Андураан дууг* ангилал зyйгээр шинжих нь (хөгжмийн археологи судлалын илтгэл) (=Исследование «андуран дуу» с использованием системы классификации (доклад по музыкальной археологии))

Author(s):  
Ganpurev D. ◽  

A musical artifact, unique not only in history of ethnic music of Mongolia, but also in world history and archeology was found in rock burials in the area of Zhargalant Khairkhan, Khovd aimak of Mongolia. A joint study of Mongolian and German scientists, based on the age of the artifact, confirms that the unique find dates back to the 7thand 8thcenturies of our era. This musical artifact has been successfully studied by Mongolian, German and American scientists in the fields of archeology, paleoanthropology, ancient writing, line drawing and musicology. The author of the article admits that in the future, by studying the structure of this original artifact, its parts, the original design and classification of ancient musical instruments, one of the most ancient musical instruments on which the ancient Mongolian epic was performed, an instrument that was lost throughout history, can be restored.

2020 ◽  
Vol 47 (1) ◽  
pp. 72-72
Author(s):  
Deborah Lee

This paper discusses the Hornbostel-Sachs Classification of Musical Instruments. This classification system was originally designed for musical instruments and books about instruments, and was first published in German in 1914. Hornbostel-Sachs has dominated organological discourse and practice since its creation, and this article analyses the scheme’s context, background, versions and impact. The position of Hornbostel-Sachs in the history and development of instrument classification is explored. This is followed by a detailed analysis of the mechanics of the scheme, including its decimal notation, the influential broad categories of the scheme, its warrant and its typographical layout. The version history of the scheme is outlined and the relationships between versions is visualised, including its translations, the introduction of the electrophones category and the Musical Instruments Museums Online (MIMO) version designed for a digital environment. The reception of Hornbostel-Sachs is analysed, and its usage, criticism and impact are all considered. As well as dominating organological research and practice for over a century, it is shown that Hornbostel-Sachs also had a significant influence on the bibliographic classification of music.


2018 ◽  
Vol 10 (1) ◽  
pp. 85-86
Author(s):  
Arvydas Pocius

The 16 February is the most significant date in Lithuania’s history. In 1918, an independent democratically-run modern civic state was established, together with the restoration of the statehood tradition cherished in the ancient Lithuania (1253-1795). On 16 February 2018, we celebrated the birth of a modern Lithuania. This date is like a bridge between the old Lithuania born on 6 July 1253 and the new independent Lithuania restored on 11 March 1990. Had it not been for the 16 February, there would have been no events of 11 of March, nor the subsequent success story. In the lead-up to the Centennial of the Restoration of the State (hereinafter – the Centennial), the past is seen not only as a reason to celebrate the important anniversary but also as an inspiration to reflect the historical significance of the past for today and the relevance of the issues of today for the past, i.e. the centennial achievements of the state and its people, and our ambitions for the next centennial which is fast approaching. The Centennial of the new Lithuania is a success story. The main achievements are as follows: Lithuania has become a player of the European and world history, with its modern civil society aware of the importance of freedom and the responsibility that goes with it, and with new emerging vistas for action for the Lithuanian state and its people. Building of the modern Lithuanian state in 1918 was based on the principles of the equality of all, as well as the freedom and prosperity, and this is why all freedom loving people of the country and Lithuanians living abroad, for the first time in the history of Lithuania, became the creators of their state, and later on, during the years of the occupation – the guardians of its tradition. The heroes of the restored Lithuania are thousands of those of different nationalities, religions and social groups having built and safeguarded the tradition of the Lithuanian statehood and national identity. They include volunteers, farmers, teachers, architects and engineers, athletes, aviators, clergy of various denominations, Righteous among the Nations, freedom fighters, dissidents that challenged the Soviet regime, people that created the liberation movement Sąjūdis, and the Lithuanians living abroad that preserved the idea of statehood and fostered the Lithuanian traditions. The hero of today is each individual living in Lithuania and each Lithuanian living abroad, who actively contributes to the building of Lithuania of the twenty-first century and knows that his daily efforts have an impact not only on the present but also on the future of the history of the Lithuanian state and the nation. Apart from the most important symbol of the Centennial, the national flag, we have our state symbol Vytis, bridging the two Lithuanias – the old and the new. The Centennial has revealed our capacity to draw the best from the depths of the past for the needs of the present; we are always ready to give our responsible and often times hard efforts for the bettering of our state and the people; we stand for our freedom, when this fundamental value is threatened; we have the vigour to build not only our own but also the European and world history. These things serve as the basis for us being proud of the achievements of the restored Lithuania, while inspiring us to work for the present and be hopeful about the future.


2018 ◽  
Vol 19 (6) ◽  
pp. 458-462 ◽  
Author(s):  
Krystian Hennek

Paper discussed the future uses of vehicles with electric powertrains. The history of electric vehicles and the barriers of their intensive improvement in Poland were depicted. The classification of modern electric vehicle constructions was presented and shortly described. Also the Petersen PeT vehicle was presented.


Author(s):  
Cedric J. Robinson

In the final chapter, Robinson summarizes the implications of his anthropology of Marxist thought and his alternative history of Western socialism. He argues that the iconography of Marxism effaces the longer history of Western socialism, instead displacing all potential for radical change to the proletariat in the era of capitalism. The fetishization of industrial labor by Marx, Engels, and Lenin then has the effect, he argues, of excluding all socialist revolt that takes place outside of the urban proletariat—radical action in Algeria, Cuba, Iran, etc.—from the history of socialism, making socialism into an idea for the future rather than something that could also exist in the past. Mistakenly transfixing the origins of socialist theory to Marx or making his ideas into universals rather than contextually specific philosophy in fact restricts the theoretical and practical development of socialism. The history of Western socialism radiated from the desperation, rage, and anguish of the oppressed long before Marx identified it in the French Revolution and will survive Marxism’s conceits because, Robinson argues, socialist discourse is an irrepressible response to social injustice in world history.


