scholarly journals Social Cohesion in the United Kingdom: A Case Report

2002 ◽  
Vol 27 (2) ◽  
Author(s):  
Rod Fisher

Abstract: Social cohesion is defined in, and adapted to, social policymaking in numerous ways. This paper attempts to clarify the definition with regard to the policymaking decisions of the U.K. government. In doing so, it brings to light the efforts of the 1998 Social Exclusion Unit government program that focused on recognizing how poverty grows in individual neighbourhoods, pointing out why neighbourhoods decline and how this could be prevented. The second phase of the program was to establish Policy Action Teams to fast-track policy thinking - including areas such as arts and sports - on the most serious issues within these neighbourhoods. From the Teams' reports, an interdisciplinary approach to social cohesion policymaking evolved. The paper also cites an attempt to benchmark the social impacts of the arts. Résumé: On peut définir la cohésion sociale et la relier à la formulation de politiques sociales de plusieurs façons. Cet article tente de clarifier la définition en décrivant les décisions politiques du gouvernement britannique. L'article examine donc les efforts d'un programme gouvernemental de 1998 appelé « Social Exclusion Unit » (Unité d'exclusion sociale). Ce programme cherchait à apprendre comment et pourquoi la pauvreté augmentait dans certains quartiers et comment prévenir le déclin de ces quartiers. La deuxième partie du programme consistait à établir des « Policy Action Teams » (Équipes d'action politique) - y compris des domaines comme les arts et les sports - pouvant accélérer la formulation de politiques adressant les problèmes les plus sérieux dans ces quartiers. Une approche interdisciplinaire pour traiter de la cohésion sociale a évolué à partir de rapports rédigés par ces équipes. L'article se rapporte aussi à un effort de souligner l'impact social des arts.

2021 ◽  
Vol 9 (2021-1) ◽  
pp. 164-181
Author(s):  
Marina Pallarès Elias

Tejidos is a community artistic project that aims to develop a community to give voice to the particular stories of those who live in Oaxaca (women and the deaf community) and Mexico City (older adults). The project has been funded by the Arts Council England (2018) and Iberescena (2019). “Theatre of Yes” is a methodology that uses the power of beauty as a language to break the stereotypes of situations that society views with apathy. By creating a provocative and emotional performance, we can transform the lives of people who suffer social exclusion. Yet, how can we create a high-quality performance with people who are not professional actors but have stories that should be shared? How can we use powerful performances as an axis of change? How can emotions be the motor for the struggle against the social oppression that many groups suffer? Artistic work has helped us to observe how creativity pushes people to find a freer self and, above all, to be close to the essence of the human being. The base of the Theatre of YES brings together the universal characteristics, honesty, simplicity, humility and generosity. The characteristics of the methodology developed with these groups are the yes as a weapon against the non-worthy self, beauty as the axis of change, physical theatre according to the Lecoq methodology.


Urban History ◽  
2002 ◽  
Vol 29 (1) ◽  
pp. 92-102 ◽  
Author(s):  
Peter Borsay

Interdisciplinarity has proved to be one of the enduring tenets of British urban history. As Fiona Kisby points out in her contribution to this special issue of Urban History, its centrality is enunciated in the agenda set by Jim Dyos in the 1960s, as the subject emerged as a self-conscious subdiscipline of British history, and in the editorials that launched this publication as a Yearbook and subsequently as a journal. The appeal of an interdisciplinary approach is that it allows those involved to transcend the straitjacket of traditional research and explore a given issue or subject from a multiplicity of angles. However, prioritizing such a methodology, though it might allow the intellectual high ground to be occupied temporarily, provides a real hostage to fortune, raising expectations that it often proves impossible to fulfil. Interdisciplinarity simply cuts against the dominant grain of academe. Where British urban historians have crossed the disciplinary barricades, they have tended to head in the direction of the social sciences (such as sociology, economics, geography and anthropology). A rapprochement with the arts (painting, film, literature, architecture, music, and the like) is less easy to discern. Yet with the growing interest in the last decade or so in cultural history the time is ripe to redress the balance. This music issue of Urban History, like that of August 1995 on ‘Art and the City’, can be seen as an attempt to do this. Its appearance coincides with the publication of a pioneering volume of essays, edited by Fiona Kisby, on Music and Musicians in Renaissance Cities and Towns, whose avowed aim is to ‘bring musicology within the sphere of urban history’. Though that collection is predominantly focused on western Europe (with six of the essays on the British Isles, six on the Continent, and one on South America) and on the years 1400 to 1650, it provides a model for how the agendas of musicologists and urban historians might be productively merged.


