scholarly journals SOME EVIDENCE OF THE EVERYDAY LIFE OF THE SKOPTSY IN THE IRKUTSK PROVINCE (SECOND THIRD OF THE 19TH CENTURY)

2021 ◽  
pp. 26-33
Author(s):  
ROMAN A. EVTEKHOV ◽  
Keyword(s):  
Everyday Life ◽  
19Th Century ◽  
Religious Movements ◽  
Close Attention ◽  
The Everyday ◽  
Local Parish ◽  
Characteristic Features ◽  
The 19Th Century ◽  
The Village

The article examines the everyday details of the life of the Skoptsy of the Irkutsk province in the 30s-40s of the 19th century. The study is based on information from two cases of 1832 and 1848 on the disclosure by the priests of the local parish of a secret community of the Skoptsy in the village of Golumet’. Despite the rather close attention to the topic of non-traditional religious movements, many archival materials on this topic are still not in demand. The article presents the ritual and medical aspects of the life of Skoptsy: descriptions of methods of emasculation, characteristic self-restraints in everyday life, and even individual ideological views of eunuchs. Thanks to archival materials, it was possible to determine common, characteristic features of behavior for all members of the sect, their social portrait. According to the author, their survival was of particular importance for the sect, therefore, the issue of secrecy during meetings, conversations, ritual actions was given the greatest importance...

"SHACKLE (KANDALNY) PATH" TO SIBERIA BY RAIL IN 60-70S OF THE 19TH CENTURY. THE DEPORTATION SYSTEM AND EVERYDAY LIFE OF POLITICAL EXILES

2020 ◽  
pp. 105-117
Author(s):  
Aleksei S. Gulin ◽  
Keyword(s):  
Everyday Life ◽  
19Th Century ◽  
The Everyday ◽  
The 19Th Century

The article deals with actually little studied questions about the ways and methods of transporting political exiles to Siberia by rail, about the everyday life of that category of exiles in the new conditions of deporting in the 60–70s of the 19th century.

scholarly journals EVERYDAY LIFE OF UKRAINIAN NOBILITY IN 2 QUARTER OF 19 CENTURY: M. MARKEVYCH’S LETTER TO P. GALAGAN

2019 ◽  
pp. 85-92
Author(s):  
Maryna Budzar
Keyword(s):  
Everyday Life ◽  
19Th Century ◽  
Psychological Characteristics ◽  
Left Bank ◽  
Middle Income ◽  
The Family ◽  
The Everyday ◽  
History Of ◽  
The 19Th Century ◽  
Everyday Communication

The publication of the document is devoted to the anniversaries of two well-known representatives of the Ukrainian elite of the 19th century — 200th anniversary of the birth of Hryhorii Pavlovych Galagan and the 215th anniversary of the birth of Mykola Andriiovych Markevych. Published letter depicts the serious events of the family history of Markevyches — the disease and the death of the father of historian Andrii Markevych. The text contains a detailed description of the events leading up to the event and the circumstances of the death of A. Markevych. The author addresses to Pavlo Galagan, who is the husband of his aunt (mother’s sister). He fully trusts this man. This leads to the frankness of the story. The text includes people from the immediate surroundings of related families of Markevyches — Galagans. This allows us to clarify the personal and psychological characteristics of individual representatives of the Markevyches family. We can notice from the text the remarkable details of the everyday life of the middle-income family of the beginning of the 19th century. We see the arrangement of everyday life, the traditions of everyday communication, the level of provision of medical aid, etc. The contents of the document reveals the attitude of the nobility Left Bank Ukraine to the problem of disease and death, to the ethics of family communication, to property and financial problems.

