scholarly journals Deconstructing The Stereotypes Of Women Through A Female Voice In Burial Rites (2013) By Hannah Kent

2015 ◽  
Vol 9 (2) ◽  
pp. 75 ◽  
Author(s):  
Paramita Ayuningtyas

Patriarchal society regulates how women should behave and act. If a woman obeys the social rules, she will be labeled as a good woman. On the other hand, if a woman does not follow the social values, she will be immediately categorized as an evil woman and given negative stereotypes. This binary opposition between a good woman and a bad woman is often criticized by the feminists because they think this categorization burdens women. This issue is also highlighted by Hannah Kent in her novel Burial Rites (2013). This novel is set in a rural society in Iceland in the 19th century with its patriarchal values, focusing on a woman named Agnes that will soon be executed. This theme interested the researcher to study Burial Rites more deeply using feminist perspective. Characters, setting and point of view are the intrinsic elements discussed in this research. The result of the analysis shows that through these three elements, Burial Rites describes society’s stereotypes about ‘evil women’ and there is an effort from the author to deconstruct the stereotype through a female voice.

TRANSFORMATIF ◽  
2021 ◽  
Vol 4 (2) ◽  
pp. 211-221
Author(s):  
Novita Sari ◽  
Jarman Arroisi

The rapid science in the modern era, provides significant changes for humans, both in the fields of economics, politics, culture, environment, society, education, and even religion. The 19th century is a century of science that is growing rapidly, this can be seen from the emergence of various scientists who provide concepts, theories based on philosophy with basic ontology, epistemology, and axiology as a contribution to the development of science. One of them, the scientist known as the father of sociology, was Auguste Comte a scientist from France. Comte is famous for its philosophy of postivism because of the many references by scientists in the contemporary era. This is based on the calculation of the success of designing the social structure of modern humans with three stages of law, but one side of the theory he produced has eliminated the fundamental value in humans, namely eliminating the metaphysical basis. In a three-stage law, more concerned with physical values than metaphysical values, this will result in a society that abandons religion and even eliminates the existence of God. The thoughts produced by Comte are thoughts originating from the west, where the basic West is relativism so if viewed from an Islamic point of view this theory will produce atheists and eliminate the sanctity of religion. In Islam religion and society are inseparable because religion is a guideline that is used as a basis in people's lives based on the values of the Qur'an and Sunnah. Therefore in this paper we will study more deeply the criticisms of Aguste Comte's thinking, using qualitative research types, with descriptive analysis methods and theological philosophical approaches. 


Author(s):  
Elena V. Kireeva ◽  
Natalia N. Zubareva

This article defi nes the key problems of women’s education in the system of specialised education in Russian school of the second half of the 19th – the early 20th centuries from the point of view of the issue of training of teachers. The authors analysed approaches to the problems of women’s education profi le, taking into account the class character of education and the demands of the society of the considered historical period. The publication systematises the works of outstanding Russian theoretical pedagogues of the second half of the 19th – early 20th centuries. in the context of the ideological and organisational and methodological aspects of women’s education, as well as the search for its educational ideal that corresponds to the social roles of women of that time. The programme of the course of pedagogy for women’s educational institutions of the second half of the 19th century is analysed from that point of view, and the conclusion is made about its practical orientation in solving the problem of isolation of women’s education from the realities of life. The considered ideas and principles of the leading theoretical pedagogues of this period on the problems of women’s education within the framework of the profi le of training are not only of historical signifi cance, but also show continuity in solving a number of modern educational problems.


