scholarly journals The Development of Arts in the Context of the Stroganovs’ Activity as Ktitors and Art Patrons in the 16th-17th Centuries

Author(s):  
Natalia V. Parfentieva ◽  
Nikolai P. Parfentiev

The Stroganovs, known in the 16th–17th centuries as merchants, industrialists and landowners, left a deep mark in the history of not only the economy, but also of the culture of Russia. There is the vast scientific literature covering various aspects of the family members’ life, but their ktitor (founder and donator of church building) and art patronage activities of that time were not specifically studied. Only certain aspects were considered in the context of scientific searches in the field of art history. The authors of the article show that primarily the ktitor activity of the Stroganovs was consisted in the construction of numerous parish churches at their own expense during the development of the vast Ural-Pomor lands. This activity acquires great spiritual and cultural significance with the construction of magnificent stone Cathedrals (Sol’vychegodsk, Nizhny Novgorod, etc.), especially the family Blagoveshchensky (Annunciation) Cathedral (1560-1584) in Sol’vychegodsk, in which even a ktitor’s place was arranged. Concerns about providing the churches with everything necessary led to the foundation by the Stroganovs icon painting and book-writing workshops, decorative needlework and silver jewellery making, and the support of the Usol’e (Stroganov) masters of chanting. With a certain degree of conventionality for that time, the Stroganovs can be called not only ktitors, but also patrons of the arts. The theme of patronage of art and culture development by individuals in certain historical periods is often found in world science, but as a rule, on the examples of the Modern Age period. A few works are known about medieval patronage (about European rulers mainly). Therefore, the presented work highlighting the rare theme of patronage in Russia in the late Middle Ages complements the data of this issue at the world level. Thus, the purpose of the researching is to present in a generalized form the phenomenon of the flourishing of arts in the Stroganovs’ possessions precisely in the context of the formation and development of their activity as founders and donators of church building and art patrons in the 16th–17th centuries. This multifaceted activity is interpreted as the basis for the development of arts in the period under review. On the basis of the available scientific data, including one belonging to the authors, as well as with the involvement of new materials, a generalizing analysis of Stroganov masters’ works of art is also presented. The most significant scientific approaches are the complexity and interdisciplinary of the study. The results of solving the posed issue complement the modern scientific knowledge about the ways of development of art and ecclesiastical culture of Russia

2020 ◽  
Vol 23 (2) ◽  
pp. 423-446
Author(s):  
Sylvain Roudaut

Abstract This paper offers an overview of the history of the axiom forma dat esse, which was commonly quoted during the Middle Ages to describe formal causality. The first part of the paper studies the origin of this principle, and recalls how the ambiguity of Boethius’s first formulation of it in the De Trinitate was variously interpreted by the members of the School of Chartres. Then, the paper examines the various declensions of the axiom that existed in the late Middle Ages, and shows how its evolution significantly follows the progressive decline of the Aristotelian model of formal causality.


Author(s):  
James A. Palmer

The humanist perception of fourteenth-century Rome as a slumbering ruin awaiting the Renaissance and the return of papal power has cast a long shadow on the historiography of the city. Challenging the view, this book argues that Roman political culture underwent dramatic changes in the late Middle Ages, with profound and lasting implications for the city's subsequent development. The book examines the transformation of Rome's governing elites as a result of changes in the city's economic, political, and spiritual landscape. It explores this shift through the history of Roman political society, its identity as an urban commune, and its once-and-future role as the spiritual capital of Latin Christendom. Tracing the contours of everyday Roman politics, the book reframes the reestablishment of papal sovereignty in Rome as the product of synergy between papal ambitions and local political culture. More broadly, it emphasizes Rome's distinct role in evolution of medieval Italy's city-communes.


2020 ◽  
Vol 2 (1) ◽  
pp. 13
Author(s):  
Serhii I. Svitlenko

The purpose of the article is to reveal the concept of the revival and preservation of historical memory in the creative heritage of Professor M. P. Kovalskyi. Research methods: historical-genetic, historical-system and historical-biographical; complex and personalistic approaches. Sources: a series of archival documents of personal origin, published sources of epistolary and memoir character, the latest historiography. The main results. In the analytical article the regularities of the choice of young scientists in the field of scientific research are highlighted. The peculiarities of the study of the scientist-historian of the source-related problems of the period of transition from the late Middle Ages to the early Modern (ХVІ – the first half of the ХVІІ century) are studied in an atmosphere of the Soviet reality of the 70ʼs and 80ʼs of the 20th century; is accentuated on the great heuristic activity of the scientist; shows his specific contribution to the study of this historical epoch. It is argued that one can speak about the complexity of M. Kovalskyiʼs approach to the development of a source base as a documentary basis for the revival of historical memory. It was proved that the part of the process of renaissance and preservation of historical memory by Professor M. P. Kovalskyi was his work in the development of Ukrainian archeography. The afore mentioned process was traced in the creative heritage of the professor not only in the national, but also in the regional and historical lore contexts. It is highlighted that in the process of revival and preservation of historical memory M. P. Kovalskyi significantly expanded the subject field of research, boldly engaging in the innovative scientific themes of his students. The attention was also paid to the methodical aspect of the revival and preservation of historical memory by Professor M. P. Kovalskyi, which was very broad, including the study of historical chronology, museology, historiography, source studies, historical heuristics, and historical bibliography. Conclusions. Professor M. P. Kovalskyi was made a great contribution to the revival and preservation of the historical memory of Ukrainians about the Cossack period of Ukrainian history, actively involving young scientists, postgraduates and students in this process, which resulted in the formation and formation of a scientific school on source study the history of Ukraine in the ХVІ–ХVІІІ centuries. Practical meaning. The material of this article may be interesting in the process of preparing students and postgraduates, preparing theses. Scientific novelty. The research has actualized a variety of primary sources, insufficiently researched the perspective of the creative activity of Professor M. P. Kovalskyi.


