Understanding the concept of Marma and their clinical applicaion in Shalya Tantra w.s.r. to Vital points

Author(s):  
Dr. Mamatha TS ◽  
Dr. Shankar S. Swamy ◽  
Dr. S. V. Shailaja

Marma therapy is the original point system of healing in the body. “Marma” come from the sanskrit “Mru” and which means “To kill” the 107 Marma points are categorised in terms of their effect on the vitality of the body. Marma is one of the unique and important topics discussed in Ayurveda. It plays an important role in surgery. Hence it is rightly called as Shalya Vishayardha. Marma plays a significant clinical role and may be correlated to the Acupressure/Acupuncture. Marma are the critical points of body associated with different organs and nerves. Ayurveda describe use of Marma therapy for various diseases and identification of Marma points which is to be cured, since injury to these Marma points may causes serious harmful effect. Different types of muscles, veins, bones, ligaments and joints meets with each other at the Marma point thus these points acts as a physiological junction. Discussion of Marma points is found in most of the great texts of Ayurveda but the most famous text to explore the subject is the Sushruta Samhita. Vaidya Sushruta described ‘the locations of the Marma points, as well as how they influence Prana. He stated that it is important for the surgeon to have knowledge of these points for the purpose of avoiding them, so as to cut into them could result in a catastrophic outcome. This article summarizes various perspectives of Marma and their clinical importance as per Ayurveda.

Author(s):  
Disha Sharma Disha Sharma

Doshagati is discussed by charakacharya  (chu.su.17) which gives great clinical importance  to the diagnostic  (Roga Nidan) point of view.Gati means  movement and the word  Doshagati  implies to movement of doshas.All the movements and activites  in the body ,take place dur to vata .vata is the key force behind the physiological and pathological movement of body element.Tridosha is the prime fundamental principle of Ayurveda, imbalance state of which is termed as Roga/ Vikara. Knowledge of Doshagati is a fundamental concept of Ayurveda. Its diagnostic and therapeutic usefulness is mentione d in Ayurvedic  classics. In “Kiyantashirsiya Adhyaya”, Maharshi Charaka illustrated Dvividha  Doshagati is Prakrut- Vikrut gati and Trividh doshagati i.e Kshaya- Sthan- Vruddhi, Urdhva- Adho- Tiryak, Shakha- Koshtha- Marmasthisandhi. Charakacharya enriched Ayurveda with the knowledge of Doshagati. To limit the subject I have focused on koshtha and shakha gati of doshas.


The comparative study of the gill structure of the Lamellibranchia may be said to date from 1875. Williams, it is true, had in 1854 published two papers on the subject, but owing to the fact that the morphological relations of the gill lamellæ to the gill axis and to other parts of the body were not then understood, and owing to the somewhat wild and fantastic mode of argument affected by this author, they cannot claim to be seriously regarded as the first important contribution to the literature of the subject. The few remarks on the different types of Lamellibranch gills made by Leuckart in 1848 (p. 113), Hancock in 1853 (p. 290), and Duvernoy in 1854 (p. 37) are of interest only from an historical point of view, and do not come within the range of the modern treatment of the subject; and the excellent figures and remarks on gill structure made by Deshayes in 1844-1848 cannot claim to be considered in the present connection, being purely descriptive and not comparative. It was Posner who first attempted a systematic investigation of the subject, and in his memoir of 1875 he discussed, not very astutely, the minute structure of the gills of Anodonta and eleven other genera of bivalve Mollusca. Some fifteen months later Peck, who in 1875, independently of Posner’s work, had commenced a similar investigation, published his important observations on the gills of Area, Mytilus, Dreissensia and Anodonta . It was this paper which first placed the comparative study of the gills upon a sound basis. The investigation was conducted in the laboratory of Professor Ray Lankester and under his direction, and the working hypothesis around which the paper was written, and which has stood the test of time ever since, was, as the author explains, supplied by Professor Lankester. An adequate terminology was propounded for the grosser and finer parts of the gill, and this terminology remains in general use at the present day.