РЕПРЕЗЕНТАЦИЯ ПОНЯТИЯ «СОЦИУМ» В РУССКОЙ ЖИВОПИСИ БЫТОВОГО ЖАНРА XIX ВЕКА

2021 ◽  
Vol 2 (1) ◽  
pp. 15-28
Author(s):  
Maria Tarasova ◽  
◽  
Sabina Maremkulova
Keyword(s):  
Everyday Life ◽  
19Th Century ◽  
Human Model ◽  
Russian Society ◽  
Genre Painting ◽  
Divine Essence ◽  
History Analysis ◽  
The Everyday ◽  
Material Values ◽  
The 19Th Century

The aim of the study is to reveal the ways of representing the concept of “society” in the works of the genre art in the Russian painting of the 1860-1870s. The research is carried out using the method of philosophical and art history analysis of works of fine art. The main object of the study is the painting “Rural procession on Easter” by Vasiliy G. Perov. The study describes the specific features of the genre art in the Russian painting of the 19th century. The research shows how works of the genre art realize their didactive and educating functions. A theoretical analysis of the concepts of “everyday life”, “being”, “society” made it possible to conclude how genre painting of the 19th century models both an ideal person who is in co-existence with the absolute spirit, and a person who is far from the ideal. In the research the authors reveal two worldview models that developed in Russian painting in the 1860-1870s: a model of a perfect human being and a model of a person who is mired in everyday life. The study proves that the latter human model is represented in index signs of characters that worship only material values. The study investigates the versatility of the pictorial model of the Russian society, represented not only as a community absorbed in the routine of the everyday life, but also as a group of people whose life is elevated upwards to the true existence. The research has resulted in the typology of characters of paintings of the genre art, where the type of the character depends on the model of the society represented by the work of art. In its conclusion the study discloses two models of representing the society in Russian painting of the genre art in the 19th century. According to the first model, the everyday principle acts as an absorber of being. The second model represents a society in which everyday life manifests true existence, in harmony with nature and filled with the divine essence.

scholarly journals Russian consul Ivan Stepanovich Yastrebov on the population of Kosovo

2020 ◽  
pp. 112-116
Author(s):  
Peter A. Iskenderov ◽  
Keyword(s):  
Everyday Life ◽  
19Th Century ◽  
Balkan Peninsula ◽  
The Everyday ◽  
The 19Th Century

The article is devoted to the life and activities of a prominent Russian diplomat of the 19th century Ivan Yastrebov (1839–94). The author pays particular attention to the diplomat’s written records evidencing the everyday life of the Serbs as well as the Albanians. The genesis of the Slav peoples in the Balkan Peninsula is also under examination.

scholarly journals Etymology and Historiography of the Ukrainian Headscarf as an Element of National Dress

2021 ◽  
Vol 4 (2) ◽  
pp. 254-264
Author(s):  
Olena Ivanenko
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Historical Method ◽  
The North ◽  
Production And Distribution ◽  
Characteristic Features ◽  
The 19Th Century ◽  
The Village ◽  
The City ◽  
North Western

The purpose of the article is to find out the peculiarities of headscarves functioning in the late 19th – early 20th centuries as an element of women’s national dress, to identify general and specific characteristics of their manufacturing and methods of tying, to find out the etymology of the word "headscarf", to trace its relationship with the concept of "ubrus" and others similar in meaning. Research methodology. Using a comparative-historical method, we have explored the etymology of concepts related to Ukrainian women’s headwear. Using a historical-typological method, a cultural and art analysis of the study has been conducted. Scientific novelty. The etymology of significant concepts of Ukrainian headwear, namely "ubrus", "headscarf" and others, is thoroughly studied. Their characteristic features in different regions of Ukraine are noted. The methods of tying headscarves from the 19th to the early 20th century are analysed and presented, the characteristics of their production and distribution in the counties of Poltava province are marked. It is proved that in Poltava province at the end of the 19th century, there were two main ways of tying headscarves simultaneously: in the counties of the north-western part of the province, the method of tying a headscarf with a knot on the top of the head was common, and in the eastern part – with a knot on the neck. Conclusions. Everyday women’s headscarves were intended to cover, insulate and decorate the heads of married women. Patterned woven headscarves were distinguished by the local originality of the artistic solution. Festive headdresses of Ukrainian women differed in variety and elegance. Strict completeness is inherent in the forms of this integral part of the national costume as those that have been refining over many generations. At the end of the 19th century. the wimples, on which a lot of material was spent, were almost destroyed. Headwear of new shapes was becoming more practical, cheaper and lighter. "Starovytsky headscarves" give way to manufactured goods. At the beginning of the 20th century, headscarves became the most common headdress both in the city and in the village.

