Forgetting Sedgwick

PMLA ◽  
2010 ◽  
Vol 125 (2) ◽  
pp. 370-373
Author(s):  
Laura Doan
Keyword(s):  
Queer Theory ◽  
Paradigm Shift ◽  
Queer Studies ◽  
Vantage Point ◽  
Late Nineteenth Century ◽  
The Past ◽  
Academic History ◽  
History Of ◽  
Late Nineteenth ◽  
Blind Spots

Eve Kosofsky Sedgwick was not a historian of sexuality, but she was keenly aware of the historicity of sexuality and erotic desire in ways unlike other major figures in queer theory. This fact has gone largely unnoticed in queer studies, a field dominated by literary and cultural critics that has an uneasy relation with academic history. An example of the historicity of Sedgwick's theories of sexuality can be seen in her famous critique of Foucault's Great Paradigm Shift—that imaginary moment in the late nineteenth century when the category of the modern homosexual was thought to displace the category of the sodomite (Epistemology 44). The formulation of axiom 5 in Epistemology of the Closet—“the historical search for a Great Paradigm Shift may obscure the present conditions of sexual identity” (44)—reveals a deep consciousness of the “irreducible historicity of all things … discerning the time-and-place specificity of a thing, identifying the ways in which it relates to its context or milieu, and determining the extent to which it is both enabled and hamstrung by this relationship,” to cite the historian Hayden White's description of history as critique (224). If Foucauldian genealogy (or a “history of the present”) “begins with an analysis of blind spots in our current understanding, or with a problematization of what passes for ‘given’ in contemporary thought” (Halperin 13), it is vital, as Sedgwick puts it, to “denaturalize the present, rather than the past” (Epistemology 48). Sedgwick's vantage point on a queer past pivots around “homosexuality as we conceive of it today” (45), a phrase as resonant now in sexuality studies as was Foucault's reference to the homosexual as a species (Foucault 43). So entrenched are the modern categories of identity that Sedgwick repeats the phrase over and over in her cogent analysis of our current conceptions of sexuality. Such insistent differentiation between an alien past and an equally—if not more—alien present, the distinction between “them” and “us,” reverberates across the history of homosexuality. Consider, for instance, Matt Houlbrook's discussion of men who refrain from using “‘gay’ in the way we would use the term today” (xiii) or Jonathan Ned Katz's understanding of the presentness of our present standpoint—“what we today recognize as erotic feelings and acts” (6).

Introduction

2018 ◽  
Author(s):  
Nurit Yaari
Keyword(s):  
Nineteenth Century ◽  
Eastern Europe ◽  
The Political ◽  
Late Nineteenth Century ◽  
Jewish Culture ◽  
The Past ◽  
Future State ◽  
History Of ◽  
Late Nineteenth ◽  
State Of Israel

This chapter examines the lack of continuous tradition of the art of the theatre in the history of Jewish culture. Theatre as art and institution was forbidden for Jews during most of their history, and although there were plays written in different times and places during the past centuries, no tradition of theatre evolved in Jewish culture until the middle of the nineteenth century. In view of this absence, the author discusses the genesis of Jewish theatre in Eastern Europe and in Eretz-Yisrael (The Land of Israel) since the late nineteenth century, encouraged by the Jewish Enlightenment movement, the emergence of Jewish nationalism, and the rebirth of Hebrew as a language of everyday life. Finally, the chapter traces the development of parallel strands of theatre that preceded the Israeli theatre and shadowed the emergence of the political infrastructure of the future State of Israel.

