scholarly journals Necropolítica e as imagens da morte no filme a gente se vê ontem (2019)

2021 ◽  
Vol 16 (28) ◽  
pp. 122
Author(s):  
Josué Victor Dos Santos Gomes ◽  
Carlos Alberto de Carvalho ◽  
Verônica Soares da Costa
Keyword(s):  
Interpretive Analysis ◽  
Time Space ◽  
The World

O presente artigo reflete os conceitos de necropolítica (MBEMBE, 2017) e wake-work (SHARPE, 2016) partindo do filme A Gente Se Vê Ontem (2019). Através da análise interpretativa das cenas de assassinato e da aproximação com os conceitos revisados, entendemos que a obra utiliza múltiplas visualidades da morte para construir uma ambientação necropolítica. Vislumbramos que a necropolítica se apresenta no filme como uma condição perturbadora da habitação das personagens no tempoespaço, assim como também afeta as vivências negras no mundo em que compartilhamos.Necropolitics and images of death in the film see you yesterday (2019)AbstractThis article reflects the concepts of necropolitics (MBEMBE, 2017) and wake-work (SHARPE, 2016) based on the film See You Yesterday (2019). Through the interpretive analysis of the murder scenes and the approach to the revised concepts, we conclude that the work uses multiple visualities of death to build a necropolitical setting. We glimpse that necropolitics appear not to film as a disturbing condition of the room of personagens not time-space, as well as it also affects black lives in the world in which we share.Keywords: Death scenes; movies; necropolitics; racism; temporality.  

Feeling Film: Time, Space, and the Third Image

2021 ◽  
pp. 002216782110180
Author(s):  
Luke Hockley
Keyword(s):  
Present Moment ◽  
Ontological Status ◽  
The Third ◽  
The Past ◽  
Time Space ◽  
The World

This article explores what it means to feel film. It does so through an exploration of the interconnections between Bergson, Deleuze, and Jung. Central to the argument is the ontological status of the image in these different philosophical and psychological traditions. In particular, image is seen as an encapsulation of coming into being, or what Bergson terms durée. To feel film is to engage with its therapeutic capacity to bring us into being. In the consulting room and in the cinema, this process is embodied and in some way created either between client and therapist or viewer and screen. The elusive present moment is the site at which the past permeates the present, creating as it does feeling toned entry into the process of becoming. Jung thought of this as central to individuation and Bergson as central to being. Feeling film from this perspective becomes a way of finding ourselves in both the world of the film and in our individual psyche.

Midrash, Myth, and Bakhtin's Chronotope: The Itinerant Well and the Foundation Stone in Pirqe de-Rabbi Eliezer

2009 ◽  
Vol 17 (2) ◽  
pp. 143-176 ◽  
Author(s):  
Rachel Adelman
Keyword(s):  
Rabbinic Literature ◽  
Time Space ◽  
The World ◽  
Dome Of The Rock ◽  
Temple Mount ◽  
The Temple ◽  
Foundation Stone

AbstractThroughout the midrash Pirqe de-Rabbi Eliezer (PRE), motifs are recycled to connect primordial time to the eschaton. In this paper, I read passages on the well “created at twilight of the Sixth Day” in light of Bakhtin's notion of “chronotope” (lit. time-space). The author of PRE disengages the itinerant well from its traditional association with the desert sojourn and links it, instead, to the foundation stone of the world (even shtiyah) at the Temple Mount. The midrash reflects the influence of Islamic legends about the “white stone” around which the Dome of the Rock was built (ca. 690 C.E.). Over the course of the discussion, PRE is understood in terms of the genre “narrative midrash” and compared to classical rabbinic literature in order to illustrate changes in both form and content arising from the author's apocalyptic eschatology.

La sensazione e il vortice del sonno

2020 ◽  
Vol 22 ◽  
pp. 385-397
Author(s):  
Tommaso Tuppini ◽  
Keyword(s):  
Night Time ◽  
Time Space ◽  
The World ◽  
The Subject

We typically conceive of sensation as a residue of empiricism and idealism, both of which claim to reduce our experience to a sum of elementary data that the subject encounters. For Merleau-Ponty, sensation is none of these things: it defines our ability to let ourselves be solicited by the relief and questions of the world. What is sensed is not an inert datum but a gesture of existence that concerns me, invites me to correspond to it and follow it. When I respond to the invitations of what I sense, the connection between me and the world functions as the immobile axis around which the whirls of a whirlwind are formed. Whirlwind of sensation or whirlwind of sleep, because sensing is also made of a night time-space in which the connection with things seem to be broken. The inertia of sleep is whirling in its own way, just as the dynamism of sensation has its own condition of possibility in an immeasurable measure of apathy and indifference.