scholarly journals Doklady fotografické činnosti Františka Řehoře ve sbírkách Národního muzea

2022 ◽  
Vol 74 (1-2) ◽  
pp. 23-32
Author(s):  
Daniela Záveská ◽  
Helena Medřická
Keyword(s):  
Everyday Life ◽  
19Th Century ◽  
Valuable Insight ◽  
Rural Settlements ◽  
The Everyday ◽  
The Many ◽  
The 19Th Century ◽  
Insight Into

This text examines the photography collection of František Řehoř, created in the last quarter of the 19th century. The archives consisting of photographs and negatives are just one of the many components of the extensive research and collection activities carried out by the researcher. The collection constitutes a valuable insight into the everyday life of the inhabitants of rural settlements in eastern Galicia. The informative value of the collection is greatly enhanced by the detailed descriptions with which the author has accompanied his photographs.

The Image of the Orthodox Clergy in Russian Genre Painting of the 19th and Early 20th Century

2021 ◽  
pp. 54-67
Author(s):  
Svetlana M. Sankova
Keyword(s):  
Everyday Life ◽  
20Th Century ◽  
19Th Century ◽  
Early 20Th Century ◽  
Genre Painting ◽  
Russian Culture ◽  
Reform Period ◽  
The Everyday ◽  
The 19Th Century ◽  
The Church

The article traces the transformation of the artistic public's view on the clergy and their place in the life of Russia on the basis of the images of priests created by domestic masters of the genre in the 19th – early 20th centuries. Genre painting originated in Russia in the second quarter of the 19th century and allowed artists to move away from symbolic academic themes and turn to subjects from the everyday life of their contemporaries. However, as a rule, there was no place for the clergy in those works. The exception was the work of A.G. Venetsianov, who was at the root of the creation of genre painting in Russia. In the period of liberal reforms, the church was viewed as something reactionary and clergy was often portrayed in sharply satirical or comic situations (V.G. Perov, F.S. Zhuravlev). In the post-reform period and with the development of realistic worldview, the images of the priest lost their comic focus on the canvases of K.A. Savitsky, G.G. Myasoedov and I.E. Repin. Late 19th and early 20th centuries for the Russian culture was the period of searching spirituality and coming to understand approaching social upheavals in Russian culture, which was clearly demonstrated by M.V. Nesterov's turn to depicting the image of a priest. His disciple P.D. Korin, who witnessed active persecution of the church in the early 1920s, emphasized in his famous, but unfinished portraits of priests the heroic resistance of the clergy to impending persecution. It is important to say that after decades the artist did not get back to the unfinished canvas, since the situation in the country changed, and the genre of the painting changed to historical.

CAPRICCIOʼS GENRE IN MANDOLIN MUSIC AT THE END OF THE 19th – THE EARLY OF THE 20th CENTURIES (for example of the concert pieces by С. Munier)

2019 ◽  
pp. 60-71
Author(s):  
N. V. Bashmakova ◽  
K. V. Kravchenko
Keyword(s):  
19Th Century ◽  
Analytical Methods ◽  
17Th Century ◽  
Point Of View ◽  
Historical Approach ◽  
The Creation ◽  
Characteristic Features ◽  
Concert Works ◽  
In The Beginning ◽  
The 19Th Century

