scholarly journals NATIONALLY MARKED COLLECTIVE LINGUISTIC PERSONALITY OF THE CHARACTER (ON THE MATERIAL OF V. SHKLYAR’ S NOVEL «KHARAKTERNYK»)

2021 ◽  
pp. 220-227
Author(s):  
T. S. Shulichenko
Keyword(s):  
Scientific Article ◽  
The Novel ◽  
Anthropological Perspective ◽  
Modern Novel ◽  
Linguistic Research ◽  
Inner World ◽  
The Subject ◽  
Main Factors ◽  
Linguistic Behavior ◽  
The Relationship

The article analyzes nationally marked collective linguistic personality in V. Shkliar`s novel «Kharakternyk»; identifies the relationship between linguistic personality and the worldview of the community where it was formed; analyzes different scientific approaches to the interpretation of the concept of linguistic personality and modern tendencies in its study. There is no doubt that the importance of analyzing the linguistic personality of the characters in popular books is difficult to overestimate because if one or another book gained popularity among a great number of people, then it is interesting to the reader because he identifies himself with the main character of this book, his perception of the world, the language, the linguistic behavior. It should be noted that modern Ukrainian authors had to fight for their popularity, but now we can observe the increasing public interest in the works of Ukrainian writers. In our opinion, V. Shklyar is one of the most popular and most controversial writers in Ukraine and it was the main reason why we chose his novel to analyze. In our opinion, one of the best examples of how to create a bright character, to show his inner world without resorting to broad authorical characteristics, is V. Shklyar`s novel «Kharakternyk». The aim of this paper is to investigate the main features of the nationally marked collective linguistic personality of the characters in the novel of V. Shklyar «Kharakternyk». Achieving the aim of this scientific article involves solving the following tasks: 1) to analyze the historical formation of the concept «linguistic personality» and to get acquainted with modern tendencies in the study of linguistic personality nowadays; 2) to identify the main factors influencing the formation of linguistic personality; 3) to analyze the main features and national markers of the collective linguistic personality in the novel of V. Shklyar «Kharakternyk». The object of our scientific article is the linguistic personality of the characters of the modern novel. The subject of this work is the collective linguistic personality in the V. Shkliar`s novel «Kharakternyk». The concept of linguistic personality was analyzed by such linguists as V.Sheludko, T. Dolshykova, L, Macko, T. Mayboroda and other scientists. Today the linguistic personality of Ukrainian writers is of interest to linguists which indicates the anthropological perspective of linguistic research in Ukraine, but the

The Coptic Church in Popular Fiction on the Eve of the Arab Spring:Youssef Ziedan’s Azazeel

2018 ◽  
Author(s):  
Nichole Perera
Keyword(s):  
Popular Fiction ◽  
The Novel ◽  
Academic Scholarship ◽  
The Subject ◽  
Coptic Church ◽  
Significant Addition ◽  
Theological Controversy ◽  
The Arab Spring ◽  
The Relationship ◽  
The Voice

The 5th century CE was a period of intense theological controversy concerning the relationship between the human and divine in Christ. This dispute led to the permanent separation of the Egyptian Coptic church from Imperial Orthodoxy. The events of the 5th century, previously confined to academic scholarship, have recently become the subject of popularizing works like Agora (2009), The Jesus Wars (2010), and 428 AD (2009). The Arabic novel Azazeel (2009), written by the Egyptian Islamic scholar Youseff Ziedan, is a significant addition to these other works. Like The Da Vinci Code in its use of “actual” historical evidence, Azazeel purports to be a compilation of newly discovered Syriac scrolls written by the Coptic monk Hypa, which detail his spiritual trials between 411 and 437 CE. The novel sparked great controversy in Egypt among Coptic Christians for creating a misleading picture of important figures and events in their early history. Copts felt that a Muslim scholar was appropriating the voice of a Coptic monk without clearly signalling it was a work of fiction in order to produce a false account of Coptic origins. Though published before the Arab Spring, it soon became further evidence of the oppressive intentions of the Muslim majority against a Coptic minority in Egypt. Azazeel is different from other similar works in English because the events of the 5th century are still part of the living identity of Copts.

scholarly journals An exploration of place and its representations: an intertextual/ dialogical reading of the photographs of AB Ovenstone and the novel Gillespie by John MacDougall Hay.

