scholarly journals Stylistic Analysis in Surah Al-Najm

IZDIHAR ◽  
2020 ◽  
Vol 3 (2) ◽  
pp. 129-146
Author(s):  
Ziana Walidah ◽  
Muslim Yanuar ◽  
Dyah Nurul Azizah ◽  
Syihabuddin Qalyubi

Stylistic is a multidisciplinary approach that aims to foreground the peculiar properties of texts on the basis of language and derive hidden and in-depth meaning to figure out major and minor themes. The evident fact that makes Stylistic a multidisciplinary approach is its retrievable, rigorous, and replicable principles. With Stylistic science, someone can reveal the secrets of the Qur’an as a whole by analyzing all aspects of the Qur’anic linguistics. This article aimed to analyze Surah al-Najm with the Stylistic theory. The research was qualitative research with library research or literature study. The analysis was carried out using an objective approach and descriptive analysis method by reading Surah al-Najm repeatedly then collecting relevant data. So, the data that has been found was analyzed with the two terms of Stylistics, they are semantics and imagery. From this study, it was concluded that in Surah al-Najm there were (1) nouns and verb preferences, various sentence structures and sentence confirmation in syntactic aspects, synonyms and antonyms in semantic aspects, and (2) several kinds of language styles such as isti'arah, majaz, and kinayah in imagery.

2020 ◽  
Vol 9 (2) ◽  
pp. 25
Author(s):  
Riri Fadri Azhari ◽  
Afifah Asriati

This study aims to describe the meaning of Alang Suntiang Pangulu dance in Padang Laweh village, Sungai Pua district, Agam regency. This is a qualitative research with a descriptive analysis method. The object of this research was Alang Suntiang Pangulu dance in Padang Laweh village, Sungai Pua district, Agam regency. The main instrument used was the researcher itself and was assisted by tools such as stationery and cameras to collect data in the field. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted by reducing the data, describing the data, and making conclusion.The results show that Alang Suntiang Pangulu dance describes lessons about things a Pangulu (a leader) uses to maintain his crown or honor. These are found in Alang Suntiang Pangulu dance which gives textual meanings elaborated through motion, floor patterns, music, dancers, make-up, performance, and venues. Key words: Alang Suntiang Pangulu Dance, Meaning


2021 ◽  
Vol 8 (2) ◽  
pp. 171
Author(s):  
Rizal Ramadhan ◽  
Kusdiyana Kusdiyana ◽  
Samsudin Samsudin

This study aims to answer the questions that become the formulation of the problem “How is the method of measuring the Qibla direction of the supermarket prayer room in Cirebon City” and “How to analyze the accuracy of the supermarket prayer room Qibla direction in Cirebon City.” This study uses qualitative research; the data collected uses observation, interviews, documentation, and literature study. They were then analyzed by the descriptive analysis method in narration. The results of this study: that the Qibla direction of the supermarket in Cirebon City has all measured the Qibla direction. The method of measuring the Qibla direction was carried out by the musala supermarket, where the author’s research uses the Qibla compass and the Qibla direction application on the smartphone. Of course, using the Qibla direction application on a smartphone is an inaccurate method. This method’s method is partly an error in determining the Qibla direction. Due to his ignorance of astronomy in measuring the Qibla direction and ignorance of the magnitude of the Qibla direction angle in the Cirebon City area, resulting in the Qibla direction of the supermarket in the Cirebon City area experiencing a wrong Qibla direction.


2021 ◽  
Vol 1 (11) ◽  
pp. 1467-1472
Author(s):  
Suci Indah Sari ◽  
Yulia Sri Hartati ◽  
Ria Satini

This research is motivated by the existence of several styles of comparative attitude contained in the novel by Okky Madasari. This research is focused on the comparative language style in the novel by Okky Madasari. The purpose of this study is to describe the comparative language style in the novel by Okky Madasari. This type of research is qualitative research. The method used in this research is descriptive analysis method. The data in this study are in the form of words, sentences and dialogues related to describing the comparative language style in the novel by Okky Madasari. The data source in this research is the novel by Okky Madasari. The results of this study indicate that the comparative language styles contained in the novel by Okky Madasari are, parable comparison language style, metaphor comparison language style, personification comparison language style, allagory comparison language style, and pleonasm comparison language style. The language style that is most often found is the comparative language style of parable types, and from the research results it is known that of the 10 types of language language there are only 5 types of comparative language styles found.