Kavkaz-forum ◽  
2021 ◽  
pp. 101-119
Author(s):  
Г.Н . Вольная (Керцева)

Материальная культура позднего средневековья Дигорского ущелья Северной Осетии недостаточно хорошо изучена по сравнению с другими периодами. В статье впервые представлен комплекс археологических памятников, расположенных на Поляне Мацута Дигорского ущелья: памятники, их расположение, история изучения. Цель исследования – рассмотреть Поляну Мацута как погребальный и культовый комплекс, где находятся позднесредневековые полуподземные склепы, каменные ящики, менгиры, цырты, «нартовский» ныхас, поселения кобанского и аланского периодов. Это памятники являются почитаемыми у местного населения, упоминаются в нартовском эпосе. В статье использовались полевые методы исследования, метод анализа и аналогий. В статье представлен авторский материал спасательных раскопок 2020 г. «Грунтового могильника Мацута I, средневековье» XVI-XVIII вв. в зоне реализации проекта «Строительство фельдшерско-акушерского пункта в с. Мацута». Могильник представляет собой погребения в каменных ящиках. Всего было раскопано 75 ящиков, в которых покойные лежали вытянуто на спине головой на запад с широтными отклонениями. Некоторые ранние погребения сопровождаются обрядом кремации. Погребальный обряд находит аналогии в горной Балкарии. Для погребального обряда характерно отсутствие керамической посуды в погребениях. Над ранними погребениями могильника была устроена тризна с кремацией и большим количеством фрагментированной керамики, скорее всего местного производства. Погребальный инвентарь достаточно беден и характерен для горнокавказской культуры позднего средневековья. Во взрослых погребениях найдены одежда, обувь, пояса, головные уборы, пояса; в женских – украшения; в мужских – ножи, оселки. В детских погребениях (в большинстве случаев) слева от головы обнаружены только куриные яйца, либо погребальный инвентарь совсем отсутствует. Отмечается высокая детская смертность. Детские погребения составляют почти 50% от всего числа раскопанных погребений. The material culture of the late middle ages of the Digor gorge in North Ossetia is not well studied in comparison with other periods. The article presents for the first time a complex of archaeological monuments located in The Matsuta Glade of the Digor gorge: monuments, their location, and history of study. The purpose of the study is to consider the Matsuta Glade as a funerary and cult complex, where there are late medieval semi-underground crypts, stone boxes, menhirs, tsyrts, "nartovsky" Nykhas, settlements of the Koban and Alan periods. These monuments are revered by the local population, mentioned in the Nart epic. The article uses field research methods, the method of analysis and analogies. The article presents the author's material of rescue excavations in 2020 of the "Ground burial ground of Matsuta I, middle ages" of the XVI-XVIII centuries in the area of the project "Construction of a paramedic and midwifery station in the village of Matsuta". The burial ground is a burial in stone boxes. In total, 75 boxes were excavated, in which the deceased lay stretched out on their backs with their heads facing West with latitude deviations. Some early burials are accompanied by a cremation ceremony. The funeral rite finds analogies in the mountainous Balkaria. The funeral rite is characterized by the absence of ceramic dishes in the burials. A funeral feast with cremation and a large amount of fragmented pottery, most likely of local production, was built over the early burials of the burial ground. The grave goods are rather poor and typical for mountain Caucasian culture of the late middle ages. In adult burials found clothes, shoes, belts, headwear, belts; women's jewelry; the men's knives, whetstones. In most children's burials, only chicken eggs are found to the left of the head, or there is no burial equipment at all. Children's funerals account for almost 50% of the total number of excavated graves.


