The Pilgrims and Pilgrimage

Author(s):  
Brett Hendrickson

This chapter opens with an account of the 2015 Good Friday pilgrimage based on the author’s participant observation, and then moves to an account of the history of the walking pilgrimage as well as other smaller pilgrimages to the Santuario de Chimayó. The chapter concludes with a detailed analysis of several theories of pilgrimage and its relationship to religious tourism and how these theories relate to the pilgrimage and tourism at the Santuario. The Santuario provides a fascinating case of phenomena related to the commodification of religious sites.

Author(s):  
James S. Bielo

This chapter examines the phenomenon of biblically inspired theme parks. Like Disney and other variants, biblical theme parks create experiential portals to other lifeworlds. They imagine, materialize, and choreograph stories from Christians’ sacred texts in order to heighten visitors’ relation of intimacy with scripture by conjuring particular, ideologically charged scriptural pasts. To illustrate this argument, the chapter outlines the history of the modern theme park and presents a case study analysis of a creationist theme park in the US state of Kentucky: Ark Encounter. Ethnographic work with park designers and participant observation at the park demonstrates how this site of religious tourism mobilizes strategies and imperatives of immersion that are resonant with the culture of entertainment more broadly.


2015 ◽  
pp. 151-158
Author(s):  
A. Zaostrovtsev

The review considers the first attempt in the history of Russian economic thought to give a detailed analysis of informal institutions (IF). It recognizes that in general it was successful: the reader gets acquainted with the original classification of institutions (including informal ones) and their genesis. According to the reviewer the best achievement of the author is his interdisciplinary approach to the study of problems and, moreover, his bias on the achievements of social psychology because the model of human behavior in the economic mainstream is rather primitive. The book makes evident that namely this model limits the ability of economists to analyze IF. The reviewer also shares the author’s position that in the analysis of the IF genesis the economists should highlight the uncertainty and reject economic determinism. Further discussion of IF is hardly possible without referring to this book.


2015 ◽  
Vol 13 (1) ◽  
pp. 39-57 ◽  
Author(s):  
Caroline Robion-Brunner ◽  
Anne Haour ◽  
Marie-Pierre Coustures ◽  
Louis Champion ◽  
Didier Béziat

In the context of the “Crossroads of Empires” project led by Anne Haour, one strand of enquiry aims to understand the history of blacksmith groups and the development of iron production in Dendi country, in the northern Republic of Benin. Numerous remains of iron production have been discovered, showing a great variability in furnace design and waste assemblages. At least three smelting traditions can be distinguished. In this paper, we present the smelting site of Kompa Moussékoubou (10th/11th c. AD) which has been investigated by archaeological and archaeometric methods. Beyond the archaeometallurgical results, the excavation of a 1 x 2 m trench on a settlement mound nearby and survey work, which place the site within its wider context, are also discussed. In particular, we offer a detailed analysis of the ceramics recovered during test pitting and within one of the furnaces itself. This paper thus offers a rare opportunity to combine archaeometallurgical and ceramics data.


Author(s):  
Julia Wesely ◽  
Adriana Allen ◽  
Lorena Zárate ◽  
María Silvia Emanuelli

Re-thinking dominant epistemological assumptions of the urban in the global South implies recognising the role of grassroots networks in challenging epistemic injustices through the co-production of multiple saberes and haceres for more just and inclusive cities. This paper examines the pedagogies of such networks by focusing on the experiences nurtured within Habitat International Coalition in Latin America (HIC-AL), identified as a ‘School of Grassroots Urbanism’ (Escuela de Urbanismo Popular). Although HIC-AL follows foremost activist rather than educational objectives, members of HIC-AL identify and value their practices as a ‘School’, whose diverse pedagogic logics and epistemological arguments are examined in this paper. The analysis builds upon a series of in-depth interviews, document reviews and participant observation with HIC-AL member organisations and allied grassroots networks. The discussion explores how the values and principles emanating from a long history of popular education and popular urbanism in the region are articulated through situated pedagogies of resistance and transformation, which in turn enable generative learning from and for the social production of habitat.


