wonderful Indonesia branding promotion media to attract foreign tourists to tourist destinations in Indonesia. Indonesia. The Indonesian government takes advantage of ATF activities, namely the ASEAN Tourism Marketing Strategic (ATMS), TRAVEX, and the ATF award for the best destinations in ASEAN to boost the prestige of Indonesian tourism.Keywords : Branding Promotion, ASEAN Tourism Forum (ATF), Wonderful Indonesia


2015 ◽  
Vol 5 (2) ◽  
Author(s):  
Lennart G. Svensson

The article introduces the topic of this special issue on artists and professionalism from the perspective of the sociology of the arts and culture, in order to demonstrate how the contributions significantly develop studies of professions in general. Some theoretical concepts are defined and discussed: culture, arts, occupations, professions, status, field, symbolic and social capital, emotional labour, and reversed economy. An illustration is used to demonstrate pricing in arts and what may explain it. There is a focus on the field of art with a brief comparison to the academic field. In this issue we find studies on artists, authors, and theatre actors, which provide significant contributions to these themes in theories and studies of professions.Keywords: creative industries, creative occupations, professions, status, field, symbolic and social capital 


Author(s):  
Muhammad Tamrin

Essentially, K2S was established to be an unified forum for all Javanese in Kupang City and its surroundings. K2S was a kinship independent social organization which is not affiliated with other social political or community organizations. The main objective of K2S was to develop family relations, brotherhood, togetherness and harmonization between K2S members, maintain and develop the values of Javanese art and culture, tradition, supporting faith activities, strengthen worship, and enhance morals of K2S members based on their dogma and it was also for contributions of Kupang city development. This study was done to ascertain the efforts of K2S in improving education of Islamic community in Kupang city. In this qualitative descriptive research, the data was gathered through interviews, observation, and documentation. The data was analyzed use the interactive data analysis models by Milles and Huberman. The study showed that the Javanese social harmony intercaction (K2S) took part in: 1. Social community aspects; 2. member’s training and empowerments; 3. spirituality; 4. Arts and culture.


2020 ◽  
Vol 4 (1) ◽  
pp. 1
Author(s):  
Riki Tenardi ◽  
Titi Muswati Putranti

Technological changes in tax administration especially VAT have also changed the way tax authorities around the world implement e-invoice tax, one of which is Australia. The Ministry of Finance of the Directorate General of Tax (DGT) Indonesia responded to this in 2013 by creating a VAT administrative technology system called the Electronic Tax Invoice (e-Faktur). This study aims to determine the administration of Indonesian e-Faktur by looking at the Australian e-invoice as a benchmark and to find out the problems of e-Faktur in Indonesia after implementation. This research method is a qualitative method with techniques in the form of literature studies and in-depth interviews with informants. The results of this study are that the e-Faktur of the system in Indonesia is different from the understanding of the existing e-invoicing in the literature and the Australian state. Australian e-invoicing system neglects sending data in the form of digital data (PDF) and sending via email. E-Faktur was found to still have problems after its application such as access which was always problematic because of the network, the insecurity of VAT data, and the costs that still arise due to the application e-Faktur such as the still printing of documents and inefficiency. The conclusion from this study is that there are still fundamental differences between the administration of Indonesian and Australian e-invoice.