1909 ◽  
Vol 11 (2) ◽  
pp. 241-256 ◽  
Author(s):  
Theobald Smith

The foregoing and earlier data taken together demonstrate that an active immunity lasting several years can be produced in guinea-pigs, by the injection of toxin-antitoxin mixtures which have no recognizable harmful effect either immediate or remote. They also show, what might have been anticipated, that under the same conditions mixtures which produce local lesions and which, therefore, contain an excess of toxin produce a much higher degree of immunity than the neutral mixtures, and that an excess of antitoxin reduces the possibility of producing an active immunity, and may extinguish it altogether. There is, therefore, a certain definite relation between the components of the mixture and the degree of immunity producible. Furthermore, toxin-antitoxin mixtures do not change materially within five days at room temperature. They are apparently more efficacious at the end of forty-eight hours than immediately after preparation. The experiments finally prove that a relatively high degree of active immunity can be induced by a harmless procedure, whereas the use of toxin alone leading to very severe local lesions is incapable of producing more than an insignificant protection. The method, therefore, invites further tests in regard to its ultimate applicability to the human being. Unless the subcutis of the guinea-pig reacts to toxin-antitoxin mixtures in a manner peculiar to itself, a practical, easily controlled method for active immunization can be worked out which should afford a larger protection than the serum alone and avoid the complications associated with horse serum. That proportion of toxin and antitoxin which would produce the highest desirable immunity consistent with the least discomfort would have to be carefully worked out for the human subject. From the nature of the immunity induced it is obvious, however, that such a method of immunization cannot take the place of a large dose of antitoxin in exposed individuals who must be protected at once. It would be applicable only as a general protective measure without reference to any immediate danger, since it would take several weeks, perhaps longer, to perfect the attainable immunity. Passing to the theoretical aspects of the facts observed, we find no publications bearing directly upon the subject before us. Madsen has, however, approached it very closely in his experiments on the immunization of animals with mixtures not fully balanced, or, in other words, in which the "toxones" were still free. He found that the injection of such mixtures in rabbits, goats and horses produces an active immunity. He makes the significant remark that perhaps in the immunizing capacity we may possess the keenest reagent for a poison which is not able to exert any toxic action in the body. This is fully borne out by the experiments described, for in these we pass beyond the visible spectrum, so to speak, of the toxin-antitoxin effects, and we are able to recognize toxic action only by the lasting immunizing effects. Another publication which touches upon some phases of the same problem is that of Morgenroth on the union between toxin and antitoxin. Morgenroth brought out the fact that a given toxin-antitoxin mixture is more toxic when injected directly into the circulation than when injected under the skin. Thus, an L+ dose of 0.78 c.c. toxin + one unit antitoxin applied subcutaneously was of the same toxicity as 0.68 c.c. toxin + one unit antitoxin injected into the circulation. When the mixture had stood twenty-four hours this (L+) dose was still 0.78 c.c. subcutaneously, but it had risen to 0.74 c.c. when introduced by the intracardiac route. The author makes two deductions from these results. He assumes that the velocity of reaction between toxin and antitoxin is slow, and that the union is not completed until the mixture has stood twenty-four hours. Hence, the L+ dose of toxin injected into the blood is higher after twenty-four hours than immediately after mixing the toxin and antitoxin. He furthermore explains the fact that the subcutaneous L+ dose remains the same whether the mixture is injected at once or after twenty-four hours, by assuming that in the subcutis of the guinea-pig there is a catalytic acceleration of the union of toxin and antitoxin. In view of the writer's results it seems that not only immediately, but four to five days after the preparation of the mixture of toxin and antitoxin, there are still toxic substances available for the production of immunity in the body of the guinea-pig, when the dose of toxin in the mixture is far below the L0 or neutral level. These toxins may be free, either because uncombined in vitro, or else because the mixture is partially dissociated in vivo, or there may be a third possibility. It is obvious that Morgenroth's investigations, however extensive and thorough, have not exhausted the subject, for both these inferences are incompatible with his. Perhaps his recent important studies on the recovery of toxin from its combination with antitoxin with weak acids may throw more light on this subject. The only conclusion which we may safely draw at this time is that the toxin-antitoxin mixture produces two sets of effects, essentially identical, however. One is visible, as injury (œdema, loss of hair, superficial and deep necrosis of skin, paralysis and death), and corresponds to the toxin spectrum of Ehrlich. The other is invisible and manifests itself only in degrees of active immunity. At what ratio of toxin to antitoxin in the mixture active immunity is no longer produced will vary somewhat with the guinea-pig used, but it is evident that traces of immunity are still transmitted to the young when the amount of toxin approaches half the L0 dose.


