Gay's Mastery of the Heroic Couplet

PMLA ◽  
1946 ◽  
Vol 61 (1) ◽  
pp. 114-125
Author(s):  
Wallace Cable Brown
Keyword(s):  
Nineteenth Century ◽  
Detailed Examination ◽  
The Other ◽  
Common View ◽  
John Gay ◽  
Literary Reputation

In his literary reputation, John Gay has been less fortunate than his neo-classic contemporaries; for, added to nineteenth century neglect, he received little support from Johnson himself, whose “Life of Gay” is harsh and unsympathetic. Today, except for the lyrics in “The Beggar's Opera” and the Fables, Gay's poetry is more talked about than read; and more has been written about his life and times than about any of his work. Even when he is occasionally judged as a poet, there is little genuinely critical agreement. At one extreme, for instance, Mr. F. R. Leavis brackets Gay with Parnell, and remarks that they “are representative period figures, of very minor interest.” This is the more common view. But at the other extreme, Mr. Yvor Winters places Gay among “the chief masters of the heroic couplet.” Since these are but passing estimates, a detailed examination of Gay's heroic couplet poems should perform for his reputation a service long over-due.

Electron Irradiation Effects in Polyoxymethylene Crystals Grown Inside Trioxane Crystals

1971 ◽  
Vol 29 ◽  
pp. 78-79
Author(s):  
J. P. Colson ◽  
D. H. Reneker
Keyword(s):  
Cross Section ◽  
Cross Sections ◽  
Detailed Examination ◽  
The Other ◽  
Electron Micrograph ◽  
Irradiation Effects ◽  
Threefold Axis ◽  
Typical Sample ◽  
Polymer Crystals ◽  
Chain Axis

Polyoxymethylene (POM) crystals grow inside trioxane crystals which have been irradiated and heated to a temperature slightly below their melting point. Figure 1 shows a low magnification electron micrograph of a group of such POM crystals. Detailed examination at higher magnification showed that three distinct types of POM crystals grew in a typical sample. The three types of POM crystals were distinguished by the direction that the polymer chain axis in each crystal made with respect to the threefold axis of the trioxane crystal. These polyoxymethylene crystals were described previously.At low magnifications the three types of polymer crystals appeared as slender rods. One type had a hexagonal cross section and the other two types had rectangular cross sections, that is, they were ribbonlike.

DARI PERSIA HINGGA CINA: Diskursus tentang Teori Kedatangan Islam di Melayu Nusantara

2018 ◽  
pp. 1-16
Author(s):  
Lukmanul Hakim
Keyword(s):  
The Other ◽  
Strong Tendency ◽  
Common View ◽  
Historical Method ◽  
Malay Archipelago

The arrival of Islam in Malay Archipelago to this day is still a debate, because no data and facts have been found to be scientifically justified, but also because of the unilateral nature of the various theories. There is a strong tendency, certain theories emphasize only the specific aspects, while ignoring the other aspects. Therefore, most of the theories that exist in certain aspects fail to explain the coming of Islam, and the process of Islamization. This paper aims to analyze the theory of the arrival of Islam in the Malay Archipelago world. The method used is historical method. Until now there are at least four theories that discuss the theory of the arrival of Islam in the Malay Archipelago world. The four theories are Gujarat theory, Mecca theory, Persian theory and fourth theory (Chinese). Each of these theories has the strengths and weaknesses and certainly these four theories have a common view of Islam as a religion developed in the archipelago through a peaceful way and Islam does not recognize mission as practiced by Christians and Catholics.

Natives, Religion, and Race in Colonial America

2018 ◽  
Author(s):  
Linford D. Fisher
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Colonial America ◽  
The Other ◽  
Native Peoples ◽  
Religion And Race ◽  
Racial Lines ◽  
Modern Sense ◽  
Over Time

Although racial lines eventually hardened on both sides, in the opening decades of colonization European and native ideas about differences between themselves and the other were fluid and dynamic, changing on the ground in response to local developments and experiences. Over time, perceived differences were understood to be rooted in more than just environment and culture. In the eighteenth century, bodily differences became the basis for a wider range of deeper, more innate distinctions that, by the nineteenth century, hardened into what we might now understand to be racialized differences in the modern sense. Despite several centuries of dispossession, disease, warfare, and enslavement at the hands of Europeans, native peoples in the Americans almost universally believed the opposite to be true. The more indigenous Americans were exposed to Europeans, the more they believed in the vitality and superiority of their own cultures.