2020 ◽  
Vol 10 (1) ◽  
pp. 374
Author(s):  
Suci Wahyuni Sukhma ◽  
Herlinda Mansyur

The research aims to reveal, describe, and analyze the presentation form of Silek Harimau Dance in Padang Laweh village, Koto Tujuah District, Sijunjung Regency. This research belongs to a qualitative research using descriptive analysis method. The object of this research was Silek Harimau Dance in Padang Laweh village. The main instrument in this research was the researcher itself supporting by tools in the form of stationeries and a camera. The data were collected through literature study, observation, interview, and documentation. The steps of analyzing data were collecting the data, describing the data, and concluding the data. The results prove that the form of Silek Harimau Dance is presented in two groups in opposite directions. The elements of the presentation form consist of: (1) Motion. Silek Harimau dance consists of gripping and wrestling. (2) Floor design. It uses a straight line pattern. (3) Dancers. It is performed by 2 women and 3 men. (4) Music. It consists of gandang, tambur, oguang / gong and talempong. (5) Costumes. Female players of Silek Harimau dance wear purple or black clothes while the men wear tiger costumes. (7) Place and time of performance. It is performed at official events or festivals. Silek Harimau dance is a traditional dance of the community in Padang Laweh village, Koto VII District, Sijunjung Regency.Keywords: Presentation, Tiger Silek Dance, Nagari Padang Laweh


2020 ◽  
Vol 9 (2) ◽  
pp. 39
Author(s):  
Albadri Albadri ◽  
Desfiarni Desfiarni

The research aims to reveal, describe, and analyze the development of the Tampuruang Dance in Sabirullah Matador dance studio, KanagarianPasirTalangTimur, Solok Selatan Regency.This research is a qualitative research usinga descriptive analysis method. The object of this research is Tampuruang Dance in NagariPasirTalangTimur, Sungai PaguSubdistrict, SouthSolok Regency. The type of data was primary and secondary data. The main instrument was the research itself. The data collection techniques were conducted through literature study, observation, interviews, and documentation. The data collected were analyzed by using interpretation techniques so that the truth can be obtained.The results show that the Tampuruang Dance Tradition had developed into creativeTampuraung Dance.This development can be seen from the motion management, dancers, floor patterns, accompaniment music, make-up and clothing, as well as time and venue. In its motion, there is a development of 4 motives. Inthe floor pattern, there is development of 17 floor patterns. In costumes, the colors and accessories used are also developed.In the musical instrument, there aresomeadditions of musical instruments: Bansi, talempong, andjimbe. Thus, the process of Tampuruang Dance development in NagariPasirTalang is supported because there is a desire from the Sabirullah Matador studio to maintainTampuruang Dance by turning it into an attractiveTampuruang dance creationso that it can be used by the community. In addition, it can be a place for youths to learn maintaining cultural heritage so that it becomes a local village identity. Keywords: development, Tampuruang dance, Sabirullah Matador Studio


2020 ◽  
Vol 9 (4) ◽  
pp. 252
Author(s):  
Nofri Hidayat ◽  
Afifah Asriati

This study belongs to a qualitative research using a descriptive analysis method. The object of this research was the Piriang dance in PandaiSikek village, X Koto district, TanahDatar regency. The research instrument was the researcher itself and was assisted by stationeries, a photo camera, a handy cam, and aflash drive. The data were collected through literature study, observation, interview, and documentation. The data analysis was done by collecting the data, grouping the data, analyzing the data, interpreting the data, and reporting the results of the research.  The results of this study show that the Piriang dance in PandaiSikek village, X Koto district, Tanah Datarregency, has two aspects of development: quantitative and qualitative aspects. Quantitative development is found in the number of actors who have increased from generation to generation. Judging from the area of its use, apart from PandaiSikek, it is also performed inKacang village. Meanwhile, its functions and uses have developed.  In thebeginning, it was only danced in the harvest time. Today,it is performed in various events such as wedding ceremonies, circumcisions, Khatam Qur’an (sealing the Koran), and other events. Meanwhile, qualitatively there is a development in movement and costume.Keywords: Development, Piriang Dance, Kanagarian Pandai Sikek


2021 ◽  
Vol 1 (2) ◽  
pp. 133-144
Author(s):  
Zughrofiyatun Najah ◽  
Umi Hijriyah ◽  
Ahmad Nur Mizan ◽  
Dian Risky Amalia

This study aims to examine the language style (al–uslub) used by al- Barudi in his poetry with the theme of life descriptions by describing the main idea or theme, elements of feeling or emotion, and language style based on aspects of diction or choice of words, syntax or sentence structure and rhetorical aspect or meaning. This research is a type of qualitative research with a descriptive-analytical literature study by referring to Al-Barudi's poetry text as the primary source. The data analysis method used is content analysis (tahlil al–madmun).  The author uses a stylistic approach in examining and analyzing the language styles used by the poets in this poem. In examining this poem, the writer will use the stylistic theory proposed by Gorys Keraf related to the classification of types of diction, language style based on syntactic aspects, and rhetorical aspects or meaning. This poetry has the theme of "life description" with a choice of words that still maintain aesthetic values supported by a very strong language style or (al–uslub). The language style contained in the poem is very strong and appropriate with the characteristics of the neoclassical genre of poetry pioneered by al-Barudi at that time, although free, but still strongly adheres to wazan and qafiyah. Seen from the aspect of diction, the words chosen by the poet in sya'ir are quite easy to understand in a popular style. Then from the aspect of sentence structure or syntax, this poem has a climax style. The language styles based on the meaning contained in this poem are hyperbole, simile, pleonasm, apostrophe, ellipsis, assonance, erotesis, and euphemism.