scholarly journals TRANSNATIONALE BARNDOMME: Refleksioner over bømemigranter og identitet

1998 ◽  
Author(s):  
Michael Anderson
Keyword(s):  
Migrant Child ◽  
Making Sense ◽  
Interpretive Analysis ◽  
The World ◽  
Iraqi Refugee

Michael Anderson: Transnational Childhood: Reflections on Child Migrants and Identity The article seeks to elucidate some themes pertinent to childhood migrancy from the perspective of children’s reported experiences, in an attempt to challenge “static” conceptualizations of the child in a moving world. Through interpretive analysis of four vignettes about Iraqi refugee children, the author hints at the limitations of contemporary theorising which either homogenises children as the same all over the world, or particularises them as culturally specific in definitively bounded locations. The migrant child, whose identity is transnational and transcultural, challenges both of these conceptualizations. Furthermore, given the opportunity, children prove articulate “expositors” of the dynamic processes inherent in this complexity in their narrative (verbal and behavioural) mappings of themselves. By availing ourselves of their words, actions and imaginations, we can participate in their making sense of a world in movement and their own childhoods as they unfold.

scholarly journals IDENTITY IMPLICATIONS: «FROM THE COUNTRY OF RICE AND OPIUM» BY SOFIIA YABLONSKA

2018 ◽  
Vol 31 ◽  
pp. 251-266
Author(s):  
Tymofii HAVRYLIV
Keyword(s):  
Travel Literature ◽  
Spatial Dimension ◽  
Interdisciplinary Studies ◽  
Complex Nature ◽  
Time Space ◽  
The World ◽  
Self Knowledge ◽  
The Given ◽  
First Time ◽  
Ukrainian Society

This article is one of the first scholarly attempts to analyze the creative work of Ukrainian filmmaker and traveler Sofiia Yablonska-Uden. For the first time in the Ukrainian and the world literary studies, identical implications are analyzed in the «From the Country of Rice and Opium» by S. Yablonska. The purpose of the article is to highlight the complex nature of identity issues in travel literature. In terms of identity, the journey performs two fundamental, closely interconnected tasks: knowledge of the other and self-knowledge. Hermeneutic approaches are used in the article. The main results can be summarized as follows: 1) the journey has its own time-spatial dimension, consisting of two disproportionate moments: preparation for travel and travel itself, and begins literally and symbolically with the overcoming, or the crossing of the border; 2) the intention of the trip contains an identity challenge that affects the preparation, organization, realization of the travel, the way and the content of documenting impressions; 3) such parameters of travel as an accident, an adventure, a game which formed the world of traveler's impressions, are subordinated to the identity problem in the given work; 4) the essay character of the book makes it possible to talk about implications as a response to an identity challenge. The book of travel essays «From the Country of Rice and Opium» of S. Yablonska-Uden is a sample of a successful combination of the business and private aspects of travel, intentions of knowledge and self-knowledge, poetry and faculty; learning about another people and countries, the writer learns a lot of things about himself. Travel literature is an important study object of Ukrainian writing, which opens the prospects for further interdisciplinary studies. The study of travel literature, an identity issue, is extremely relevant both for the development of Ukrainian society and for the formation of optimal responses to the challenges of our time. Keywords travel, travel literature, identity, identical implications, time-space disposition.

scholarly journals Perencanaan Perubahan Dalam Sudut Pandang Al-Qur’an

2018 ◽  
Vol 2 (2) ◽  
pp. 111-130
Author(s):  
Zamakhsyari Abdul Majid
Keyword(s):  
Human Resources ◽  
Educational Innovation ◽  
Management Science ◽  
Educational Process ◽  
Educational Institutions ◽  
Future Planning ◽  
Science Study ◽  
Interpretive Analysis ◽  
Innovation In Education ◽  
The World

This paper is behind the concept of innovation that became one of the universal and fundamental strategies. The substance of innovation in education has the purpose of improving and updating the context of human development and educational institutions. Reference and inspiration of Islamic principles into modern theoretical problematic have a significant impact as the basic foundation of management science study in the future. Planning is part of a management science resulting from the process of human innovation as the object of education. This paper uses a method of commentary maudu'I or thematic interpretive analysis, which refers to a unity of certain themes in the verses of the Qur'an, as well as analyze the innovative part of planning in the perspective of Al-Quran. The study of educational innovation embodied in the Qur'an has implications for the human mindset to be able to plan the educational process systematically, objectively and dynamically. Planning human resources in the stage of management is a manifestation of human success to improve the paradigm of innovation that entered the world of education.