2019 ◽  
pp. 194-210
Author(s):  
Kevin Dawe

This chapter present a preliminary study of the emergence of the guitar in the music, culture and society of Turkey, a transcontinental Republic founded in 1923, noting also the instrument’s presence within Ottoman music culture. It argues that the rise of the guitar in Turkey constitutes a transformative moment in the history of the instrument, if not Turkish music, with the emergence and development of local playing styles and physical modifications made to suit local musical practices, aspirations and sensibilities. Crucially, in reaching back to the near past, the study employs both ethnographic and oral historical techniques of research, including in-depth interviews with key musicians, whilst also drawing attention to the importance of the past—its interpretation, negotiation, contestation and fabrication—in the present.


2021 ◽  
pp. 178-192
Author(s):  
Т. A. Sharypina

The results of a comparative analysis of the poetic dominants in the novels “Two Captains” by V. Kaverin and “Olga” by B. Schlink are presented. The novelty of the research is seen in the identification of diachronic typological parallels that can be traced at all levels of the poetological structure, including the features of the narrative, plot-compositional construction, and the system of images. It is noted that in both novels the problem of historical and cultural memory arises, since it is one of the defining components of the national mentality. It has been proved that letters form not only the “nuclear events” of the novels under study, but also are semantic centers that accumulate the components of mythological models that determined the life and fate of the heroes of the studied works. The “strange contingence” is commented on in terms of problems, since in both works the main characters are inspired by the idea of developing the North. The article reveals “strange contingence” at the moral and ethical level, connected with the fate of a private person of the 20th century, whose life is not only inscribed in world history, but composes and creates it. It is shown that the history of V. Kaverin and B. Schlink is interesting as a field, the study of which helps to clarify the present and warn against mistakes in the future.


2020 ◽  
pp. 111-194
Author(s):  
Will D. Desmond

Hegel’s Lectures on Fine Art offer a veritable ‘world history of art’, and have led to his being called the real ‘father of art history’, but at their heart is a close identification of beauty with ‘the ideal’ and of art with ‘the classical’—and hence with (Greek) antiquity. With reference to the legacies of Winckelmann and Kantian aesthetic theory, this chapter begins by explicating the main features of Hegel’s aesthetics: the notion of ‘the ideal’ and of art’s vocation to reveal ‘the truth’ sensuously; the classification of artistic styles into Symbolic, Classical, and Romantic; and the division of basic art forms into architecture, sculpture, painting, music, and poetry. The chapter tackles each of these art forms in turn, focusing on Hegel’s sources and understanding of their role in Greek and Roman civilizations. His discussions of the Greek temple, Greek sculpture, epic, lyric, and comedy are relatively neglected, but all contribute as much as tragedy to his Winckelmannian understanding of the Greeks as ‘the people of art’ and of the ‘sculptural’ nature of the Greek mind. Here his Romans play counterpoint, as a derivative and aesthetically uncreative people—except in the genre of satire, which also fills out Hegel’s portrait of Roman ‘prose’, alienation, and increasing self-awareness. Though each of the art-forms peaks in a certain historical period, Hegel tends to associate each peak with the ‘classical’ ideal—an association that may help to illuminate his controversial statements about the ‘end of art’ in the modern, Romantic style.


Author(s):  
Jenny Andersson

Chapter 2 argues that historians need to reengage with the future. It sets out an argument for a transnational history of the future, which traces the circulation of forms of predictive knowledge and expertise as part of a powered claim on world futures and as part of a struggle over the “long term.” The chapter revisits Reinhart Koselleck’s futures past argument, and challenges it universalistic dimensions while engaging with a recent historiography of world temporalities, modernization, and planning. It also proposes that a situated and contextualized intellectual history of the future is an alternative to the “annalistics of the long term” proposed recently, and that such a history needs to be thought of as a situated intellectual history of circulation of forms of knowledge and expertise deeply involved with world making.


Author(s):  
E. S. Novikova

This research analyses social and generational theories by sociologists and economists, the patterns of development of society that they identified, and also traces the correlation between the portrait of a particular generation and toys for children under 7–11 years old, prevalent during the formation of this generation. An overview of modern popular toys is given and a forecast is made about what features and values of a generation can form their distribution. At the beginning of the research, the author discusses the connection between N. Kondratyev’s wave theory, which reflects the economic situation influencing the formation of a generation, and the Hove-Strauss theory of generations, as well as sociological works that supplement the modern understanding of generations: A.M. Rykiel’s generational values hierarchy, classification of generations by Yu.M. Levada. Further, attention is paid to the history of toys from the 1920s to 2020s and an analysis of the influence of toys on the formation of a generation is carried out. Some patterns are found between the values of a generation and toys widespread in the appropriate historical period, the result of the influence of modern toys on the portrait of a generation is predicted, and the reasons for such modern trend as gamification are also discussed. The search for patterns by which society is changing and the description of different generations and the historical and economic factors that determined their formation give the opportunity for the scientists to predict the image of the next generations. This perspective is relevant for the future as it has the prospect of development at the junction of social and exact sciences, may be used to predict scenarios of the future development of society. Revealing causal relationships and their subsequent expression by methods of mathematics will allow companies and government agencies to be more ready for new challenges, adapt to changes in society’s needs and trends in its development. At this stage, the research partially forecast the face of the generation born in 2000- 2020, and asks questions for further research1.


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