2016 ◽  
Vol 41 ◽  
Author(s):  
Lindsay Fiona Blair
Keyword(s):  
Literary Text ◽  
Landscape Painting ◽  
The Novel ◽  
Work Of Art ◽  
Shipping Company ◽  
Private Collection ◽  
Semiotic Approach ◽  
The Subject ◽  
The Common ◽  
The Relationship

“An intertextual/ dialogical reading of place through photography and fiction” The article is an exploration of place and its representations based on the intertextual reading of a series of photographs (1880-82) of Tarbert, Loch Fyne by Andrew Begbie Ovenstone (1851-1935) and the dialogical reading of a novel, Gillespie (1914), by John MacDougall Hay (1881-1919) which is set in Tarbert. The proposed article is inspired by a sense that a semiotic approach to the subject will reveal far more than has been discovered within the tradition of hermeneutics and patrimony and that much will be gained by a study of the contrast between written and visual signifiers. The article raises questions about the (unexamined) coded readings of place especially in relation to the photograph, and the lack of an adequately theorized tradition for the novel. The literary text is well known - if not well understood - but the images are from a rare, unpublished, private collection of photographs from Scotland, India and the furthest reaches of Empire (Ovenstone was the Atlantic Freight Manager of Anchor Line Ltd, the Glasgow shipping company). The paper emphasizes the need for the use of codes to decipher the texts. When we “read” the photographs we need to be aware of the intertextual relationship between the photograph and the landscape painting tradition as well as the common practice of the created tableau – there is then overlaid upon the image the sense of a set of conventions, a system which operates much like a language. We are able to discover through the notion of the “long quotation from appearances” the potential for more complex “synchronic” readings. Likewise, in the case of Gillespie, the novel operates within a genre which determines a “reading”. When we are aware of a code, we become aware of the way that Hay manoeuvres adroitly to thwart the reader’s best efforts to settle upon a preferred reading – especially one shaped by an authoritative narrator - which thereby allows for the genuine experience of “heteroglossia” to emerge. The notion of truth in Gillespie is interrogated in the light of Heidegger’s essay “The Origins of a Work of Art” in order that the relationship between representation and reality be clarified.

scholarly journals SPACE OF DEATH IN THE STRUCTURE OF THE NOVEL “SUN OF THE DEAD” BY I.S. SHMELEV

2020 ◽  
Vol 30 (5) ◽  
pp. 887-891
Author(s):  
Xue Chen
Keyword(s):  
Narrative Structure ◽  
The Sun ◽  
The Novel ◽  
Spatial Features ◽  
The Subject ◽  
Temporal And Spatial ◽  
The Dead ◽  
The Relationship ◽  
Over Time

The subject of analysis is the space of death in the “Sun of the Dead,” considered as an existential reality opposite to the vital intentions of a person, a manifestation of social voluntarism, a being category that does not intersect with the space of life. Conclusions are drawn about the relationship between temporal and spatial features in the narrative structure. The parameters of the space of death are presented as characteristics of the discreteness of the artistic space of the story. The boundaries of the space of death, its dominance over time, the influence on the tempo-rhythmic features of the text, the types of character consciousness are described.

scholarly journals Gnosis and metacognition

2020 ◽  
Vol 23 (1-2) ◽  
pp. 33-39
Author(s):  
Michail Murashkin
Keyword(s):  
External Environment ◽  
Self Control ◽  
True State ◽  
State Of Mind ◽  
Divine Transcendence ◽  
Inner World ◽  
The Subject ◽  
Growing Conditions ◽  
Relationship Of ◽  
The Relationship

The article deals with gnosis and features of metacognition. Initially, the Gnostics considered whether the term "gnosis" was used, what knowledge did they gain from certain experiences. The subject matter of the study reveals important features of the human psyche. For example, the property of separating one’s self from the external environment is like seeing oneself from the side. This property empowers a person in communicating with other people. This expanded opportunity purifies the human being, because it leads to self-control. During vegetable growing, conditions of a special nature can be experienced by themselves. The Gnostics also spoke about it.The article states that the philosophy of gnosis operates through belief in the special inner world of man, the higher world. But this higher can only be felt when a person is in a state of enstasis as a compensatory trance.The article compares the gnosis of the ancient world with modern philosophical trends. Here, in the descriptions of the inner world of man, the divine transcendence is demonstrated. In this regard, the Gnostics sought knowledge of the true state of mind. This search is engaged in metacognition.The author of the article considers it necessary to clarify what metacognition is. A person has the ability to understand what he or she is thinking. Scientists call it metacognition. Metacognition is when a person feels the world not through the prism of his thoughts, but directly. We can also see this in Gnostics with deep compensatory enstasis, or compensatory trance. Then the person stands apart, because it breaks all the wrong connections. Gnosis tries to capture the knowledge of all these processes. Metacognition helps to establish certain characteristics of compensatory trance, to establish characteristics of compensatory illumination. Compensatory illumination may occur in a state of a particular type of trance. Therefore, the article tries to look at the relationship of compensatory trance and compensatory illumination.