Japanese Soft Power in Indonesia on Anime Entitled Ufo Baby: Study of Popular Culture

IZUMI ◽  
2021 ◽  
Vol 10 (2) ◽  
pp. 328-337
Author(s):  
Risa Yuliani ◽  
R.M. Mulyadi ◽  
M. Adji
Keyword(s):  
Popular Culture ◽  
Soft Power ◽  
Research Method ◽  
Cultural Theory ◽  
Qualitative Approach ◽  
Japanese Culture ◽  
Cultural Elements ◽  
World Community ◽  
Interpretive Analysis ◽  
The World

Anime as Japanese popular culture has been successfully consumed by mass in many countries. It indicates that Japan's strategy to make anime one of its soft power has been successfully accepted by the world community. In Indonesia, since anime entered the television, the enthusiasm given by the community has been good and positive. Anime is liked by various circles, especially children, even today. Ufo Baby is one of the shows on RCTI, even though it's not as global as Doraemon, for example, but apart from an interesting storyline, this anime also incorporates many elements of Japanese culture. The aim of this study is to explain the soft power of Japan in Indonesia on anime entitled “Ufo Baby”. The research method uses a qualitative approach with interpretive analysis. The researched part is scenes from anime that contain cultural elements. The approach used is John Storey's cultural theory and Nye Joseph's theory of soft power. Data collection was conducted to examine the influence of Japanese culture on Indonesian society by using interview techniques. The results of this study reveal that in the Ufo Baby anime there are elements of soft power culture used by Japan. From the results of research, the culture shown in anime has an influence on Indonesian society marked by the community's participation in celebrating traditional Japanese festivals and the discovery of many typical Japanese goods sold in local shops.

Backwardness Revisited: Time, Space, and Civilization in Rural Eastern Europe

2015 ◽  
Vol 57 (4) ◽  
pp. 881-911 ◽  
Author(s):  
Chris Hann
Keyword(s):  
Eastern Europe ◽  
Great Plain ◽  
Civilizing Mission ◽  
Time Space ◽  
General Relevance ◽  
The World ◽  
Political Economies ◽  
Rapid Industrialization ◽  
Agrarian Societies ◽  
Theoretical Insight

AbstractAnthropology, the relativizing countercurrent to Enlightenment notions of civilization and progress, has long challenged notions of backwardness. By contrast, Marxist-Leninist regimes had no doubts about the world-historical backwardness of the largely agrarian societies in which they came to power, which they sought to transform through rapid industrialization. According to some indicators, this socialist civilizing mission was rather successful. Yet memories are mixed, and complicated by the reappearance of typical features of backwardness in the postsocialist era. This article explores changing political economies and the spatiotemporal imaginaries of elites and villagers in Hungary. Historical and theoretical insight is drawn from Ferenc Erdei (1910–1971), a left-leaning populist whose analysis of rural Hungary has more general relevance. Case materials are presented from a region of the Great Plain that in the longue durée exemplifies the “development of underdevelopment” on the margins of Western capitalism. Civilizational transformations were instigated from the east in the socialist decades, but their vehicle was a collectivist ideology that remained alien. The politics and economics of time now render villagers susceptible to populist imaginaries entirely different from those of Erdei.

scholarly journals Modernitetens modsigelser. Konfigurationskonflikter og samfundstænkning i Grundtvigs »Om Mennesket i Verden«

1998 ◽  
Vol 49 (1) ◽  
pp. 142-156
Author(s):  
Henning Eichberg
Keyword(s):  
Civil Society ◽  
Social Relations ◽  
Social Life ◽  
The Body ◽  
The Other ◽  
Human Being ◽  
Human Beings ◽  
Time Space ◽  
The World ◽  
The One

