Infant-Mother Relations in Ancient Greece

PEDIATRICS ◽  
1959 ◽  
Vol 23 (2) ◽  
pp. 419-420
Author(s):  
HEBMANN VOLLMER
Keyword(s):  
Human Development ◽  
Golden Age ◽  
Western Culture ◽  
Ancient Greece ◽  
Fifth Century ◽  
Know How ◽  
Child Relationship ◽  
The World ◽  
History Of ◽  
Mother Child Relationship

The Fifth Century in Greece, specifically the Pericleic Period in Athens, is regarded as the Golden Age in the history of Western culture. Pericles, a magnanimous statesman with a passion for beauty and sublimity, inspired ingenious forces in others and attracted great men to Athens. Architecture, drama, philosophy, science and medicine flourished and the spirit of Athens profoundly influenced the world. One would like to know how children fared in so great an epoch: their importance within the society; the principles of education; or the concept of an ideal mother-child relationship which we regard as so basic for human development.

scholarly journals Het labyrint in de letterkunde: Van de Barok tot het Postmodernisme

Literator ◽  
2001 ◽  
Vol 22 (1) ◽  
pp. 9-26
Author(s):  
H. Ester
Keyword(s):  
Middle Ages ◽  
Ancient Greece ◽  
The Other ◽  
Search For Meaning ◽  
Geometrical Figure ◽  
Garden Path ◽  
The World ◽  
History Of ◽  
Year 2000 ◽  
Significant Structure

The labyrinth in literature: From Baroque to Postmodernism The labyrinth has proved to be an essential symbol of postmodernist literature and the philosophy of our time. This symbol has apparently had the power to bridge the centuries between Ancient Greece and the year 2000. In reality the labyrinth as a geometrical figure has acquired various meanings in the course of time. The history of the labyrinth as symbol shows that the constant elements are as essential as the changes in meaning from the Middle Ages until the present day. Two of the new symbolic elements that accompany the labyrinth on its way through various cultural periods are the garden and the path of life. During the Baroque the labyrinth, for example, represented the synthesis of garden, path and maze. At the end of the twentieth century the labyrinth once more becomes a dominant and significant structure. The labyrinth reflects the inability and perhaps impossibility to find the key to the centre of the world and to discover the truth behind the words we use. On the other hand, the labyrinth suggests that the search for meaning and truth is an aim in itself or even that this search can lead to new forms of wisdom. The labyrinth therefore is an ambivalent and fascinating symbol of our time. Dedalus and Ariadne, however, have not yet brought the salvation we are waiting for.

The Second Royal Society Nuffield Lecture Anthropological models and social reality

1966 ◽  
Vol 165 (998) ◽  
pp. 20-34 ◽  
Keyword(s):  
Social Life ◽  
Human Life ◽  
Academic Discipline ◽  
Social Reality ◽  
Social Anthropology ◽  
Know How ◽  
The Social ◽  
The World ◽  
History Of ◽  
Human Social Life

In trying to show you the character of social anthropology as an academic discipline, I might try to sketch some substantive and perhaps intriguing findings in the field, or the history of its development, or some of its major intellectual problems today. I have chosen the last of these alternatives, because by showing the general problems we are grappling with I hope to reveal to you, in part no doubt inadvertently, the ways that anthropologists think, and also how our difficulties in part arise from the character of the social reality itself, which we confront and try to understand. The fundamental questions which social anthropology asks are about the forms, the nature, and the extent of order in human social life, as it can be observed in the different parts of the world. There is no need to prejudge the extent of this order; as members of one society we know how unpredictable social life can be. But concretely, human life varies greatly around the world, and it seems possible to characterize its forms to some extent. We seek means systematically to discover, record and understand these forms.

Confronting the Ancient Greek Golden Age in Jules Dassin’s Phaedra (1962)

2018 ◽  
pp. 119-136
Author(s):  
Emma Scioli
Keyword(s):  
Visual Imagery ◽  
Golden Age ◽  
Ancient Greece ◽  
Ancient Greek ◽  
Greek Myth ◽  
The World

