NATIONAL AND POLITICAL MAXIMAS OF TODOS OSMACHKA’S PROSE IN A CONTEXT OF HIS SPIRITUAL SEARCH

2019 ◽  
pp. 402-411
Author(s):  
Iryna Shalata-Barna

The article’s objective is to illustrate the need for a deeper analysis and interpretation of Todos Osmachka’s epic of the 40s and 50s of the XX century as a text in which national world-view constants accumulate. A sharp ideological and political confrontation with the aggression of Moscow, presented in the text of the Osmachka as a diachronic imprint of the national history of the Soviet-Stalinist regime, reveals the essence of the patriot-artist. The existence of the Ukrainian man, as well as the nation in general, is the only one possible within the framework of God’s world, subject to the observance of the canonical and Christian virtues and, foremost, in an active national patriotic position. The linguistic, ideologically political textual and context reading of Todos Osmachka’s artistic prose clearly manifests the genesis of the Ukrainian mentality of the author himself. For Todos Osmachka, Ukraine was the basis of all of his work, the imperative and the fundamental concentration of all creative and ideologically political meanings. Actually, the core of the national entity existence is the creative essence of Osmatchka’s prose. In the person of Todos Osmachka – the poet, prose writer, translator, philosopher – there can be seen one of those infrequent cases when, unlike western existentialists, the aesthetic-philosophical concept was not only of a frame of mind declaration kind, and manifested but at the level of author’s prosaic and poetic texts, but it also found an uncompromising and consecutive embodiment in his personal life. After the existential moduses in Osmachka’s prose have been allocated and interpreted, there frequently arises the already noticed in the literature study thought an essential issue of distinction between the specificity of the western (European) existentialism, that concentrates on the existential problems of a separate, often denationalized, individual, and the Ukrainian existentialism, which manifests itself at the “outlook-mental” level and displays a specific “existential- boundary” world view of the Ukrainian, considering and explicating the existential problems of a person first of all through the national ontology prism.An attempt at positioning the author as a Christological writer, for whom Christianity as a measurement of spirituality was one of the priority concepts of a national-ideological position.

2021 ◽  
Vol 8 (3) ◽  
pp. 387-409
Author(s):  
Sarkawt Omer Ibrahim ◽  
Zanear Zyad Ibrahem

     This research, which is entitled “The Dualism of Place in Lattif Halmat’s Poetic Texts”, is a critically analytical study on the dualism of place, the role and position of the element of place within the frame of poetic texts. In the poet’s poetic texts, the element of place created a kind of reversal in the readers’ horizon of expectations. The binary oppositions have become the structure of art and the aesthetic of poetic texts. And often, they have become (purple patches) in the texts in a way that all the surrounding words are ablaze with their power and their beauty.  This research is composed of two chapters: The first chapter is devoted to the concept and definition of dualism and the philosophical concept of dualism in a theoretical method. In terms of their presence in Lattif Halmat’s poetic texts, the second chapter deals with the dualism of place within the frame of poetic texts in a critically analytical way. And finally, the research ends with the conclusions and bibliography.