Author(s):  
О. О. Дольська

The existential structure of the World, that is, the reality in which we exist, shaped by the organization of space. The only mechanism of this process is the meanings and meanings with which a person fills certain objects, phenomena. For example, the design of the space of the house was quite a complicated procedure for creating symbols, which defined the space itself as a habitable reality. The structure of the world traditionally implemented in the concept of the geometry of the World. The article shows that the idea of the spatial characteristics of the World affects not only its understanding and “vision”, but also sets the normativity of thought. The geometry of the World represented by the metaphor of combs. This statement considered in the context of the crisis of metaphysical discourse, the material for which provided by post-metaphysical philosophy. In contrast to the Cartesian paradigm, there observed an appeal of philosophy to the subject of the philosophy of the body, landscape, to the understanding of the multidimensionality of the spatial configurations and manifestations. Post metaphysical discourse also indicates a change in thinking. There is a connection between the image of the World and the thought that shapes it. It can be expressed in the following: the geometry of the space of the equipped World is both a product and a source of intellectual shifts (the problem of being and thinking). Metaphysical discourse leaves us in the World-sphere, but modern philosophy and the man of the present equip the World with the help of the metaphor of the World-Cell. If the changes relate to the World outlook, the universe, then such a transformation of the image of the World “pulls” behind itself a revolution also in the human worldview and equated with intellectual revolutions. The change in ideas about the World indicates a change in the nature of human thinking, and therefore we faced with the fact of ontological, vital and cognitive transformations. In the modern geometry of the World, the transversal mind finds its realization, which activates the phenomenon of communications. Therefore, the spatial metaphor of the World, its geometry and style of thinking, intertwining, influence each other. However in the late nineteenth and early twentieth centuries. The spherical ontology of the world begins its decline, and since the middle of the twentieth century, such a steady as if the world began to shake. The loss of the roots of a spherical nature touches, and then shakes the wider layer of subjective qualities: it broadly captures the mental, cultural, social and economic spheres of man. In addition, as a result, such a balanced by the spherical ontology of the internal human space begins processes of destruction or destructive transformations. Spheres are beginning to break up the instabilities that make any risks real, and the welcome spherical geometry becomes unviable. The question arose about the need for a new understanding of the world and its topology. Today we see transformations in the understanding of the universe. We propose to consider it in the form of cell geometry, the metaphor of which are bee cells, cells. It is not unreasonable. Philosophy has recently moved precisely to such an understanding, expanding its intelligence around the metaphor of the fold, the theme of "the death of the subject," and the subjects of subjection. Expanding the reflection around the question of a new metaphor of the world, there is a question about the nature of the mind of this space. Modern global world creates a heterogeneous space, and it is a space of communication, aimed at overcoming all sorts of borders, language, political, scientific, cultural, religious and so on. To overcome different types of rationality, for communication between them necessary becomes a transversal mind in the new conditions.