In the second of three chapters examining Athens’ golden-age legacy, Scioli traces how Jules Dassin repeatedly draws attention to the origins of his 1962 melodrama Phaedra in Greek myth and tragedy through visual imagery, as a complement to his 1960 comedy Never on Sunday. Phaedra’s use of ancient Athenian art, and its suggestive modernization of elements from the ancient Athenian tragedyHippolytusand Racine’s 1677 adaptation Phèdre, force a confrontation with a particular modern formulation of the ancient Greek past. Dassin draws upon the golden age to characterize the world of ancient Greece that irrupts into the early 1960s setting of the film both visually and thematically. Rather than fostering nostalgia for a golden age that might prompt a desire for its return, Phaedra presents it as an intrusive presence from which its characters feel alienated, only to demonstrate that they are inextricably bound, in their modern dress, to repeat what the tragic past has prescribed for them. Such self-conscious appropriation of Athens’ literary-dramatic and artistic-material remains informs the tragic belatedness of Phaedra and reflects upon the American expatriate director’s sense of foreignness in the homeland of his lover and artistic muse, Greek actress and activist Melina Mercouri.

Film Comedy in Scandinavia

2020 ◽  
pp. 243-266
Author(s):  
William V. Costanzo
Keyword(s):  
Golden Age ◽  
State Funding ◽  
The World ◽  
History Of ◽  
Film Comedy

In the peculiar world of Nordic comedy, “quirky feel-good” movies and their darker cousins perpetuate an offbeat brand of humor dating back to the Viking sagas. This chapter examines the history of film comedy in Sweden, Norway, and Denmark, tracing the shifting forms of humor from the golden-age classics to more modern stories shaped by the region’s landscape, climate, and patterns of state funding. Comedy in this part of the world includes the folklustpel merriment of Ingmar Bergman’s Smiles of a Summer Night, the playful parody of Ruben Øvredal’s Trollhunter, and the shadowy cynicism of Lars von Trier’s Dogme-dominated The Boss of It All.

scholarly journals David the Invincible: Philosophy as a Lifestyle

wisdom ◽  
2016 ◽  
Vol 2 (7) ◽  
pp. 148
Author(s):  
Silva PETROSYAN
Keyword(s):  
Ancient Greece ◽  
Theory And Practice ◽  
Spiritual Practices ◽  
Human Being ◽  
Way Of Life ◽  
The World ◽  
History Of ◽  
Self Formation ◽  
Outstanding Representative

The most outstanding representative of the history of Armenian philosophy, Neoplatonic thinker of the V-VI centuries, David the Invincible continues the tradition reached the peak of its development in the Ancient Greece by Socrates and Plato, according to which philosophy is first of all a way of life, a means of transformation and perfection of the human being. Following the principles of the Greek Paideia David considers philosophy as a care of the soul, in which theory and practice are intertwined, and cognition of the world depends on the efforts of self-improvement by a subject. Author shows that in David’s definitions of philosophy is clearly seen the significance of self-formation, “zardarum” in the process of reality formation, comprehension or rethinking. It is also mentioned that we can use Michel Foucault’s notion of the “care of the soul” and Pierre Hadot’s notion of “spiritual practices’’ to characterize David’s optimistic philosophy, which was developed further in the theories of Armenian thinkers Grigor Narekatsi, Grigor Magistros, Hovhannes Imastaser, Arakel Sjunetsi, etc.

Trigonometry: A Very Short Introduction

2020 ◽  
Author(s):  
Glen Van Brummelen
Keyword(s):  
Computer Graphics ◽  
Ancient Greece ◽  
Short Introduction ◽  
Curved Space ◽  
Islamic World ◽  
The World ◽  
Key Concepts ◽  
History Of ◽  
Medieval India ◽  
The Universe

Trigonometry: A Very Short Introduction draws together the full history of trigonometry, stretching across two millennia and several cultures such as ancient Greece, medieval India, and the Islamic world. It introduces the key concepts of trigonometry, drawing readers beyond the basic relationships first encountered in school to reveal the richness of the entire subject of trigonometry and ideas such as curved space. It also explores connections with genuine modern applications, including navigation, the analysis of music, computer graphics, and powerful modelling tools in science, and shows how trigonometry has participated in big questions about the world, including the shape of the universe and the nature of infinity.