2019 ◽  
pp. 84-89
Author(s):  
Iryna Ivanenko

Charles Bally’s works laid the basis for the linguistic interpretation of the conceptions of association and associativity and understanding of associative mechanisms with regard to the fundamentals of psychology and systemacy of semantic links in thinking and language. The foundation of the modern theory of associativity is the classification of associations (mnemonic and necessary, close and distant, internal and external) developed by Charles Bally in his works. In linguo-stylistics the conception of association and associativity are associated with understanding of the psycholinguistic mechanisms of figurative use of language units and the realization of the aesthetic function of a literary language (S.Ya. Yermolenko, A.A. Moisiienko, L.V. Tailor, O. Malenkov, H.M. Siuta). Among the mechanisms for the formation of linguistic associations are the following factors: objective, social and intellectual experience, dependence on cultural and historical traditions, the gender identity of the speaker, etc. One of them dominates in each specific communicative situation. Currently known classifications of types of associative links take into account the basic positions of psycholinguistics, and the needs of lexicology and stylistics, etc. General differentiation is carried out: 1) for contiguity, similarity and contrast, 2) according to the scheme “word-stimulus, word-reaction”, 3) according to the type of relationship between the stimulus and the associate). Deep differentiation of associations according to the type of relationship between stimulus and associate) determines the allocation of several associative types: paradigmatic (food – bread) / syntagmatic (food – consume); thematic (friend – childhood > childhood friend); empirical (associated with the subjective experience of the speaker); social (associated with the social experience of the speaker), etc. The use of other criteria motivates the allocation of these types of associations: a) audio, visual, adorational, tangential; b) the usual and unexpected; c) direct and indirect, mediated; d) positive and negative; e) cultural, ethnic and author’’s individual. Understanding the connection between associativity and imagery is a primary issue in the modern literary language theory. Being a basis of concrete and sensual perception of the literary text, associations serve as a basis of creation of character in literature (S.Ya. Yermolenko, L.O. Pustovit, L.O. Stavitska, V.A. Chabanenko). It is necessary to consider the ideas of Franko’s treatise according to the history of the formation of the associativity theory. In particular, the proposed division of poetic associations by content (“ordinary”, that is, simple, and “linked by force”, that is, complex), remains undeniable. During the twentieth century the understanding of the mechanisms of implementation of associativity significantly deepened. One of the main subjects of intensive processing was the paradigmatic ordering of words in language and in human memory, the presence of clear mental connections between certain objects, realities on the basis of commonality or adjacency of their individual traits, features, etc. (compare.: spring – green, light, sun, warmth, flowers, feelings). This motivates the associative grouping of words into semantic fields. From linguo-stylistics point of view the associative-semantic field is a text structure, the model of the functional and stylistic implication of lexical-semantic units. The core of such a field, as a rule, are the keywords – the semantic and estimated coordinates of the entire work. Another type of lexicon combination, taking into account the associative links between the components, is an associative and imaginative field. It arises on the basis of associative and semantic or lexical and semantic association due to the identity of the denotative properties of linguistic signs, the general tradition of common language and poetic usage. Its center is the most active unit (dominant) – the core component of the series, which organizes the relationship of all other components. Associative-figurative series (lexical-thematic lines) go from this dominant, which work together semantically with the center for associative and creative field. Associativity is one of the key concepts of modern linguistic style. Terminological functionality of the conception of association and associativity is associated with the activity of cognition of the problems of “language association”, “artistic association”, “associativity and creative work”.


2020 ◽  
Vol 3 (1) ◽  
pp. 51-74
Author(s):  
I Wayan Sutama

In contemporary development, the penjor is increasingly being used both as a means of religious rituals and as a profane means. This research focuses on 3 questions 1). What is the process of the emergence of penjor in the city of Mataram? 2). What are the types, functions, and meanings of penjor in the city of Mataram? 3). How is penjor a symbol of the self-image of Hindus in the city of Mataram? This study uses a qualitative descriptive approach that emphasizes the interpretation of denotative and connotative meanings by using the theory of symbolic and semiotic interactionism. Data collection techniques by observation, interview, literature study, and documentation. The results of the analysis include: 1) The appearance of penjor in the city of Mataram began with the history of the attack of the Karangasem kingdom to Lombok. The increasingly safe situation of Lombok encourages the transfer of the Karangasem community to Lombok which carries Balinese Hindu traditions, including penjor, 2) Penjor is divided into 2 types namely ceremonial penjor and ornamental penjor. Penjor ceremony is made from bamboo with curved edges, the trunk is decorated with Ambu (young palm leaves) or Busung (young coconut leaves) filled with accessories. Penjor ceremony functioned as a means of religious rituals (god yadnya) and Manusa yadnya. The meaning of penjor symbolizes the mountain and its contents where the gods come from, as a form of expression of gratitude for the gift given by God and the celebration of Galungan. The commodification of penjor in the city of Mataram is still in a standard form but has begun to use a combination of natural and synthetic ingredients. 3) Penjor is a symbol of the self-image of Hindus, showing internal solidarity with other Hindus and externally to present the front stage as a Hindu that refers to the aesthetic and artistic values ​​of religious ritual symbols that contain the values ​​of the Satyam, Siwam, Sundaram.


