scholarly journals The Mood of the World

Author(s):  
Andrew Norris

The phrase, “epistemology of moods,” appears in Stanley Cavell’s writings in the late 1970’s, as The Claim of Reason is published and Cavell begins the direct engagement with Emerson around which his work will pivot for the rest of his career. Indeed, it is as an “epistemologist of moods” that Emerson first appeals to Cavell in his own right, and not as merely a “second-hand Thoreau.” The phrase is an odd one. Most of us would not think that knowledge and mood are connected in the way it suggests: my foul mood may make it difficult for me to concentrate on, say, my taxes, but it does not appear to otherwise affect my ability to know how much or how little I owe—and the same could be said of Sextus’ honey, Descartes’ ball of wax, Price’s tomato, and Clarke’s block of cheese. The oddity of the phrase is, if anything, even more marked when coming from Cavell: though Cavell is deeply interested in questions of self-knowledge, and of our ability to speak for one another and in that sense know one another, he is not an epistemologist; and when he writes of epistemology he often uses phrases like traditional epistemology or classical epistemology that distance him from it. Cavell does not share the traditional epistemologist’s interest in determining what, if anything, might warrant our claims to knowledge of the empirical world or the existence of “other minds”; and “the truth of skepticism” that he announces and explores is not the truth of the claims of the epistemological skeptic regarding such matters. While the epistemologist seeks to assure himself of the certainty of his knowledge, Cavell seeks to understand our disappointment with the knowledge we have. What, then, does Cavell mean by this phrase? What is the epistemology of moods?

2018 ◽  
Vol 1 (1) ◽  
pp. 1806
Author(s):  
Vivian Fanny ◽  
Ahmad Redi

The emerging of entertainment development in Indonesia, increasing number of tourists is one aspect for the world entertainment competition. The increasing insistence and urge in the world of entertainment making the business perform a variety of ways in order to survive and able to compete in the competition. One of the example is the dolphins entertainment, they do a lot of tricks and do interact directly to human. Apart from all the entertainment that we get as the consumer, we do not know how the way dolphins suffer of to do all the orders given for the tricks, to do the direct interaction without injuring humans. All things they went through was a hard painfuly and unpleasant process. As a protected species, the care maintenance and ownership rules should be followed for the sake of the animal welfare. The protection of dolphins entertainment considered as important and should be monitored according the rules to avoid animal abuse.


2011 ◽  
Vol 685 ◽  
pp. 181-187 ◽  
Author(s):  
Chen Li ◽  
Xian Zheng Gong ◽  
Su Ping Cui ◽  
Zhi Hong Wang ◽  
Yan Zheng ◽  
...  

With increasing concerns about global warming, and the cement plants emitting huge CO2, it is necessary to know how the CO2 emits and how much the CO2 emits due to cement manufacture in both direct and indirect ways. A precise method to calculate CO2 emissions including three processes was established in this paper and a case study was provided. From the case of LQDX plant, we can see the amount of CO2 emissions at the right level. The summary of CO2 emissions is consisted by emissions from raw materials, fuels and electricity. The direct CO2 emissions are 0.822 ton CO2 per ton clinker, and the total CO2 emissions are 0.657 ton CO2 per ton cement in this study. Therefore, the way that CO2 emissions due to cement manufacture was pictured and then measured. An approach provides a basic framework to identify various situations in different cement plants in China and other in the rest of the world. The framework would be useful in quantitatively evaluating CO2 emissions for government to know precisely CO2 emissions in cement plants.


The way to portfolio management is to have at every that you hold quickly too. The best cash supervisors on the world are powerful in light of the way that they have a request to direct cash and they have a game plan to contribute. What is needed is a sound academic framework for settling on decisions and the ability to keep sentiments from expending that structure." Most people contribute to finishing a target, the most generally perceived being retirement and school. Making a game plan upgrades your conceivable outcomes of advancement, despite for shorter-term funds destinations like a house in advance portion, excursion or auto. Right when contributing for a target, consider these requests. At the point when will I require my speculation, the amount of will I require, what is the best record sort, assessable or cost-advantaged. Answers to these request will help choose the measure of danger you can take, the sum you need to contribute and what kind of record you should consider, after we have manufactured your portfolio of mutual funds, we have to know how to look after it. Here, we discuss how to deal with a mutual-fund portfolio by strolling through four basic techniques.


Author(s):  
Alison Laywine

This chapter completes the examination, started in Chapter Four, of the second half of the Transcendental Deduction, as found in the second edition of Kant’s Critique of Pure Reason. The focus of this chapter is §24 and §25. The special problem of these sections is empirical self-knowledge. The author argues that Kant treats self-knowledge as a special case of the cosmology of experience: the problem is how I situate myself in the empirical world. The solution to the problem is to build up in thought an understanding of the world by legislating universal laws to nature by means of the categories and to map my geographical and historical place in the world by means of the cartographic resources available to the productive imagination. The chapter has two parts. The first part is devoted to a paradox Kant claims to be associated with self-affection. It tries to understand his claim as a reflection on his own views in the mid-1770s about self-apprehension by inner sense and apperception. The second part of the chapter is devoted to the specialized cartography Kant takes to be involved in empirical self-knowledge and considers how Kant distinguishes between biography and autobiography.


Author(s):  
Olga Dobrodum

The World Wide Web has numerous resources devoted to enlightening, reading and interpreting concepts such as God, the world, man, self-knowledge, the faith of the parents, the Bible, the way of understanding, the tradition, theory and practice, Christian philosophy, culture, present and future, creativity, life and eternity. Cyberspace provides access to extensive and varied information about Orthodoxy for a wide range of users, being a guide and helper for anyone who wants to be acquainted with the world of Orthodox culture.