Author(s):  
Xose R. Veiga Alonso

El objetivo de esta investigación es realizar un estudio de las bases políticas y sociales que definen los primeros años de la Restauración en el Lugo decimonónico. En general, los orígenes de la Restauración se han analizado desde una perspectiva centralista que privilegiaba el papel de los políticos actuantes en el centro madrileño. En este artículo, por el contrario, se adopta una visión periférica que concede el protagonismo a los actores locales y provinciales. El estudio del activo papel de los alfonsistas lucences, de la peculiar traducción provincial de las disposiciones renovadores de diputaciones, ayuntamientos y empleados públicos, del papel del gobernador civil siempre muy condicionado por los políticos de la provincia o de los sólidos espacios de poder que se estructuran alrededor de estos poderosos provinciales, define un escenario de cambio muy complejo que en absoluto puede explicarse recurriendo únicamente al análisis de las ordenanzas gubernamentales y al conocimiento del activismo de los políticos capitalinos.The aim of thls investigation is to carry out a study of the social and political basis which define the first years of the Restoration in Lugo in the 19th century. Generally, the origins of the Restoration have been analized from a centralist idea which favoured the role of the politicians settied in the centre of Madrid. On the contrary, in thls article, local and provincial actors are treated as the protagonist from a peripheral point of view. The study of the active parí of the «alfonsistas» of Lugo, the study of the special provincial translation of the renewed ideas of the deputations, counciis and public empioyers, the study of the civil gobernar always condicionated by the provincial politicians and the study of the power arranged around these powerful people, define a very changeable complex stage which can't only be explained from the governmental point of view or from the activist knowledge of the politicians of the capital.


Author(s):  
Bernardo Buarque de Hollanda

Football appeared in Brazil in the end of the 19th century, among a favorable environment for the practice of English sports. These sports were initially practiced not professionally by English migrants and young students of Law, Engineering, and Medicine. Fluminense was the first club from Rio de Janeiro, at that time the capital of the country, to be dedicated exclusively to practice football. In the beginning, football represented nobility for the local elite. The social profile of people who attended matches at Fluminense’s field was very near to that of the players, be it for family reasons, friendship, or other motivations. Young women who went there desired to see their distinguished idols, and from this practice many relationships started. While this idyllic image of the past was produced, a historical point of view can notice a decisive enhancement in social segments interested in football. In the decade of 1910, a collective enthusiasm arose for football, mainly due to the fact that it was easy to practice and watch football in any kind of open space. This allowed it to spread out of clubs and the National Team. Far from the spatial and economic restriction of performance arts, football could be practiced and watched freely, in most diverse situations. The clubs’ lack of structure to allocate players and fans contributed in making football a popular game, since they needed to seek public spaces to practice. At this point, the club that opposed to Fluminense has been Flamengo, which until then was not more than a regatta club. When it opened a football department, it practiced in open fields near the beaches. Many passersby started to look out their training and matches, and some of them adopted Flamengo as their club even if not participating of its internal sphere. The players became idols, first in the neighborhood and then in the whole city. This encouraged the talk about football in bars and cafés, with reflections on the increasing number of people to attend matches. Historian Leonardo Pereira says that in a few years football has become a mania. The making of the first national team to dispute friendly matches against England and Argentina has also stimulated football’s repercussion. Noticing public interest over matches with teams from different cities or countries, sports press left its poor attitude about football and began to carefully pay attention to this kind of rivalry and the consequent emotions each fan is able to express for his team, especially the National Team.


Polylogos ◽  
2021 ◽  
Vol 5 (№ 3 (17)) ◽  
pp. 0
Author(s):  
Sergey Chizhkov

The article analyzes the concept of the ideal of social life, developed by B.N. Chicherin. The first part of the article examines his criticism of various representations of the social ideal in the history of thought and in socio-economic and political concepts contemporary to Chicherin. Special attention is paid to his analysis and criticism of the social ideal of socialist doctrines. The second part of the article is devoted to the analysis of tendencies in liberal thought, controversial from Chicherin's point of view. It provides Chicherin's criticism of the notions of social liberalism emerging at the end of the 19th century. In the third part, an analysis of his own concept is given, Chicherin's ideas about the ways of forming a society based on individual freedom are considered, and the social role of ideas about the social ideal is analyzed.