2019 ◽  
pp. 93-105
Author(s):  
Wilfredo Kapsoli Escudero

ResumenEn 1975 la Universidad Ricardo Palma publicó el libro Sublevaciones de Esclavos en el Perú, s. XVIII. Por primera vez en la historia nacional se revelaban sucesos ocultos e ignorados durante siglos. Tras 41 años, la suerte nos deparó un hallazgo extraordinario: el programa y el libreto de la representación coreográfica basada en dicho libro y realizada bajo la dirección de Rolando Campos y del poeta César Calvo. Precisamente, este documento es el núcleo delas anotaciones y comentarios para demostrar la historia del primer grito de la libertad e independencia protagonizado por los esclavos antes de la Revolución de Túpac Amaru II. La recreación artístico-musical, así como las reflexiones históricas que aporta este encuentro forman parte del Bicentenario en el Aula. Palabras claves: esclavitud, libertad, Perú Negro, independencia, Lorenzo Mombo, César Calvo. AbstractIn 1975, the Ricardo Palma University published my book Sublevaciones de Esclavos en el Perú s. XVIII. For the first time in national history, events that had been hidden and ignored for centuries were revealed. After 41 years, luck brought us an extraordinary discovery: the program and the booklet of the choreographic representation based on this book and made under the direction of Rolando Campos and the poet César Calvo. Precisely this document is the core of the annotations and comments to demonstrate the history of the first cry of Freedom and Independence starring the slaves before the Revolution ofTúpac Amaru II. The artistic - musical recreation, as well as the historical reflections that this meeting brings are part of the Bicentennial. Keywords: Slavery, freedom, Black Peru, independence, Lorenzo Mombo, César Calvo.


2019 ◽  
pp. 84-89
Author(s):  
Iryna Ivanenko

Charles Bally’s works laid the basis for the linguistic interpretation of the conceptions of association and associativity and understanding of associative mechanisms with regard to the fundamentals of psychology and systemacy of semantic links in thinking and language. The foundation of the modern theory of associativity is the classification of associations (mnemonic and necessary, close and distant, internal and external) developed by Charles Bally in his works. In linguo-stylistics the conception of association and associativity are associated with understanding of the psycholinguistic mechanisms of figurative use of language units and the realization of the aesthetic function of a literary language (S.Ya. Yermolenko, A.A. Moisiienko, L.V. Tailor, O. Malenkov, H.M. Siuta). Among the mechanisms for the formation of linguistic associations are the following factors: objective, social and intellectual experience, dependence on cultural and historical traditions, the gender identity of the speaker, etc. One of them dominates in each specific communicative situation. Currently known classifications of types of associative links take into account the basic positions of psycholinguistics, and the needs of lexicology and stylistics, etc. General differentiation is carried out: 1) for contiguity, similarity and contrast, 2) according to the scheme “word-stimulus, word-reaction”, 3) according to the type of relationship between the stimulus and the associate). Deep differentiation of associations according to the type of relationship between stimulus and associate) determines the allocation of several associative types: paradigmatic (food – bread) / syntagmatic (food – consume); thematic (friend – childhood - childhood friend); empirical (associated with the subjective experience of the speaker); social (associated with the social experience of the speaker), etc. The use of other criteria motivates the allocation of these types of associations: a) audio, visual, adorational, tangential; b) the usual and unexpected; c) direct and indirect, mediated; d) positive and negative; e) cultural, ethnic and author’’s individual. Understanding the connection between associativity and imagery is a primary issue in the modern literary language theory. Being a basis of concrete and sensual perception of the literary text, associations serve as a basis of creation of character in literature (S.Ya. Yermolenko, L.O. Pustovit, L.O. Stavitska, V.A. Chabanenko). It is necessary to consider the ideas of Franko’s treatise according to the history of the formation of the associativity theory. In particular, the proposed division of poetic associations by content (“ordinary”, that is, simple, and “linked by force”, that is, complex), remains undeniable. During the twentieth century the understanding of the mechanisms of implementation of associativity significantly deepened. One of the main subjects of intensive processing was the paradigmatic ordering of words in language and in human memory, the presence of clear mental connections between certain objects, realities on the basis of commonality or adjacency of their individual traits, features, etc. (compare.: spring – green, light, sun, warmth, flowers, feelings). This motivates the associative grouping of words into semantic fields. From linguo-stylistics point of view the associative-semantic field is a text structure, the model of the functional and stylistic implication of lexical-semantic units. The core of such a field, as a rule, are the keywords – the semantic and estimated coordinates of the entire work. Another type of lexicon combination, taking into account the associative links between the components, is an associative and imaginative field. It arises on the basis of associative and semantic or lexical and semantic association due to the identity of the denotative properties of linguistic signs, the general tradition of common language and poetic usage. Its center is the most active unit (dominant) – the core component of the series, which organizes the relationship of all other components. Associative-figurative series (lexical-thematic lines) go from this dominant, which work together semantically with the center for associative and creative field. Associativity is one of the key concepts of modern linguistic style. Terminological functionality of the conception of association and associativity is associated with the activity of cognition of the problems of “language association”, “artistic association”, “associativity and creative work”.