Author(s):  
Павел Великанов

У Рода Дреера получилась сильная, понятная и мотивирующая книга. Это настоящий эталон миссионерской (в светском значении этого слова) литературы. За ярким предисловием следует достаточно объёмный, но совсем не скучный экскурс в историю западноевропейской философии, в котором эта самая история постепенно складывается в линейную схему. Как считает автор, с позднего Средневековья и по настоящее время западноевропейское (и, как производная от него, американское) общество движется исключительно по пути моральной деградации и отхода от религии. Но это не эсхатологическая картина «охладения любви», о которой говорил Христос Спаситель (Мф. 24, 12). Речь идёт о якобы существующем кризисе одной из человеческих культурных моделей, вполне преодолимом человеческим же усилием. Rod Dreher's book is strong, clear and motivating. This is a true benchmark of missionary (in the secular sense of the word) literature. A vivid preface is followed by a rather voluminous, but not at all boring excursion into the history of Western European philosophy, in which this very history is gradually formed into a linear scheme. According to the author, from the late Middle Ages to the present, Western European (and, as a derivative of it, American) society has been moving exclusively along the path of moral degradation and departure from religion. But this is not the eschatological picture of the "cooling down of love" of which Christ the Saviour spoke (Matthew 24:12). We are talking about the alleged crisis of one of the human cultural models, quite surmountable by human efforts.


Author(s):  
Pavlo Nechytaylo ◽  
◽  
Olena Onohda ◽  
◽  
◽  
...  

The paper analyses ceramics and buildings remains of the second half 13th – first half 15th centuries, coming from excavations in Kamianets-Podilskyi. It aims to introduce materials into scientific circulation, to compare the collection with synchronous objects from adjacent territories, to trace interactions in the material culture development in late medieval towns. Ceramics of the Golden Horde and the Grand Duchy of Lithuania times began to be systematically researched relatively recently in Ukraine. Thus, the materials from Kamianets-Podilskyi contribute to deepening our knowledge of less-known periods in the history of Ukraine and Eastern Europe. Materials analyzed were obtained during rescue archaeological research on the Polish Market square in Kamianets. These were fragmented parts of underground and aboveground building structures, as well as a collection of various household items. Building materials were mostly local clays and loam, less often wood and stone were used. A set of clay ‘roll’ blocks set in one of the pits allows us to assume similarity with the Golden Horde building technologies. Finds of coins and Crimean polychrome bowls fragments also indicate the complex emerged during the Golden Horde period. However, certain groups of pottery and coins of European minting define the complex upper date within the first half 15th century. Diverse ceramic types range from the complex is an interesting local typological phenomenon. It reflects mutual influences of the pottery traditions development both in time and space. After processing artefacts collection, the main groups of pottery were identified according to technological features. Some of them are rooted in the local ancient Rus’ traditions, others were formed under the influence of Western trends, while samples of a ‘specific’ group were common for almost the entire territory of modern Ukraine during Late Middle Ages. Pots collection was preliminary systematized up to 5 most common types selection, based on rim profiles. Many of them have a wide range of analogies, locally from Kamianets, as well as from the Western Ukraine, in Poland, Moldova and Romania. In addition to pots, the collection includes other types of kitchen and tableware, such as makitras, lids, jars and other single samples of ceramics. The typological diversity correlates with the multi-layered processes which took place in Kamianets-Podilskyi life during the Golden Horde and the Lithuanian periods. Materials from the complex, as well as other finds from synchronous objects within the city, deepen our understanding of the city’s development large-scale picture, which, however, requires further research.


1956 ◽  
Vol 3 (02) ◽  
pp. 68-114
Author(s):  
Hugh Aveling

In the middle ages the Fairfaxes ranked amongst the minor landed gentry of Yorkshire. They seem to have risen to this status in the thirteenth century, partly by buying land out of the profits of trade in York, partly by successful marriages. But they remained of little importance until the later fifteenth century. They had, by then, produced no more than a series of bailiffs of York, a treasurer of York Minster and one knight of the shire. The head of the family was not normally a knight. The family property consisted of the two manors of Walton and Acaster Malbis and house property in York. But in the later fifteenth century and onwards the fortunes of the family were in the ascendant and they began a process of quite conscious social climbing. At the same time they began to increase considerably in numbers. The three main branches, with al1 their cadet lines, were fixed by the middle of the sixteenth century – the senior branch, Fairfax of Walton and Gilling, the second branch, Fairfax of Denton, Nunappleton, Bilhorough and Newton Kyme, the third branch, Fairfax of Steeton. It is very important for any attempt to assess the strength and nature of Catholicism in Yorkshire to try to understand the strong family – almost clan – unity of these pushing, rising families. While adherence to Catholicism could be primarily a personal choice in the face of family ties and property interests, the history of the Faith in Yorkshire was conditioned greatly at every point by the strength of those ties and interests. The minute genealogy and economic history of the gentry has therefore a very direct bearing on recusant history.


Author(s):  
Joachim Eibach

A consistent overrepresentation of men in recorded violent crimes and thus a certain disposition of male aggressiveness has been evident from the late Middle Ages to today. However, we can also detect several major shifts in the history of interpersonal male violence from the eighteenth century onward. From a cultural historical perspective, violent actions by men or women cannot be interpreted as contingent, individual acts, but rather must be seen as practices embedded in sociocultural contexts and accompanied by informal norms. Because one grand theory cannot account convincingly for the history of violence and masculinity, an array of approaches is more likely to shed light on the issue. Interestingly, shifts in the history of violence have often corresponded with changes to prevailing notions of masculinity. This essay delineates the relevant historical shifts from the early modern “culture of dispute” to the different paths of interpersonal violence over the twentieth century.


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