2017 ◽  
Vol 1 (1) ◽  
pp. 123 ◽  
Author(s):  
Ni Wayan Trisna Anjasuari

<p><em>The Development of tourism in Indonesia is done by </em><em>considering </em><em>the art and culture, natural resources and local </em><em>wisdom</em><em> a</em><em>s</em><em> basis for development. The purpose of tourism development </em><em>is </em><em>to introduce, utilize, con</em><em>s</em><em>e</em><em>rv</em><em>e, and improve the quality tourist attraction</em><em>,</em><em> maintain norms</em><em> and</em><em> values of religious</em><em> and</em><em> cultural life and </em><em>also </em><em>nature the sound environment</em><em>. </em><em>prevent negative i</em><em>mpact</em><em> that can be caused by activities of tourism, and improve the welfare society. One of culture introduced </em><em>since </em><em>the development of tourism in Bali is Barong Dance </em><em>p</em><em>erfomance used as </em><em>a tourists attractions for </em><em>both domestic and </em><em>international tourits</em><em>.</em></p><p><em>            The Research of Barong Dance Perfomance as a tourist attraction discuss</em><em>es</em><em> three issues as follows (1) How </em><em>is the</em><em> </em><em>form</em><em> of the Barong Dance performance as a tourist attraction in Kedewatan Village Ubud District Gianyar Regency?, </em><em>(2). How is the tourists perception of the Barong Performance as a tourist attraction?. (3) What is the contribution of Barong Dance Perfomance as a tourist attraction for the local community in the Kedewatan Village?.</em><em></em></p><p><em>This research</em><em> used a qualitative method. Qualitative analysis is used to describe the form of the Barong Dance Perfomance, the perception of tourists, the contribution of the Barong Dance Perfomance. Data analysis is using Comodification Theory. Data collection is obtained through observation, interview, literature study, and document study. The research findings are presented and elaboreted descriptively to obtain overall conclucions.</em><em></em></p><p><em>These results indicate</em><em>s</em><em> that the Barong Dance performances as a tourist attraction is </em><em>designed in the form of a performance </em><em>package</em><em> including stage of the show, the ritual, the percussion, and the story of Barong Dance. The perception of the tourists are generally good. The Barong performance as a tourist attraction  has conr</em><em>t</em><em>ibuted to the welfare of society in economic and sociallife of the local culture of the Kedewatan Vil</em><em>l</em><em>age.</em></p>


2020 ◽  
Vol 5 (18) ◽  
pp. 122-132
Author(s):  
Madzli Harun ◽  
ZatulIffah Hussin ◽  
Khatijah Omar ◽  
Siti Falindah Padlee

The National Tourism Policy of Malaysia is known as the National Ecotourism Plan 2016-2025. It focuses on progressive and competitive tourism in the country by giving full thrust to appreciating a prosperous environment for stakeholders in the tourism sector. Hence the study of the systematic literature review focuses on several elements as the determinants of tourism policy namely Malaysia Tourism. Consequently, each of the previous study elements will explore the scope and dimensions functionality of each scientific article is consistently discussing to analyse the year in which the authors regularly publish their publications. This is to prove that a significant element of publication by the author. Meanwhile, the scope of the study by the author also risked the priority areas in each article by the authors of each element. It is important to prove that the scope supports the main headline of the paper which deals with the formulation of the National Tourism Policy. In fact, dimensions give priority to what they want to achieve in each article from the authors related to Tourism Policy. This paper reviews the Qualitative Method concept by referring to Content Analysis. As a result, it will illustrate that dimensions will be in sync with Tourism to achieve the national tourism policy aspirations.


2019 ◽  
Vol 4 ◽  
pp. 3-15
Author(s):  
Karan Khurana ◽  
Matteo Saraceno

This research article explores the current state of affairs of arts and culture sector in Ethiopia. An in-depth analysis of various dimensions of art and culture highlights where the country is presently lacking in governance and socio-economic progress in the sector. A qualitative research was carried out to collect primary data. 52 respondents were chosen to be interviewed from Bahir Dar University by the method of quota sampling and the results were analyzed. Secondary data was also analyzed through academic literature from universities in Ethiopia, reports from government and development organizations. Survey results and existing academic literature have guided to single out major hindrances to this sector. In this research it can be confirmed, that the arts and culture sector needs a major intervention in terms of governance and marketing. This research gives out a very structural strategy, based on cultural governance, cultural economics and strategies of new business development as it pillars to support the prosperity of this sector in Ethiopia. The existing academic research provides data on different arts and culture and problems which are specific to a particular region of the country. Whereas this article goes a step further in enforcing the ordinance of cultural governance to the responsible government bodies both locally and nationally and simultaneously highlights how economic progress can be achieved through this sector. Cultural governance as a directive has never been implemented in transition economies and this article will serve as a directive for the future. This article shall be very beneficial for further research in this sector and structuring the work of government bodies, stake holders and the people involved in the sector within Ethiopia.


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