Introduction

1969 ◽  
Vol 29 (1) ◽  
pp. 7-14
Author(s):  
Richard C. Howard
Keyword(s):  
Nineteenth Century ◽  
Historical Perspective ◽  
Recent Trend ◽  
General Consideration ◽  
Reform Movement ◽  
Late Nineteenth Century ◽  
The Past ◽  
Main Emphasis ◽  
History Of ◽  
Late Nineteenth

Many of us who have studied the modern history of China first learned of the late nineteenth-century reform movement in texts with chapters or sections entitled, “The Hundred Days of Reform,” or “The Reform Movement of 1898.” In such works our attention was directed to that group of politically inexperienced idealists who sought to impose upon a recalcitrant bureaucracy and apathetic populace a series of reforms designed to rescue the empire from impending dismemberment at the hands of foreign powers. The main emphasis of these standard accounts was upon the events of 1898 and their significance in China's political history. During the past twenty years, however, scholarly interest in the reformers has shifted from a preoccupation with their activities in 1898 to a more general consideration of their intellectual antecedents and the ideological content of their reform programs. Studies along these lines have placed the events of 1898 in a broader historical perspective—as the climax of a movement that was more than a decade in the making. This recent trend in scholarship is reflected in the four papers of this symposium. Separately and collectively, these papers confirm what earlier studies have suggested, that the reformers' objectives in 1898 can best be understood in the context of an intellectual movement that assumed its distinctive characteristics during the decade of the 1890's.

LOYAL WORKERS AND DISTINGUISHED SCHOLARS: BIG HUMANITIES AND THE ETHICS OF KNOWLEDGE

2017 ◽  
Vol 16 (1) ◽  
pp. 87-126
Author(s):  
CHAD WELLMON
Keyword(s):  
Nineteenth Century ◽  
Digital Age ◽  
Digital Data ◽  
Late Nineteenth Century ◽  
The Past ◽  
New Methods ◽  
History Of ◽  
Late Nineteenth ◽  
Academy Of Sciences ◽  
German Historian

Over the past two decades, long-running debates about the purposes and practices of humanistic inquiry have been refocused as a debate about the uncertain fate of the humanities in a digital age. Now, with the advent of digital and computational humanities, scholars are discussing with a new urgency what the humanities are for and what it means to practice them. And many suggest that the surfeit of digital data is unprecedented and are calling for new methods, practices, and epistemologies. This article considers these claims in light of a longer history of what Lorraine Daston has called “practices of compendia”––practices of collecting, collating, and interpreting massive amounts of data. It focuses, in particular, on the late nineteenth-century German historian Theodor Mommsen and the range of projects he initiated and led as secretary of the Prussian Academy of Sciences. Mommsen invented the “big humanities” and what his contemporaries termed the “industrial” model of scholarship, a model that helped create a new, modern scholarly persona and a distinctly modern ethics of knowledge.

scholarly journals Remembering Slavery in Urban Cape Town: Emancipation or Continuity?

2020 ◽  
Vol 65 (S28) ◽  
pp. 197-223
Author(s):  
Samuel North
Keyword(s):  
Urban Space ◽  
Racial Segregation ◽  
Cape Town ◽  
Late Nineteenth Century ◽  
Direct Experience ◽  
Colonial Era ◽  
The Past ◽  
History Of ◽  
Late Nineteenth ◽  
Over Time

AbstractThis article examines how slavery has been remembered in the urban space of Cape Town over time. It explores how individuals and groups have commemorated the history of slavery from the late nineteenth century onwards. It outlines how memory of slavery faded as the number of people with direct experience of enslavement decreased, with burgeoning racial segregation influencing the way that the past was viewed. It then examines how post-1994 democracy in South Africa has once again changed approaches to history. Colonial-era abuses such as slavery have not always been readily remembered in an urban space where their legacies are visible, and this article examines the interplay of politics and identity at the heart of public memorialization of these contested pasts.

The Modernities of H. Lawrence Freeman

2019 ◽  
Vol 72 (3) ◽  
pp. 719-779
Author(s):  
David Gutkin
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
Reception History ◽  
Black Press ◽  
Late Nineteenth Century ◽  
Starting Point ◽  
History Of ◽  
Late Nineteenth ◽  
White Press ◽  
Grand Opera