Contradictions of Modernity. Conflicting Configurations and Societal Thinking in Grundtvig's »The Human Being in the World«A Worm - a God. About the Human Being in the World. Ove Korsgaard (ed.). With contributions of Niels Buur Hansen, Hans Hauge, Bosse Bergstedt, Uffe Jonas and Knud Bjarne Gjesing. Odense Universitetsforlag 1997.By Henning EichbergIn 1817, Grundtvig wrote »Om Mennesket i Verden« which can be regarded as a key to the understanding of his philosophy and psychology, but which is difficult to place in relation to his later folkelig, societal engagement. A recent reedition of this text together with some actual comments by Grundtvig researchers is an occasion to quest deeper about this relation.However, it is not enough to ask - as Grundtvig research has done for a long time - what Grundtvig wanted to say, but his text can be regarded as a document of how modem orientation in the world is characterized by conflicting linguistic and metaphorical patterns, which sometimes may tell another story than intended.On the one hand, Grundtvig's text speaks of a lot of dualistic contradictions such as life vs. death, light vs. darkness, truth vs. lie, God vs. devil, human fall vs. resurrection, body vs. spirit, nature vs. history and time vs. eternity. In contrast to the author's intention to produce clarity and lucidity - whether in the spirit of Christianity or of modem rationality - the binary constructions give rather a confusing picture of systematical disorder where polarity and polemics are mixed, antagonism and gradual order, dichotomy and exclusive either-or, paradoxes and dialectical contradictions. On the other hand,Grundtvig tries again and again to build up three-pole imaginations as for instance the threefold human relation to time, space and truth and the three ages of spiritual seeing, feeling and conceptualization resp. of mythology (childhood), theology (youth) and history (adult age). The main history, Grundtvig wants to tell in his text, is built up around the trialectic relation of the human being to the body, to the spirit and to itself, to the living soul.The most difficult to understand in this relation seems to be what Grundtvig calls the spirit, Aanden. Grundtvig describes it as Aandigt Samfund mellem Menneske og Sandhed, »the spiritual community between the human being and the truth«, and this may direct our attention towards samfund, meaning at the same time association, togetherness and society. Aanden is described by threefold effects - will, conscience and faith, all of them describing social relations between human beings resp. their psychological correlate. The same social undertone is true when Grundtvig characterizes three Aande-Livets Spor (»traces of spiritual life«): the word, the history and love. If »the spirit« represents what is larger or »higher« than the single human being and what cannot be touched by his or her hand, then this definition fits exactly to society or the sociality of the human being. Social life - whether understood as culture, social identity or folk (people) - is not only a quantitative sum of human individuals, but represents another quality of natural order. Thus it has its logic that Grundtvig places the human being in between the realms of minerals, plant and animal life on the one hand and the »higher« order on the other, which can be understood as the social existence.In this respect, the societal dimension is not at all absent in his philosophy of 1817. However, it is not enough to state the implicite presence of sociality as such in the earlier Grundtvigian thinking before his folkelig break-through. What was the sociality, more concretely, which Grundtvig experienced during the early modernity? In general, highly dichotomous concepts are dominating the modem discourse as capitalism vs. feudalism, materialism vs. idealism, modernity vs. premodemity, democracy vs. absolutism or revolution vs. restoration; Grundtvig was always difficult to place into these patterns. Again, it might be helpful to try a trialectical approach, transcending the dualism of state and market by civil society as a third field of social action. Indeed, it was civil society with its farmers' anarchist undertones which became the contents of Grundtvig's later folk engagement.

scholarly journals The Developmental Acquisition of Motion

1986 ◽  
Vol 1 (2) ◽  
pp. 67-75
Author(s):  
Samuel Juni ◽  
Scott Budge
Keyword(s):  
Philosophical Inquiry ◽  
The Past ◽  
Time Space ◽  
The World ◽  
Space Motion ◽  
Governing Principle ◽  
Periodic Regression ◽  
Integration Algorithms ◽  
Historical Antecedents ◽  
Generalized Expectancies

Under the general rubric of the development of object constancy and permanence, the concepts of time, space, motion, and noncentrist motion are assimilated through a hierarchy of steps. This developmental continuum begins at the pervasive ego-centric position of early infancy, where there is no concept of the outside world, and ends at the stage where the world serves as the frame of reference for all subjectively perceived events. The general impetus for movement along this continuum (with allowance for periodic regression) is formulated as a basic tendency to generalize from unitary experience into generalized expectancies. This tendency manifests through integration algorithms that are expressed by establishing induction as a governing principle of phenomenological expectancies, thus forming the essence of a systematic explanatory network comprising an internalized catalog of events the person had encountered in the past. Such historical antecedents serve to extract certain contingencies from the heretofore unexplained or "magical" domain of childhood logic and enable their codification as explainable events. We suggest that this is precisely the opposite of a parallel process that proceeds from total noncentricity to phenomenology of subjectivity: philosophical inquiry into logic events.

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