‘All the World’s a Stage-Painting’: Scenery, Optics, and Greek Epistemology

2017 ◽  
Author(s):  
M. F. Burnyeat
Keyword(s):  
Fourth Century ◽  
Fifth Century ◽  
Early History ◽  
Sense Perception ◽  
Phenomenal Experience ◽  
The World ◽  
Fourth Century Bce ◽  
History Of ◽  
Epistemological Debate ◽  
Underlying Reality

In the fourth century BCE, Anaxarchus and Monimus compared the world to stage-painting, to express scepticism about sense-perception and the worthlessness of human affairs, respectively. But the comparison traces back to Democritus’ discussion of Anaxagoras’ famous claim, a century earlier, that ‘appearances are a sight of things unseen’. According to Vitruvius, they were influenced by what Agatharchus had written about stage-painting, something that can be assessed properly only by considering the genre of technical treatises and the claims of those who were first to write on a subject. The comparison with phenomenal experience should ultimately be credited to Anaxagoras, though the points that he and Democritus make differ, owing to their different views of how the macroscopic world is related to underlying reality. These texts are thus not about the early history of perspectival painting, but stem from a fifth-century epistemological debate about what, if anything, sense-perception reveals about reality.

Foundations of legal tradition: the case of ancient Greece

Legal Studies ◽  
1989 ◽  
Vol 9 (3) ◽  
pp. 241-260
Author(s):  
Neil Duxbury
Keyword(s):  
Ancient Greece ◽  
Roman Law ◽  
Legal Tradition ◽  
Law System ◽  
The World ◽  
Ancient Law ◽  
History Of ◽  
History Of Law

Much has often been made of Maine's striking opening sentence to his Ancient Law, in which he states that the most celebrated system of jurisprudence in the world, the Roman law system, ‘begins, as it ends, with a code.’ It is a remark which serves well those who argue that law has evolved as a predominantly written culture. Yet, as Maine points out, the publication of the Twelve Tables (these traditionally being regarded as the foundation of Roman law) ‘is not the earliest point at which we can take up the history of law.’

A learned artisan debates the system of the world: Le Clerc versus Mallemant de Messange

2017 ◽  
Vol 50 (4) ◽  
pp. 603-636
Author(s):  
ODED RABINOVITCH
Keyword(s):  
Early Modern ◽  
Scientific Revolution ◽  
Scientific Publishing ◽  
Literary Field ◽  
Know How ◽  
The World ◽  
History Of ◽  
And Mathematics

AbstractSébastien Le Clerc (1637–1714) was the most renowned engraver of Louis XIV's France. For the history of scientific publishing, however, Le Clerc represents a telling paradox. Even though he followed a traditional route based on classic artisanal training, he also published extensively on scientific topics such as cosmology and mathematics. While contemporary scholarship usually stresses the importance of artisanal writing as a direct expression of artisanal experience and know-how, Le Clerc's publications, and specifically the work on cosmology in hisSystème du monde(1706–1708), go far beyond this. By reconstructing the debate between Le Clerc and the professor Mallemant de Messange on the authorship of this ‘system of the world’, this article argues that Le Clerc's involvement in publishing ventures shaped his identity both as an artisan and as a scientific author. Whereas the Scientific Revolution supposedly heralded a change from the world of ‘more or less’ to the ‘world of precision’, this article shows how an artisan could be more ‘precise’ than the learned scholar whose claims he disputed, and points to the importance of the literary field as a useful lens for observing the careers of early modern scientific practitioners.

SYSTEM OF ARCHAIC SIGNS-SYMBOLS IN THE ORNAMENTS OF THE MESENA SPINNING ROTARY

2021 ◽  
Vol 23 (77) ◽  
pp. 70-75
Author(s):  
A.A. Zhogolevа ◽  
◽  
E.G. Stolyarova
Keyword(s):  
Contemporary Art ◽  
Modern Art ◽  
Ancient Greece ◽  
Traditional Culture ◽  
Single System ◽  
Present Stage ◽  
Art And Design ◽  
The World ◽  
History Of ◽  
The Subject

The article is devoted to the study of the symbols of the Mezen painting as a single system. The spinning wheel is viewed as a cosmogonic model of our ancestors, where painting is directly related to the content of the image. The object of the research is the archaic symbols of the Mezen painting. The subject is the development of ornaments and prints for decor and product design. The history of the Mezen craft (geography, origins, traditions), the artistic features of the craft (materials, technology) and the semantics of the ornament are studied. The article considers archaic ornaments of Mezeno in connection with the ancient cultures of mankind (the Neolithic era, Andronov culture, Ancient Greece, etc.) and Slavic traditional culture. The article deals with deciphering the semantics of the ornament of the Mezen spinning wheel as a reflection of the idea of the world of our ancestors. The author's development "The symbolism of the Mezen painting in contemporary art" is given, showing the possibility of using the Mezen ornament at the present stage of the development of artistic culture in art and design. The authors of the article propose to use the ornaments and symbols of Mezeno as decor and prints in modern art and design.

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