scholarly journals Socio-cultural Aspects of Informatization in the Context of the Effective General (Secondary) Education Formation

2021 ◽  
Author(s):  
Denis Vadymovich Zherdev ◽  
Vladimir Lazarevich Nazarov ◽  
Natalya Vladimirovna Averbukh
Keyword(s):  
Secondary Education ◽  
Digital Divide ◽  
Empirical Data ◽  
Clear Understanding ◽  
Social Psychological ◽  
Cultural Aspects ◽  
The Past ◽  
Managerial Decisions ◽  
The Social ◽  
The Face

This article is devoted to the preparation of an information base for the formation of criteria for assessing the process of general (secondary) education informatization. The situation in education can be considered as unstable, lacking a clear understanding of the social, psychological and technological prospects for the Russian and world communities’ development, which excludes the possibility of correct strategic planning and making correct management decisions. The development source of uncertainty is the very transitional nature of the current situation in ICT — equally in the technological, economic, sociocultural and psychological aspects. The research problematizes the well-established idea of the modern relations of education and ICT, emphasize the lack of empirical data and the bias towards a normative approach in the field of managerial decisions, which in the face of uncertainty leads to the adoption of erroneous decisions (a tactics and strategy contradiction). The research has determined the prospects for a monitoring research system designed to obtain the necessary empirical data in the system, taking into account the change in the technological and sociocultural paradigm over the past decade. Keywords: information society, digitalization of education, efficiency in education, digital divide, resistance to innovation

scholarly journals MODERN MIDDLE AGE IN HIGH FASHION THROUGH THE DESIGN OF ALEKSANDAR JOKSIMOVIĆ

2019 ◽  
Vol 31 (3) ◽  
pp. 777-783
Author(s):  
Dragana Frfulanović-Šomođi ◽  
Milena Savić
Keyword(s):  
Middle Age ◽  
Cultural Tradition ◽  
Clear Indication ◽  
Cultural Aspects ◽  
The Past ◽  
Historical Figures ◽  
The Social ◽  
One Step ◽  
The Creation ◽  
The Way

The design of socialist Yugoslavia received a particularly new look through the creation of Aleksandar Joksimović, which gave the new elements a traditional look, equally putting them in rank with world-famous designs of celebrated designers. This paper was created with the idea of emphasizing the importance of the creativity of Joksimović, which is within the framework of socialist norms, as an artist, remained insufficiently recognized, although his work was in the service of exclusive promotion of the cultural aspects of his country. His concept of design based on the medieval cultural tradition emerged from the framework of the then socialist clothes, and it is called grandiose exoticism. The names of the first collections given by the historical figures of medieval Serbian history are a clear indication that it is possible to draw inspiration from the past, if it is professionally approached and adequately, by contemporary trends, the audience and the market. Joksimovic's individualism, apart from design, was also reflected in the way the collection itself was modeled through models and choreographies, and clearly once again showed his step ahead of time, while the social and political circumstances forced him to stay one step behind.

Paul and the Author of 1 Clement as Entrepreneurs of Identity in Corinthian Crises of Leadership

2021 ◽  
pp. 0142064X2110647
Author(s):  
Katja Kujanpää
Keyword(s):  
Social Identity ◽  
Identity Construction ◽  
Active Role ◽  
Social Psychological ◽  
The Past ◽  
Psychological Theories ◽  
The Social ◽  
Social Identity Approach

When Paul and the author of 1 Clement write letters to Corinth to address crises of leadership, both discuss Moses’ παρρησία (frankness and openness), yet they evaluate it rather differently. In this article, I view both authors as entrepreneurs of identity and explore the ways in which they try to shape their audience’s social identity and influence their behaviour in the crisis by selectively retelling scriptural narratives related to Moses. The article shows that social psychological theories under the umbrella term of the social identity approach help to illuminate the active role of leaders in identity construction as well as the processes of retelling the past in order to mobilize one’s audience.

Living with Disasters: Perspectives on the (Re-)Production of Knowledge

2017 ◽  
Vol 12 (1) ◽  
pp. 1-7 ◽  
Author(s):  
Hannah Swee ◽  
Zuzana Hrdličková
Keyword(s):  
Twentieth Century ◽  
General Public ◽  
Loss Of Life ◽  
Production Of Knowledge ◽  
Cultural Aspects ◽  
The Past ◽  
The Social ◽  
The World ◽  
Local Agencies ◽  
Consequent Increase

Although communities around the world have been experiencing destructive events leading to loss of life and material destruction for centuries, the past hundred years have been marked by an especially heightened global interest in disasters. This development can be attributed to the rising impact of disasters on communities throughout the twentieth century and the consequent increase in awareness among the general public. Today, international and local agencies, scientists, politicians, and other actors including nongovernmental organizations across the world are working toward untangling and tackling the various chains of causality surrounding disasters. Numerous research and practitioners’ initiatives are taking place to inform and improve preparedness and response mechanisms. Recently, it has been acknowledged that more needs to be learned about the social and cultural aspects of disasters in order for these efforts to be successful (IFRC 2014).