Combatting Bias in the Criminal Courts of France, 1870s-1913

2020 ◽  
Vol 60 (2) ◽  
pp. 137-168
Author(s):  
James Donovan
Keyword(s):  
Nineteenth Century ◽  
Quantitative Analysis ◽  
Working Class ◽  
The Other ◽  
Fin De Siecle ◽  
Criminal Courts ◽  
Chief Justice ◽  
Jury Verdicts ◽  
Nineteenth Century France ◽  
A Charge

Abstract In nineteenth-century France, liberals assumed that a conservative judiciary was frequently biased in favour of the prosecution, and socialists assumed that juries were dominated by the upper classes and too unrepresentative of the population to render justice equitably. Agitation by the left to combat these perceived biases led to the adoption of two key reforms of the fin de siècle. One was the abolition in 1881 of the résumé, or summing-up of the case by the chief justice of the cour d’assises (felony court). Liberals thought this reform was necessary because judges allegedly often used the résumé to persuade jurors in favour of conviction, a charge repeated by modern historians. The other reform, beginning at about the same time, was to make jury composition more democratic. By 1880, newly empowered liberals (at least in Paris) had begun to reduce the proportion of wealthy men on jury lists. This was followed in 1908 by the implementation of a circular issued by the Minister of Justice ordering the jury commissions to inscribe working-class men on the annual jury lists. However, a quantitative analysis of jury verdicts suggests that the reforms of the early 1880s and 1908 had only modest impacts on jury verdicts. Ideas and attitudes seem to have been more important. This has implications regarding two key controversies among modern jurists: the extent to which judges influence jurors and the extent to which the characteristics of jurors influence their verdicts.

Ironic Reprise in Galdós' Novels

PMLA ◽  
1961 ◽  
Vol 76 (3) ◽  
pp. 233-239 ◽  
Author(s):  
Monroe Z. Hafter
Keyword(s):  
Nineteenth Century ◽  
Recent Article ◽  
The Other ◽  
Separate Study ◽  
The Unconscious ◽  
Present Essay ◽  
Spanish Novel ◽  
Artistic Representation ◽  
The Rich

A recent article of Leon Livingstone rightly calls attention to the importance of Pérez Galdós' assimilation of Cervantine irony as a forerunner of the concern of modern Spanish novelists about the autonomy of their characters. The unreality of rationalism, which Livingstone holds to be the germ of El amigo Manso, the imagination's capacity to create reality at the heart of Misericordia, lead to the even bolder experiments in the artistic representation of reality undertaken by Unamuno, Azorín, Valle-Inclán, and Pérez de Ayala. Anomalous for his time yet so pervasive in his work is Galdós' employment of “interior duplication” that a separate study would contribute to our fuller understanding of his art as well as to our measure of the advances in the Spanish novel of the latter half of the nineteenth century. The present essay focuses on Galdós' developing skill with internal repetitions from La Fontana de Oro (publ. 1870), through the rich complexities of the novels written between 1886–89, to their almost stylized simplicity in El abuelo (1897). Always related to Cervantine irony, the variety of verbal echoes, the mirroring of one character in another, the unconscious illumination each may offer the other, underscore the increasingly intimate wedding of form and matter with which Galdós came to unfold his narratives.