scholarly journals Del derecho a la literatura: Boccaccio y la (re)codificación de la novela

Acta Poética ◽  
2021 ◽  
Vol 42 (2) ◽  
pp. 13-45
Author(s):  
Raúl Rodríguez Freire ◽  
Keyword(s):  
Law And Literature ◽  
Roman Law ◽  
The Novel ◽  
Modern Novel ◽  
The Relationship ◽  
The Way

The relationship between law and literature takes various forms, but the way in which law contributed to the formation of the modern novel is rarely mentioned. As this essay shows, this was possible because Justinian’s codification of Roman law was appropriated by Boccaccio, who, in turn, codified the novel. Coding allowed him to gather a heterogeneous set of stories under a powerful articulating framework. But in addition, as will be shown in these pages, the very term “novel” also comes from Justinian, since that is how he titled his legislative work after his Constitutions.

scholarly journals The Semantics of Participation in the Russian Language as a Reflection of the Cultural Universal «Own/Foreign» Concept and the «West/East» Opposition

2021 ◽  
Vol 14 (10) ◽  
pp. 1538-1546
Author(s):  
Igor Kim ◽  
Keyword(s):  
Native Speakers ◽  
Russian Language ◽  
The West ◽  
Anthropological Theory ◽  
Inner World ◽  
The Subject ◽  
Relationship Of ◽  
The Relationship ◽  
The Russian Language ◽  
Empirical Material

This paper deals with the issues of an important ethnic trait through the reflection in the Russian language and in the speech behavior of native speakers. This trait is focused around the need for actualization of «participation» or complicity in speech and social behavior as an invisible connection established in the inner world of the subject of the relationship of participation with other persons, animals, objects, spatial and social objects and even eras and ideas. The developed semantics of participation in the Russian language reflects the cultural universal concept of «own/foreign». L. Levy-Bruhl studied one member of that opposition theoretically and on the basis of extensive empirical material created the anthropological theory of participation. Russian linguists V. V. Ivanov, Yu. D. Apresyan, V. S. Khrakovsky and A. P. Volodin, I. I. Kovtunova studied concepts associated with the notion of participation in the mid‑1980s using the material of Russian deixis and the category of possessiveness. In the Russian language, the semantics of participation is expressed by various linguistic means: the means of verbal and pronominal deixis, diminutives, possessive syntactic constructions and affixes, words with the semantics of emotional attitude and assistance

EXPLORE OF CORRELATION OF COGNITIVE AND EMOTIONAL COMPONENTS IN PSYCHOLOGY

2021 ◽  
Vol 68 (3) ◽  
Author(s):  
N.U. Begaliyeva ◽  
◽  
A.K. Nurkhozhayeva ◽  
Keyword(s):  
Cognitive Processes ◽  
Emotional State ◽  
Self Regulation ◽  
Mental States ◽  
Quality Characteristics ◽  
Scientific Article ◽  
Relationship Model ◽  
The Subject ◽  
The One ◽  
The Relationship

Like cognitive processes, mental states are subject to neurophysiological justification according to the length, quality characteristics, validity and self-regulation of functions it is distinguished by its ability. In addition, many researchers believe that mental development the dynamic interaction of these aspects of the psyche at all stages and he noted the unity that exists in the interaction. The close connection of cognitive processes and emotional state is determined by the one-sidedness of the subject, which is expressed in the selectivity of attention and emotional the brightness of cognitive processes. Methodological foundations of the study relationship between mental state and cognitive processes can serve as a theoretical the relationship model. This scientific article is considered to study the relevant issues cognitive and emotional components in psychology. For today’s day, specific works in these areas are not available. However, for analyzing scientific works of various representatives of psychology, we are systematize these are areas.