scholarly journals On the crossroad of avant-garde: Ernst Ludwig Kirchner and his painting  “Potsdamer Platz”

2020 ◽  
Author(s):  
Анастасия Юрьевна Королева
Keyword(s):  
Avant Garde ◽  
Cultural Aspects ◽  
The Social ◽  
The First World War ◽  
German Art ◽  
The Face ◽  
History Of ◽  
Potsdamer Platz ◽  
The City ◽  
First World

Статья посвящена изучению картины Эрнста Людвига Кирхнера Потсдамская площадь . Автор ставит своей задачей исследование историко-культурного контекста произведения, занимающего столь важное положение в истории немецкого искусства. Это полотно, написанное в год начала Первой мировой войны, обобщает впечатления недавно приехавшего в Берлин художника от сверхинтенсивной жизни германской столицы последних предвоенных лет. В статье подробно рассматривается история возникновения и роль площади в культурном и мифологическом ландшафте города, анализируется социальный статус героев картины, отмечаются автобиографические коннотации и характерные для нее формально-стилевые приемы. В результате автор приходит к выводу об особом значении образа города в лице Потсдамской площади как символа эпохи. In researching of painting of Ernst Ludwig Kirchner Potsdamer Platz the author sets a task to find out all of historical and cultural aspects of this so important picture in German art. It was painted in the year of the beginning of the First World War, after a few year of the artists arriving in Berlin and become the kind of generalization of Kirchners impressions of the extremely intense life of German capital in the latest prewar years. The article gives the attention to the history of the square and its role in the cultural and mythological landscape of the city. Also it analyzes the social status of the main personas, notes the autobiographical aspects and specific formal and stylistic receptions. The results shows, that the image of town in the face of Potsdamer Platz becomes a symbol of the epoch.

The haunting quality of racism

2021 ◽  
Author(s):  
Kevin Durrheim ◽  
Amy Jo Murray
Keyword(s):  
Political Action ◽  
Social Psychological ◽  
The Past ◽  
What Is Said ◽  
The Social ◽  
The Way

Anti-racism has nurtured many visions of post-racism futures. All this talk and political action relies on and reproduces discourses of racism. While much of this discursive force lies in what is said, we argue that a haunting quality of racism may arise from what is unsaid. This includes the multifarious points of connection between the present and the past. We are all implicated, albeit unevenly. This article describes the phenomenon of spectral racism that arises from such implicature. We develop a discursive account of its constitution in acts of dialogical repression, and we consider some of the social psychological and political ramifications of haunting racism. We illustrate our arguments by an analysis of the way the prohibition against the use of the k-word echoes the toxic past and zombifies racism via psychological enticement.

Cantonese Sojourners and Shiwan Ceramic Roof Decoration in Malaysia

2012 ◽  
Vol 8 (1) ◽  
pp. 38-81 ◽  
Author(s):  
Ma So Mui
Keyword(s):  
Chinese Immigrants ◽  
Cultural Identities ◽  
Historic Buildings ◽  
Migrant Communities ◽  
The Past ◽  
Chinese Migrants ◽  
The Social ◽  
The Face ◽  
Shed Light ◽  
Made In

Abstract Over the period October 2006-July 2008, the author conducted a detailed survey of five historic buildings in Malaya constructed by 19th-century Chinese immigrants. These buildings feature roof decorations made in and imported from Shiwan 石灣, China, during that period. The decorations include scenes and figurines representing events and characters taken from Cantonese operas, Chinese legends and classical novels. In studying these decorations the author has come across several recurring themes illustrating concepts such as justice, sworn brotherhood, loyalty and courage in the face of adversity, which shed light on the cultural identities and thinking of the Cantonese migrants. In this paper these themes are interpreted against the background of the social and political circumstances in China and Southeast Asia during the period under discussion, showing how an understanding of the concerns of these Chinese migrants of the past can help one to understand contemporary migrant communities worldwide.

scholarly journals Who Speaks through the Mouths of Babes? Children and Religious Violence in France. Review of: Crouzet, D. (2020). Les enfants bourreaux au temps des guerres de Religion. Paris: Albin Michel. 336 p. Izvestiya Uralskogo federalnogo universiteta. Seriya 2: Gumanitarnye nauki, 23(1), 293–306.