H. Lawrence Freeman's “Negro Jazz Grand Opera,” Voodoo, was premiered in 1928 in Manhattan's Broadway district. Its reception bespoke competing, racially charged values that underpinned the idea of the “modern” in the 1920s. The white press critiqued the opera for its allegedly anxiety-ridden indebtedness to nineteenth-century European conventions, while the black press hailed it as the pathbreaking work of a “pioneer composer.” Taking the reception history of Voodoo as a starting point, this article shows how Freeman's lifelong project, the creation of what he would call “Negro Grand Opera,” mediated between disparate and sometimes apparently irreconcilable figurations of the modern that spanned the late nineteenth century through the interwar years: Wagnerism, uplift ideology, primitivism, and popular music (including, but not limited to, jazz). I focus on Freeman's inheritance of a worldview that could be called progressivist, evolutionist, or, to borrow a term from Wilson Moses, civilizationist. I then trace the complex relationship between this mode of imagining modernity and subsequent versions of modernism that Freeman engaged with during the first decades of the twentieth century. Through readings of Freeman's aesthetic manifestos and his stylistically syncretic musical corpus I show how ideas about race inflected the process by which the qualitatively modern slips out of joint with temporal modernity. The most substantial musical analysis examines leitmotivic transformations that play out across Freeman's jazz opera American Romance (1924–29): lions become subways; Mississippi becomes New York; and jazz, like modernity itself, keeps metamorphosing. A concluding section considers a broader set of questions concerning the historiography of modernism and modernity.

The Southern Slope of Monsalvat: How Spanish Wagnerism Became Catalan

2017 ◽  
Vol 41 (1) ◽  
pp. 31-47
Author(s):  
Clinton D. Young
Keyword(s):  
Economic Development ◽  
Political Institutions ◽  
Late Nineteenth Century ◽  
Southern Slope ◽  
Modern Music ◽  
The Past ◽  
Late Nineteenth ◽  
Symphonic Culture ◽  
Similar Dynamic ◽  
The Way

This article examines the development of Wagnerism in late-nineteenth-century Spain, focusing on how it became an integral part of Catalan nationalism. The reception of Wagner's music and ideas in Spain was determined by the country's uneven economic development and the weakness of its musical and political institutions—the same weaknesses that were responsible for the rise of Catalan nationalism. Lack of a symphonic culture in Spain meant that audiences were not prepared to comprehend Wagner's complexity, but that same complexity made Wagner's ideas acceptable to Spanish reformers who saw in the composer an exemplar of the European ideas needed to fix Spanish problems. Thus, when Wagner's operas were first staged in Spain, the Teatro Real de Madrid stressed Wagner's continuity with operas of the past; however, critics and audiences engaged with the works as difficult forms of modern music. The rejection of Wagner in the Spanish capital cleared the way for his ideas to be adopted in Catalonia. A similar dynamic occurred as Spanish composers tried to meld Wagner into their attempts to build a nationalist school of opera composition. The failure of Tomás Bréton's Los amantes de Teruel and Garín cleared the way for Felip Pedrell's more successful theoretical fusion of Wagnerism and nationalism. While Pedrell's opera Els Pirineus was a failure, his explanation of how Wagner's ideals and nationalism could be fused in the treatise Por nuestra música cemented the link between Catalan culture and Wagnerism.

Theodore H. Friedgut, Stepmother Russia, Foster Mother America: Identity Transitions in the New Odessa Jewish Commune, Odessa, Oregon, New York, 1881–1891, together with Israel Mandelkern, Recollections of a Communist (ed. and annotated Theodore H. Friedgut). Boston: Academic Studies Press, 2014. 199 pp.

2018 ◽  
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
Life Experience ◽  
Late Nineteenth Century ◽  
Foster Mother ◽  
History Of ◽  
Late Nineteenth ◽  
Identity Transitions ◽  
Israeli Kibbutz

This chapter reviews the book Stepmother Russia, Foster Mother America: Identity Transitions in the New Odessa Jewish Commune, Odessa, Oregon, New York, 1881–1891 (2014), by Theodore H. Friedgut, together with Israel Mandelkern, Recollections of a Communist (edited and annotated by Theodore H. Friedgut). Stepmother Russia, Foster Mother America is a two-in-one volume that explores an obscure episode in the history of the Jews in the late nineteenth century while at the same time connecting much of its content to the author’s own life experience as a son of western Canada’s Jewish farming colonies and, later, as an ideologically driven halutz on an Israeli kibbutz. Stepmother Russia, Foster Mother America retells one branch of the mostly forgotten history of the Am Olam agricultural movement and brings a new layer into the discussion of global Jewish agrarianism, while Recollections of a Communist offers an edited and annotated version of a memoir written by Mandelkern.