‘Pushing the envelope’: The Representation of Jazz, Sex and Violence in Fred Khumalo’s Bitches’ Brew

2020 ◽  
Vol 47 (1) ◽  
pp. 69-95
Author(s):  
Jabulani Mkhize
Keyword(s):  
Subject Matter ◽  
Black Masculinity ◽  
The Novel ◽  
Narrative Strategy ◽  
Call And Response ◽  
The Subject ◽  
And Gender ◽  
Bitches Brew ◽  
Jazz Performance ◽  
The Relationship

This paper, primarily, explores the extent to which Fred Khumalo’s novel, Bitches’ Brew, can be considered a jazz novel by looking at both its subject matter and form. It argues that the transgressive power of Khumalo’s novel lies in its use of epistolary form as a narrative strategy that is akin to a jazz solo, marked as it is by a dialogical narrative that is similar to the call and response pattern that bears an affinity to a jazz performance. In terms of the subject matter, the central thrust of the argument is that the over-arching predominance of sex and violence in the text threatens to overshadow the musicality of the text, even as masculinity and misogyny are considered as the other side of the coin of jazz. In its exploration of the jazz and gender interface, this paper highlights how the phallocratic logic that informs and dominates the novel is indicative of the fact that Khumalo may have ‘pushed the envelope’ too far in his representation of masculinity and misogyny in jazz culture in his writing of this work. That Khumalo's novel fails to interrogate the relationship between jazz and black masculinity, but rather endorses and valorises it, serves to reinforce the stereotype of misogyny in jazz culture. Keywords: Fred Khumalo, Bitches’ Brew, jazz, musicality, masculinity, misogyny

The genealogy of the boukoloi: how Greek literature appropriated an Egyptian narrative-motif

2000 ◽  
Vol 120 ◽  
pp. 106-121 ◽  
Author(s):  
Ian Rutherford
Keyword(s):  
Narrative Fiction ◽  
The Novel ◽  
Greek Literature ◽  
Single Motif ◽  
The Subject ◽  
Egyptian Literature ◽  
The Relationship ◽  
Greek Novel

The subject of this paper is the relationship between the Demotic Egyptian Inaros-Petubastis Cycle and the Greek novel. I will not argue that the Greek novel as a whole arose from Egyptian literature; that theory has been rightly laid to rest by scholars working in the area, most recently by Susan Stephens and the late Jack Winkler in their edition of the fragments of the novel. What I want to do, rather, is to draw attention to a single motif that might have made its way from Egyptian narrative fiction to the Greek novel; to explore the background of this motif in Egyptian literature; and to discuss the mode through which this motif was appropriated by the Greek novelists. This motif concerns the boukoloi, outlaw shepherds who inhabit the Egyptian Delta and oppose central Egyptian authority.

scholarly journals Uncovering Cinematic Adaptations of James Joyce’s The Dead

2017 ◽  
Vol 5 (4) ◽  
pp. 38
Author(s):  
Pegah Marandi ◽  
Alireza Anushiravani
Keyword(s):  
Comparative Literature ◽  
General Framework ◽  
Literary Work ◽  
The Novel ◽  
The Subject ◽  
John Huston ◽  
The Dead ◽  
The Relationship ◽  
Literature And Film ◽  
Culture And Language

The relationship between literature and film is the subject of plentiful analyses and reflections within the general framework of Comparative Literature. A comparison between a literary work and its adaptations shows how filmmakers adhere to the principles of intertextuality. Exploring various adaptations of James Joyce’s The Dead (1914) and comparing them against each other are the main objectives of this research. This study examines how John Huston (1987), Travis Mills and William Ivey Long (2013) adapted James Joyce’s The Dead (1914) culturally, geopolitically, and sociologically. This study demonstrated that Huston’s adaptation was faithful to Joyce’s text in terms of character, costume, culture, and language, whereas Mills and Long’s adaptation was not fully loyal to Joyce especially in terms of character and culture. However, Mills and Long have attempted to create a language similar to Joyce’s. Further, consciousness and interior thoughts as subtle issues precisely shown in the novel were not illustrated wholly in both adaptations. Huston’s creativity was maintained in the last scene, picturing Gabriel’s monologue, whereas Mills and Long’s creativity was shown in creating new postmodern characters and culture. 

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