2021 ◽  
Vol 23 (1) ◽  
pp. 293-306
Author(s):  
Pavel Yu. Uvarov ◽  
◽  
Keyword(s):  
Political Activity ◽  
Wars Of Religion ◽  
Mystery Plays ◽  
The Past ◽  
The Social ◽  
French Wars Of Religion ◽  
The World ◽  
The Face ◽  
French Nation ◽  
Inside Out

This essay contains reflections on a new book by renowned historian Denis Crouzet on children’s violence, and, more broadly, on the image of children during the French Wars of Religion. In the book under review, the novelty lies in the fact that the images of ‘innocent infants’ make part of a separate plot. Just as novel are Denis Crouzet’s reflections on the ‘sources of inspiration’ of the young French persecutors of heretics. The author indicates the anthropological correspondences inherent in the culture of both Italian and French cities, such as the carnivalesque inversion of the ‘world inside out’ and the social function of youth associations taking part in the ‘charivari’ rites. Denis Crouzet pays attention to sources that are novel to him, like children’s Christmas chants, mystery plays, and ‘miracles’. While impersonating the Innocents persecuted by Herod but also angels carrying retaliation to this villain, urban children learnt what and how to do in the face of a carnival challenge. The ways to leave the eschatological activism are of particular interest. After 1572, the gangs of executioners-children left the scene. Only the murder of the Guises on Christmas Day, 1588, threw crowds of children into the streets of Paris. Now they were described differently, however, — as a disciplined mass, occupied not with outrages but with prayers. The author speaks of ‘Catholic consciousness’, but that was already a different reformed Catholicism, departing further and further from the old ‘corporate Catholicism’. The religious political activity of children would become a thing of the past, however. The image of an innocent child would once more be in demand only after the Revolution, when, this time in a desacralised context, children became the embodiment of the French nation.

scholarly journals Er web- og tv-serien SKAM en serie om skam?

2017 ◽  
Vol 6 (2) ◽  
pp. 7-12 ◽  
Author(s):  
Christa Lykke Christensen
Keyword(s):  
The Other ◽  
Social Meaning ◽  
Negative Feeling ◽  
Social Strategies ◽  
Social Psychological ◽  
Web Series ◽  
Active Mechanism ◽  
The Social ◽  
The Face

In this article, I discuss whether the Norwegian teen web series drama SKAM (NRK, 2015-2017) is really about shame and to what extent the fictional characters of the series feel ashamed. The theoretical framework is based on a social psychological conceptualization of shame, supplemented by a micro-sociologically based analysis of the social meaning of face loss and shame. Shame may both entail a negative feeling and an active mechanism serving social and psychological purposes. The main characters of the series are used to analytically exemplify the role of shame and embarrassment. In conclusion, the series does thematize shame and the characters are often placed in conflicts that may give rise to shame. On the other hand, the series also suggests potential social strategies, to constructively avoid the face loss of shameful situations.

scholarly journals Culture in advertising and advertising in culture: Communication, translation, representation

Ars Aeterna ◽  
2017 ◽  
Vol 9 (2) ◽  
pp. 81-92
Author(s):  
Edita Gromová ◽  
Daniela Müglová ◽  
Emília Perez
Keyword(s):  
Social Psychological ◽  
Cultural Elements ◽  
Cultural Aspects ◽  
Translation Strategy ◽  
The Social ◽  
Cultural Spaces ◽  
Translation Representation

Abstract The authors of the paper focus on the intercultural dimension in the translation of advertising texts, attempting to compare and illustrate the influence of cultural elements upon advertising text-creation in American, German and Slovak cultural spaces. Reflecting the social, psychological and cultural aspects of translation transfer, they survey the tension between the domestic and the foreign and consequent choices in translation strategy. They present tendencies observed across a span of almost two decades in the translation of advertising texts into Slovak and provide possible explanations for their development.

scholarly journals Nobility

2015 ◽  
Author(s):  
Violet Soen
Keyword(s):  
Middle Ages ◽  
Methodological Problem ◽  
State Building ◽  
Religious Change ◽  
The Past ◽  
Late Middle Ages ◽  
Social Composition ◽  
The Social ◽  
The Face ◽  
Anthropological Approach

“The” nobility is a slippery fish to catch, especially for the Renaissance and Reformation era, here understood as the two centuries between 1450 and 1650. Historians inevitably face the methodological problem of whether to define “nobility” according to juridical, social or cultural criteria. Over the past decades, they have abandoned a legal and essentialist interpretation in favor of a sociological and anthropological approach. Even if legal, fiscal, and social privileges persisted in “the making of” the nobility during the ancien régime, it is now widely acknowledged that the social composition of the group constantly changed, leading to an immense diversity among its members across Europe and the colonies. Likewise, it is accepted today that both the Renaissance and Reformation profoundly changed the cultural and ideological concept of “nobility” itself. These novel insights replace the older 19th-century paradigm claiming that from the late Middle Ages onward the nobility was in long-lasting crisis, losing its power and status to a rising bourgeoisie. Instead of this linear interpretation, a new consensus emerged around a persistent rise and decline among nobilities (not of the group as such), and their remarkable resilience in the face of state-building, religious change, and economic upheaval between 1450 and 1650.

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