2017 ◽  
Vol 1 (3) ◽  
pp. 259
Author(s):  
Ema Iis Rofingah

<p>Mataram kingdom became part of the history of Kraton Yogyakarta, starting from the Giyanti agreement in 1755. Then Mataram kingdom was divided into two regions Solo and Yogyakarta. Each region was headed by one king. The title for the king's Solo palace is Pakubuwono, while the term for the king's palace in Yogyakarta is Hamengkubowono. One of the relics from the palace, which is still preserved until now is <em>blangkon</em>. <em>Blangkon</em> is used as a headgear by the people in the palace. Yogyakarta Blangkon style is different from Solo blangkon style, although this palace used to be one area. Blangkon have a specific pattern that is related to the lifestyle of Javanese community, especially people of the palace. Blangkon is considered as one of artifacts as it has a philosophy of characteristics and identity of Javanese community. This research used qualitative research in the form of literature study. The method used by the authors is by collecting data source: primary data and secondary data. Blangkon will be examined through the used patterns which is connected in the aesthetic paradox. Basically there are kinds of pattern which are called pattern two, three, four, and five. Eventually it came to a conclusion that Blangkon is the development of aesthetic paradox patterns of patterns three to five patterns.</p><p> </p><p><strong>Keywords: </strong><em>Paradox aesthetics, Blangkon<strong></strong></em></p>


Author(s):  
Lidia Leonidovna Vetluzhskaya

&nbsp; This article explores the philosophical system of the School of Chinese Buddhism San-Lun, as well as continuity of traditions of the Indian School Madhyamaka (one of the two schools of Mahayana along with Yogachara) in China. The teaching of San-Lun is based on the doctrines of Sunyavada and declaration of the principle of the middle way. The founder of San-Lun School in China monk Chi-tsang not only developed the concept of two truths, but also advanced the theories of three and four types of the two truths. The object of this research is the soteriological concept of the Middle Way through the prism of Buddha, which represents the peculiarity of the philosophical system of San-Lun in the context of Chinese Buddhism. San-Lun is the Chinese version of Madhyamaka School of Indian Buddhism. In the history of establishment of the trend Mahayana &ndash; Madhyamaka &ndash; in China it was of crucial importance to fill the gaps in translations from Sanskrit to Chinese language. The key role in this process played the prominent translator Kum&#257;raj&#299;va, who translated the texts that have become fundamental for this school, and thus, created the theoretical framework for the Chinese scholars to study the teaching of Madhyamaka. The article examines the core philosophical concept of San-Lun: the doctrine of two truths and the concept of &ldquo;eight negations&rdquo;. Analysis is conducted on the concept of the nature of Buddha in San-Lun teaching, which demonstrates the introduction of the new understanding of Madhyamaka and determines the degree of scientific novelty. &nbsp;


