scholarly journals MAKSUR DOME TRADITION IN THE DESIGN OF MALATYA GREAT MOSQUE IN TURKISH ISLAMIC ARCHITECTURE

2019 ◽  
Vol 5 (3) ◽  
pp. 166-172
Author(s):  
Alev Erarslan

The maksure section was added to Nebev-i Masjid during the era of the Caliph Osman in early Islamic architecture as a private space to ensure the safety and security of the caliphs. The maksure was positioned in the section in front of the mihrab and covered with a dome,  eventually becoming one of the essential elements of Islamic mosque architecture. The “mihrab anterior dome” was at the same time regarded as a symbol of the ruler’s sovereignty and became the fundamental starting point of spatial unity in mosque architecture. One of the most examples of this structure is the Umayyad Mosque in Damascus. The same plan layout was also applied to the mosques of Cordoba, Mesjid-i Aksa in Jerusalem, and Kayrevan in Tunisia. The anterior mihrab dome was an essential architectural and liturgical element used in the fabric of Anatolian mosque architecture by the Great Seljuqs outside Anatolia, the early-Anatolian Turkish Principalities, and Anatolian Seljuqs within the confines of Anatolia. After going through another stage of development during the late-Principality era of the 14th century, it was transformed into the central dome in Ottoman Turkish architecture, becoming an essential element in the organization of the entire grammar of Turkish shrine architecture. This paper aims to describe the use of this mihrab anterior dome in the design of the Malatya Great Mosque. Evaluated within the scope of this typology, the Malatya Grand Mosque holds a unique place in the history of Turkish art and architecture, whether for its layout, its dome design, or its embellishment technique and repertoire. In this article, the Malatya Great Mosque, one of the “mihrab anterior dome” mosques in Anatolia, will be evaluated from the aspect of its unique dome plan and rich decorative embellishment program.

2021 ◽  
pp. 147-163
Author(s):  
Mykola Doroshko ◽  
Iuliia Tsyrfa

Today, strategic culture becomes an essential element of the national security policy of the Russian Federation. While absorbing some modern aspects, its strategic culture reflects historical lessons learnt by the Russian Empire and the USSR. Russia still cannot refuse from the idea to restore its superpower status and to fight for new territories. Thus, we can define a number of essential elements of the Russian strategic culture formed in relation to the historical and contemporary development of this state. Throughout the history, the Russians have legitimized the decisions and activities of the ruling elites. As the Russian leadership has long built up powerful associations which had taken root in the minds of people while remembering patriotism and love for their Motherland, the Russians believe in the importance of maintaining and enhancing patriotic feelings. While cultivating its civilizational and cultural detachment, Russia continues developing its own messianic idea which envisages the views of the special historical kismet of Russia. In order to fulfill its global tasks, Russia uses the policy of military interventions and violates state sovereignty of other countries, since the ‘militant’ political culture of its leaders has always militarized the strategic culture of the RF. So, the strategic culture of Russia emanates from the unique position and history of this state which manages to adapt it to the new realities. However, Russia’s aspirations to reclaim its status as a global superpower at any cost do not allow its strategic culture to be changed or even to be altered.


Author(s):  
Marcin Wodziński

This concluding chapter explains that the development of the attitude of the Haskalah to hasidism in the Congress Kingdom is important to understanding the history of Jewish society, not only in this part of Poland but in the whole of eastern Europe. The example of the Kingdom of Poland demonstrates that the struggle with the hasidic movement was not an obsession inherent to the entire east European Haskalah and an essential element of its ideology, but rather that it was the result of a confluence of many factors of an ideological and social, internal and external, nature. The breakthrough in attitudes towards hasidism associated with Eliezer Zweifel's views advocating reconciliation with the hasidic movement gains a completely new meaning in the context of similar declarations by Polish integrationists in the early 1860s. However, the significance of this breakthrough lies not so much in where it first occurred historically as in its usefulness as an analogy from which to draw lessons about the wider process taking place in modernizing Jewish circles in the Russian empire and the Kingdom of Poland. The similarities and differences in attitudes towards hasidism may be treated as a convenient starting point for more general studies of the Haskalah and hasidism in eastern Europe, the factors shaping them, and the characteristics that resulted from them. The chapter then summarises this book's findings.