2014 ◽  
Vol 20 (3-4) ◽  
pp. 208-221
Author(s):  
Jodie McNeilly

In ‘Wondering the world directly’, Erin Manning criticizes phenomenology by drawing upon Merleau-Ponty’s reflections on the problems of his own project and the criticisms of José Gil. Manning claims that phenomenology goes ‘wrong’ in its privileging of the subject and processes of intentionality: the ‘consciousness–object distinction’. While phenomenology on this understanding alone is inadequate to account for movement and the body, process philosophy has the ‘ability to create a field for experience that does not begin and end with a human subject’. This article responds to Manning’s criticism by arguing that phenomenology never intended to perpetuate a concept of subject that fixes an inexorable gap between itself and objects. A historical assessment of subjectivity and intentionality in the work of five different authors, alongside critical points that address Manning’s misconstrual of phenomenology, leads to an understanding of movement that need not ‘outrun the subject’ or become a precarious limit to perceptual experience because of its primacy.


2013 ◽  
Vol 24 (2) ◽  
pp. 309-343 ◽  
Author(s):  
Irit Meir ◽  
Carol Padden ◽  
Mark Aronoff ◽  
Wendy Sandler

AbstractThe paper examines the role that iconicity plays in the structuring of grammars. Two main points are argued for: (a) Grammar does not necessarily suppress iconicity; rather, iconicity and grammar can enjoy a congenial relation in that iconicity can play an active role in the structuring of grammars. (b) Iconicity is not monolithic. There are different types of iconicity and languages take advantage of the possibilities afforded by them. We examine the interaction between iconicity and grammar by focusing on the ways in which sign languages employ the physical body of the signer as a rich iconic resource for encoding a variety of grammatical notions. We show that the body can play three different roles in iconic forms in sign languages: it can be used as a naming device where body parts represent body parts; it can represent the subject argument of verbal signs, and it can stand for first person. These strategies interact and sometimes compete in the languages under study. Each language resolves these competitions differently, which results in different grammars and grammatical structures. The investigation of the ways in which grammar and iconicity interact in these languages provides insight into the nature of both systems.


Paleobiology ◽  
1980 ◽  
Vol 6 (02) ◽  
pp. 146-160 ◽  
Author(s):  
William A. Oliver

The Mesozoic-Cenozoic coral Order Scleractinia has been suggested to have originated or evolved (1) by direct descent from the Paleozoic Order Rugosa or (2) by the development of a skeleton in members of one of the anemone groups that probably have existed throughout Phanerozoic time. In spite of much work on the subject, advocates of the direct descent hypothesis have failed to find convincing evidence of this relationship. Critical points are:(1) Rugosan septal insertion is serial; Scleractinian insertion is cyclic; no intermediate stages have been demonstrated. Apparent intermediates are Scleractinia having bilateral cyclic insertion or teratological Rugosa.(2) There is convincing evidence that the skeletons of many Rugosa were calcitic and none are known to be or to have been aragonitic. In contrast, the skeletons of all living Scleractinia are aragonitic and there is evidence that fossil Scleractinia were aragonitic also. The mineralogic difference is almost certainly due to intrinsic biologic factors.(3) No early Triassic corals of either group are known. This fact is not compelling (by itself) but is important in connection with points 1 and 2, because, given direct descent, both changes took place during this only stage in the history of the two groups in which there are no known corals.


Author(s):  
Thao A. Nguyen

It is well known that the large deviations from stoichiometry in iron sulfide compounds, Fe1-xS (0≤x≤0.125), are accommodated by iron vacancies which order and form superstructures at low temperatures. Although the ordering of the iron vacancies has been well established, the modes of vacancy ordering, hence superstructures, as a function of composition and temperature are still the subject of much controversy. This investigation gives direct evidence from many-beam lattice images of Fe1-xS that the 4C superstructure transforms into the 3C superstructure (Fig. 1) rather than the MC phase as previously suggested. Also observed are an intrinsic stacking fault in the sulfur sublattice and two different types of vacancy-ordering antiphase boundaries. Evidence from selective area optical diffractograms suggests that these planar defects complicate the diffraction pattern greatly.