Religions ◽  
2019 ◽  
Vol 10 (7) ◽  
pp. 419
Author(s):  
Alberto Fabio Ambrosio

This article establishes the framework for a (Christian) theology of fashion, the development of which comes under a research project set up between Luxembourg (Luxembourg School of Religion & Society) and Paris (Collège des Bernardins). The text is structured around three areas: the first reveals how theology can accommodate in its field of thought both the idea of dress (also viewed in terms of its materiality) and the way in which modern society experiments with it: fashion. For as much as theological discourse, particularly Christian, might have shown itself to be critical regarding modern day fashion, it has nevertheless failed to come up with any real theological reflection on the subject. The second area aims to explore responsible ethics for fashion. Often moralising, the attitude of Christian theology needs to give way to an ethical and—vitally—ecological analysis of the effects of fashion in today’s world. Clothing might still cover people’s bodies, but the issue is not restricted to an individual moral point of view, and extends to the social rules of an ethic that is also one of environmental responsibility. Finally, the totally new perspective that I adopt for outlining these areas requires the aesthetics of dress and fashion to be addressed from a theological point of view. For all its rich history, theological aesthetics has hardly ever concerned itself with developing an aesthetic discourse for dress and fashion, other than for liturgical and religious attire. Once these three new research perspectives have been discussed, I want to outline another field of study, in itself extremely fertile: a treasure trove of metaphors and analogies that would be very useful in theological thinking, adding to its inventory terms originating in the uncovering and stripping away of old ways of thinking that no longer convey in contemporary language the mystery that it is meant to clothe.


2021 ◽  
Vol 41 (65) ◽  
pp. 197
Author(s):  
Wilian Augusto Inês ◽  
Bruno Vinicius Kutelak Dias

Resumo: O presente artigo tem como principal objetivo analisar e compreender a família nuclear burguesa oitocentista e como a figura feminina é representada no romance Rio do Esquecimento (2016), da escritora portuguesa contemporânea Isabel Rio Novo. A obra se desenvolve em torno de diferentes núcleos familiares e, por isso, optamos por analisar somente a personagem Maria Adelaide, da família Clarange. Frisa-se que o aporte teórico de nossa pesquisa é baseado nos circunscritos de teóricos que elaboraram estudos contundentes sobre a sociedade burguesa, a família nuclear e a figura feminina no século XIX, como: Hobsbawm (1977), Andrade (2013), Vaquinhas (2004), Kehl (2008), entre outros. Como resultado averiguou-se que a obra evidencia uma sociedade na qual predomina o autoritarismo masculino e a submissão da figura feminina no seguimento às regras sociais impostas pela sociedade machista e patriarcal, deixando de viver suas próprias escolhas e, consequentemente, sua liberdade, para expressar seus sentimentos e suas vontades, além de evidenciar a sociedade burguesa e como ela era obcecada pela aparência e pelas regras morais que muitos bravejavam e defendiam com orgulho, mas que uma grande parcela não as praticava, tornando ainda mais evidente a hipocrisia social.Palavras- chave: Família; Representação da mulher; Ficção portuguesa contemporânea; Isabel Rio Novo.Abstract: This article aims to analyze and understand the 19th century bourgeois nuclear family and how the female figure is represented in the novel Rio do Esquecimento (2016), by contemporary Portuguese writer Isabel Rio Novo. The work is developed around different family nuclei and, therefore, we chose to analyze only the character Maria Adelaide, from the Clarange family. It is emphasized that the theoretical contribution of our research is based on the circumscriptions of theorists who elaborated strong studies on bourgeois society, the nuclear family and the female figure in the 19th century, such as: Hobsbawm (1977), Andrade (2013), Vaquinhas (2004), Kehl (2008), among others. As a result, it was found that the work shows a society in which male authoritarianism predominates and the submission of the female figure following the social rules imposed by the macho and patriarchal society, ceasing to live its own choices and, consequently, its freedom, to express his feelings and his will, in addition to showing bourgeois society and how it was obsessed with appearance and moral rules that many proudly defended and defended, but that a large portion did not practice, making social hypocrisy even more evident.Keywords: Family; Representation of women; Contemporary Portuguese fiction.