2017 ◽  
Vol 4 (4) ◽  
pp. 188
Author(s):  
Essam S. Ayyad

Professor Keppel Archibald Cameron Creswell (1879–1974), better known as K.A.C. Creswell or simply Creswell, was definitely one of the most prominent and prolific scholars in the field of Islamic art and architecture. His gigantic two-volume <em>Early Muslim Architecture</em>, of which Volume I was first published in Oxford in 1932, remains widely acknowledged as the most important reference for early Islamic architecture so far. Nevertheless, Creswell’s hypothesis on the genesis of the mosque type and his perception of the first mosque in Islam betray a considerable amount of dubiety and suffer a myriad of critical deficiencies. As he maintains, the making of the mosque, as defined in the modern sense, was launched not by the Prophet, as commonly believed, but by Ziyād b. Abīh when he reconstructed the mosque of Baṣra in 45/665. Astonishingly, these views of Creswell were adopted and further enhanced by quite a number of notable specialists over eighty-five years. This article will subject such views to scrutiny with the aim of identifying the first mosque in Islam and the religious as well as historical contexts in which it emerged. This discussion becomes more persistent, however, given the dominant misconceptions about the topic in Western as well as Muslim scholarships.


1999 ◽  
Vol 58 (2) ◽  
pp. 170-195 ◽  
Author(s):  
Jill Caskey

This study presents five little-known bathing chambers from the region of Amalfi in southern Italy. Dating from the thirteenth century, the baths define with remarkable consistency a type of structure that has not previously been identified or considered in histories of medieval architecture in the West. The study begins with an analysis of the five bathing chambers and their specific architectural features, technological remains, and domestic contexts. The diverse antecedents of the buildings, which appear in ancient Roman, medieval Italian, Byzantine, and Islamic architecture, are explored, along with the implications of this eclecticism for the history of southern Italy. Utilizing the rich array of surviving medieval documents for the region, including episcopal charters, royal decrees, and medical treatises, the study then reconstructs the economic, social, and scientific significance of the baths within medieval Amalfi. As monuments outside the traditional contexts of art production in southern Italy, the baths challenge long-standing characterizations of southern Italy's art and architecture, and point to the existence of a Mediterranean-wide balneal culture in which Byzantine, Islamic, and southern Italian communities participated.


2019 ◽  
Vol 72 (3) ◽  
pp. 719-779
Author(s):  
David Gutkin

H. Lawrence Freeman's “Negro Jazz Grand Opera,” Voodoo, was premiered in 1928 in Manhattan's Broadway district. Its reception bespoke competing, racially charged values that underpinned the idea of the “modern” in the 1920s. The white press critiqued the opera for its allegedly anxiety-ridden indebtedness to nineteenth-century European conventions, while the black press hailed it as the pathbreaking work of a “pioneer composer.” Taking the reception history of Voodoo as a starting point, this article shows how Freeman's lifelong project, the creation of what he would call “Negro Grand Opera,” mediated between disparate and sometimes apparently irreconcilable figurations of the modern that spanned the late nineteenth century through the interwar years: Wagnerism, uplift ideology, primitivism, and popular music (including, but not limited to, jazz). I focus on Freeman's inheritance of a worldview that could be called progressivist, evolutionist, or, to borrow a term from Wilson Moses, civilizationist. I then trace the complex relationship between this mode of imagining modernity and subsequent versions of modernism that Freeman engaged with during the first decades of the twentieth century. Through readings of Freeman's aesthetic manifestos and his stylistically syncretic musical corpus I show how ideas about race inflected the process by which the qualitatively modern slips out of joint with temporal modernity. The most substantial musical analysis examines leitmotivic transformations that play out across Freeman's jazz opera American Romance (1924–29): lions become subways; Mississippi becomes New York; and jazz, like modernity itself, keeps metamorphosing. A concluding section considers a broader set of questions concerning the historiography of modernism and modernity.