Schopenhauer’s Pessimism in Context

2020 ◽  
pp. 283-298
Author(s):  
Mark Migotti
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Human Life ◽  
Necessary Condition ◽  
Late Nineteenth Century ◽  
Human Flourishing ◽  
History Of ◽  
Late Nineteenth ◽  
Early Eighteenth Century

In this chapter, the author attempts to establish what is philosophically living and what is philosophically dead in Schopenhauer’s pessimism. Against the background of the intriguing the history of the terms “optimism” and “pessimism”—in debates about Leibniz’s theodicy in the early eighteenth century and the popularity of Schopenhauer in the late nineteenth century, respectively—the author points up the distinction between affirming life, which all living beings do naturally, and subscribing to philosophical optimism (or pessimism), which is possible only for reflective beings like us. Next, the author notes the significance of Schopenhauer’s claim that optimism is a necessary condition of theism and explains its bearing on his pessimistic argument for the moral unacceptability of suicide. The chapter concludes that Schopenhauer’s case for pessimism is not conclusive, but instructive; his dim view of the prospects for leading a truly rewarding, worthwhile human life draws vivid attention to important questions about how and to what degree an atheistic world can nevertheless be conducive to human flourishing.

Police Records

2019 ◽  
pp. 797-819
Author(s):  
Cristina Vatulescu
Keyword(s):  
Nineteenth Century ◽  
Detective Fiction ◽  
Media History ◽  
Late Nineteenth Century ◽  
The Novel ◽  
Police Records ◽  
History Of ◽  
Late Nineteenth ◽  
Relationship Of ◽  
The Relationship

This chapter approaches police records as a genre that gains from being considered in its relationships with other genres of writing. In particular, we will follow its long-standing relationship to detective fiction, the novel, and biography. Going further, the chapter emphasizes the intermedia character of police records not just in our time but also throughout their existence, indeed from their very origins. This approach opens to a more inclusive media history of police files. We will start with an analysis of the seminal late nineteenth-century French manuals prescribing the writing of a police file, the famous Bertillon-method manuals. We will then track their influence following their adoption nationally and internationally, with particular attention to the politics of their adoption in the colonies. We will also touch briefly on the relationship of early policing to other disciplines, such as anthropology and statistics, before moving to a closer look at its intersections with photography and literature.

Sufis and the Sufi Lodges in Istanbul in the Late Nineteenth Century: A Socio-Spatial Analysis

2021 ◽  
pp. 009614422110252
Author(s):  
Ahmet Yusuf Yüksek
Keyword(s):  
Nineteenth Century ◽  
Spatial Analysis ◽  
Natural Disasters ◽  
Late Nineteenth Century ◽  
Religion And Spirituality ◽  
Spatial History ◽  
The Social ◽  
History Of ◽  
Late Nineteenth ◽  
Social Profiles

This study investigates the socio-spatial history of Sufism in Istanbul during 1880s. Drawing on a unique population registry, it reconstructs the locations of Sufi lodges and the social profiles of Sufis to question how visible Sufism was in the Ottoman capital, and what this visibility demonstrates the historical realities of Sufism. It claims that Sufism was an integral part of the Ottoman life since Sufi lodges were space of religion and spirituality, art, housing, and health. Despite their large presence in Istanbul, Sufi lodges were extensively missing in two main areas: the districts of Unkapanı-Bayezid and Galata-Pera. While the lack of lodgess in the latter area can be explained by the Western encroachment in the Ottoman capital, the explanation for the absence of Sufis in Unkapanı-Bayezid is more complex: natural disasters, two opposing views about Sufi sociability, and the locations of the central lodges.

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