2020 ◽  
Vol 9 (4) ◽  
pp. 127
Author(s):  
Mahdalena Ekaputri ◽  
Darmawati Darmawati

This research aims to describe and study the form of Choreography Review of Paarakan Silek Dance in Jorong Kampung Surau, Kenegarian Gunung Selasih, PulauPunjung District, Dharmasraya Regency. This is a qualitative research using a descriptive analysis method. The object of this research was Silek Paarakan dance in Jorong Kampung Surau. The main instrument was the researcher itselfand was assisted by stationery and a photo camera. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted by collectingand analyzing the data. The results of the research prove that the Choreography Review of Silek Paarakan Dance is a traditional dance in Jorong Kampung Surau. It is especially performed at Maarak Niniak Mamak Ka Rumah Gadang event and is performed once a year after the Eid prayer. The movements of Silek Paarakan dance consist of Sambah Kiri, Sambah Kanan, Mempersilahkan, Manyangua Tingkok, Tampelong, Tupai Bagaluik, Lantiang Pauh, and Ujak Musang movements. The dancers consist of 20 men. The music used is Talempong Pacik Dan Gong. The costumes worn by the dancers include: Taluak Balango black shirts, Endong (itiak palm) pants, Sembat wrapped around the waists, and black caps. The performance is held in an open field (yard) during the day.Keywords: Review, Choreography, Silek Paarakan Dance


2021 ◽  
Vol 1 (5) ◽  
pp. 280-291
Author(s):  
Sufyan Syafii ◽  
M. Mizan Sya’roni

The interpretation of the Al-Qur'an does not only come from narrations, but also from the ratio or ijtihad, and intuition or inspiration whose methods are difficult to find, because they are transcendent. This explanation is the background of the author who will conduct the research with the aim of knowing the practice of the interpretation of the Al-Qur'an carried out by Tabi'in. It also shows the fact that Tabi'in uses ratio in interpreting the verse. The research method used in this research is qualitative research with the type of library research. This research discussion uses descriptive-analysis method. The results of this study conclude that in terms of term, the tendency of the tafsir book to not reach certain disciplines, is only limited to geographic influences and is thick with the nuances of the interpretation of the teacher, namely ibn abb's. There are at least 23 bi al-Ra'yi interpretations of Mujâhid's tafsir, which are also agreed upon by several scholars, both from the tabi'in and commentators, but not all of them are the same as the opinion of Ibn Abbâs as his teacher. Of the 23 bi-rayi interpretations, 15 of them are different from Ibn Abbas's interpretation and 8 of them have similarities with Ibn Abbas and are classified into 4 parts, namely: Tafsîr bi al-Ra'yi bi al-Qiyas, Tafsîr bi al-Ra'yi bi al- Qisshah, Tafsîr bi al-Ra'yi bi al-Lughah, Tafsîr bi al-Ra'yi bi al-Dhamir.


2020 ◽  
Vol 10 (1) ◽  
pp. 202
Author(s):  
Zulmi Irvanda ◽  
Susmiarti Susmiarti

This study aims to describe and analyze the existence of the Batin Kemuning Dance in Tembilahan District. This type of research is a qualitative research with a descriptive analysis method. The main instrument in this study is the researcher himself and is assisted by supporting instruments such as writing instruments and cameras. The data collection technique is done by means of literature study, observation, interview and documentation. The steps in analyzing data are collecting data, presenting data, drawing conclusions. The results showed that the Batin Kemuning Dance is a Malay creation dance created to participate in the 2007 Nusantara Dance Parade at Sanggar Sri Gemilang, Tembilahan District. In 2008-2010, Batin Kemuning Dance was always used at events organized by the Tourism, Youth, Sports and Culture Office (DISPARPORABUD) of Indragiri Hilir Regency to perform inside, outside the region to foreign countries. In 2011-2013, Batin Kemuning Dance experienced a decline because Sanggar Sri Gemilang tried to perform another dance, but in this span of this year, the Batin Kemuning Dance actually developed on social media (Youtube). In 2014-2019, Batin Kemuning Dance was always used again at government events managed by DISPARPORABUD. In 2020 the Batin Kemuning Dance was not performed due to the Covid-19 virus outbreak where all events were canceled.Keywords : existence, Batin Kemuning Dance


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