Author(s):  
Kenneth S. Habib

The Lebanese singer Fairuz is one of the most popular and critically acclaimed performers in the history of Arab musical arts. Born Nuhad Haddad in 1935, Fairuz attained extraordinary success, in great part, through her cultivation of an exceptional command of the voice, her development of a deep individual artistry, and her solid rooting in the performance practices of Lebanese and Arab art and popular song. From early in her career, this achievement was in collaboration with the Rahbani family of composer-poets. Assi Rahbani (b. 1923–d. 1986) and Mansour Rahbani (b. 1925–d. 2009) were siblings who worked together as the duo known as the Rahbani Brothers. Fairuz and the Rahbani Brothers met at the Lebanese Radio Station, where she took her professional name, and they began a collaboration there that gave rise to their first international hit in 1952. Occasionally, younger brother Elias Rahbani (b. 1938–d. 2021) joined in the composing as well. Following the marriage of Fairuz and Assi in 1954, Fairuz gave birth to their first child, Ziad Rahbani (b. 1956), who was raised in the presence of some of the most accomplished artists from across Arab society and who similarly showed a remarkable aptitude for musical arts early in life. Following the death of Assi in 1986, Ziad became the primary composer for Fairuz, after which her lyrical and musical style to some extent began increasingly to reflect more of the sensibilities of a younger generation. Since their beginnings, the Fairuz-Rahbani team has changed with the times and given rise to a prodigious artistic output that has included the production of operettas, musical theater sketches, musical films, and over a hundred record albums. Thematically, the wide-ranging repertoire has sometimes addressed universalistic spiritual matters with references to God, eternity, prayer, and other mystical subjects. The artists also have presented material of more expressly religious character that mentions churches, mosques, and houses of worship; that covers esteemed geographical locales, such as Jerusalem and Mecca; and that presents traditional repertoire like Good Friday chanting and Christmas carols. While Fairuz and the Rahbani composers are Christians, their repertoire has appealed across society irrespective of religious and sectarian affiliation. In the process, Fairuz has become a multifaceted icon to listeners from diverse backgrounds in Lebanon, throughout the eastern Mediterranean, across Arab society, and in the diaspora. As for transliteration of the names from Arabic into Latin script, “Rahbani” is fairly consistent, but “Rahbany” also occurs. The plural (i.e., three or more) is “Rahabina” and also is found in the forms “Rahbaniyun” and “Rahbaniyin” while in English it appears as “Rahbanis” as well. While the duo of the Rahbani Brothers has been consistently translated into English in this way, the Arabic form is either “al-Akhawan Rahbani” or “al-Akhawayn Rahbani” (i.e., the two Rahbani Brothers). “Fairuz,” which means “turquoise” in Arabic, has numerous variants in transliteration stemming, in part, from the various possibilities for each syllable of the name (e.g., Fairouz, Fayruz, etc.), but some degree of standardization has come, in part, from the use of this spelling by Voix de l’Orient, the record label that has produced the bulk of her recordings.


2021 ◽  
Vol 10 (2) ◽  
pp. 128-135
Author(s):  
K. S. Guzev

Introduction. The objective necessity of the appearance of this code of laws for the pharmaceu-tical industry is shown. The proofs of the readiness of all branches of pharmacy to develop the text of the Pharmacopoeia, taking into account modern international requirements for scientific and practical activities in the development, manufacture and production of medicines, are presented.Text. The work presents the history of the creation of the VII edition of the State Pharmacopoeia of the USSR. The sequence of steps for the formation of the Pharmacopoeia Commission, the stages of its activities for the preparation of the updated text of the Pharmacopoeia is described, a detailed analysis of the prepared text is given in comparison with the current Pharmacopoeia of the VI edition (1910). Various points of view of experts on the content of the main text are cited, which served as the basis for the new document. The role of domestic scien-tists-pharmacists in the development and publication of the VII edition of the State Pharmacopoeia of the USSR is evaluated.Conclusion. The role of the Pharmacopoeia Commission in the timely development of the text of the new edition of the State Pharmacopoeia is emphasized. The fact of its wide discussion among experts and the novelty of the approach, which gave a powerful impetus to the development of the entire industry, are noted.


Author(s):  
Luiz Felipe B. de Barros

Este artigo, intitulado “A história por trás da foto”, tem por objetivo resgatar uma passagem singular e esquecida da aviação comercial brasileira, especialmente nas décadas de 1930 e 1940. Utiliza-se o método monográfico e bibliográfico para, a partir da análise detalhada de uma fotografia sem qualquer relevância, descortinar e revelar a forte influência germânica na América do Sul. Mostra-se os reflexos da cultura germânica, principalmente no modal aéreo, bem como as particularidades das relações Brasil-Alemanha-Brasil após a Primeira Guerra Mundial.********************************************************************A story behind the photoAbstract: This article, entitled “The story behind the photo”, aims to examine a unique and forgotten period from Brazilian commercial aviation, principally from the decades of the 1930s and 1940s. The monographic and bibliographic method attempts, from a detailed analysis of the photograph, to discover and reveal the strong Germanic influence in South America. It shows the effects of the German culture, especially on air transportation, as well as the characteristics of the Brazil-Germany-Brazil relationship after the First World War.Keywords: History of Aviation; Photography; Aircraft; Porto Alegre