The essays in this volume are concerned with the question of how we are to understand the foundations of our capacity to know and understand others. While the essays address issues that have long puzzled philosophers, they also engage with more contemporary issues generated by recent empirical work in the cognitive sciences. The first two essays focus on more general concerns. They tease out various questions that have been asked in connection with others, and consider how they may be thought to be related to one another. The three chapters that follow explore some of the issues that arise when one examines questions concerning others in the light of evidence from the empirical sciences. One chapter looks at the claim that there is an asymmetry between the way in which we know our own mind and the ways in which we know other minds, another looks at when and how human infants come to know that others have minds, and the third looks at the role played by context in our acquiring knowledge of others. The third group of chapters examines the suggestion, popular in more recent times, that one comes to know the mind of others in much the same way that one comes to know about the world of bodies—through perception. The volume ends with a chapter that considers the impact on our thinking about morality of a certain way of understanding our relations to others. All the essays in this volume are newly written by internationally renowned researchers and are designed to advance our understanding of ourselves as social creatures.


1991 ◽  
Vol 30 ◽  
pp. 153-166 ◽  
Author(s):  
Donald Davidson

I know, for the most part, what I think, want, and intend, and what my sensations are. In addition, I know a great deal about the world around me. I also sometimes know what goes on in other people's minds. Each of these three kinds of empirical knowledge has its distinctive characteristics. What I know about the contents of my own mind I generally know without investigation or appeal to evidence. There are exceptions, but the primacy of unmediated self-knowledge is attested by the fact that we distrust the exceptions until they can be reconciled with the unmediated. My knowledge of the world outside of myself, on the other hand, depends on the functioning of my sense organs, and this causal dependence on the senses makes my beliefs about the world of nature open to a sort of uncertainty that arises only rarely in the case of beliefs about my own states of mind. Many of my simple perceptions of what is going on in the world are not based on further evidence; my perceptual beliefs are simply caused directly by the events and objects around me. But my knowledge of the propositional contents of other minds is never immediate in this sense; I would have no access to what others think and value if I could not note their behaviour.


2017 ◽  
Vol 225 (4) ◽  
pp. 324-335 ◽  
Author(s):  
Dimitrios Barkas ◽  
Xenia Chryssochoou

Abstract. This research took place just after the end of the protests following the killing of a 16-year-old boy by a policeman in Greece in December 2008. Participants (N = 224) were 16-year-olds in different schools in Attiki. Informed by the Politicized Collective Identity Model ( Simon & Klandermans, 2001 ), a questionnaire measuring grievances, adversarial attributions, emotions, vulnerability, identifications with students and activists, and questions about justice and Greek society in the future, as well as about youngsters’ participation in different actions, was completed. Four profiles of the participants emerged from a cluster analysis using representations of the conflict, emotions, and identifications with activists and students. These profiles differed on beliefs about the future of Greece, participants’ economic vulnerability, and forms of participation. Importantly, the clusters corresponded to students from schools of different socioeconomic areas. The results indicate that the way young people interpret the events and the context, their levels of identification, and the way they represent society are important factors of their political socialization that impacts on their forms of participation. Political socialization seems to be related to youngsters’ position in society which probably constitutes an important anchoring point of their interpretation of the world.


2019 ◽  
Vol 16 (4) ◽  
pp. 429-443
Author(s):  
Paul Mazey

This article considers how pre-existing music has been employed in British cinema, paying particular attention to the diegetic/nondiegetic boundary and notions of restraint. It explores the significance of the distinction between diegetic music, which exists in the world of the narrative, and nondiegetic music, which does not. It analyses the use of pre-existing operatic music in two British films of the same era and genre: Kind Hearts and Coronets (1949) and The Importance of Being Earnest (1952), and demonstrates how seemingly subtle variations in the way music is used in these films produce markedly different effects. Specifically, it investigates the meaning of the music in its original context and finds that only when this bears a narrative relevance to the film does it cross from the diegetic to the nondiegetic plane. This reveals that whereas music restricted to the diegetic plane may express the outward projection of the characters' emotions, music also heard on the nondiegetic track may reveal a deeper truth about their feelings. In this way, the meaning of the music varies depending upon how it is used. While these two films may differ in whether or not their pre-existing music occupies a nondiegetic or diegetic position in relation to the narrative, both are characteristic of this era of British film-making in using music in an understated manner which expresses a sense of emotional restraint and which marks the films with a particularly British inflection.


Somatechnics ◽  
2012 ◽  
Vol 2 (2) ◽  
pp. 250-262 ◽  
Author(s):  
Oron Catts ◽  
Ionat Zurr

The paper discusses and critiques the concept of the single engineering paradigm. This concepts allude to a future in which the control of matter and life, and life as matter, will be achieved by applying engineering principles; through nanotechnology, synthetic biology and, as some suggest, geo-engineering, cognitive engineering and neuro-engineering. We outline some issues in the short history of the field labelled as Synthetic Biology. Furthermore; we examine the way engineers, scientists, designers and artists are positioned and articulating the use of the tools of Synthetic Biology to expose some of the philosophical, ethical and political forces and considerations of today as well as some future scenarios. We suggest that one way to enable the possibilities of alternative frames of thought is to open up the know-how and the access to these technologies to other disciplines, including artistic.


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