Anna Karenina: The Dialectic of Prophecy

PMLA ◽  
1964 ◽  
Vol 79 (3) ◽  
pp. 266-282
Author(s):  
David H. Stewart
Keyword(s):  
Nineteenth Century ◽  
The Other ◽  
Moby Dick ◽  
Anna Karenina ◽  
Symbolic Value ◽  
Almost All ◽  
The Way

One of the most impressive features of Anna Karenina is the way in which Tolstoy draws the reader's imagination beyond the literal level of the narrative into generalizations that seem mythical in a manner difficult to articulate. With Dostoevsky or Melville, one sees immediately a propensity for exploiting the symbolic value of things. With Tolstoy, things try, as it were, to resist conversion: they strive to maintain their “thingness” as empirical entities. A character in Dostoevsky is usually only half man; the other half is Christ or Satan. Moby Dick is obviously only half whale; the other half is Evil or some principle of Nature. But Anna Karenina is emphatically Anna Karenina. Like almost all of Tolstoy's characters, she has a proficiency in the husbandry of identity; she jealously hoards her own unique reality, so that it becomes difficult to say of her that she is a “type” of nineteenth-century Russian lady or a “symbol” of modern woman or an “archetypical” Eve or Lilith.

Resolving the Lourinia armata (Claus, 1866) complex with remarks on the monophyletic status of Louriniidae, Monard 1927 (Copepoda: Harpacticoida)

Zootaxa ◽  
2021 ◽  
Vol 5051 (1) ◽  
pp. 346-386
Author(s):  
SÜPHAN KARAYTUĞ ◽  
SERDAR SAK ◽  
ALP ALPER ◽  
SERDAR SÖNMEZ
Keyword(s):  
Comparative Evaluation ◽  
Species Complex ◽  
Detailed Examination ◽  
The Other ◽  
Phylogenetic Position ◽  
Nicobar Island ◽  
Other Hand ◽  
The Family ◽  
Close Relationship ◽  
Almost All

An attempt was made to test if Lourinia armata (Claus, 1866)—as it is currently diagnosed—represents a species complex. Detailed examination and comparisons of several specimens collected from different localities suggest that L. armata indeed represents a complex of four closely related morphospecies that can be differentiated from one another by only detailed observations. One of the four species is identified as Lourinia aff. armata and the other three species are described as new to science and named as Lourinia wellsi sp. nov., L. gocmeni sp. nov., and L. aldabraensis sp. nov. Detailed review of previous species records indicates that the genus Lourinia Wilson, 1924 is distributed worldwide. Ceyloniella nicobarica Sewell, 1940, originally described from Nicobar Island and previously considered a junior subjective synonym of L. armata is reinstated as Lourinia nicobarica (Sewell, 1940) comb. nov. on the basis of the unique paddle-shaped caudal ramus seta V. It is postulated that almost all of these records are unreliable in terms of representing true Lourinia aff. armata described herein. On the other hand, the comparative evaluation of the illustrations and descriptions in the published literature indicates the presence of several new species waiting to be discovered in the genus Lourinia.                 It has been determined that, according to updated modern keys, the recent inclusion of the monotypic genus Archeolourinia Corgosinho & Schizas, 2013 in the Louriniidae is not justified since Archeolourinia shermani Corgosinho & Schizas, 2013 does not belong to this family but should be assigned to the Canthocamptidae. On the other hand, it has been argued that the exact phylogenetic position of the Louriniidae still remains problematic since none of the diagnostic characters supports the monophyly of the family within the Oligoarthra. It has also been argued that the close relationship between Louriniidae and Canthocamptidae is supported since both families share the homologous sexual dimorphism (apophysis) on P3 endopod. The most important characteristic that can possibly be used to define Louriniidae is the reduction of maxilliped.  

The Kembles and Vocal Technique

1983 ◽  
Vol 8 (1) ◽  
pp. 23-42 ◽  
Author(s):  
Maarten van Dijk
Keyword(s):  
Nineteenth Century ◽  
The Other ◽  
Late Nineteenth Century ◽  
Vocal Technique ◽  
Late Nineteenth

Stage speech, like the other techniques of acting, such as gesture, movement, and the interpretation of character, has always been subject to the theatrical conventions of an age. The conventions, while superficially based on current fads and fashions are on a more profound level the result of an underlying creative method reflecting commonly held views about the correct or ‘natural’ methods of imitating nature on the stage. Nothing demonstrates the enormous changes in stage speech over the last hundred years more vividly than the few existing recordings made by actors who had most of their training and their careers in the mid-to-late nineteenth century.

Sign in / Sign up

Export Citation Format

Share Document