Author(s):  
Bruno S. Frey ◽  
Jana Gallus

State orders play a great role in most countries. This applies not only to monarchies (e.g. the United Kingdom) but also includes staunch republics such as France or the United States. Awards are most popular in the arts and media (e.g. the Oscars), in sports, in religion, in the voluntary and humanitarian sector, in academia (e.g. honorary doctorates), and also in business (e.g. Manager of the Year). One of the most cherished awards is the Nobel Prize, given for peace, literature, and various sciences. Inducement prizes have been successful to spark innovation. They promise a monetary sum and public acclaim to that person or group of persons finding a solution to a well-specified problem. There are also ironic prizes (such as the Golden Raspberry Awards or the Goat of West Point). The social sciences, including economics, have largely disregarded awards. The Economics of Award is only in its beginnings.


2021 ◽  
Vol 30 (5) ◽  
pp. 1353-1369
Author(s):  
Munirah Alsimah ◽  
Harriet R. Tenenbaum ◽  
Patrice Rusconi

AbstractThis study focuses on Saudi mothers’ and their children’s judgments and reasoning about exclusion based on religion. Sixty Saudi children and their mothers residing in Saudi Arabia and 58 Saudi children and their mothers residing in the United Kingdom were interviewed. They were read vignettes depicting episodes of exclusion based on the targets’ religion ordered by peers or a father. Participants were asked to judge the acceptability of exclusion and justify their judgments. Both groups rated the religious-based exclusion of children from peer interactions as unacceptable. Saudi children and mothers residing in the UK were less accepting of exclusion than were children and mothers residing in Saudi Arabia. In addition, children and mothers residing in the UK were more likely to evaluate exclusion as a moral issue and less likely as a social conventional issue than were children and mothers residing in Saudi Arabia. Mothers in the UK were also less likely to invoke psychological reasons than were mothers in Saudi Arabia. Children’s judgments about exclusion were predicted by mothers’ judgments about exclusion. In addition, the number of times children used moral or social conventional reasons across the vignettes was positively correlated with mothers’ use of these categories. The findings, which support the Social Reasoning Development model, are discussed in relation to how mothers and immersion in socio-cultural contexts are related to children’s judgments and reasoning about social exclusion.


2019 ◽  
Vol 1 (2) ◽  
pp. 131-143
Author(s):  
Alison Frater

Starting with a personal perspective this piece outlines the place and role of the arts in the criminal justice system in the UK. It paints an optimistic picture, though an unsettling one, because the imagination and reflexiveness of the arts reveals a great deal about the causes of crime and the consequences of incarceration. It raises questions about the transforming impact of the arts: how the benefits could, and should, be optimised and why evaluations of arts interventions are consistent in identifying the need for a non-coercive, more socially focused, paradigm for rehabilitation. It concludes that the deeper the arts are embedded in the criminal justice system the greater the benefits will be, that a more interdisciplinary approach would support better theoretical understanding, and that increased capacity to deliver arts in the criminal justice system is needed to offer more people a creative pathway out of crime.


2014 ◽  
Vol 4 (1) ◽  
pp. 123-133
Author(s):  
Marzena Możdżyńska

Abstract In recent decades, we observe a significant disorganization of family life, especially in the sphere of parental functions performed by unprepared for the role emotional, socially and economically young people. Lack of education, difficulties in finding work, and the lack of prospects for positive change are the main causes of their impoverishment and progressive degradation in the social hierarchy. Reaching young people at risk of social exclusion and provide them with comprehensive care, should be a priority of modern social work and educational work. In order to provide help this social group and cope with the adverse event created a lot of programs to support systemically start in life. An example would be presented in the article KARnet 15+ program as a form of complex activities of a person stimulating subjectivity, and allows you to modify support in individual cases


Author(s):  
Patrick M. Morgan

This chapter focuses on the social aspects of strategy, arguing for the importance of relationships in strategy and, in particular, in understanding of deterrence. Deterrence, in its essence, is predicated upon a social relationship – the one deterring and the one to be deterred. Alliance and cooperation are important in generating the means for actively managing international security. Following Freedman’s work on deterrence in the post-Cold War context, ever greater interaction and interdependence might instill a stronger sense of international community, in which more traditional and ‘relatively primitive’ notions of deterrence can be developed. However, this strategic aspiration relies on international, especially transatlantic, social cohesion, a property that weakened in the twenty-first century, triggering new threats from new kinds of opponent. The need for a sophisticated and social strategy for managing international security is made all the more necessary.


Author(s):  
Ralph Henham

This chapter sets out the case for adopting a normative approach to conceptualizing the social reality of sentencing. It argues that policy-makers need to comprehend how sentencing is implicated in realizing state values and take greater account of the social forces that diminish the moral credibility of state sponsored punishment. The chapter reflects on the problems of relating social values to legal processes such as sentencing and argues that crude notions of ‘top down’ or ‘bottom up’ approaches to policy-making should be replaced by a process of contextualized policy-making. Finally, the chapter stresses the need for sentencing policy to reflect those moral attachments that bind citizens together in a relational or communitarian sense. It concludes by exploring these assertions in the light of the sentencing approach taken by the courts following the English riots of 2011.


Sign in / Sign up

Export Citation Format

Share Document