Migration and Modernities recovers a comparative literary history of migration by bringing together scholars from the US and Europe to explore the connections between migrant experiences and the uneven emergence of modernity. The collection initiates transnational, transcultural and interdisciplinary conversations about migration in the eighteenth and nineteenth centuries, demonstrating how mobility unsettles the geographic boundaries, temporal periodization, and racial categories we often use to organize literary and historical study. Migrants are by definition liminal, and many have existed historically in the spaces between nations, regions or ethnicities. In exploring these spaces, Migration and Modernities also investigates the origins of current debates about belonging, rights, and citizenship. Its chapters traverse the globe, revealing the experiences — real or imagined — of eighteenth- and nineteenth-century migrants, from dispossessed Native Americans to soldiers in South America, Turkish refugees to Scottish settlers. They explore the aesthetic and rhetorical frameworks used to represent migrant experiences during a time when imperial expansion and technological developments made the fortunes of some migrants and made exiles out of others. These frameworks continue to influence the narratives we tell ourselves about migration today and were crucial in producing a distinctively modern subjectivity in which mobility and rootlessness have become normative.


1970 ◽  
Vol 7 (1) ◽  
pp. 198-207
Author(s):  
Євген Карпенко

У статті проаналізовано місце феномену емоційної компетентності в становленні дискурсу життєтворення особистості. Відзначено, що її засадничими ознаками є відкритість і діалогічність, що фасилітують процеси життєтворчості в інтра- та інтерпсихічному просторі та сприяють здобуттю певних експірієнтальних «знань» і формуванню відповідних комунікативних «умінь». Отже, емоційна компетентність виконує функцію орієнтації в знаково-символічній реальності внутрішнього та зовнішнього середовища і, відповідно, бере участь у прийнятті рішень стосовно них. Це сприяє реалізації функції особистісного вибору у значущих обставинах життя. Вважається, що цей вибір повинен ґрунтуватися на домінуючій екзистенційній ідентичності та релевантно реалізовуватися на всіх її рівнях: базовому, характерологічному, ситуативному. В цьому контексті емоційна компетентність виступає в якості з’єднувальної ланки між ідентичністю та її зовнішньою поведінковою маніфестацією, в якій вона, власне, й проявляється. Інтегруючи первинні емоції, емоційна компетентність сприяє формуванню системи цінностей, мотивів і світоглядних орієнтацій особистості, а також сприяє їх коректному втіленню в практиці міжособистісного спілкування і, відповідно, конструювання дискурсу власного життя. У цьому полягає ключова роль емоційної компетентності в процесі життєтворення особистості. The article analyzes the role of emotional competence in establishing the discourse of personal life creation. It has been stated that its basic features are openness and readiness to dialog that facilitate life creation processes in the intra- and interpsychic space and promote acquirement of certain experiential "knowledge" as well as formation of relevant communicative "skills". So, emotional competence has a function of orienting in sign and symbol reality of the internal and external environment and, therefore, takes part in decision-making in respect thereof. This enables realization of the function of personal choice in significant life circumstances.  This choice is considered to be based on dominant existential identity and realized in the relevant manner at all its levels: basic, characterological, situational. In this sense emotional competence forms a link between identity and its outer behavioral manifestation.  While integrating primary emotions emotional competence facilitates formation of a system of values, motives and world view of personality as well as their correct implementation in the course of interpersonal communication and personal life discourse construction. This embodies the key role of emotional competence in the process of life creation of personality.


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