Globus ◽  
2020 ◽  
Author(s):  
H. Mammadov ◽  
◽  
Zh. Mammadova ◽  

This article is devoted to the problems of mutual influence and interaction of international law and religion. In particular, it examines the development of international law and the sources of religion. In addition, which areas of international law are most developed under the influence of religious provisions. The history of international law knows various theories under which international law has improved. The article provides a detailed analysis of these theories and views, noting the institutions of international law that arose directly under the influence of religion. For example, it is noted that under the influence of Relia, the UN Charter codifies the basic principles of international law, etc. In addition, it shows the challenges of religion to international law and relations in the era of globalization in the twenty-first century, which led even to the undermining of modern international relations and traditional religious concepts caused by the " return of religion” in international relations; secondly, it presents and discusses the research path of religion and international relations. Finally, a brief analysis of the 2 impact of the global revival of religion and the ”return of religion" in international law and international relations has been carried out


Author(s):  
Tetyana Dubitska

The Khotyn Uprising was an event that became one of the most striking pages in the history of the region in the XX century. Considerable attention was paid to the study of the history of this issue during the Soviet period, but interpretation of the rebellion has changed several times because of the increasing influence of ideology on the research of Soviet scientists. With the proclamation of Ukraine's Independence, it became possible to objectively cover these events, which led to a process of rethinking the scientific works of Soviet researchers. The presence of different approaches in covering this issue necessitates a detailed analysis of the transformations that took place in the interpretation of the Khotyn uprising. The article explores the specific features of the main approaches to the coverage of the Khotyn uprising in Soviet and contemporary Ukrainian scientific historical literature. It is established that in the 20th – 40th of the XX century the Khotyn uprising was reported as a spontaneous peasant rebellion against the Romanian invaders. According to the Representatives of this approach, one of the main causes of the defeat of uprising was the absence of a Bolshevik insurgency organisation. It is revealed that 50th of the XX century became a transitional period between the previous interpretation of the Khotyn uprising and the new coverage of events, as scientists still emphasized that the uprising was peasantry, but began to provide a significance to revolutionary elements among them. Since the 60th of the XX century the situation is changed: ideology has become a decisive element in research of the uprising and, therefore, all events related to the uprising have been covered in according to the ideology. Thus, the Khotyn uprising is reported as prepared by the communist-led committee, had a well-planned commencement and aimed at restoring Soviet power in the Khotyn region. It is established that with the proclamation of Ukraine's Independence in the coverage of the uprising, there are dramatic changes related to the nature and purpose of the uprising, the political orientations of its leaders, etc. In contemporary Ukrainian science, for example, the Bolshevik character of the uprising and the struggle for power of the Soviets is refuted; instead, the emphasis was made on national liberation; it was confirmed the thesis about the orientation of some of the organizers of the uprising to the Ukrainian People's Republic in Kiev. The neutrality of the UPR’s Directory is explained because of the threat of war with Romania. Keywords: Khotyn uprising, Soviet historiography, contemporary Ukrainian historiography.


Balcanica ◽  
2019 ◽  
pp. 245-259
Author(s):  
Maxim Vasiljevic

The present study gives us an opportunity to look at the Christian heritage that the Serbian immigrants brought to the new land of Americas through the examples of Mihailo Pupin and Nikolai Velimirovic, Bishop of Zica, since these two names are indelibly inscribed in the history of the so-called Serbica Americana. The paper is divided into two sections dealing specifically with their Serbianism and Americanism to show that a distribution of love and loyalty between their native and adopted country functioned in a fruitful way. Based on a detailed analysis of their writings, the author suggests that Serbians and Americans remember Pupin and Velimirovic because they enjoy the benefits of their remarkable contributions. The following aspects of Pupin?s and Nikolai?s lives are examined: their deep concern with the fate of Serbia during and after the First World War; their leading roles among the Serbs in the United States through their assistance in establishing Serbian churches and communities, through their scholarship funds, philanthropic work, etc. Their genuine care for Serbia and Serbs was in no way an obstacle in their adjustment to their adopted country.


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