2017 ◽  
Vol 41 (3) ◽  
pp. 11
Author(s):  
Neuro José Zambam ◽  
Lucio Henrique Spiazzi Algerich Antunes ◽  
Ricardo Antônio Rodrigues

Resumo: O objetivo deste artigo é apresentar a concepção de Kelsen e Kant sobre a legitimidade da lei moral e da norma jurídica, bem como os seus fundamentos e suas características. Sabendo que o direito e a moral integram a história da humanidade em vista da efetivação das condições de justiça, o seu conteúdo e a sua respectiva prática fomentam a atualização das normas, a fim de responder às demandas do contexto social, normalmente complexo e dinâmico. Com a mesma intensidade as referências inseridas na tradição jurídica representam o fortalecimento do ordenamento social e das instituições. O vigor da democracia depende do amadurecimento dos valores morais, da capacidade de legislar de forma coerente e, assim, contribuir para a estabilidade social seja política, seja institucional. O método investigativo-bibliográfico a partir de autores da tradição orienta este estudo que reflete questões contemporâneas, especificamente, os fundamentos da legitimidade das regras que objetivam a justiça. A moral e a lei de forma complementar são a principal referência para a solução dos graves problemas da atualidade.Abstract: The aim of this paper is to present Kelsen and Kant’s point of view on both moral law and rule of law legitimacy, its foundations and its features. Knowing that law and moral are an element of the human history aimed for fulfilling the conditions for justice, its contents and their respective practices to promote the updating of standards in order to answer the demands of the social context, which are usually complex and dynamic. In the same way, references in the legal tradition represent the strengthening of the social rules and its institutions. Democracy’s strength depends on the maturation of moral values, the capacity for legislating coherently and, thus, for contributing to social stability, either politically or institutionally. Investigative-bibliographic method from traditional authors guides this study, which reflects contemporary issues, specifically, the foundations of legitimacy of rules that aim justice. Morality and law, complementarily, are the main reference to solve the tough nowadays problems.


Author(s):  
N. V. Bashmakova ◽  
K. V. Kravchenko

The purpose of this article is process of analyzing in reference to concert capriccio by C. Munier for mandolin with piano («Bizzarria», op. 201, Spanish сapriccio, op. 276) from the point of view of their genre specificity. Methodology. The research is based on the historical approach, which determines the specifics of the genre of Capriccio in the music of the late 19th and early 20th centuries and in the work of C. Munier; the computational and analytical methods used to identify the peculiarities of the formulation and the performing interpretation of the original concert pianos for mandolins with piano that, according to the genre orientation (according to the composerʼs remarks), are defined as capriccio. Scientific novelty. The creation of Florentine composer,61mandolinist-vertuoso and pedagog C. Munier, which made about 300 compositions, is exponential for represented scientific vector. Concert works by C. Munier for mandolin and piano, created in the capriccio genre, were not yet considered in the art of the outdoors, as the creativity and composer’s style of the famous mandolinist. Conclusions. Thus, appealing to capriccio by С. Munier, which created only two works, embodied in them virtually all the evolutionary stages of the development of genre. In his opus of this genre there are a vocal, inherent in capriccio of the 17th century solo presentation, virtuosity, originality, which were embodied in the works of 17th – 18th centuries and the national color of the 19th century is clearly expressed. Thus, the Spanish capriccio is a kind of «musical encyclopedia» of national dance, which features are characteristic features of bolero, tarantella, habanera, and so forth. The originality of opus number 201 – «Bizzarria», is embodied in the parameters of shaping (expanded cadence of the soloist in the beginning) and emphasized virtuosity, which is realized in a wide register range, a variety of technical elements.


2020 ◽  
Vol 102 ◽  
pp. 656-676
Author(s):  
Igor V. Omeliyanchuk

The article examines the main forms and methods of agitation and propagandistic activities of monarchic parties in Russia in the beginning of the 20th century. Among them the author singles out such ones as periodical press, publication of books, brochures and flyers, organization of manifestations, religious processions, public prayers and funeral services, sending deputations to the monarch, organization of public lectures and readings for the people, as well as various philanthropic events. Using various forms of propagandistic activities the monarchists aspired to embrace all social groups and classes of the population in order to organize all-class and all-estate political movement in support of the autocracy. While they gained certain success in promoting their ideology, the Rights, nevertheless, lost to their adversaries from the radical opposition camp, as the monarchists constrained by their conservative ideology, could not promise immediate social and political changes to the population, and that fact was excessively used by their opponents. Moreover, the ideological paradigm of the Right camp expressed in the “Orthodoxy, Autocracy, Nationality” formula no longer agreed with the social and economic realities of Russia due to modernization processes that were underway in the country from the middle of the 19th century.


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