2000 ◽  
Vol 151 (12) ◽  
pp. 502-507
Author(s):  
Christian Küchli

Are there any common patterns in the transition processes from traditional and more or less sustainable forest management to exploitative use, which can regularly be observed both in central Europe and in the countries of the South (e.g. India or Indonesia)? Attempts were made with a time-space-model to typify those force fields, in which traditional sustainable forest management is undermined and is then transformed into a modern type of sustainable forest management. Although it is unlikely that the history of the North will become the future of the South, the glimpse into the northern past offers a useful starting point for the understanding of the current situation in the South, which in turn could stimulate the debate on development. For instance, the patterns which stand behind the conflicts on forest use in the Himalayas are very similar to the conflicts in the Alps. In the same way, the impact of socio-economic changes on the environment – key word ‹globalisation› – is often much the same. To recognize comparable patterns can be very valuable because it can act as a stimulant for the search of political, legal and technical solutions adapted to a specific situation. For the global community the realization of the way political-economic alliances work at the head of the ‹globalisationwave›can only signify to carry on trying to find a common language and understanding at the negotiation tables. On the lee side of the destructive breaker it is necessary to conserve and care for what survived. As it was the case in Switzerland these forest islands could once become the germination points for the genesis of a cultural landscape, where close-to-nature managed forests will constitute an essential element.


Author(s):  
Irving R. Epstein ◽  
John A. Pojman

Just a few decades ago, chemical oscillations were thought to be exotic reactions of only theoretical interest. Now known to govern an array of physical and biological processes, including the regulation of the heart, these oscillations are being studied by a diverse group across the sciences. This book is the first introduction to nonlinear chemical dynamics written specifically for chemists. It covers oscillating reactions, chaos, and chemical pattern formation, and includes numerous practical suggestions on reactor design, data analysis, and computer simulations. Assuming only an undergraduate knowledge of chemistry, the book is an ideal starting point for research in the field. The book begins with a brief history of nonlinear chemical dynamics and a review of the basic mathematics and chemistry. The authors then provide an extensive overview of nonlinear dynamics, starting with the flow reactor and moving on to a detailed discussion of chemical oscillators. Throughout the authors emphasize the chemical mechanistic basis for self-organization. The overview is followed by a series of chapters on more advanced topics, including complex oscillations, biological systems, polymers, interactions between fields and waves, and Turing patterns. Underscoring the hands-on nature of the material, the book concludes with a series of classroom-tested demonstrations and experiments appropriate for an undergraduate laboratory.


Author(s):  
Mark Douglas

The history of ethics in the Presbyterian Church has been shaped by the theological commitments of Reformed theology, the church’s ecumenical and interreligious encounters, its interactions with the wider cultures in which it functions, and its global scope. Consequently, Presbyterian ethics have become increasingly diverse, culturally diffused, ecumenically directed, and frequently divisive. That said, its history can helpfully be divided into three lengthy periods. In the first (roughly from the church’s origins in 1559 to the Second Great Awakening in the early nineteenth century), theology, ethics, and politics are so interwound that distinguishing one from the others is difficult. In the second (roughly from the Second Great Awakening to the end of World War II), moral concerns emerge as forces that drive the church’s theology and polity. And in the third (for which proclamation of the Universal Declaration of Human Rights in 1948 might be a heuristically helpful starting point), ethics increasingly functions in ways that are only loosely tethered to either Reformed theology or polity. The strength of the church’s social witness, the consistency of its global engagements, and the failings of its internecine strife are all evident during its five-hundred-year history.


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