2009 ◽  
Vol 27 (1) ◽  
pp. 65-92
Author(s):  
Susan Jones

This article explores the diversity of British literary responses to Diaghilev's project, emphasising the way in which the subject matter and methodologies of Diaghilev's modernism were sometimes unexpectedly echoed in expressions of contemporary British writing. These discussions emerge both in writing about Diaghilev's work, and, more discretely, when references to the Russian Ballet find their way into the creative writing of the period, serving to anchor the texts in a particular cultural milieu or to suggest contemporary aesthetic problems in the domain of literary aesthetics developing in the period. Figures from disparate fields, including literature, music and the visual arts, brought to their criticism of the Ballets Russes their individual perspectives on its aesthetics, helping to consolidate the sense of its importance in contributing to the inter-disciplinary flavour of modernism across the arts. In the field of literature, not only did British writers evaluate the Ballets Russes in terms of their own poetics, their relationship to experimentation in the novel and in drama, they developed an increasing sense of the company's place in dance history, its choreographic innovations offering material for wider discussions, opening up the potential for literary modernism's interest in impersonality and in the ‘unsayable’, discussions of the body, primitivism and gender.


2018 ◽  
Vol 27 (1) ◽  
pp. 5-21
Author(s):  
Amanda Dennis

Lying in ditches, tromping through mud, wedged in urns, trash bins, buried in earth, bodies in Beckett appear anything but capable of acting meaningfully on their environments. Bodies in Beckett seem, rather, synonymous with abjection, brokenness, and passivity—as if the human were overcome by its materiality: odours, pain, foot sores, decreased mobility. To the extent that Beckett's personae act, they act vaguely (wandering) or engage in quasi-obsessive, repetitive tasks: maniacal rocking, rotating sucking stones and biscuits, uttering words evacuated of sense, ceaseless pacing. Perhaps the most vivid dramatization of bodies compelled to meaningless, repetitive movement is Quad (1981), Beckett's ‘ballet’ for television, in which four bodies in hooded robes repeat their series ad infinitum. By 1981, has all possibility for intentional action in Beckett been foreclosed? Are we doomed, as Hamm puts it, to an eternal repetition of the same? (‘Moments for nothing, now as always, time was never and time is over, reckoning closed and story ended.’)This article proposes an alternative reading of bodily abjection, passivity and compulsivity in Beckett, a reading that implies a version of agency more capacious than voluntarism. Focusing on Quad as an illustrative case, I show how, if we shift our focus from the body's diminished possibilities for movement to the imbrication of Beckett's personae in environments (a mound of earth), things, and objects, a different story emerges: rather than dramatizing the impossibility of action, Beckett's work may sketch plans for a more ecological, post-human version of agency, a more collaborative mode of ‘acting’ that eases the divide between the human, the world of inanimate objects, and the earth.Movements such as new materialism and object-oriented ontology challenge hierarchies among subjects, objects and environments, questioning the rigid distinction between animate and inanimate, and the notion of the Anthropocene emphasizes the influence of human activity on social and geological space. A major theoretical challenge that arises from such discourses (including 20th-century challenges to the idea of an autonomous, willing, subject) is to arrive at an account of agency robust enough to survive if not the ‘death of the subject’ then its imbrication in the material and social environment it acts upon. Beckett's treatment of the human body suggests a version of agency that draws strength from a body's interaction with its environment, such that meaning is formed in the nexus between body and world. Using the example of Quad, I show how representations of the body in Beckett disturb the opposition between compulsivity (when a body is driven to move or speak in the absence of intention) and creative invention. In Quad, serial repetition works to create an interface between body and world that is receptive to meanings outside the control of a human will. Paradoxically, compulsive repetition in Beckett, despite its uncomfortable closeness to addiction, harnesses a loss of individual control that proposes a more versatile and ecologically mindful understanding of human action.


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