The purpose of this article is process of analyzing in reference to concert capriccio by C. Munier for mandolin with piano («Bizzarria», op. 201, Spanish сapriccio, op. 276) from the point of view of their genre specificity. Methodology. The research is based on the historical approach, which determines the specifics of the genre of Capriccio in the music of the late 19th and early 20th centuries and in the work of C. Munier; the computational and analytical methods used to identify the peculiarities of the formulation and the performing interpretation of the original concert pianos for mandolins with piano that, according to the genre orientation (according to the composerʼs remarks), are defined as capriccio. Scientific novelty. The creation of Florentine composer,61mandolinist-vertuoso and pedagog C. Munier, which made about 300 compositions, is exponential for represented scientific vector. Concert works by C. Munier for mandolin and piano, created in the capriccio genre, were not yet considered in the art of the outdoors, as the creativity and composer’s style of the famous mandolinist. Conclusions. Thus, appealing to capriccio by С. Munier, which created only two works, embodied in them virtually all the evolutionary stages of the development of genre. In his opus of this genre there are a vocal, inherent in capriccio of the 17th century solo presentation, virtuosity, originality, which were embodied in the works of 17th – 18th centuries and the national color of the 19th century is clearly expressed. Thus, the Spanish capriccio is a kind of «musical encyclopedia» of national dance, which features are characteristic features of bolero, tarantella, habanera, and so forth. The originality of opus number 201 – «Bizzarria», is embodied in the parameters of shaping (expanded cadence of the soloist in the beginning) and emphasized virtuosity, which is realized in a wide register range, a variety of technical elements.

The Germans and their Jewish Neighbors on the Ukrainian Areas at the Second Half of the 19th Century

2020 ◽  
pp. 17-27
Author(s):  
D. Meshkov
Keyword(s):  
Everyday Life ◽  
19Th Century ◽  
Russian Empire ◽  
Early Years ◽  
Criminal Cases ◽  
South West ◽  
Multiethnic Population ◽  
The Russian Empire ◽  
The 19Th Century ◽  
The Relationship

The article presents some of the author’s research results that has got while elaboration of the theme “Everyday life in the mirror of conflicts: Germans and their neighbors on the Southern and South-West periphery of the Russian Empire 1861–1914”. The relationship between Germans and Jews is studied in the context of the growing confrontation in Southern cities that resulted in a wave of pogroms. Sources are information provided by the police and court archival funds. The German colonists Ludwig Koenig and Alexandra Kirchner (the resident of Odessa) were involved into Odessa pogrom (1871), in particular. While Koenig with other rioters was arrested by the police, Kirchner led a crowd of rioters to the shop of her Jewish neighbor, whom she had a conflict with. The second part of the article is devoted to the analyses of unty-Jewish violence causes and history in Ak-Kerman at the second half of the 19th and early years of 20th centuries. Akkerman was one of the southern Bessarabia cities, where multiethnic population, including the Jews, grew rapidly. It was one of the reasons of the pogroms in 1865 and 1905. The author uses criminal cases` papers to analyze the reasons of the Germans participation in the civilian squads that had been organized to protect the population and their property in Ackerman and Shabo in 1905.

scholarly journals JEG SER DE BØGELYSE ØER – OG DETTE FOLK ER VORT: Om emotionalisering, subjektivering og danske sange

2000 ◽  
Author(s):  
Tine Damsholt
Keyword(s):  
Everyday Life ◽  
19Th Century ◽  
Landscape History ◽  
Danish Population ◽  
Individual Subject ◽  
Emotional Bonds ◽  
Bodily Experiences ◽  
The Individual ◽  
The 19Th Century

The article deals with questions of subjectivation. The emotional bonds between a landscape and the individual as interpreted in Danish patriotic songs from the 19th-century are seen as crucial in the process of subjectivation turning the Danish population into a patriotic or selfconscious people. In the songs the sensing self is turned into a Danish self, an individual subject but part of a certain landscape, history and nation. Furthermore the Danish folkhigh-schools are seen as institutions of subject-ivation, since singing patriotic songs here became a natural part of everyday life. In the light of the Foucauldian perspective the emotional and bodily experiences at the folk-highschools (often staged outdoors in the Danish landscape) are interpreted as "technologies of the national self", since it is precisely via individuals’ work with themselves that the national subjectivation takes place.  

Sign in / Sign up

Export Citation Format

Share Document